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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8449D it is the complementary color #27BB62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8449D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8449D shade: #DD4498, #EE56AB, #FF68BE, #FF7AD1 and #FF8CE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8449D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8449D shade: #D8449D, #C7328A, #B62077, #A50E64 and #940051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8449D shade: #D7459D, #D74576, #D7454E and #D74545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8449D shade: #D7459D, #D745C4, #C345D7, #9B45D7 and #7445D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8449D shade matches the following richer shades: #D7459D, #E933A1 and #FC21A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8449D shade: #D7459D, #C55899, #B36A96, #A17C92 and #8F8E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8449D shade: #C145D7, #D745C6, #D7459F, #D74578 and #D74552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8449D shade: #A72372, #C92A8A, #D7459D, #DE67AF and #E689C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8449D shade: #D8449D, #D79A45 and #45D7D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8449D shade: #D8449D, #9FD745 and #459FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8449D shade: #D8449D, #D79A45, #45D77D and #4582D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8449D shade: #D8449D, #D7C645, #45D77D and #4556D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 27 / 15

HEX #D8449D

RGB 216 68 157

HSL 323.92, 0.65%, 0.56%

LAB 53.13, 65.35, -16.57

 

Complementary color

CMYK 79 / 0 / 48 / 27

HEX #27BB62

RGB 39 187 98

HSL 143.92, 0.65%, 0.44%

LAB 67.17, -57.11, 34.5

 

CMYK 0 / 69 / 31 / 13

HEX #DD4498

RGB 221 68 152

HSL 327.06, 0.69%, 0.57%

LAB 53.79, 66.09, -12.55

 

CMYK 0 / 64 / 28 / 7

HEX #EE56AB

RGB 238 86 171

HSL 326.45, 0.82%, 0.64%

LAB 59.68, 66.17, -14.48

 

CMYK 0 / 59 / 25 / 0

HEX #FF68BE

RGB 255 104 190

HSL 325.83, 1%, 0.7%

LAB 65.65, 65.92, -16.07

 

CMYK 0 / 52 / 18 / 0

HEX #FF7AD1

RGB 255 122 209

HSL 320.75, 1%, 0.74%

LAB 69.31, 60.49, -21.18

 

CMYK 0 / 45 / 11 / 0

HEX #FF8CE4

RGB 255 140 228

HSL 314.09, 1%, 0.77%

LAB 73.3, 54.76, -25.6

 

CMYK 0 / 69 / 27 / 15

HEX #D8449D

RGB 216 68 157

HSL 323.92, 0.65%, 0.56%

LAB 53.13, 65.35, -16.57

 

CMYK 0 / 75 / 31 / 22

HEX #C7328A

RGB 199 50 138

HSL 324.56, 0.6%, 0.49%

LAB 47.31, 64.8, -14.35

 

CMYK 0 / 82 / 35 / 29

HEX #B62077

RGB 182 32 119

HSL 325.2, 0.7%, 0.42%

LAB 41.7, 63.47, -11.5

 

CMYK 0 / 92 / 39 / 35

HEX #A50E64

RGB 165 14 100

HSL 325.83, 0.84%, 0.35%

LAB 36.43, 61, -7.81

 

CMYK 0 / 100 / 45 / 42

HEX #940051

RGB 148 0 81

HSL 327.16, 1%, 0.29%

LAB 31.56, 57.17, -3.12

 

CMYK 0 / 68 / 27 / 16

HEX #D7459D

RGB 215 69 157

HSL 323.84, 0.65%, 0.56%

LAB 53.1, 64.72, -16.64

 

CMYK 0 / 68 / 45 / 16

HEX #D74576

RGB 215 69 118

HSL 339.86, 0.65%, 0.56%

LAB 51.85, 60.46, 4.75

 

CMYK 0 / 68 / 64 / 16

HEX #D7454E

RGB 215 69 78

HSL 356.3, 0.65%, 0.56%

LAB 50.98, 57.4, 27.53

 

CMYK 0 / 68 / 68 / 16

HEX #D74545

RGB 215 69 69

HSL 0, 0.65%, 0.56%

LAB 50.84, 56.9, 32.62

 

CMYK 0 / 68 / 27 / 16

HEX #D7459D

RGB 215 69 157

HSL 323.84, 0.65%, 0.56%

LAB 53.1, 64.72, -16.64

 

CMYK 0 / 68 / 9 / 16

HEX #D745C4

RGB 215 69 196

HSL 307.81, 0.65%, 0.56%

LAB 54.75, 70.1, -36.8

 

CMYK 9 / 68 / 0 / 16

HEX #C345D7

RGB 195 69 215

HSL 291.78, 0.65%, 0.56%

LAB 52.69, 68.67, -51.13

 

CMYK 28 / 68 / 0 / 16

HEX #9B45D7

RGB 155 69 215

HSL 275.34, 0.65%, 0.56%

LAB 47.15, 60.16, -60.33

 

CMYK 46 / 68 / 0 / 16

HEX #7445D7

RGB 116 69 215

HSL 259.32, 0.65%, 0.56%

LAB 42.58, 52.63, -67.96

 

CMYK 0 / 68 / 27 / 16

HEX #D7459D

RGB 215 69 157

HSL 323.84, 0.65%, 0.56%

LAB 53.1, 64.72, -16.64

 

CMYK 0 / 78 / 31 / 9

HEX #E933A1

RGB 233 51 161

HSL 323.74, 0.81%, 0.56%

LAB 54.31, 75.42, -16.88

 

CMYK 0 / 87 / 35 / 1

HEX #FC21A4

RGB 252 33 164

HSL 324.11, 0.97%, 0.56%

LAB 56.55, 83.77, -14.91

 

CMYK 0 / 68 / 27 / 16

HEX #D7459D

RGB 215 69 157

HSL 323.84, 0.65%, 0.56%

LAB 53.1, 64.72, -16.64

 

CMYK 0 / 55 / 22 / 23

HEX #C55899

RGB 197 88 153

HSL 324.22, 0.48%, 0.56%

LAB 53.11, 50.89, -14.53

 

CMYK 0 / 41 / 16 / 30

HEX #B36A96

RGB 179 106 150

HSL 323.84, 0.32%, 0.56%

LAB 54.13, 35.3, -11.48

 

CMYK 0 / 23 / 9 / 37

HEX #A17C92

RGB 161 124 146

HSL 324.32, 0.16%, 0.56%

LAB 56.16, 18.05, -6.33

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 10 / 68 / 0 / 16

HEX #C145D7

RGB 193 69 215

HSL 290.96, 0.65%, 0.56%

LAB 52.4, 68.23, -51.61

 

CMYK 0 / 68 / 8 / 16

HEX #D745C6

RGB 215 69 198

HSL 306.99, 0.65%, 0.56%

LAB 54.85, 70.4, -37.8

 

CMYK 0 / 68 / 26 / 16

HEX #D7459F

RGB 215 69 159

HSL 323.01, 0.65%, 0.56%

LAB 53.17, 64.97, -17.7

 

CMYK 0 / 68 / 44 / 16

HEX #D74578

RGB 215 69 120

HSL 339.04, 0.65%, 0.56%

LAB 51.9, 60.65, 3.63

 

CMYK 0 / 68 / 62 / 16

HEX #D74552

RGB 215 69 82

HSL 354.66, 0.65%, 0.56%

LAB 51.05, 57.64, 25.25

 

CMYK 0 / 79 / 32 / 35

HEX #A72372

RGB 167 35 114

HSL 324.09, 0.65%, 0.4%

LAB 38.95, 58.4, -12.82

 

CMYK 0 / 79 / 31 / 21

HEX #C92A8A

RGB 201 42 138

HSL 323.77, 0.65%, 0.48%

LAB 46.85, 67.62, -15.01

 

CMYK 0 / 68 / 27 / 16

HEX #D7459D

RGB 215 69 157

HSL 323.84, 0.65%, 0.56%

LAB 53.1, 64.72, -16.64

 

CMYK 0 / 54 / 21 / 13

HEX #DE67AF

RGB 222 103 175

HSL 323.7, 0.64%, 0.64%

LAB 60.18, 54.61, -16.26

 

CMYK 0 / 40 / 16 / 10

HEX #E689C1

RGB 230 137 193

HSL 323.87, 0.65%, 0.72%

LAB 68.43, 42.9, -13.89

 

CMYK 0 / 69 / 27 / 15

HEX #D8449D

RGB 216 68 157

HSL 323.92, 0.65%, 0.56%

LAB 53.13, 65.35, -16.57

 

CMYK 0 / 28 / 68 / 16

HEX #D79A45

RGB 215 154 69

HSL 34.93, 0.65%, 0.56%

LAB 68.01, 14.61, 52.21

 

CMYK 68 / 0 / 1 / 16

HEX #45D7D5

RGB 69 215 213

HSL 179.18, 0.65%, 0.56%

LAB 78.85, -38.04, -10.27

 

CMYK 0 / 69 / 27 / 15

HEX #D8449D

RGB 216 68 157

HSL 323.92, 0.65%, 0.56%

LAB 53.13, 65.35, -16.57

 

CMYK 26 / 0 / 68 / 16

HEX #9FD745

RGB 159 215 69

HSL 83.01, 0.65%, 0.56%

LAB 79.84, -39.44, 63.29

 

CMYK 68 / 26 / 0 / 16

HEX #459FD7

RGB 69 159 215

HSL 203.01, 0.65%, 0.56%

LAB 62.48, -9.12, -36.34

 

CMYK 0 / 69 / 27 / 15

HEX #D8449D

RGB 216 68 157

HSL 323.92, 0.65%, 0.56%

LAB 53.13, 65.35, -16.57

 

CMYK 0 / 28 / 68 / 16

HEX #D79A45

RGB 215 154 69

HSL 34.93, 0.65%, 0.56%

LAB 68.01, 14.61, 52.21

 

CMYK 68 / 0 / 42 / 16

HEX #45D77D

RGB 69 215 125

HSL 143.01, 0.65%, 0.56%

LAB 76.89, -58.23, 33.41

 

CMYK 68 / 40 / 0 / 16

HEX #4582D7

RGB 69 130 215

HSL 214.93, 0.65%, 0.56%

LAB 54.17, 7.76, -49.44

 

CMYK 0 / 69 / 27 / 15

HEX #D8449D

RGB 216 68 157

HSL 323.92, 0.65%, 0.56%

LAB 53.13, 65.35, -16.57

 

CMYK 0 / 8 / 68 / 16

HEX #D7C645

RGB 215 198 69

HSL 53.01, 0.65%, 0.56%

LAB 79.19, -8.6, 63.91

 

CMYK 68 / 0 / 42 / 16

HEX #45D77D

RGB 69 215 125

HSL 143.01, 0.65%, 0.56%

LAB 76.89, -58.23, 33.41

 

CMYK 68 / 60 / 0 / 16

HEX #4556D7

RGB 69 86 215

HSL 233.01, 0.65%, 0.56%

LAB 42.5, 35.22, -68.24

 

Description

Color code: HEX #D8449D | qconv.com Color code: HEX #D8449D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 68 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 68 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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