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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8799D it is the complementary color #278662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8799D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8799D shade: #DD7998, #EE8BAB, #FF9DBE, #FFAFD1 and #FFC1E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8799D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8799D shade: #D8799D, #C7678A, #B65577, #A54364 and #943151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8799D shade: #D7789C, #D77883 and #D77878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8799D shade: #D7789C, #D778B6, #D778D0, #C678D7 and #AC78D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8799D shade matches the following richer shades: #D7789C, #E66A99 and #F45C95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8799D shade: #D7789C, #C986A0, #BB94A3, #ADA2A6 and #9FB0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8799D shade: #D778D0, #D778B6, #D7789D, #D77883 and #D78678

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8799D shade: #C4396E, #CE5885, #D7789C, #E198B4 and #EAB8CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8799D shade: #D8799D, #D7C678 and #78C3D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8799D shade: #D8799D, #9DD778 and #789DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8799D shade: #D8799D, #D7C678, #78D7B3 and #788AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8799D shade: #D8799D, #CCD778, #78D7B3 and #8378D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 27 / 15

HEX #D8799D

RGB 216 121 157

HSL 337.26, 0.55%, 0.66%

LAB 62.26, 41.2, -2.92

 

Complementary color

CMYK 71 / 0 / 27 / 47

HEX #278662

RGB 39 134 98

HSL 157.26, 0.55%, 0.34%

LAB 49.93, -36.42, 11.57

 

CMYK 0 / 45 / 31 / 13

HEX #DD7998

RGB 221 121 152

HSL 341.4, 0.6%, 0.67%

LAB 62.77, 42.28, 0.77

 

CMYK 0 / 42 / 28 / 7

HEX #EE8BAB

RGB 238 139 171

HSL 340.61, 0.74%, 0.74%

LAB 69.17, 41.41, -0.38

 

CMYK 0 / 38 / 25 / 0

HEX #FF9DBE

RGB 255 157 190

HSL 339.8, 1%, 0.81%

LAB 75.51, 40.57, -1.4

 

CMYK 0 / 31 / 18 / 0

HEX #FFAFD1

RGB 255 175 209

HSL 334.5, 1%, 0.84%

LAB 79.91, 33.96, -5.29

 

CMYK 0 / 24 / 11 / 0

HEX #FFC1E4

RGB 255 193 228

HSL 326.13, 1%, 0.88%

LAB 84.48, 27.5, -8.73

 

CMYK 0 / 44 / 27 / 15

HEX #D8799D

RGB 216 121 157

HSL 337.26, 0.55%, 0.66%

LAB 62.26, 41.2, -2.92

 

CMYK 0 / 48 / 31 / 22

HEX #C7678A

RGB 199 103 138

HSL 338.13, 0.46%, 0.59%

LAB 55.76, 42.06, -1.73

 

CMYK 0 / 53 / 35 / 29

HEX #B65577

RGB 182 85 119

HSL 338.97, 0.4%, 0.52%

LAB 49.22, 42.91, -0.32

 

CMYK 0 / 59 / 39 / 35

HEX #A54364

RGB 165 67 100

HSL 339.8, 0.42%, 0.45%

LAB 42.66, 43.66, 1.39

 

CMYK 0 / 67 / 45 / 42

HEX #943151

RGB 148 49 81

HSL 340.61, 0.5%, 0.39%

LAB 36.15, 44.19, 3.58

 

CMYK 0 / 44 / 27 / 16

HEX #D7789C

RGB 215 120 156

HSL 337.26, 0.54%, 0.66%

LAB 61.9, 41.24, -2.9

 

CMYK 0 / 44 / 39 / 16

HEX #D77883

RGB 215 120 131

HSL 353.05, 0.54%, 0.66%

LAB 61.24, 38.11, 10.5

 

CMYK 0 / 44 / 44 / 16

HEX #D77878

RGB 215 120 120

HSL 0, 0.54%, 0.66%

LAB 60.99, 36.91, 16.45

 

CMYK 0 / 44 / 27 / 16

HEX #D7789C

RGB 215 120 156

HSL 337.26, 0.54%, 0.66%

LAB 61.9, 41.24, -2.9

 

CMYK 0 / 44 / 15 / 16

HEX #D778B6

RGB 215 120 182

HSL 320.84, 0.54%, 0.66%

LAB 62.72, 45.06, -16.5

 

CMYK 0 / 44 / 3 / 16

HEX #D778D0

RGB 215 120 208

HSL 304.42, 0.54%, 0.66%

LAB 63.7, 49.39, -29.69

 

CMYK 8 / 44 / 0 / 16

HEX #C678D7

RGB 198 120 215

HSL 289.26, 0.54%, 0.66%

LAB 61.95, 45.66, -36.49

 

CMYK 20 / 44 / 0 / 16

HEX #AC78D7

RGB 172 120 215

HSL 272.84, 0.54%, 0.66%

LAB 59.08, 38.15, -41.2

 

CMYK 0 / 44 / 27 / 16

HEX #D7789C

RGB 215 120 156

HSL 337.26, 0.54%, 0.66%

LAB 61.9, 41.24, -2.9

 

CMYK 0 / 54 / 33 / 10

HEX #E66A99

RGB 230 106 153

HSL 337.26, 0.71%, 0.66%

LAB 61.16, 52.84, -2.01

 

CMYK 0 / 62 / 39 / 4

HEX #F45C95

RGB 244 92 149

HSL 337.5, 0.87%, 0.66%

LAB 60.83, 62.98, 0.07

 

CMYK 0 / 44 / 27 / 16

HEX #D7789C

RGB 215 120 156

HSL 337.26, 0.54%, 0.66%

LAB 61.9, 41.24, -2.9

 

CMYK 0 / 33 / 20 / 21

HEX #C986A0

RGB 201 134 160

HSL 336.72, 0.38%, 0.66%

LAB 63.35, 29.4, -3.24

 

CMYK 0 / 21 / 13 / 27

HEX #BB94A3

RGB 187 148 163

HSL 336.92, 0.22%, 0.66%

LAB 65.27, 17.05, -2.28

 

CMYK 0 / 6 / 4 / 32

HEX #ADA2A6

RGB 173 162 166

HSL 338.18, 0.06%, 0.66%

LAB 67.63, 4.71, -0.65

 

CMYK 10 / 0 / 3 / 31

HEX #9FB0AA

RGB 159 176 170

HSL 158.82, 0.1%, 0.66%

LAB 70.4, -7.08, 1.05

 

CMYK 0 / 44 / 3 / 16

HEX #D778D0

RGB 215 120 208

HSL 304.42, 0.54%, 0.66%

LAB 63.7, 49.39, -29.69

 

CMYK 0 / 44 / 15 / 16

HEX #D778B6

RGB 215 120 182

HSL 320.84, 0.54%, 0.66%

LAB 62.72, 45.06, -16.5

 

CMYK 0 / 44 / 27 / 16

HEX #D7789D

RGB 215 120 157

HSL 336.63, 0.54%, 0.66%

LAB 61.92, 41.38, -3.43

 

CMYK 0 / 44 / 39 / 16

HEX #D77883

RGB 215 120 131

HSL 353.05, 0.54%, 0.66%

LAB 61.24, 38.11, 10.5

 

CMYK 0 / 38 / 44 / 16

HEX #D78678

RGB 215 134 120

HSL 8.84, 0.54%, 0.66%

LAB 64.04, 29.5, 20.63

 

CMYK 0 / 71 / 44 / 23

HEX #C4396E

RGB 196 57 110

HSL 337.12, 0.55%, 0.5%

LAB 46.69, 58.62, 1.74

 

CMYK 0 / 57 / 35 / 19

HEX #CE5885

RGB 206 88 133

HSL 337.12, 0.55%, 0.58%

LAB 53.81, 51.15, -1.53

 

CMYK 0 / 44 / 27 / 16

HEX #D7789C

RGB 215 120 156

HSL 337.26, 0.54%, 0.66%

LAB 61.9, 41.24, -2.9

 

CMYK 0 / 32 / 20 / 12

HEX #E198B4

RGB 225 152 180

HSL 336.99, 0.55%, 0.74%

LAB 70.7, 31.29, -3.33

 

CMYK 0 / 21 / 13 / 8

HEX #EAB8CB

RGB 234 184 203

HSL 337.2, 0.54%, 0.82%

LAB 79.66, 20.95, -2.66

 

CMYK 0 / 44 / 27 / 15

HEX #D8799D

RGB 216 121 157

HSL 337.26, 0.55%, 0.66%

LAB 62.26, 41.2, -2.92

 

CMYK 0 / 8 / 44 / 16

HEX #D7C678

RGB 215 198 120

HSL 49.26, 0.54%, 0.66%

LAB 79.72, -4.69, 41.13

 

CMYK 44 / 9 / 0 / 16

HEX #78C3D7

RGB 120 195 215

HSL 192.63, 0.54%, 0.66%

LAB 74.78, -18.08, -17.29

 

CMYK 0 / 44 / 27 / 15

HEX #D8799D

RGB 216 121 157

HSL 337.26, 0.55%, 0.66%

LAB 62.26, 41.2, -2.92

 

CMYK 27 / 0 / 44 / 16

HEX #9DD778

RGB 157 215 120

HSL 96.63, 0.54%, 0.66%

LAB 80.25, -35.26, 40.92

 

CMYK 44 / 27 / 0 / 16

HEX #789DD7

RGB 120 157 215

HSL 216.63, 0.54%, 0.66%

LAB 64.17, 2.52, -33.54

 

CMYK 0 / 44 / 27 / 15

HEX #D8799D

RGB 216 121 157

HSL 337.26, 0.55%, 0.66%

LAB 62.26, 41.2, -2.92

 

CMYK 0 / 8 / 44 / 16

HEX #D7C678

RGB 215 198 120

HSL 49.26, 0.54%, 0.66%

LAB 79.72, -4.69, 41.13

 

CMYK 44 / 0 / 17 / 16

HEX #78D7B3

RGB 120 215 179

HSL 157.26, 0.54%, 0.66%

LAB 79.53, -36.49, 9.07

 

CMYK 44 / 36 / 0 / 16

HEX #788AD7

RGB 120 138 215

HSL 228.63, 0.54%, 0.66%

LAB 59.04, 13.52, -41.55

 

CMYK 0 / 44 / 27 / 15

HEX #D8799D

RGB 216 121 157

HSL 337.26, 0.55%, 0.66%

LAB 62.26, 41.2, -2.92

 

CMYK 5 / 0 / 44 / 16

HEX #CCD778

RGB 204 215 120

HSL 66.95, 0.54%, 0.66%

LAB 83.33, -17.68, 45.43

 

CMYK 44 / 0 / 17 / 16

HEX #78D7B3

RGB 120 215 179

HSL 157.26, 0.54%, 0.66%

LAB 79.53, -36.49, 9.07

 

CMYK 39 / 44 / 0 / 16

HEX #8378D7

RGB 131 120 215

HSL 246.95, 0.54%, 0.66%

LAB 55.24, 26.97, -47.51

 

Description

Color code: HEX #D8799D | qconv.com Color code: HEX #D8799D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 121 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 121 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 27% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Fundación Universita...
Link: http://www.konradlorenz.edu.co

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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