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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D83B4E it is the complementary color #27C4B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D83B4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D83B4E shade: #DD3B49, #EE4D5C, #FF5F6F, #FF7182 and #FF8395

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D83B4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D83B4E shade: #D83B4E, #C7293B, #B61728, #A50515 and #940002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D83B4E shade: #D83B4E and #D83B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D83B4E shade: #D83B4E, #D83B78, #D83BA2, #D83BCD and #B83BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D83B4E shade matches the following richer shades: #D83B4E, #EB283F and #FE1531

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D83B4E shade: #D83B4E, #C54E5C, #B2616A, #9F7479 and #8C8787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D83B4E shade: #D83BA3, #D83B79, #D83B50, #D8503B and #D8793B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D83B4E shade: #A11F2F, #C32639, #D83B4E, #DF5D6D and #E5808C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D83B4E shade: #D83B4E, #CDD83B and #3B8ED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D83B4E shade: #D83B4E, #50D83B and #3B50D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D83B4E shade: #D83B4E, #CDD83B, #3BD8C3 and #453BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D83B4E shade: #D83B4E, #9ED83B, #3BD8C3 and #743BD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

Complementary color

CMYK 80 / 0 / 10 / 23

HEX #27C4B1

RGB 39 196 177

HSL 172.74, 0.67%, 0.46%

LAB 71.61, -42.93, -1.59

 

CMYK 0 / 73 / 67 / 13

HEX #DD3B49

RGB 221 59 73

HSL 354.81, 0.7%, 0.55%

LAB 50.67, 62.59, 30.31

 

CMYK 0 / 68 / 61 / 7

HEX #EE4D5C

RGB 238 77 92

HSL 354.41, 0.83%, 0.62%

LAB 56.34, 62.38, 26.99

 

CMYK 0 / 63 / 56 / 0

HEX #FF5F6F

RGB 255 95 111

HSL 354, 1%, 0.69%

LAB 62.16, 61.82, 24.18

 

CMYK 0 / 56 / 49 / 0

HEX #FF7182

RGB 255 113 130

HSL 352.82, 1%, 0.72%

LAB 65.5, 55.47, 17.86

 

CMYK 0 / 49 / 42 / 0

HEX #FF8395

RGB 255 131 149

HSL 351.29, 1%, 0.76%

LAB 69.23, 48.74, 12.33

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 0 / 79 / 70 / 22

HEX #C7293B

RGB 199 41 59

HSL 353.16, 0.66%, 0.47%

LAB 44.3, 61.04, 29.92

 

CMYK 0 / 87 / 78 / 29

HEX #B61728

RGB 182 23 40

HSL 353.58, 0.78%, 0.4%

LAB 39.09, 59.85, 34.43

 

CMYK 0 / 97 / 87 / 35

HEX #A50515

RGB 165 5 21

HSL 354, 0.94%, 0.33%

LAB 34.32, 57.49, 39.27

 

CMYK 0 / 100 / 99 / 42

HEX #940002

RGB 148 0 2

HSL 359.19, 1%, 0.29%

LAB 30.16, 53.43, 43

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 0 / 73 / 73 / 15

HEX #D83B3B

RGB 216 59 59

HSL 0, 0.67%, 0.54%

LAB 49.55, 60.42, 36.89

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 0 / 73 / 44 / 15

HEX #D83B78

RGB 216 59 120

HSL 336.69, 0.67%, 0.54%

LAB 50.78, 64.53, 2.03

 

CMYK 0 / 73 / 25 / 15

HEX #D83BA2

RGB 216 59 162

HSL 320.64, 0.67%, 0.54%

LAB 52.21, 69.09, -20.93

 

CMYK 0 / 73 / 5 / 15

HEX #D83BCD

RGB 216 59 205

HSL 304.2, 0.67%, 0.54%

LAB 54.17, 75.04, -42.87

 

CMYK 15 / 73 / 0 / 15

HEX #B83BD8

RGB 184 59 216

HSL 287.77, 0.67%, 0.54%

LAB 49.83, 70.23, -56.37

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 0 / 83 / 73 / 8

HEX #EB283F

RGB 235 40 63

HSL 352.92, 0.83%, 0.54%

LAB 51.31, 71.35, 37.57

 

CMYK 0 / 92 / 81 / 0

HEX #FE1531

RGB 254 21 49

HSL 352.79, 0.99%, 0.54%

LAB 53.85, 78.86, 49.18

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 0 / 60 / 53 / 23

HEX #C54E5C

RGB 197 78 92

HSL 352.94, 0.51%, 0.54%

LAB 49.61, 48.64, 16.81

 

CMYK 0 / 46 / 40 / 30

HEX #B2616A

RGB 178 97 106

HSL 353.33, 0.34%, 0.54%

LAB 50.75, 33.64, 9.59

 

CMYK 0 / 27 / 24 / 38

HEX #9F7479

RGB 159 116 121

HSL 353.02, 0.18%, 0.54%

LAB 53.21, 17.67, 3.92

 

CMYK 0 / 4 / 4 / 45

HEX #8C8787

RGB 140 135 135

HSL 0, 0.02%, 0.54%

LAB 56.74, 1.87, 0.66

 

CMYK 0 / 73 / 25 / 15

HEX #D83BA3

RGB 216 59 163

HSL 320.25, 0.67%, 0.54%

LAB 52.25, 69.21, -21.46

 

CMYK 0 / 73 / 44 / 15

HEX #D83B79

RGB 216 59 121

HSL 336.31, 0.67%, 0.54%

LAB 50.81, 64.62, 1.47

 

CMYK 0 / 73 / 63 / 15

HEX #D83B50

RGB 216 59 80

HSL 351.97, 0.67%, 0.54%

LAB 49.87, 61.49, 24.94

 

CMYK 0 / 63 / 73 / 15

HEX #D8503B

RGB 216 80 59

HSL 8.03, 0.67%, 0.54%

LAB 52.57, 52.21, 40.3

 

CMYK 0 / 44 / 73 / 15

HEX #D8793B

RGB 216 121 59

HSL 23.69, 0.67%, 0.54%

LAB 60.42, 32.2, 48.83

 

CMYK 0 / 81 / 71 / 37

HEX #A11F2F

RGB 161 31 47

HSL 352.62, 0.68%, 0.38%

LAB 35.52, 52.27, 24.92

 

CMYK 0 / 81 / 71 / 24

HEX #C32639

RGB 195 38 57

HSL 352.74, 0.67%, 0.46%

LAB 43.19, 60.63, 29.61

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 0 / 58 / 51 / 13

HEX #DF5D6D

RGB 223 93 109

HSL 352.62, 0.67%, 0.62%

LAB 56.7, 52.05, 17.1

 

CMYK 0 / 44 / 39 / 10

HEX #E5808C

RGB 229 128 140

HSL 352.87, 0.66%, 0.7%

LAB 64.95, 40.08, 10.88

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 5 / 0 / 73 / 15

HEX #CDD83B

RGB 205 216 59

HSL 64.2, 0.67%, 0.54%

LAB 83.13, -22.25, 71.13

 

CMYK 73 / 34 / 0 / 15

HEX #3B8ED8

RGB 59 142 216

HSL 208.28, 0.67%, 0.54%

LAB 57.3, -0.5, -45.05

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 63 / 0 / 73 / 15

HEX #50D83B

RGB 80 216 59

HSL 111.97, 0.67%, 0.54%

LAB 76.76, -64.56, 62.73

 

CMYK 73 / 63 / 0 / 15

HEX #3B50D8

RGB 59 80 216

HSL 231.97, 0.67%, 0.54%

LAB 40.61, 38.06, -71.92

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 5 / 0 / 73 / 15

HEX #CDD83B

RGB 205 216 59

HSL 64.2, 0.67%, 0.54%

LAB 83.13, -22.25, 71.13

 

CMYK 73 / 0 / 10 / 15

HEX #3BD8C3

RGB 59 216 195

HSL 171.97, 0.67%, 0.54%

LAB 78.45, -44.65, -1.25

 

CMYK 68 / 73 / 0 / 15

HEX #453BD8

RGB 69 59 216

HSL 243.82, 0.67%, 0.54%

LAB 36.65, 51.49, -78.4

 

CMYK 0 / 73 / 64 / 15

HEX #D83B4E

RGB 216 59 78

HSL 352.74, 0.67%, 0.54%

LAB 49.83, 61.37, 26.1

 

CMYK 27 / 0 / 73 / 15

HEX #9ED83B

RGB 158 216 59

HSL 82.17, 0.67%, 0.54%

LAB 80.01, -40.87, 67.04

 

CMYK 73 / 0 / 10 / 15

HEX #3BD8C3

RGB 59 216 195

HSL 171.97, 0.67%, 0.54%

LAB 78.45, -44.65, -1.25

 

CMYK 46 / 73 / 0 / 15

HEX #743BD8

RGB 116 59 216

HSL 261.78, 0.67%, 0.54%

LAB 40.89, 57.81, -71.28

 

Description

Color code: HEX #D83B4E | qconv.com Color code: HEX #D83B4E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 59 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 59 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 64 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 64% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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