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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D847DF it is the complementary color #27B820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D847DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D847DF shade: #DD47DA, #EE59ED, #FF6BFF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D847DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D847DF shade: #D847DF, #C735CC, #B623B9, #A511A6 and #940093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D847DF shade: #D748DE, #DE48BD, #DE4894, #DE486C and #DE4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D847DF shade: #D748DE, #AF48DE, #8748DE, #5E48DE and #4848DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D847DF shade matches the following richer shades: #D748DE and #E737F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D847DF shade: #D748DE, #C85ACD, #B86BBC, #A87CAA and #998E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D847DF shade: #8748DE, #AF48DE, #D748DE, #DE48BE and #DE4896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D847DF shade: #AE1FB5, #D026D8, #D748DE, #DF6CE5 and #E78FEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D847DF shade: #D847DF, #DE5F48 and #48DE9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D847DF shade: #D847DF, #DED748 and #48DED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D847DF shade: #D847DF, #DE5F48, #50DE48 and #48C8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D847DF shade: #D847DF, #DE8C48, #50DE48 and #489BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 68 / 0 / 13

HEX #D847DF

RGB 216 71 223

HSL 297.24, 0.7%, 0.58%

LAB 56.52, 73.89, -49.38

 

Complementary color

CMYK 79 / 0 / 83 / 28

HEX #27B820

RGB 39 184 32

HSL 117.24, 0.7%, 0.42%

LAB 65.61, -63.36, 60.1

 

CMYK 0 / 68 / 1 / 13

HEX #DD47DA

RGB 221 71 218

HSL 301.2, 0.69%, 0.57%

LAB 57.02, 74.18, -45.72

 

CMYK 0 / 63 / 0 / 7

HEX #EE59ED

RGB 238 89 237

HSL 300.4, 0.81%, 0.64%

LAB 62.87, 74.44, -46.96

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 3 / 68 / 0 / 13

HEX #D847DF

RGB 216 71 223

HSL 297.24, 0.7%, 0.58%

LAB 56.52, 73.89, -49.38

 

CMYK 2 / 74 / 0 / 20

HEX #C735CC

RGB 199 53 204

HSL 298.01, 0.6%, 0.5%

LAB 50.74, 73.15, -47.9

 

CMYK 2 / 81 / 0 / 27

HEX #B623B9

RGB 182 35 185

HSL 298.8, 0.68%, 0.43%

LAB 45.15, 71.66, -45.95

 

CMYK 1 / 90 / 0 / 35

HEX #A511A6

RGB 165 17 166

HSL 299.6, 0.81%, 0.36%

LAB 39.84, 69.08, -43.34

 

CMYK 0 / 100 / 1 / 42

HEX #940093

RGB 148 0 147

HSL 300.41, 1%, 0.29%

LAB 34.81, 65.34, -40.04

 

CMYK 3 / 68 / 0 / 13

HEX #D748DE

RGB 215 72 222

HSL 297.2, 0.69%, 0.58%

LAB 56.44, 73.15, -48.95

 

CMYK 0 / 68 / 15 / 13

HEX #DE48BD

RGB 222 72 189

HSL 313.2, 0.69%, 0.58%

LAB 55.93, 69.68, -30.86

 

CMYK 0 / 68 / 33 / 13

HEX #DE4894

RGB 222 72 148

HSL 329.6, 0.69%, 0.58%

LAB 54.35, 64.44, -9.33

 

CMYK 0 / 68 / 51 / 13

HEX #DE486C

RGB 222 72 108

HSL 345.6, 0.69%, 0.58%

LAB 53.22, 60.53, 12.85

 

CMYK 0 / 68 / 68 / 13

HEX #DE4848

RGB 222 72 72

HSL 0, 0.69%, 0.58%

LAB 52.54, 58.13, 33.24

 

CMYK 3 / 68 / 0 / 13

HEX #D748DE

RGB 215 72 222

HSL 297.2, 0.69%, 0.58%

LAB 56.44, 73.15, -48.95

 

CMYK 21 / 68 / 0 / 13

HEX #AF48DE

RGB 175 72 222

HSL 281.2, 0.69%, 0.58%

LAB 50.71, 64.51, -58.43

 

CMYK 39 / 68 / 0 / 13

HEX #8748DE

RGB 135 72 222

HSL 265.2, 0.69%, 0.58%

LAB 45.72, 56.44, -66.76

 

CMYK 58 / 68 / 0 / 13

HEX #5E48DE

RGB 94 72 222

HSL 248.8, 0.69%, 0.58%

LAB 41.67, 49.4, -73.53

 

CMYK 68 / 68 / 0 / 13

HEX #4848DE

RGB 72 72 222

HSL 240, 0.69%, 0.58%

LAB 40.06, 46.43, -76.23

 

CMYK 3 / 68 / 0 / 13

HEX #D748DE

RGB 215 72 222

HSL 297.2, 0.69%, 0.58%

LAB 56.44, 73.15, -48.95

 

CMYK 4 / 77 / 0 / 6

HEX #E737F0

RGB 231 55 240

HSL 297.08, 0.86%, 0.58%

LAB 58.05, 84.58, -56.35

 

CMYK 3 / 68 / 0 / 13

HEX #D748DE

RGB 215 72 222

HSL 297.2, 0.69%, 0.58%

LAB 56.44, 73.15, -48.95

 

CMYK 2 / 56 / 0 / 20

HEX #C85ACD

RGB 200 90 205

HSL 297.39, 0.53%, 0.58%

LAB 56.09, 59.21, -40.01

 

CMYK 2 / 43 / 0 / 26

HEX #B86BBC

RGB 184 107 188

HSL 297.04, 0.38%, 0.58%

LAB 56.42, 43.12, -29.92

 

CMYK 1 / 27 / 0 / 33

HEX #A87CAA

RGB 168 124 170

HSL 297.39, 0.21%, 0.58%

LAB 57.7, 25.08, -17.79

 

CMYK 0 / 7 / 0 / 40

HEX #998E99

RGB 153 142 153

HSL 300, 0.05%, 0.58%

LAB 60.26, 6.17, -4.35

 

CMYK 39 / 68 / 0 / 13

HEX #8748DE

RGB 135 72 222

HSL 265.2, 0.69%, 0.58%

LAB 45.72, 56.44, -66.76

 

CMYK 21 / 68 / 0 / 13

HEX #AF48DE

RGB 175 72 222

HSL 281.2, 0.69%, 0.58%

LAB 50.71, 64.51, -58.43

 

CMYK 3 / 68 / 0 / 13

HEX #D748DE

RGB 215 72 222

HSL 297.2, 0.69%, 0.58%

LAB 56.44, 73.15, -48.95

 

CMYK 0 / 68 / 14 / 13

HEX #DE48BE

RGB 222 72 190

HSL 312.8, 0.69%, 0.58%

LAB 55.97, 69.82, -31.36

 

CMYK 0 / 68 / 32 / 13

HEX #DE4896

RGB 222 72 150

HSL 328.8, 0.69%, 0.58%

LAB 54.41, 64.66, -10.41

 

CMYK 4 / 83 / 0 / 29

HEX #AE1FB5

RGB 174 31 181

HSL 297.2, 0.71%, 0.42%

LAB 43.23, 70.44, -46.74

 

CMYK 4 / 82 / 0 / 15

HEX #D026D8

RGB 208 38 216

HSL 297.3, 0.7%, 0.5%

LAB 51.56, 80.67, -53.39

 

CMYK 3 / 68 / 0 / 13

HEX #D748DE

RGB 215 72 222

HSL 297.2, 0.69%, 0.58%

LAB 56.44, 73.15, -48.95

 

CMYK 3 / 53 / 0 / 10

HEX #DF6CE5

RGB 223 108 229

HSL 297.02, 0.7%, 0.66%

LAB 63.4, 61.21, -41.82

 

CMYK 2 / 39 / 0 / 8

HEX #E78FEB

RGB 231 143 235

HSL 297.39, 0.7%, 0.74%

LAB 71.3, 47.23, -32.75

 

CMYK 3 / 68 / 0 / 13

HEX #D847DF

RGB 216 71 223

HSL 297.24, 0.7%, 0.58%

LAB 56.52, 73.89, -49.38

 

CMYK 0 / 57 / 68 / 13

HEX #DE5F48

RGB 222 95 72

HSL 9.2, 0.69%, 0.58%

LAB 56.27, 48.19, 37.7

 

CMYK 68 / 0 / 30 / 13

HEX #48DE9B

RGB 72 222 155

HSL 153.2, 0.69%, 0.58%

LAB 79.61, -54.71, 21.61

 

CMYK 3 / 68 / 0 / 13

HEX #D847DF

RGB 216 71 223

HSL 297.24, 0.7%, 0.58%

LAB 56.52, 73.89, -49.38

 

CMYK 0 / 3 / 68 / 13

HEX #DED748

RGB 222 215 72

HSL 57.2, 0.69%, 0.58%

LAB 84.28, -14.07, 68.08

 

CMYK 68 / 0 / 3 / 13

HEX #48DED7

RGB 72 222 215

HSL 177.2, 0.69%, 0.58%

LAB 81.03, -40.26, -8.09

 

CMYK 3 / 68 / 0 / 13

HEX #D847DF

RGB 216 71 223

HSL 297.24, 0.7%, 0.58%

LAB 56.52, 73.89, -49.38

 

CMYK 0 / 57 / 68 / 13

HEX #DE5F48

RGB 222 95 72

HSL 9.2, 0.69%, 0.58%

LAB 56.27, 48.19, 37.7

 

CMYK 64 / 0 / 68 / 13

HEX #50DE48

RGB 80 222 72

HSL 116.8, 0.69%, 0.58%

LAB 78.7, -65.52, 59.94

 

CMYK 68 / 10 / 0 / 13

HEX #48C8DE

RGB 72 200 222

HSL 188.8, 0.69%, 0.58%

LAB 74.8, -27.91, -21.2

 

CMYK 3 / 68 / 0 / 13

HEX #D847DF

RGB 216 71 223

HSL 297.24, 0.7%, 0.58%

LAB 56.52, 73.89, -49.38

 

CMYK 0 / 37 / 68 / 13

HEX #DE8C48

RGB 222 140 72

HSL 27.2, 0.69%, 0.58%

LAB 65.56, 25.24, 48.33

 

CMYK 64 / 0 / 68 / 13

HEX #50DE48

RGB 80 222 72

HSL 116.8, 0.69%, 0.58%

LAB 78.7, -65.52, 59.94

 

CMYK 68 / 30 / 0 / 13

HEX #489BDE

RGB 72 155 222

HSL 206.8, 0.69%, 0.58%

LAB 61.74, -4.05, -41.39

 

Description

Color code: HEX #D847DF | qconv.com Color code: HEX #D847DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 71 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 71 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 68 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 68% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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