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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D88A8B it is the complementary color #277574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D88A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D88A8B shade: #DD8A86, #EE9C99, #FFAEAC, #FFC0BF and #FFD2D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D88A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D88A8B shade: #D88A8B, #C77878, #B66665, #A55452 and #94423F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D88A8B shade: #D78889 and #D78888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D88A8B shade: #D78889, #D7889E, #D788B4, #D788C9 and #D088D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D88A8B shade matches the following richer shades: #D78889, #E47B7C, #F16E70 and #FD6264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D88A8B shade: #D78889, #CA9595, #BDA2A2, #B1AEAE and #A4BBBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D88A8B shade: #D788B3, #D7889E, #D78889, #D79C88 and #D7B188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D88A8B shade: #C24A4C, #CD696A, #D78889, #E1A7A8 and #ECC6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D88A8B shade: #D88A8B, #C8D788 and #88A9D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D88A8B shade: #D88A8B, #89D788 and #8889D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D88A8B shade: #D88A8B, #C8D788, #88D7D6 and #9688D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D88A8B shade: #D88A8B, #B1D788, #88D7D6 and #AE88D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 36 / 15

HEX #D88A8B

RGB 216 138 139

HSL 359.23, 0.5%, 0.69%

LAB 65.47, 29.89, 11.94

 

Complementary color

CMYK 67 / 0 / 1 / 54

HEX #277574

RGB 39 117 116

HSL 179.23, 0.5%, 0.31%

LAB 44.82, -23.4, -6.42

 

CMYK 0 / 38 / 39 / 13

HEX #DD8A86

RGB 221 138 134

HSL 2.76, 0.56%, 0.7%

LAB 65.96, 31.19, 15.53

 

CMYK 0 / 34 / 36 / 7

HEX #EE9C99

RGB 238 156 153

HSL 2.12, 0.71%, 0.77%

LAB 72.4, 30.25, 14.25

 

CMYK 0 / 32 / 33 / 0

HEX #FFAEAC

RGB 255 174 172

HSL 1.45, 1%, 0.84%

LAB 78.76, 29.4, 13.1

 

CMYK 0 / 25 / 25 / 0

HEX #FFC0BF

RGB 255 192 191

HSL 0.94, 1%, 0.87%

LAB 83.3, 22.44, 9.32

 

CMYK 0 / 18 / 18 / 0

HEX #FFD2D2

RGB 255 210 210

HSL 0, 1%, 0.91%

LAB 87.97, 15.76, 5.94

 

CMYK 0 / 36 / 36 / 15

HEX #D88A8B

RGB 216 138 139

HSL 359.23, 0.5%, 0.69%

LAB 65.47, 29.89, 11.94

 

CMYK 0 / 40 / 40 / 22

HEX #C77878

RGB 199 120 120

HSL 0, 0.41%, 0.63%

LAB 58.91, 30.86, 13.25

 

CMYK 0 / 44 / 45 / 29

HEX #B66665

RGB 182 102 101

HSL 0.74, 0.36%, 0.55%

LAB 52.27, 31.92, 14.75

 

CMYK 0 / 49 / 50 / 35

HEX #A55452

RGB 165 84 82

HSL 1.45, 0.34%, 0.48%

LAB 45.56, 33.07, 16.51

 

CMYK 0 / 55 / 57 / 42

HEX #94423F

RGB 148 66 63

HSL 2.12, 0.4%, 0.41%

LAB 38.81, 34.28, 18.63

 

CMYK 0 / 37 / 36 / 16

HEX #D78889

RGB 215 136 137

HSL 359.24, 0.5%, 0.69%

LAB 64.85, 30.34, 12.18

 

CMYK 0 / 37 / 37 / 16

HEX #D78888

RGB 215 136 136

HSL 0, 0.5%, 0.69%

LAB 64.83, 30.22, 12.71

 

CMYK 0 / 37 / 36 / 16

HEX #D78889

RGB 215 136 137

HSL 359.24, 0.5%, 0.69%

LAB 64.85, 30.34, 12.18

 

CMYK 0 / 37 / 27 / 16

HEX #D7889E

RGB 215 136 158

HSL 343.29, 0.5%, 0.69%

LAB 65.38, 33.08, 1.06

 

CMYK 0 / 37 / 16 / 16

HEX #D788B4

RGB 215 136 180

HSL 326.58, 0.5%, 0.69%

LAB 66.02, 36.35, -10.41

 

CMYK 0 / 37 / 7 / 16

HEX #D788C9

RGB 215 136 201

HSL 310.63, 0.5%, 0.69%

LAB 66.73, 39.84, -21.12

 

CMYK 3 / 37 / 0 / 16

HEX #D088D7

RGB 208 136 215

HSL 294.68, 0.5%, 0.69%

LAB 66.46, 40.18, -29.4

 

CMYK 0 / 37 / 36 / 16

HEX #D78889

RGB 215 136 137

HSL 359.24, 0.5%, 0.69%

LAB 64.85, 30.34, 12.18

 

CMYK 0 / 46 / 46 / 11

HEX #E47B7C

RGB 228 123 124

HSL 359.43, 0.66%, 0.69%

LAB 63.44, 40.58, 17.82

 

CMYK 0 / 54 / 54 / 5

HEX #F16E70

RGB 241 110 112

HSL 359.08, 0.82%, 0.69%

LAB 62.53, 50.57, 23.71

 

CMYK 0 / 61 / 60 / 1

HEX #FD6264

RGB 253 98 100

HSL 359.23, 0.97%, 0.69%

LAB 62.12, 59.17, 30.33

 

CMYK 0 / 37 / 36 / 16

HEX #D78889

RGB 215 136 137

HSL 359.24, 0.5%, 0.69%

LAB 64.85, 30.34, 12.18

 

CMYK 0 / 26 / 26 / 21

HEX #CA9595

RGB 202 149 149

HSL 0, 0.33%, 0.69%

LAB 66.69, 19.92, 7.83

 

CMYK 0 / 14 / 14 / 26

HEX #BDA2A2

RGB 189 162 162

HSL 0, 0.17%, 0.69%

LAB 68.95, 9.88, 3.66

 

CMYK 0 / 2 / 2 / 31

HEX #B1AEAE

RGB 177 174 174

HSL 0, 0.02%, 0.69%

LAB 71.33, 1.07, 0.37

 

CMYK 12 / 0 / 0 / 27

HEX #A4BBBB

RGB 164 187 187

HSL 180, 0.14%, 0.69%

LAB 74.2, -7.82, -2.66

 

CMYK 0 / 37 / 17 / 16

HEX #D788B3

RGB 215 136 179

HSL 327.34, 0.5%, 0.69%

LAB 65.99, 36.19, -9.89

 

CMYK 0 / 37 / 27 / 16

HEX #D7889E

RGB 215 136 158

HSL 343.29, 0.5%, 0.69%

LAB 65.38, 33.08, 1.06

 

CMYK 0 / 37 / 36 / 16

HEX #D78889

RGB 215 136 137

HSL 359.24, 0.5%, 0.69%

LAB 64.85, 30.34, 12.18

 

CMYK 0 / 27 / 37 / 16

HEX #D79C88

RGB 215 156 136

HSL 15.19, 0.5%, 0.69%

LAB 69.47, 19.42, 19.17

 

CMYK 0 / 18 / 37 / 16

HEX #D7B188

RGB 215 177 136

HSL 31.14, 0.5%, 0.69%

LAB 74.62, 8.11, 26.16

 

CMYK 0 / 62 / 61 / 24

HEX #C24A4C

RGB 194 74 76

HSL 359, 0.5%, 0.53%

LAB 48.12, 48.2, 24.32

 

CMYK 0 / 49 / 48 / 20

HEX #CD696A

RGB 205 105 106

HSL 359.4, 0.5%, 0.61%

LAB 56.21, 39.56, 17.74

 

CMYK 0 / 37 / 36 / 16

HEX #D78889

RGB 215 136 137

HSL 359.24, 0.5%, 0.69%

LAB 64.85, 30.34, 12.18

 

CMYK 0 / 26 / 25 / 12

HEX #E1A7A8

RGB 225 167 168

HSL 358.97, 0.49%, 0.77%

LAB 73.85, 21.49, 7.86

 

CMYK 0 / 16 / 16 / 7

HEX #ECC6C6

RGB 236 198 198

HSL 0, 0.5%, 0.85%

LAB 83.07, 13.44, 5.02

 

CMYK 0 / 36 / 36 / 15

HEX #D88A8B

RGB 216 138 139

HSL 359.23, 0.5%, 0.69%

LAB 65.47, 29.89, 11.94

 

CMYK 7 / 0 / 37 / 16

HEX #C8D788

RGB 200 215 136

HSL 71.39, 0.5%, 0.69%

LAB 83.26, -17.44, 37.32

 

CMYK 37 / 21 / 0 / 16

HEX #88A9D7

RGB 136 169 215

HSL 214.94, 0.5%, 0.69%

LAB 68.4, -0.01, -26.93

 

CMYK 0 / 36 / 36 / 15

HEX #D88A8B

RGB 216 138 139

HSL 359.23, 0.5%, 0.69%

LAB 65.47, 29.89, 11.94

 

CMYK 36 / 0 / 37 / 16

HEX #89D788

RGB 137 215 136

HSL 119.24, 0.5%, 0.69%

LAB 79.44, -39.64, 31.6

 

CMYK 37 / 36 / 0 / 16

HEX #8889D7

RGB 136 137 215

HSL 239.24, 0.5%, 0.69%

LAB 59.92, 18.29, -40.1

 

CMYK 0 / 36 / 36 / 15

HEX #D88A8B

RGB 216 138 139

HSL 359.23, 0.5%, 0.69%

LAB 65.47, 29.89, 11.94

 

CMYK 7 / 0 / 37 / 16

HEX #C8D788

RGB 200 215 136

HSL 71.39, 0.5%, 0.69%

LAB 83.26, -17.44, 37.32

 

CMYK 37 / 0 / 0 / 16

HEX #88D7D6

RGB 136 215 214

HSL 179.24, 0.5%, 0.69%

LAB 81.12, -24.39, -7.19

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 0 / 36 / 36 / 15

HEX #D88A8B

RGB 216 138 139

HSL 359.23, 0.5%, 0.69%

LAB 65.47, 29.89, 11.94

 

CMYK 18 / 0 / 37 / 16

HEX #B1D788

RGB 177 215 136

HSL 88.86, 0.5%, 0.69%

LAB 81.69, -26.03, 34.97

 

CMYK 37 / 0 / 0 / 16

HEX #88D7D6

RGB 136 215 214

HSL 179.24, 0.5%, 0.69%

LAB 81.12, -24.39, -7.19

 

CMYK 19 / 37 / 0 / 16

HEX #AE88D7

RGB 174 136 215

HSL 268.86, 0.5%, 0.69%

LAB 62.94, 29.78, -35.14

 

Description

Color code: HEX #D88A8B | qconv.com Color code: HEX #D88A8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 138 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 138 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 36 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 36% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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