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Color name
HEX #D827D5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D827D5 it is the complementary color #27D82A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D827D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D827D5 shade: #DD27D0, #EE39E3, #FF4BF6, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D827D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D827D5 shade: #D827D5, #C715C2, #B603AF, #A5009C and #940089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D827D5 shade: #D727D4, #D727A5, #D72775, #D72746 and #D72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D827D5 shade: #D727D4, #AB27D7, #7B27D7, #4C27D7 and #2727D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D827D5 shade matches the following richer shades: #D727D4 and #EC12E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D827D5 shade: #D727D4, #C23CC0, #AE50AC, #996598 and #847A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D827D5 shade: #7C27D7, #AB27D7, #D727D4, #D727A5 and #D72776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D827D5 shade: #911A8F, #B421B2, #D727D4, #DD4ADB and #E46DE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D827D5 shade: #D827D5, #D74D27 and #27D794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D827D5 shade: #D827D5, #D4D727 and #27D4D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D827D5 shade: #D827D5, #D74D27, #27D72A and #27B1D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D827D5 shade: #D827D5, #D78227, #27D72A and #277CD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 1 / 15

HEX #D827D5

RGB 216 39 213

HSL 301.02, 0.69%, 0.5%

LAB 52.79, 81.45, -49.64

 

Complementary color

CMYK 82 / 0 / 81 / 15

HEX #27D82A

RGB 39 216 42

HSL 121.02, 0.69%, 0.5%

LAB 75.89, -72.3, 66.94

 

CMYK 0 / 82 / 6 / 13

HEX #DD27D0

RGB 221 39 208

HSL 304.29, 0.73%, 0.51%

LAB 53.36, 81.66, -45.82

 

CMYK 0 / 76 / 5 / 7

HEX #EE39E3

RGB 238 57 227

HSL 303.65, 0.84%, 0.58%

LAB 58.65, 83.44, -48.04

 

CMYK 0 / 71 / 4 / 0

HEX #FF4BF6

RGB 255 75 246

HSL 303, 1%, 0.65%

LAB 64.12, 84.51, -49.82

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 82 / 1 / 15

HEX #D827D5

RGB 216 39 213

HSL 301.02, 0.69%, 0.5%

LAB 52.79, 81.45, -49.64

 

CMYK 0 / 89 / 3 / 22

HEX #C715C2

RGB 199 21 194

HSL 301.69, 0.81%, 0.43%

LAB 47.72, 78.75, -46.94

 

CMYK 0 / 98 / 4 / 29

HEX #B603AF

RGB 182 3 175

HSL 302.35, 0.97%, 0.36%

LAB 42.92, 74.96, -43.61

 

CMYK 0 / 100 / 5 / 35

HEX #A5009C

RGB 165 0 156

HSL 303.27, 1%, 0.32%

LAB 38.55, 69.6, -39.37

 

CMYK 0 / 100 / 7 / 42

HEX #940089

RGB 148 0 137

HSL 304.46, 1%, 0.29%

LAB 34.19, 63.85, -34.85

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 0 / 82 / 23 / 16

HEX #D727A5

RGB 215 39 165

HSL 317.05, 0.69%, 0.5%

LAB 50.23, 74.73, -25.77

 

CMYK 0 / 82 / 46 / 16

HEX #D72775

RGB 215 39 117

HSL 333.41, 0.69%, 0.5%

LAB 48.49, 69.72, 0.49

 

CMYK 0 / 82 / 67 / 16

HEX #D72746

RGB 215 39 70

HSL 349.43, 0.69%, 0.5%

LAB 47.42, 66.53, 27.82

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 20 / 82 / 0 / 16

HEX #AB27D7

RGB 171 39 215

HSL 285, 0.69%, 0.5%

LAB 45.66, 73.87, -62.63

 

CMYK 43 / 82 / 0 / 16

HEX #7B27D7

RGB 123 39 215

HSL 268.64, 0.69%, 0.5%

LAB 38.84, 66.64, -74.03

 

CMYK 65 / 82 / 0 / 16

HEX #4C27D7

RGB 76 39 215

HSL 252.61, 0.69%, 0.5%

LAB 33.76, 61.43, -82.58

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 0 / 92 / 2 / 7

HEX #EC12E8

RGB 236 18 232

HSL 301.1, 0.86%, 0.5%

LAB 56.18, 90.82, -54.81

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 0 / 69 / 1 / 24

HEX #C23CC0

RGB 194 60 192

HSL 300.9, 0.53%, 0.5%

LAB 50.11, 67.82, -42.04

 

CMYK 0 / 54 / 1 / 32

HEX #AE50AC

RGB 174 80 172

HSL 301.28, 0.37%, 0.5%

LAB 49.15, 50.97, -32.08

 

CMYK 0 / 34 / 1 / 40

HEX #996598

RGB 153 101 152

HSL 301.15, 0.2%, 0.5%

LAB 49.91, 29.52, -19.34

 

CMYK 0 / 8 / 0 / 48

HEX #847A84

RGB 132 122 132

HSL 300, 0.04%, 0.5%

LAB 52.39, 5.76, -4.06

 

CMYK 42 / 82 / 0 / 16

HEX #7C27D7

RGB 124 39 215

HSL 268.98, 0.69%, 0.5%

LAB 38.97, 66.77, -73.81

 

CMYK 20 / 82 / 0 / 16

HEX #AB27D7

RGB 171 39 215

HSL 285, 0.69%, 0.5%

LAB 45.66, 73.87, -62.63

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 0 / 82 / 23 / 16

HEX #D727A5

RGB 215 39 165

HSL 317.05, 0.69%, 0.5%

LAB 50.23, 74.73, -25.77

 

CMYK 0 / 82 / 45 / 16

HEX #D72776

RGB 215 39 118

HSL 333.07, 0.69%, 0.5%

LAB 48.52, 69.81, -0.08

 

CMYK 0 / 82 / 1 / 43

HEX #911A8F

RGB 145 26 143

HSL 301.01, 0.7%, 0.34%

LAB 35.48, 59.83, -36.54

 

CMYK 0 / 82 / 1 / 29

HEX #B421B2

RGB 180 33 178

HSL 300.82, 0.69%, 0.42%

LAB 44.24, 70.65, -43.3

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 0 / 67 / 1 / 13

HEX #DD4ADB

RGB 221 74 219

HSL 300.82, 0.68%, 0.58%

LAB 57.45, 73.27, -45.6

 

CMYK 0 / 52 / 1 / 11

HEX #E46DE2

RGB 228 109 226

HSL 301.01, 0.69%, 0.66%

LAB 64.1, 61.56, -39.01

 

CMYK 0 / 82 / 1 / 15

HEX #D827D5

RGB 216 39 213

HSL 301.02, 0.69%, 0.5%

LAB 52.79, 81.45, -49.64

 

CMYK 0 / 64 / 82 / 16

HEX #D74D27

RGB 215 77 39

HSL 12.95, 0.69%, 0.5%

LAB 51.73, 52.42, 49.6

 

CMYK 82 / 0 / 31 / 16

HEX #27D794

RGB 39 215 148

HSL 157.16, 0.69%, 0.5%

LAB 76.78, -57.68, 21.31

 

CMYK 0 / 82 / 1 / 15

HEX #D827D5

RGB 216 39 213

HSL 301.02, 0.69%, 0.5%

LAB 52.79, 81.45, -49.64

 

CMYK 1 / 0 / 82 / 16

HEX #D4D727

RGB 212 215 39

HSL 61.02, 0.69%, 0.5%

LAB 83.31, -19.59, 77.23

 

CMYK 82 / 1 / 0 / 16

HEX #27D4D7

RGB 39 212 215

HSL 181.02, 0.69%, 0.5%

LAB 77.53, -39.25, -13.36

 

CMYK 0 / 82 / 1 / 15

HEX #D827D5

RGB 216 39 213

HSL 301.02, 0.69%, 0.5%

LAB 52.79, 81.45, -49.64

 

CMYK 0 / 64 / 82 / 16

HEX #D74D27

RGB 215 77 39

HSL 12.95, 0.69%, 0.5%

LAB 51.73, 52.42, 49.6

 

CMYK 82 / 0 / 80 / 16

HEX #27D72A

RGB 39 215 42

HSL 121.02, 0.69%, 0.5%

LAB 75.58, -72.01, 66.64

 

CMYK 82 / 18 / 0 / 16

HEX #27B1D7

RGB 39 177 215

HSL 192.95, 0.69%, 0.5%

LAB 67.11, -22.32, -29.21

 

CMYK 0 / 82 / 1 / 15

HEX #D827D5

RGB 216 39 213

HSL 301.02, 0.69%, 0.5%

LAB 52.79, 81.45, -49.64

 

CMYK 0 / 40 / 82 / 16

HEX #D78227

RGB 215 130 39

HSL 31.02, 0.69%, 0.5%

LAB 62.13, 26.23, 59.03

 

CMYK 82 / 0 / 80 / 16

HEX #27D72A

RGB 39 215 42

HSL 121.02, 0.69%, 0.5%

LAB 75.58, -72.01, 66.64

 

CMYK 82 / 42 / 0 / 16

HEX #277CD7

RGB 39 124 215

HSL 211.02, 0.69%, 0.5%

LAB 51.56, 7.73, -53.66

 

Description

Color code: HEX #D827D5 | qconv.com Color code: HEX #D827D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 39 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 39 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 1 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 1% 15% C M Y K

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Provide designers and agencies with accurate color values.

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