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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D899D3 it is the complementary color #27662C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D899D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D899D3 shade: #DD99CE, #EEABE1, #FFBDF4, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D899D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D899D3 shade: #D899D3, #C787C0, #B675AD, #A5639A and #945187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D899D3 shade: #D797D2, #D797C1, #D797AF, #D7979E and #D79797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D899D3 shade: #D797D2, #CB97D7, #BA97D7, #A897D7 and #9797D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D899D3 shade matches the following richer shades: #D797D2, #E38BDC, #EE80E6 and #FA74EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D899D3 shade: #D797D2, #CCA3C8, #C0AEBF, #B5BAB5 and #A9C5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D899D3 shade: #B997D7, #CA97D7, #D797D3, #D797C2 and #D797B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D899D3 shade: #C15BB8, #CC79C5, #D797D2, #E3B5DF and #EED3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D899D3 shade: #D899D3, #D7A897 and #97D7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D899D3 shade: #D899D3, #D3D797 and #97D3D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D899D3 shade: #D899D3, #D7A897, #97D79B and #97C6D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D899D3 shade: #D899D3, #D7BB97, #97D79B and #97B3D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 2 / 15

HEX #D899D3

RGB 216 153 211

HSL 304.76, 0.45%, 0.72%

LAB 70.93, 32.84, -20.27

 

Complementary color

CMYK 62 / 0 / 57 / 60

HEX #27662C

RGB 39 102 44

HSL 124.76, 0.45%, 0.28%

LAB 38.05, -33.42, 26.61

 

CMYK 0 / 31 / 7 / 13

HEX #DD99CE

RGB 221 153 206

HSL 313.24, 0.5%, 0.73%

LAB 71.29, 33.61, -16.91

 

CMYK 0 / 28 / 5 / 7

HEX #EEABE1

RGB 238 171 225

HSL 311.64, 0.66%, 0.8%

LAB 77.72, 32.93, -17.42

 

CMYK 0 / 26 / 4 / 0

HEX #FFBDF4

RGB 255 189 244

HSL 310, 1%, 0.87%

LAB 84.06, 32.3, -17.9

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 29 / 2 / 15

HEX #D899D3

RGB 216 153 211

HSL 304.76, 0.45%, 0.72%

LAB 70.93, 32.84, -20.27

 

CMYK 0 / 32 / 4 / 22

HEX #C787C0

RGB 199 135 192

HSL 306.56, 0.36%, 0.65%

LAB 64.38, 33.54, -19.81

 

CMYK 0 / 36 / 5 / 29

HEX #B675AD

RGB 182 117 173

HSL 308.31, 0.31%, 0.59%

LAB 57.74, 34.28, -19.31

 

CMYK 0 / 40 / 7 / 35

HEX #A5639A

RGB 165 99 154

HSL 310, 0.27%, 0.52%

LAB 50.99, 35.06, -18.75

 

CMYK 0 / 45 / 9 / 42

HEX #945187

RGB 148 81 135

HSL 311.64, 0.29%, 0.45%

LAB 44.13, 35.85, -18.1

 

CMYK 0 / 30 / 2 / 16

HEX #D797D2

RGB 215 151 210

HSL 304.69, 0.44%, 0.72%

LAB 70.34, 33.41, -20.62

 

CMYK 0 / 30 / 10 / 16

HEX #D797C1

RGB 215 151 193

HSL 320.63, 0.44%, 0.72%

LAB 69.78, 30.42, -12.05

 

CMYK 0 / 30 / 19 / 16

HEX #D797AF

RGB 215 151 175

HSL 337.5, 0.44%, 0.72%

LAB 69.24, 27.5, -2.83

 

CMYK 0 / 30 / 27 / 16

HEX #D7979E

RGB 215 151 158

HSL 353.44, 0.44%, 0.72%

LAB 68.79, 24.99, 5.99

 

CMYK 0 / 30 / 30 / 16

HEX #D79797

RGB 215 151 151

HSL 0, 0.44%, 0.72%

LAB 68.62, 24.04, 9.65

 

CMYK 0 / 30 / 2 / 16

HEX #D797D2

RGB 215 151 210

HSL 304.69, 0.44%, 0.72%

LAB 70.34, 33.41, -20.62

 

CMYK 6 / 30 / 0 / 16

HEX #CB97D7

RGB 203 151 215

HSL 288.75, 0.44%, 0.72%

LAB 69.28, 30.47, -25.11

 

CMYK 13 / 30 / 0 / 16

HEX #BA97D7

RGB 186 151 215

HSL 272.81, 0.44%, 0.72%

LAB 67.63, 25.07, -27.78

 

CMYK 22 / 30 / 0 / 16

HEX #A897D7

RGB 168 151 215

HSL 255.94, 0.44%, 0.72%

LAB 66.03, 19.48, -30.38

 

CMYK 30 / 30 / 0 / 16

HEX #9797D7

RGB 151 151 215

HSL 240, 0.44%, 0.72%

LAB 64.66, 14.41, -32.62

 

CMYK 0 / 30 / 2 / 16

HEX #D797D2

RGB 215 151 210

HSL 304.69, 0.44%, 0.72%

LAB 70.34, 33.41, -20.62

 

CMYK 0 / 39 / 3 / 11

HEX #E38BDC

RGB 227 139 220

HSL 304.77, 0.61%, 0.72%

LAB 69.44, 45.39, -27.4

 

CMYK 0 / 46 / 3 / 7

HEX #EE80E6

RGB 238 128 230

HSL 304.36, 0.76%, 0.72%

LAB 68.99, 55.96, -33.51

 

CMYK 0 / 54 / 4 / 2

HEX #FA74EF

RGB 250 116 239

HSL 304.93, 0.93%, 0.72%

LAB 68.79, 66.42, -38.67

 

CMYK 0 / 30 / 2 / 16

HEX #D797D2

RGB 215 151 210

HSL 304.69, 0.44%, 0.72%

LAB 70.34, 33.41, -20.62

 

CMYK 0 / 20 / 2 / 20

HEX #CCA3C8

RGB 204 163 200

HSL 305.85, 0.29%, 0.72%

LAB 71.69, 21.36, -13.17

 

CMYK 0 / 9 / 1 / 25

HEX #C0AEBF

RGB 192 174 191

HSL 303.33, 0.13%, 0.72%

LAB 73.05, 9.52, -6.31

 

CMYK 3 / 0 / 3 / 27

HEX #B5BAB5

RGB 181 186 181

HSL 120, 0.03%, 0.72%

LAB 75, -2.67, 1.91

 

CMYK 14 / 0 / 13 / 23

HEX #A9C5AB

RGB 169 197 171

HSL 124.29, 0.19%, 0.72%

LAB 76.87, -14.43, 9.9

 

CMYK 14 / 30 / 0 / 16

HEX #B997D7

RGB 185 151 215

HSL 271.88, 0.44%, 0.72%

LAB 67.54, 24.75, -27.93

 

CMYK 6 / 30 / 0 / 16

HEX #CA97D7

RGB 202 151 215

HSL 287.81, 0.44%, 0.72%

LAB 69.18, 30.15, -25.27

 

CMYK 0 / 30 / 2 / 16

HEX #D797D3

RGB 215 151 211

HSL 303.75, 0.44%, 0.72%

LAB 70.37, 33.6, -21.12

 

CMYK 0 / 30 / 10 / 16

HEX #D797C2

RGB 215 151 194

HSL 319.69, 0.44%, 0.72%

LAB 69.81, 30.59, -12.56

 

CMYK 0 / 30 / 18 / 16

HEX #D797B1

RGB 215 151 177

HSL 335.63, 0.44%, 0.72%

LAB 69.29, 27.81, -3.87

 

CMYK 0 / 53 / 5 / 24

HEX #C15BB8

RGB 193 91 184

HSL 305.29, 0.45%, 0.56%

LAB 54.32, 53.15, -30.79

 

CMYK 0 / 41 / 3 / 20

HEX #CC79C5

RGB 204 121 197

HSL 305.06, 0.45%, 0.64%

LAB 62.12, 43.56, -26.04

 

CMYK 0 / 30 / 2 / 16

HEX #D797D2

RGB 215 151 210

HSL 304.69, 0.44%, 0.72%

LAB 70.34, 33.41, -20.62

 

CMYK 0 / 20 / 2 / 11

HEX #E3B5DF

RGB 227 181 223

HSL 305.22, 0.45%, 0.8%

LAB 78.87, 23.58, -14.71

 

CMYK 0 / 11 / 1 / 7

HEX #EED3EC

RGB 238 211 236

HSL 304.44, 0.44%, 0.88%

LAB 87.4, 13.66, -8.83

 

CMYK 0 / 29 / 2 / 15

HEX #D899D3

RGB 216 153 211

HSL 304.76, 0.45%, 0.72%

LAB 70.93, 32.84, -20.27

 

CMYK 0 / 22 / 30 / 16

HEX #D7A897

RGB 215 168 151

HSL 15.94, 0.44%, 0.72%

LAB 72.69, 14.84, 15.39

 

CMYK 30 / 0 / 10 / 16

HEX #97D7C2

RGB 151 215 194

HSL 160.31, 0.44%, 0.72%

LAB 81.33, -24.71, 3.87

 

CMYK 0 / 29 / 2 / 15

HEX #D899D3

RGB 216 153 211

HSL 304.76, 0.45%, 0.72%

LAB 70.93, 32.84, -20.27

 

CMYK 2 / 0 / 30 / 16

HEX #D3D797

RGB 211 215 151

HSL 63.75, 0.44%, 0.72%

LAB 84.32, -11.39, 31.21

 

CMYK 30 / 2 / 0 / 16

HEX #97D3D7

RGB 151 211 215

HSL 183.75, 0.44%, 0.72%

LAB 80.78, -18.09, -8.15

 

CMYK 0 / 29 / 2 / 15

HEX #D899D3

RGB 216 153 211

HSL 304.76, 0.45%, 0.72%

LAB 70.93, 32.84, -20.27

 

CMYK 0 / 22 / 30 / 16

HEX #D7A897

RGB 215 168 151

HSL 15.94, 0.44%, 0.72%

LAB 72.69, 14.84, 15.39

 

CMYK 30 / 0 / 28 / 16

HEX #97D79B

RGB 151 215 155

HSL 123.75, 0.44%, 0.72%

LAB 80.49, -32.11, 23.29

 

CMYK 30 / 8 / 0 / 16

HEX #97C6D7

RGB 151 198 215

HSL 195.94, 0.44%, 0.72%

LAB 77.21, -11.41, -13.48

 

CMYK 0 / 29 / 2 / 15

HEX #D899D3

RGB 216 153 211

HSL 304.76, 0.45%, 0.72%

LAB 70.93, 32.84, -20.27

 

CMYK 0 / 13 / 30 / 16

HEX #D7BB97

RGB 215 187 151

HSL 33.75, 0.44%, 0.72%

LAB 77.41, 4.66, 21.93

 

CMYK 30 / 0 / 28 / 16

HEX #97D79B

RGB 151 215 155

HSL 123.75, 0.44%, 0.72%

LAB 80.49, -32.11, 23.29

 

CMYK 30 / 17 / 0 / 16

HEX #97B3D7

RGB 151 179 215

HSL 213.75, 0.44%, 0.72%

LAB 72.04, -1.26, -21.27

 

Description

Color code: HEX #D899D3 | qconv.com Color code: HEX #D899D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 153 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 153 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 2 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 2% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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