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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D85C91 it is the complementary color #27A36E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D85C91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D85C91 shade: #DD5C8C, #EE6E9F, #FF80B2, #FF92C5 and #FFA4D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D85C91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D85C91 shade: #D85C91, #C74A7E, #B6386B, #A52658 and #941445

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D85C91 shade: #D75A8F, #D75A6E and #D75A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D85C91 shade: #D75A8F, #D75AB1, #D75AD3, #B95AD7 and #985AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D85C91 shade matches the following richer shades: #D75A8F, #E74A8D and #F8398B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D85C91 shade: #D75A8F, #C66B92, #B67B94, #A58C97 and #959C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D85C91 shade: #D75AD3, #D75AB1, #D75A90, #D75A6F and #D7675A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D85C91 shade: #B32B65, #CF3979, #D75A8F, #DF7BA6 and #E79DBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D85C91 shade: #D85C91, #D7BA5A and #5AC2D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D85C91 shade: #D85C91, #90D75A and #5A90D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D85C91 shade: #D85C91, #D7BA5A, #5AD7A1 and #5A77D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D85C91 shade: #D85C91, #CED75A, #5AD7A1 and #635AD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 33 / 15

HEX #D85C91

RGB 216 92 145

HSL 334.35, 0.61%, 0.6%

LAB 56.38, 53.92, -4.63

 

Complementary color

CMYK 76 / 0 / 33 / 36

HEX #27A36E

RGB 39 163 110

HSL 154.35, 0.61%, 0.4%

LAB 59.66, -45.82, 18.25

 

CMYK 0 / 58 / 37 / 13

HEX #DD5C8C

RGB 221 92 140

HSL 337.67, 0.65%, 0.61%

LAB 57, 54.92, -0.71

 

CMYK 0 / 54 / 33 / 7

HEX #EE6E9F

RGB 238 110 159

HSL 337.03, 0.79%, 0.68%

LAB 63.2, 54.25, -2.33

 

CMYK 0 / 50 / 30 / 0

HEX #FF80B2

RGB 255 128 178

HSL 336.38, 1%, 0.75%

LAB 69.41, 53.5, -3.7

 

CMYK 0 / 43 / 23 / 0

HEX #FF92C5

RGB 255 146 197

HSL 331.93, 1%, 0.79%

LAB 73.45, 47.14, -8.3

 

CMYK 0 / 36 / 15 / 0

HEX #FFA4D8

RGB 255 164 216

HSL 325.71, 1%, 0.82%

LAB 77.74, 40.75, -12.32

 

CMYK 0 / 57 / 33 / 15

HEX #D85C91

RGB 216 92 145

HSL 334.35, 0.61%, 0.6%

LAB 56.38, 53.92, -4.63

 

CMYK 0 / 63 / 37 / 22

HEX #C74A7E

RGB 199 74 126

HSL 335.04, 0.53%, 0.54%

LAB 50.15, 54.42, -2.86

 

CMYK 0 / 69 / 41 / 29

HEX #B6386B

RGB 182 56 107

HSL 335.71, 0.53%, 0.47%

LAB 44, 54.59, -0.65

 

CMYK 0 / 77 / 47 / 35

HEX #A52658

RGB 165 38 88

HSL 336.38, 0.63%, 0.4%

LAB 38, 54.21, 2.18

 

CMYK 0 / 86 / 53 / 42

HEX #941445

RGB 148 20 69

HSL 337.03, 0.76%, 0.33%

LAB 32.32, 52.86, 5.9

 

CMYK 0 / 58 / 33 / 16

HEX #D75A8F

RGB 215 90 143

HSL 334.56, 0.61%, 0.6%

LAB 55.83, 54.28, -4.3

 

CMYK 0 / 58 / 49 / 16

HEX #D75A6E

RGB 215 90 110

HSL 350.4, 0.61%, 0.6%

LAB 54.95, 50.81, 13.9

 

CMYK 0 / 58 / 58 / 16

HEX #D75A5A

RGB 215 90 90

HSL 0, 0.61%, 0.6%

LAB 54.55, 49.18, 25.09

 

CMYK 0 / 58 / 33 / 16

HEX #D75A8F

RGB 215 90 143

HSL 334.56, 0.61%, 0.6%

LAB 55.83, 54.28, -4.3

 

CMYK 0 / 58 / 18 / 16

HEX #D75AB1

RGB 215 90 177

HSL 318.24, 0.61%, 0.6%

LAB 57.01, 58.79, -22.34

 

CMYK 0 / 58 / 2 / 16

HEX #D75AD3

RGB 215 90 211

HSL 301.92, 0.61%, 0.6%

LAB 58.47, 64.13, -39.52

 

CMYK 14 / 58 / 0 / 16

HEX #B95AD7

RGB 185 90 215

HSL 285.6, 0.61%, 0.6%

LAB 54.59, 57.27, -48.19

 

CMYK 29 / 58 / 0 / 16

HEX #985AD7

RGB 152 90 215

HSL 269.76, 0.61%, 0.6%

LAB 50.56, 49.2, -54.85

 

CMYK 0 / 58 / 33 / 16

HEX #D75A8F

RGB 215 90 143

HSL 334.56, 0.61%, 0.6%

LAB 55.83, 54.28, -4.3

 

CMYK 0 / 68 / 39 / 9

HEX #E74A8D

RGB 231 74 141

HSL 334.39, 0.77%, 0.6%

LAB 55.9, 65.45, -2.73

 

CMYK 0 / 77 / 44 / 3

HEX #F8398B

RGB 248 57 139

HSL 334.24, 0.93%, 0.6%

LAB 56.83, 75.31, 0.16

 

CMYK 0 / 58 / 33 / 16

HEX #D75A8F

RGB 215 90 143

HSL 334.56, 0.61%, 0.6%

LAB 55.83, 54.28, -4.3

 

CMYK 0 / 46 / 26 / 22

HEX #C66B92

RGB 198 107 146

HSL 334.29, 0.44%, 0.6%

LAB 56.68, 40.73, -5.07

 

CMYK 0 / 32 / 19 / 29

HEX #B67B94

RGB 182 123 148

HSL 334.58, 0.29%, 0.6%

LAB 58.27, 26.68, -4.1

 

CMYK 0 / 15 / 8 / 35

HEX #A58C97

RGB 165 140 151

HSL 333.6, 0.12%, 0.6%

LAB 60.77, 11.33, -2.34

 

CMYK 4 / 0 / 2 / 39

HEX #959C99

RGB 149 156 153

HSL 154.29, 0.03%, 0.6%

LAB 63.73, -3.09, 0.69

 

CMYK 0 / 58 / 2 / 16

HEX #D75AD3

RGB 215 90 211

HSL 301.92, 0.61%, 0.6%

LAB 58.47, 64.13, -39.52

 

CMYK 0 / 58 / 18 / 16

HEX #D75AB1

RGB 215 90 177

HSL 318.24, 0.61%, 0.6%

LAB 57.01, 58.79, -22.34

 

CMYK 0 / 58 / 33 / 16

HEX #D75A90

RGB 215 90 144

HSL 334.08, 0.61%, 0.6%

LAB 55.86, 54.4, -4.84

 

CMYK 0 / 58 / 48 / 16

HEX #D75A6F

RGB 215 90 111

HSL 349.92, 0.61%, 0.6%

LAB 54.98, 50.91, 13.35

 

CMYK 0 / 52 / 58 / 16

HEX #D7675A

RGB 215 103 90

HSL 6.24, 0.61%, 0.6%

LAB 56.96, 42.92, 28.22

 

CMYK 0 / 76 / 44 / 30

HEX #B32B65

RGB 179 43 101

HSL 334.41, 0.61%, 0.44%

LAB 41.61, 57.75, -0.46

 

CMYK 0 / 72 / 42 / 19

HEX #CF3979

RGB 207 57 121

HSL 334.4, 0.61%, 0.52%

LAB 48.97, 62.8, -1.41

 

CMYK 0 / 58 / 33 / 16

HEX #D75A8F

RGB 215 90 143

HSL 334.56, 0.61%, 0.6%

LAB 55.83, 54.28, -4.3

 

CMYK 0 / 45 / 26 / 13

HEX #DF7BA6

RGB 223 123 166

HSL 334.2, 0.61%, 0.68%

LAB 63.84, 43.81, -5.62

 

CMYK 0 / 32 / 19 / 9

HEX #E79DBC

RGB 231 157 188

HSL 334.86, 0.61%, 0.76%

LAB 72.72, 31.95, -4.72

 

CMYK 0 / 57 / 33 / 15

HEX #D85C91

RGB 216 92 145

HSL 334.35, 0.61%, 0.6%

LAB 56.38, 53.92, -4.63

 

CMYK 0 / 13 / 58 / 16

HEX #D7BA5A

RGB 215 186 90

HSL 46.08, 0.61%, 0.6%

LAB 76.25, -1.06, 51.61

 

CMYK 58 / 10 / 0 / 16

HEX #5AC2D7

RGB 90 194 215

HSL 190.08, 0.61%, 0.6%

LAB 73.33, -24.02, -19.6

 

CMYK 0 / 57 / 33 / 15

HEX #D85C91

RGB 216 92 145

HSL 334.35, 0.61%, 0.6%

LAB 56.38, 53.92, -4.63

 

CMYK 33 / 0 / 58 / 16

HEX #90D75A

RGB 144 215 90

HSL 94.08, 0.61%, 0.6%

LAB 79.2, -43.13, 53.64

 

CMYK 58 / 33 / 0 / 16

HEX #5A90D7

RGB 90 144 215

HSL 214.08, 0.61%, 0.6%

LAB 59, 3.19, -41.74

 

CMYK 0 / 57 / 33 / 15

HEX #D85C91

RGB 216 92 145

HSL 334.35, 0.61%, 0.6%

LAB 56.38, 53.92, -4.63

 

CMYK 0 / 13 / 58 / 16

HEX #D7BA5A

RGB 215 186 90

HSL 46.08, 0.61%, 0.6%

LAB 76.25, -1.06, 51.61

 

CMYK 58 / 0 / 25 / 16

HEX #5AD7A1

RGB 90 215 161

HSL 154.08, 0.61%, 0.6%

LAB 78.08, -47.31, 16.42

 

CMYK 58 / 45 / 0 / 16

HEX #5A77D7

RGB 90 119 215

HSL 226.08, 0.61%, 0.6%

LAB 52.15, 18.21, -52.61

 

CMYK 0 / 57 / 33 / 15

HEX #D85C91

RGB 216 92 145

HSL 334.35, 0.61%, 0.6%

LAB 56.38, 53.92, -4.63

 

CMYK 4 / 0 / 58 / 16

HEX #CED75A

RGB 206 215 90

HSL 64.32, 0.61%, 0.6%

LAB 83.16, -19.52, 59.18

 

CMYK 58 / 0 / 25 / 16

HEX #5AD7A1

RGB 90 215 161

HSL 154.08, 0.61%, 0.6%

LAB 78.08, -47.31, 16.42

 

CMYK 54 / 58 / 0 / 16

HEX #635AD7

RGB 99 90 215

HSL 244.32, 0.61%, 0.6%

LAB 45.46, 37.69, -63.34

 

Description

Color code: HEX #D85C91 | qconv.com Color code: HEX #D85C91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 92 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 92 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 33 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 33% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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