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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D831CA it is the complementary color #27CE35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D831CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D831CA shade: #DD31C5, #EE43D8, #FF55EB, #FF67FE and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D831CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D831CA shade: #D831CA, #C71FB7, #B60DA4, #A50091 and #94007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D831CA shade: #D731C9, #D7319C, #D73170, #D73143 and #D73131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D831CA shade: #D731C9, #B831D7, #8C31D7, #5F31D7 and #3231D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D831CA shade matches the following richer shades: #D731C9 and #EB1DDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D831CA shade: #D731C9, #C445B9, #B058A8, #9C6C98 and #888087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D831CA shade: #8C31D7, #B931D7, #D731C9, #D7319D and #D73171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D831CA shade: #991D8F, #BC23AF, #D731C9, #DE54D2 and #E576DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D831CA shade: #D831CA, #D76031 and #31D7A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D831CA shade: #D831CA, #C9D731 and #31C9D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D831CA shade: #D831CA, #D76031, #31D73F and #31A8D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D831CA shade: #D831CA, #D79231, #31D73F and #3176D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 6 / 15

HEX #D831CA

RGB 216 49 202

HSL 305.03, 0.68%, 0.52%

LAB 53.01, 77.46, -42.98

 

Complementary color

CMYK 81 / 0 / 74 / 19

HEX #27CE35

RGB 39 206 53

HSL 125.03, 0.68%, 0.48%

LAB 72.78, -68.63, 60.55

 

CMYK 0 / 78 / 11 / 13

HEX #DD31C5

RGB 221 49 197

HSL 308.37, 0.72%, 0.53%

LAB 53.6, 77.78, -39.12

 

CMYK 0 / 72 / 9 / 7

HEX #EE43D8

RGB 238 67 216

HSL 307.72, 0.83%, 0.6%

LAB 59.11, 78.96, -41.1

 

CMYK 0 / 67 / 8 / 0

HEX #FF55EB

RGB 255 85 235

HSL 307.06, 1%, 0.67%

LAB 64.77, 79.55, -42.69

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FE

RGB 255 103 254

HSL 300.39, 1%, 0.7%

LAB 68.11, 75.67, -47.93

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 77 / 6 / 15

HEX #D831CA

RGB 216 49 202

HSL 305.03, 0.68%, 0.52%

LAB 53.01, 77.46, -42.98

 

CMYK 0 / 84 / 8 / 22

HEX #C71FB7

RGB 199 31 183

HSL 305.71, 0.73%, 0.45%

LAB 47.68, 75.49, -40.58

 

CMYK 0 / 93 / 10 / 29

HEX #B60DA4

RGB 182 13 164

HSL 306.39, 0.87%, 0.38%

LAB 42.63, 72.42, -37.51

 

CMYK 0 / 100 / 12 / 35

HEX #A50091

RGB 165 0 145

HSL 307.27, 1%, 0.32%

LAB 37.92, 68.06, -33.67

 

CMYK 0 / 100 / 15 / 42

HEX #94007E

RGB 148 0 126

HSL 308.92, 1%, 0.29%

LAB 33.57, 62.3, -28.99

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 0 / 77 / 27 / 16

HEX #D7319C

RGB 215 49 156

HSL 321.33, 0.67%, 0.52%

LAB 50.74, 71.14, -19.65

 

CMYK 0 / 77 / 48 / 16

HEX #D73170

RGB 215 49 112

HSL 337.23, 0.67%, 0.52%

LAB 49.27, 66.67, 4.67

 

CMYK 0 / 77 / 69 / 16

HEX #D73143

RGB 215 49 67

HSL 353.49, 0.67%, 0.52%

LAB 48.32, 63.7, 30.73

 

CMYK 0 / 77 / 77 / 16

HEX #D73131

RGB 215 49 49

HSL 0, 0.67%, 0.52%

LAB 48.09, 62.96, 40.86

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 14 / 77 / 0 / 16

HEX #B831D7

RGB 184 49 215

HSL 288.8, 0.67%, 0.52%

LAB 48.63, 73.32, -57.73

 

CMYK 35 / 77 / 0 / 16

HEX #8C31D7

RGB 140 49 215

HSL 272.89, 0.67%, 0.52%

LAB 42.27, 65.63, -68.33

 

CMYK 56 / 77 / 0 / 16

HEX #5F31D7

RGB 95 49 215

HSL 256.63, 0.67%, 0.52%

LAB 37, 59.14, -77.18

 

CMYK 77 / 77 / 0 / 16

HEX #3231D7

RGB 50 49 215

HSL 240.36, 0.67%, 0.52%

LAB 33.52, 54.8, -83.03

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 0 / 88 / 7 / 8

HEX #EB1DDA

RGB 235 29 218

HSL 304.95, 0.84%, 0.52%

LAB 55.69, 87.38, -47.68

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 0 / 65 / 6 / 23

HEX #C445B9

RGB 196 69 185

HSL 305.2, 0.52%, 0.52%

LAB 51.26, 63.8, -36.13

 

CMYK 0 / 50 / 5 / 31

HEX #B058A8

RGB 176 88 168

HSL 305.45, 0.36%, 0.52%

LAB 50.73, 46.88, -27.25

 

CMYK 0 / 31 / 3 / 39

HEX #9C6C98

RGB 156 108 152

HSL 305, 0.2%, 0.52%

LAB 51.91, 26.55, -16.27

 

CMYK 0 / 6 / 1 / 47

HEX #888087

RGB 136 128 135

HSL 307.5, 0.03%, 0.52%

LAB 54.47, 4.38, -2.7

 

CMYK 35 / 77 / 0 / 16

HEX #8C31D7

RGB 140 49 215

HSL 272.89, 0.67%, 0.52%

LAB 42.27, 65.63, -68.33

 

CMYK 14 / 77 / 0 / 16

HEX #B931D7

RGB 185 49 215

HSL 289.16, 0.67%, 0.52%

LAB 48.78, 73.51, -57.48

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 0 / 77 / 27 / 16

HEX #D7319D

RGB 215 49 157

HSL 320.96, 0.67%, 0.52%

LAB 50.78, 71.25, -20.18

 

CMYK 0 / 77 / 47 / 16

HEX #D73171

RGB 215 49 113

HSL 336.87, 0.67%, 0.52%

LAB 49.3, 66.76, 4.1

 

CMYK 0 / 81 / 7 / 40

HEX #991D8F

RGB 153 29 143

HSL 304.84, 0.68%, 0.36%

LAB 37.18, 60.73, -33.76

 

CMYK 0 / 81 / 7 / 26

HEX #BC23AF

RGB 188 35 175

HSL 305.1, 0.69%, 0.44%

LAB 45.62, 71.31, -39.25

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 0 / 62 / 5 / 13

HEX #DE54D2

RGB 222 84 210

HSL 305.22, 0.68%, 0.6%

LAB 58.53, 68.24, -38.79

 

CMYK 0 / 48 / 4 / 10

HEX #E576DB

RGB 229 118 219

HSL 305.41, 0.68%, 0.68%

LAB 65.54, 56.37, -32.85

 

CMYK 0 / 77 / 6 / 15

HEX #D831CA

RGB 216 49 202

HSL 305.03, 0.68%, 0.52%

LAB 53.01, 77.46, -42.98

 

CMYK 0 / 55 / 77 / 16

HEX #D76031

RGB 215 96 49

HSL 16.99, 0.67%, 0.52%

LAB 55.11, 44.07, 48.11

 

CMYK 77 / 0 / 24 / 16

HEX #31D7A3

RGB 49 215 163

HSL 161.2, 0.67%, 0.52%

LAB 77.22, -53.33, 14.02

 

CMYK 0 / 77 / 6 / 15

HEX #D831CA

RGB 216 49 202

HSL 305.03, 0.68%, 0.52%

LAB 53.01, 77.46, -42.98

 

CMYK 7 / 0 / 77 / 16

HEX #C9D731

RGB 201 215 49

HSL 65.06, 0.67%, 0.52%

LAB 82.51, -23.84, 73.56

 

CMYK 77 / 7 / 0 / 16

HEX #31C9D7

RGB 49 201 215

HSL 185.06, 0.67%, 0.52%

LAB 74.4, -33.28, -18.06

 

CMYK 0 / 77 / 6 / 15

HEX #D831CA

RGB 216 49 202

HSL 305.03, 0.68%, 0.52%

LAB 53.01, 77.46, -42.98

 

CMYK 0 / 55 / 77 / 16

HEX #D76031

RGB 215 96 49

HSL 16.99, 0.67%, 0.52%

LAB 55.11, 44.07, 48.11

 

CMYK 77 / 0 / 71 / 16

HEX #31D73F

RGB 49 215 63

HSL 125.06, 0.67%, 0.52%

LAB 75.83, -69.33, 60.14

 

CMYK 77 / 22 / 0 / 16

HEX #31A8D7

RGB 49 168 215

HSL 196.99, 0.67%, 0.52%

LAB 64.62, -16.64, -33.06

 

CMYK 0 / 77 / 6 / 15

HEX #D831CA

RGB 216 49 202

HSL 305.03, 0.68%, 0.52%

LAB 53.01, 77.46, -42.98

 

CMYK 0 / 32 / 77 / 16

HEX #D79231

RGB 215 146 49

HSL 35.06, 0.67%, 0.52%

LAB 65.92, 17.97, 58.7

 

CMYK 77 / 0 / 71 / 16

HEX #31D73F

RGB 49 215 63

HSL 125.06, 0.67%, 0.52%

LAB 75.83, -69.33, 60.14

 

CMYK 77 / 45 / 0 / 16

HEX #3176D7

RGB 49 118 215

HSL 215.06, 0.67%, 0.52%

LAB 50.12, 12.46, -55.96

 

Description

Color code: HEX #D831CA | qconv.com Color code: HEX #D831CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 49 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 49 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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