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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D821CD it is the complementary color #27DE32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D821CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D821CD shade: #DD21C8, #EE33DB, #FF45EE, #FF57FF and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D821CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D821CD shade: #D821CD, #C70FBA, #B600A7, #A50094 and #940081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D821CD shade: #D821CD, #D8219B, #D8216A, #D82139 and #D82121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D821CD shade: #D821CD, #B121D8, #8021D8, #4F21D8 and #2121D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D821CD shade matches the following richer shades: #D821CD and #EC0DDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D821CD shade: #D821CD, #C335BB, #AF4AA9, #9B5E97 and #877286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D821CD shade: #7F21D8, #B021D8, #D821CF, #D8219E and #D8216D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D821CD shade: #901689, #B41CAB, #D821CD, #E141D7 and #E765DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D821CD shade: #D821CD, #D84F21 and #21D898

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D821CD shade: #D821CD, #CFD821 and #21CFD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D821CD shade: #D821CD, #D84F21, #21D82A and #21AAD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D821CD shade: #D821CD, #D88621, #21D82A and #2173D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

Complementary color

CMYK 82 / 0 / 77 / 13

HEX #27DE32

RGB 39 222 50

HSL 123.61, 0.73%, 0.51%

LAB 77.82, -73.55, 66.46

 

CMYK 0 / 85 / 10 / 13

HEX #DD21C8

RGB 221 33 200

HSL 306.7, 0.74%, 0.5%

LAB 52.54, 81.7, -42.52

 

CMYK 0 / 79 / 8 / 7

HEX #EE33DB

RGB 238 51 219

HSL 306.1, 0.85%, 0.57%

LAB 57.71, 83.82, -45.01

 

CMYK 0 / 73 / 7 / 0

HEX #FF45EE

RGB 255 69 238

HSL 305.48, 1%, 0.64%

LAB 63.09, 85.16, -47.01

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 92 / 7 / 22

HEX #C70FBA

RGB 199 15 186

HSL 304.24, 0.86%, 0.42%

LAB 47.01, 78.34, -43.39

 

CMYK 0 / 100 / 8 / 29

HEX #B600A7

RGB 182 0 167

HSL 304.95, 1%, 0.36%

LAB 42.36, 74.12, -39.73

 

CMYK 0 / 100 / 10 / 35

HEX #A50094

RGB 165 0 148

HSL 306.18, 1%, 0.32%

LAB 38.09, 68.47, -35.24

 

CMYK 0 / 100 / 13 / 42

HEX #940081

RGB 148 0 129

HSL 307.7, 1%, 0.29%

LAB 33.73, 62.71, -30.6

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 85 / 28 / 15

HEX #D8219B

RGB 216 33 155

HSL 320, 0.73%, 0.49%

LAB 49.56, 75.04, -20.85

 

CMYK 0 / 85 / 51 / 15

HEX #D8216A

RGB 216 33 106

HSL 336.07, 0.73%, 0.49%

LAB 47.91, 70.39, 6.43

 

CMYK 0 / 85 / 74 / 15

HEX #D82139

RGB 216 33 57

HSL 352.13, 0.73%, 0.49%

LAB 46.95, 67.58, 35.08

 

CMYK 0 / 85 / 85 / 15

HEX #D82121

RGB 216 33 33

HSL 0, 0.73%, 0.49%

LAB 46.71, 66.85, 48.03

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 18 / 85 / 0 / 15

HEX #B121D8

RGB 177 33 216

HSL 287.21, 0.73%, 0.49%

LAB 46.17, 76.47, -62.33

 

CMYK 41 / 85 / 0 / 15

HEX #8021D8

RGB 128 33 216

HSL 271.15, 0.73%, 0.49%

LAB 38.96, 69.36, -74.39

 

CMYK 63 / 85 / 0 / 15

HEX #4F21D8

RGB 79 33 216

HSL 255.08, 0.73%, 0.49%

LAB 33.37, 64.22, -83.8

 

CMYK 85 / 85 / 0 / 15

HEX #2121D8

RGB 33 33 216

HSL 240, 0.73%, 0.49%

LAB 30.32, 61.62, -88.95

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 94 / 6 / 7

HEX #EC0DDE

RGB 236 13 222

HSL 303.77, 0.9%, 0.49%

LAB 55.48, 89.86, -50.28

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 73 / 4 / 24

HEX #C335BB

RGB 195 53 187

HSL 303.38, 0.57%, 0.49%

LAB 49.17, 69.6, -40.59

 

CMYK 0 / 58 / 3 / 31

HEX #AF4AA9

RGB 175 74 169

HSL 303.56, 0.41%, 0.49%

LAB 48.1, 53.55, -31.94

 

CMYK 0 / 39 / 3 / 39

HEX #9B5E97

RGB 155 94 151

HSL 303.93, 0.24%, 0.49%

LAB 48.52, 33.95, -20.87

 

CMYK 0 / 16 / 1 / 47

HEX #877286

RGB 135 114 134

HSL 302.86, 0.08%, 0.49%

LAB 50.58, 11.96, -7.9

 

CMYK 41 / 85 / 0 / 15

HEX #7F21D8

RGB 127 33 216

HSL 270.82, 0.73%, 0.49%

LAB 38.83, 69.24, -74.62

 

CMYK 19 / 85 / 0 / 15

HEX #B021D8

RGB 176 33 216

HSL 286.89, 0.73%, 0.49%

LAB 46.01, 76.31, -62.59

 

CMYK 0 / 85 / 4 / 15

HEX #D821CF

RGB 216 33 207

HSL 302.95, 0.73%, 0.49%

LAB 52.05, 81.75, -47.37

 

CMYK 0 / 85 / 27 / 15

HEX #D8219E

RGB 216 33 158

HSL 319.02, 0.73%, 0.49%

LAB 49.68, 75.38, -22.45

 

CMYK 0 / 85 / 50 / 15

HEX #D8216D

RGB 216 33 109

HSL 335.08, 0.73%, 0.49%

LAB 48, 70.62, 4.7

 

CMYK 0 / 85 / 5 / 44

HEX #901689

RGB 144 22 137

HSL 303.44, 0.73%, 0.33%

LAB 34.62, 59.63, -34.23

 

CMYK 0 / 84 / 5 / 29

HEX #B41CAB

RGB 180 28 171

HSL 303.55, 0.73%, 0.41%

LAB 43.47, 70.67, -40.38

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 71 / 4 / 12

HEX #E141D7

RGB 225 65 215

HSL 303.75, 0.73%, 0.57%

LAB 56.78, 76.6, -44.36

 

CMYK 0 / 56 / 3 / 9

HEX #E765DF

RGB 231 101 223

HSL 303.69, 0.73%, 0.65%

LAB 63.03, 65.46, -38.97

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 63 / 85 / 15

HEX #D84F21

RGB 216 79 33

HSL 15.08, 0.73%, 0.49%

LAB 52.18, 51.75, 52.75

 

CMYK 85 / 0 / 30 / 15

HEX #21D898

RGB 33 216 152

HSL 159.02, 0.73%, 0.49%

LAB 77.1, -57.68, 19.64

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 4 / 0 / 85 / 15

HEX #CFD821

RGB 207 216 33

HSL 62.95, 0.73%, 0.49%

LAB 83.17, -22.33, 78.31

 

CMYK 85 / 4 / 0 / 15

HEX #21CFD8

RGB 33 207 216

HSL 182.95, 0.73%, 0.49%

LAB 76.01, -37.08, -16.19

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 63 / 85 / 15

HEX #D84F21

RGB 216 79 33

HSL 15.08, 0.73%, 0.49%

LAB 52.18, 51.75, 52.75

 

CMYK 85 / 0 / 81 / 15

HEX #21D82A

RGB 33 216 42

HSL 122.95, 0.73%, 0.49%

LAB 75.82, -72.89, 66.85

 

CMYK 85 / 21 / 0 / 15

HEX #21AAD8

RGB 33 170 216

HSL 195.08, 0.73%, 0.49%

LAB 64.99, -18.8, -33.06

 

CMYK 0 / 85 / 5 / 15

HEX #D821CD

RGB 216 33 205

HSL 303.61, 0.73%, 0.49%

LAB 51.94, 81.47, -46.4

 

CMYK 0 / 38 / 85 / 15

HEX #D88621

RGB 216 134 33

HSL 33.11, 0.73%, 0.49%

LAB 63.14, 24.34, 62.02

 

CMYK 85 / 0 / 81 / 15

HEX #21D82A

RGB 33 216 42

HSL 122.95, 0.73%, 0.49%

LAB 75.82, -72.89, 66.85

 

CMYK 85 / 47 / 0 / 15

HEX #2173D8

RGB 33 115 216

HSL 213.11, 0.73%, 0.49%

LAB 48.94, 13.23, -58.44

 

Description

Color code: HEX #D821CD | qconv.com Color code: HEX #D821CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 33 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 33 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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