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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D872A4 it is the complementary color #278D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D872A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D872A4 shade: #DD729F, #EE84B2, #FF96C5, #FFA8D8 and #FFBAEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D872A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D872A4 shade: #D872A4, #C76091, #B64E7E, #A53C6B and #942A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D872A4 shade: #D872A4, #D87289 and #D87272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D872A4 shade: #D872A4, #D872C0, #D572D8, #BA72D8 and #9E72D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D872A4 shade matches the following richer shades: #D872A4, #E764A4 and #F555A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D872A4 shade: #D872A4, #CA81A5, #BB8FA5, #AD9EA5 and #9EACA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D872A4 shade: #D572D8, #D872C0, #D872A5, #D8728A and #D87672

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D872A4 shade: #C3357B, #CF528F, #D872A4, #E193B9 and #EAB3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D872A4 shade: #D872A4, #D8BA72 and #72CED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D872A4 shade: #D872A4, #A5D872 and #72A5D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D872A4 shade: #D872A4, #D8BA72, #72D8A5 and #7291D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D872A4 shade: #D872A4, #D8D872, #72D8A5 and #7272D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

Complementary color

CMYK 72 / 0 / 35 / 45

HEX #278D5B

RGB 39 141 91

HSL 150.59, 0.57%, 0.35%

LAB 52.1, -40.99, 18.54

 

CMYK 0 / 48 / 28 / 13

HEX #DD729F

RGB 221 114 159

HSL 334.77, 0.61%, 0.66%

LAB 61.58, 46.74, -5

 

CMYK 0 / 45 / 25 / 7

HEX #EE84B2

RGB 238 132 178

HSL 333.96, 0.76%, 0.73%

LAB 67.94, 45.93, -6.12

 

CMYK 0 / 41 / 23 / 0

HEX #FF96C5

RGB 255 150 197

HSL 333.14, 1%, 0.79%

LAB 74.26, 45.12, -7.1

 

CMYK 0 / 34 / 15 / 0

HEX #FFA8D8

RGB 255 168 216

HSL 326.9, 1%, 0.83%

LAB 78.59, 38.67, -11.05

 

CMYK 0 / 27 / 8 / 0

HEX #FFBAEB

RGB 255 186 235

HSL 317.39, 1%, 0.86%

LAB 83.11, 32.34, -14.52

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 52 / 27 / 22

HEX #C76091

RGB 199 96 145

HSL 331.46, 0.48%, 0.58%

LAB 54.61, 46.53, -7.54

 

CMYK 0 / 57 / 31 / 29

HEX #B64E7E

RGB 182 78 126

HSL 332.31, 0.42%, 0.51%

LAB 48.13, 47.22, -6.14

 

CMYK 0 / 64 / 35 / 35

HEX #A53C6B

RGB 165 60 107

HSL 333.14, 0.47%, 0.44%

LAB 41.68, 47.72, -4.4

 

CMYK 0 / 72 / 41 / 42

HEX #942A58

RGB 148 42 88

HSL 333.96, 0.56%, 0.37%

LAB 35.31, 47.83, -2.13

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 47 / 37 / 15

HEX #D87289

RGB 216 114 137

HSL 346.47, 0.57%, 0.65%

LAB 60.28, 42.26, 5.71

 

CMYK 0 / 47 / 47 / 15

HEX #D87272

RGB 216 114 114

HSL 0, 0.57%, 0.65%

LAB 59.75, 39.79, 18.21

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 47 / 11 / 15

HEX #D872C0

RGB 216 114 192

HSL 314.12, 0.57%, 0.65%

LAB 62.03, 50.01, -23.22

 

CMYK 1 / 47 / 0 / 15

HEX #D572D8

RGB 213 114 216

HSL 298.24, 0.57%, 0.65%

LAB 62.62, 53.24, -35.86

 

CMYK 14 / 47 / 0 / 15

HEX #BA72D8

RGB 186 114 216

HSL 282.35, 0.57%, 0.65%

LAB 59.37, 45.59, -41.19

 

CMYK 27 / 47 / 0 / 15

HEX #9E72D8

RGB 158 114 216

HSL 265.88, 0.57%, 0.65%

LAB 56.35, 37.83, -46.16

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 57 / 29 / 9

HEX #E764A4

RGB 231 100 164

HSL 330.69, 0.73%, 0.65%

LAB 60.59, 57.28, -9.19

 

CMYK 0 / 65 / 33 / 4

HEX #F555A4

RGB 245 85 164

HSL 330.38, 0.89%, 0.65%

LAB 60.42, 67.69, -9.22

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 36 / 18 / 21

HEX #CA81A5

RGB 202 129 165

HSL 330.41, 0.41%, 0.65%

LAB 62.49, 33.24, -7.35

 

CMYK 0 / 24 / 12 / 27

HEX #BB8FA5

RGB 187 143 165

HSL 330, 0.24%, 0.65%

LAB 64.1, 20.17, -5.13

 

CMYK 0 / 9 / 5 / 32

HEX #AD9EA5

RGB 173 158 165

HSL 332, 0.08%, 0.65%

LAB 66.56, 6.74, -1.66

 

CMYK 8 / 0 / 4 / 33

HEX #9EACA5

RGB 158 172 165

HSL 150, 0.08%, 0.65%

LAB 69.11, -6.26, 1.91

 

CMYK 1 / 47 / 0 / 15

HEX #D572D8

RGB 213 114 216

HSL 298.24, 0.57%, 0.65%

LAB 62.62, 53.24, -35.86

 

CMYK 0 / 47 / 11 / 15

HEX #D872C0

RGB 216 114 192

HSL 314.12, 0.57%, 0.65%

LAB 62.03, 50.01, -23.22

 

CMYK 0 / 47 / 24 / 15

HEX #D872A5

RGB 216 114 165

HSL 330, 0.57%, 0.65%

LAB 61.09, 45.9, -9.24

 

CMYK 0 / 47 / 36 / 15

HEX #D8728A

RGB 216 114 138

HSL 345.88, 0.57%, 0.65%

LAB 60.31, 42.38, 5.16

 

CMYK 0 / 45 / 47 / 15

HEX #D87672

RGB 216 118 114

HSL 2.35, 0.57%, 0.65%

LAB 60.58, 37.73, 19.34

 

CMYK 0 / 73 / 37 / 24

HEX #C3357B

RGB 195 53 123

HSL 330.42, 0.57%, 0.49%

LAB 46.42, 61.08, -6.65

 

CMYK 0 / 60 / 31 / 19

HEX #CF528F

RGB 207 82 143

HSL 330.72, 0.57%, 0.57%

LAB 53.26, 55.39, -8.25

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 35 / 18 / 12

HEX #E193B9

RGB 225 147 185

HSL 330.77, 0.57%, 0.73%

LAB 69.74, 34.72, -7.54

 

CMYK 0 / 24 / 12 / 8

HEX #EAB3CE

RGB 234 179 206

HSL 330.55, 0.57%, 0.81%

LAB 78.57, 24.1, -5.89

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 14 / 47 / 15

HEX #D8BA72

RGB 216 186 114

HSL 42.35, 0.57%, 0.65%

LAB 76.64, 1.39, 40.31

 

CMYK 47 / 5 / 0 / 15

HEX #72CED8

RGB 114 206 216

HSL 185.88, 0.57%, 0.65%

LAB 77.68, -24.78, -13.48

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 24 / 0 / 47 / 15

HEX #A5D872

RGB 165 216 114

HSL 90, 0.57%, 0.65%

LAB 80.92, -33.59, 44.79

 

CMYK 47 / 24 / 0 / 15

HEX #72A5D8

RGB 114 165 216

HSL 210, 0.57%, 0.65%

LAB 66.09, -3.18, -31.14

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 14 / 47 / 15

HEX #D8BA72

RGB 216 186 114

HSL 42.35, 0.57%, 0.65%

LAB 76.64, 1.39, 40.31

 

CMYK 47 / 0 / 24 / 15

HEX #72D8A5

RGB 114 216 165

HSL 150, 0.57%, 0.65%

LAB 79.27, -41.4, 16.1

 

CMYK 47 / 33 / 0 / 15

HEX #7291D8

RGB 114 145 216

HSL 221.76, 0.57%, 0.65%

LAB 60.59, 8.24, -39.71

 

CMYK 0 / 47 / 24 / 15

HEX #D872A4

RGB 216 114 164

HSL 330.59, 0.57%, 0.65%

LAB 61.06, 45.76, -8.71

 

CMYK 0 / 0 / 47 / 15

HEX #D8D872

RGB 216 216 114

HSL 60, 0.57%, 0.65%

LAB 84.45, -14.01, 49.89

 

CMYK 47 / 0 / 24 / 15

HEX #72D8A5

RGB 114 216 165

HSL 150, 0.57%, 0.65%

LAB 79.27, -41.4, 16.1

 

CMYK 47 / 47 / 0 / 15

HEX #7272D8

RGB 114 114 216

HSL 240, 0.57%, 0.65%

LAB 52.48, 26.7, -52.56

 

Description

Color code: HEX #D872A4 | qconv.com Color code: HEX #D872A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 114 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 114 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 24 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 24% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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