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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D794AE it is the complementary color #286B51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D794AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D794AE shade: #DC94A9, #EDA6BC, #FEB8CF, #FFCAE2 and #FFDCF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D794AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D794AE shade: #D794AE, #C6829B, #B57088, #A45E75 and #934C62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D794AE shade: #D793AD, #D7939B and #D79393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D794AE shade: #D793AD, #D793BF, #D793D2, #C993D7 and #B793D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D794AE shade matches the following richer shades: #D793AD, #E387AA, #EE7BA8 and #FA6FA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D794AE shade: #D793AD, #CB9EB0, #BFAAB2, #B3B6B5 and #A7C2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D794AE shade: #D793D2, #D793C0, #D793AE, #D7939C and #D79C93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D794AE shade: #C0567F, #CB7496, #D793AD, #E2B1C4 and #EDCFDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D794AE shade: #D794AE, #D7C993 and #93C9D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D794AE shade: #D794AE, #AED793 and #93AED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D794AE shade: #D794AE, #D7C993, #93D7BB and #93A0D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D794AE shade: #D794AE, #D0D793, #93D7BB and #9993D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 19 / 16

HEX #D794AE

RGB 215 148 174

HSL 336.72, 0.46%, 0.71%

LAB 68.52, 28.97, -3.33

 

Complementary color

CMYK 63 / 0 / 24 / 58

HEX #286B51

RGB 40 107 81

HSL 156.72, 0.46%, 0.29%

LAB 40.51, -28, 8.37

 

CMYK 0 / 33 / 23 / 14

HEX #DC94A9

RGB 220 148 169

HSL 342.5, 0.51%, 0.72%

LAB 68.94, 30.02, 0.14

 

CMYK 0 / 30 / 21 / 7

HEX #EDA6BC

RGB 237 166 188

HSL 341.41, 0.66%, 0.79%

LAB 75.39, 29.28, -0.71

 

CMYK 0 / 28 / 19 / 0

HEX #FEB8CF

RGB 254 184 207

HSL 340.29, 0.97%, 0.86%

LAB 81.76, 28.59, -1.5

 

CMYK 0 / 21 / 11 / 0

HEX #FFCAE2

RGB 255 202 226

HSL 332.83, 1%, 0.9%

LAB 86.5, 22.45, -4.69

 

CMYK 0 / 14 / 4 / 0

HEX #FFDCF5

RGB 255 220 245

HSL 317.14, 1%, 0.93%

LAB 91.25, 16.22, -7.69

 

CMYK 0 / 31 / 19 / 16

HEX #D794AE

RGB 215 148 174

HSL 336.72, 0.46%, 0.71%

LAB 68.52, 28.97, -3.33

 

CMYK 0 / 34 / 22 / 22

HEX #C6829B

RGB 198 130 155

HSL 337.94, 0.37%, 0.64%

LAB 61.94, 29.73, -2.49

 

CMYK 0 / 38 / 25 / 29

HEX #B57088

RGB 181 112 136

HSL 339.13, 0.32%, 0.57%

LAB 55.27, 30.56, -1.56

 

CMYK 0 / 43 / 29 / 36

HEX #A45E75

RGB 164 94 117

HSL 340.29, 0.28%, 0.51%

LAB 48.49, 31.44, -0.49

 

CMYK 0 / 48 / 33 / 42

HEX #934C62

RGB 147 76 98

HSL 341.41, 0.32%, 0.44%

LAB 41.62, 32.38, 0.77

 

CMYK 0 / 32 / 20 / 16

HEX #D793AD

RGB 215 147 173

HSL 337.06, 0.46%, 0.71%

LAB 68.26, 29.36, -3.15

 

CMYK 0 / 32 / 28 / 16

HEX #D7939B

RGB 215 147 155

HSL 352.94, 0.46%, 0.71%

LAB 67.78, 26.74, 6.23

 

CMYK 0 / 32 / 32 / 16

HEX #D79393

RGB 215 147 147

HSL 0, 0.46%, 0.71%

LAB 67.59, 25.67, 10.43

 

CMYK 0 / 32 / 20 / 16

HEX #D793AD

RGB 215 147 173

HSL 337.06, 0.46%, 0.71%

LAB 68.26, 29.36, -3.15

 

CMYK 0 / 32 / 11 / 16

HEX #D793BF

RGB 215 147 191

HSL 321.18, 0.46%, 0.71%

LAB 68.81, 32.25, -12.39

 

CMYK 0 / 32 / 2 / 16

HEX #D793D2

RGB 215 147 210

HSL 304.41, 0.46%, 0.71%

LAB 69.45, 35.57, -21.98

 

CMYK 7 / 32 / 0 / 16

HEX #C993D7

RGB 201 147 215

HSL 287.65, 0.46%, 0.71%

LAB 68.16, 32.02, -26.84

 

CMYK 15 / 32 / 0 / 16

HEX #B793D7

RGB 183 147 215

HSL 271.76, 0.46%, 0.71%

LAB 66.4, 26.36, -29.71

 

CMYK 0 / 32 / 20 / 16

HEX #D793AD

RGB 215 147 173

HSL 337.06, 0.46%, 0.71%

LAB 68.26, 29.36, -3.15

 

CMYK 0 / 41 / 25 / 11

HEX #E387AA

RGB 227 135 170

HSL 337.17, 0.62%, 0.71%

LAB 66.95, 39.53, -3.24

 

CMYK 0 / 48 / 29 / 7

HEX #EE7BA8

RGB 238 123 168

HSL 336.52, 0.77%, 0.71%

LAB 65.88, 49.1, -3.52

 

CMYK 0 / 56 / 34 / 2

HEX #FA6FA5

RGB 250 111 165

HSL 336.69, 0.93%, 0.71%

LAB 65.29, 58.31, -2.5

 

CMYK 0 / 32 / 20 / 16

HEX #D793AD

RGB 215 147 173

HSL 337.06, 0.46%, 0.71%

LAB 68.26, 29.36, -3.15

 

CMYK 0 / 22 / 13 / 20

HEX #CB9EB0

RGB 203 158 176

HSL 336, 0.3%, 0.71%

LAB 69.67, 19.53, -2.9

 

CMYK 0 / 11 / 7 / 25

HEX #BFAAB2

RGB 191 170 178

HSL 337.14, 0.14%, 0.71%

LAB 71.58, 8.98, -1.33

 

CMYK 2 / 0 / 1 / 29

HEX #B3B6B5

RGB 179 182 181

HSL 160, 0.02%, 0.71%

LAB 73.79, -1.23, 0.13

 

CMYK 14 / 0 / 5 / 24

HEX #A7C2B8

RGB 167 194 184

HSL 157.78, 0.18%, 0.71%

LAB 76.23, -11.1, 1.95

 

CMYK 0 / 32 / 2 / 16

HEX #D793D2

RGB 215 147 210

HSL 304.41, 0.46%, 0.71%

LAB 69.45, 35.57, -21.98

 

CMYK 0 / 32 / 11 / 16

HEX #D793C0

RGB 215 147 192

HSL 320.29, 0.46%, 0.71%

LAB 68.84, 32.41, -12.9

 

CMYK 0 / 32 / 19 / 16

HEX #D793AE

RGB 215 147 174

HSL 336.18, 0.46%, 0.71%

LAB 68.29, 29.51, -3.67

 

CMYK 0 / 32 / 27 / 16

HEX #D7939C

RGB 215 147 156

HSL 352.06, 0.46%, 0.71%

LAB 67.81, 26.88, 5.71

 

CMYK 0 / 27 / 32 / 16

HEX #D79C93

RGB 215 156 147

HSL 7.94, 0.46%, 0.71%

LAB 69.7, 20.8, 13.41

 

CMYK 0 / 55 / 34 / 25

HEX #C0567F

RGB 192 86 127

HSL 336.79, 0.46%, 0.55%

LAB 51.15, 46.79, -2.12

 

CMYK 0 / 43 / 26 / 20

HEX #CB7496

RGB 203 116 150

HSL 336.55, 0.46%, 0.63%

LAB 59.33, 38.32, -3.4

 

CMYK 0 / 32 / 20 / 16

HEX #D793AD

RGB 215 147 173

HSL 337.06, 0.46%, 0.71%

LAB 68.26, 29.36, -3.15

 

CMYK 0 / 22 / 13 / 11

HEX #E2B1C4

RGB 226 177 196

HSL 336.73, 0.46%, 0.79%

LAB 77.04, 20.73, -2.8

 

CMYK 0 / 13 / 8 / 7

HEX #EDCFDA

RGB 237 207 218

HSL 338, 0.45%, 0.87%

LAB 85.85, 12.28, -1.58

 

CMYK 0 / 31 / 19 / 16

HEX #D794AE

RGB 215 148 174

HSL 336.72, 0.46%, 0.71%

LAB 68.52, 28.97, -3.33

 

CMYK 0 / 7 / 32 / 16

HEX #D7C993

RGB 215 201 147

HSL 47.65, 0.46%, 0.71%

LAB 80.92, -3.19, 28.8

 

CMYK 32 / 7 / 0 / 16

HEX #93C9D7

RGB 147 201 215

HSL 192.35, 0.46%, 0.71%

LAB 77.81, -14.1, -12.6

 

CMYK 0 / 31 / 19 / 16

HEX #D794AE

RGB 215 148 174

HSL 336.72, 0.46%, 0.71%

LAB 68.52, 28.97, -3.33

 

CMYK 19 / 0 / 32 / 16

HEX #AED793

RGB 174 215 147

HSL 96.18, 0.46%, 0.71%

LAB 81.68, -25.58, 29.29

 

CMYK 32 / 19 / 0 / 16

HEX #93AED7

RGB 147 174 215

HSL 216.18, 0.46%, 0.71%

LAB 70.44, 0.32, -23.74

 

CMYK 0 / 31 / 19 / 16

HEX #D794AE

RGB 215 148 174

HSL 336.72, 0.46%, 0.71%

LAB 68.52, 28.97, -3.33

 

CMYK 0 / 7 / 32 / 16

HEX #D7C993

RGB 215 201 147

HSL 47.65, 0.46%, 0.71%

LAB 80.92, -3.19, 28.8

 

CMYK 32 / 0 / 13 / 16

HEX #93D7BB

RGB 147 215 187

HSL 155.29, 0.46%, 0.71%

LAB 80.96, -27.34, 7.02

 

CMYK 32 / 26 / 0 / 16

HEX #93A0D7

RGB 147 160 215

HSL 228.53, 0.46%, 0.71%

LAB 66.71, 8.14, -29.47

 

CMYK 0 / 31 / 19 / 16

HEX #D794AE

RGB 215 148 174

HSL 336.72, 0.46%, 0.71%

LAB 68.52, 28.97, -3.33

 

CMYK 3 / 0 / 32 / 16

HEX #D0D793

RGB 208 215 147

HSL 66.18, 0.46%, 0.71%

LAB 84.03, -13.04, 32.83

 

CMYK 32 / 0 / 13 / 16

HEX #93D7BB

RGB 147 215 187

HSL 155.29, 0.46%, 0.71%

LAB 80.96, -27.34, 7.02

 

CMYK 29 / 32 / 0 / 16

HEX #9993D7

RGB 153 147 215

HSL 245.29, 0.46%, 0.71%

LAB 63.79, 17.28, -33.95

 

Description

Color code: HEX #D794AE | qconv.com Color code: HEX #D794AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 148 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 148 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 19 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 19% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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