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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D78EF3 it is the complementary color #28710C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D78EF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D78EF3 shade: #DC8EEE, #EDA0FF, #FEB2FF, #FFC4FF and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D78EF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D78EF3 shade: #D78EF3, #C67CE0, #B56ACD, #A458BA and #9346A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D78EF3 shade: #D68BF2, #F28BF2, #F28BD7, #F28BBB and #F28BA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D78EF3 shade: #D68BF2, #BA8BF2, #9E8BF2 and #8B8BF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D78EF3 shade matches the following richer shades: #D68BF2 and #DA81FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D78EF3 shade: #D68BF2, #D195E8, #CDA0DE, #C8AAD3 and #C3B4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D78EF3 shade: #9E8BF2, #BA8BF2, #D58BF2, #F18BF2 and #F28BD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D78EF3 shade: #BB40EB, #C966EE, #D68BF2, #E3B0F6 and #F0D6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D78EF3 shade: #D78EF3, #F28B94 and #8BF2AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D78EF3 shade: #D78EF3, #F2D58B and #8BF2D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D78EF3 shade: #D78EF3, #F28B94, #A8F28B and #8BF2EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D78EF3 shade: #D78EF3, #F2A18B, #A8F28B and #8BDCF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 42 / 0 / 5

HEX #D78EF3

RGB 215 142 243

HSL 283.37, 0.81%, 0.75%

LAB 69.66, 44.58, -39.82

 

Complementary color

CMYK 65 / 0 / 89 / 56

HEX #28710C

RGB 40 113 12

HSL 103.37, 0.81%, 0.25%

LAB 41.67, -40.54, 43.68

 

CMYK 8 / 40 / 0 / 7

HEX #DC8EEE

RGB 220 142 238

HSL 288.75, 0.74%, 0.75%

LAB 69.99, 45.05, -36.52

 

CMYK 7 / 37 / 0 / 0

HEX #EDA0FF

RGB 237 160 255

HSL 288.63, 1%, 0.81%

LAB 76.29, 43.93, -35.84

 

CMYK 0 / 30 / 0 / 0

HEX #FEB2FF

RGB 254 178 255

HSL 299.22, 1%, 0.85%

LAB 81.91, 39.69, -27.06

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 12 / 42 / 0 / 5

HEX #D78EF3

RGB 215 142 243

HSL 283.37, 0.81%, 0.75%

LAB 69.66, 44.58, -39.82

 

CMYK 12 / 45 / 0 / 12

HEX #C67CE0

RGB 198 124 224

HSL 284.4, 0.62%, 0.68%

LAB 63.18, 45.35, -39.6

 

CMYK 12 / 48 / 0 / 20

HEX #B56ACD

RGB 181 106 205

HSL 285.45, 0.5%, 0.61%

LAB 56.62, 46.13, -39.33

 

CMYK 12 / 53 / 0 / 27

HEX #A458BA

RGB 164 88 186

HSL 286.53, 0.42%, 0.54%

LAB 50, 46.88, -39.01

 

CMYK 12 / 58 / 0 / 35

HEX #9346A7

RGB 147 70 167

HSL 287.63, 0.41%, 0.46%

LAB 43.32, 47.53, -38.56

 

CMYK 12 / 43 / 0 / 5

HEX #D68BF2

RGB 214 139 242

HSL 283.69, 0.8%, 0.75%

LAB 68.88, 45.68, -40.5

 

CMYK 0 / 43 / 0 / 5

HEX #F28BF2

RGB 242 139 242

HSL 300, 0.8%, 0.75%

LAB 72.06, 53.76, -35.3

 

CMYK 0 / 43 / 11 / 5

HEX #F28BD7

RGB 242 139 215

HSL 315.73, 0.8%, 0.75%

LAB 71.04, 49.2, -22.03

 

CMYK 0 / 43 / 23 / 5

HEX #F28BBB

RGB 242 139 187

HSL 332.04, 0.8%, 0.75%

LAB 70.13, 44.96, -7.86

 

CMYK 0 / 43 / 34 / 5

HEX #F28BA0

RGB 242 139 160

HSL 347.77, 0.8%, 0.75%

LAB 69.38, 41.42, 6.15

 

CMYK 12 / 43 / 0 / 5

HEX #D68BF2

RGB 214 139 242

HSL 283.69, 0.8%, 0.75%

LAB 68.88, 45.68, -40.5

 

CMYK 23 / 43 / 0 / 5

HEX #BA8BF2

RGB 186 139 242

HSL 267.38, 0.8%, 0.75%

LAB 65.99, 37.74, -45.23

 

CMYK 35 / 43 / 0 / 5

HEX #9E8BF2

RGB 158 139 242

HSL 251.07, 0.8%, 0.75%

LAB 63.46, 30.17, -49.39

 

CMYK 43 / 43 / 0 / 5

HEX #8B8BF2

RGB 139 139 242

HSL 240, 0.8%, 0.75%

LAB 61.97, 25.38, -51.85

 

CMYK 12 / 43 / 0 / 5

HEX #D68BF2

RGB 214 139 242

HSL 283.69, 0.8%, 0.75%

LAB 68.88, 45.68, -40.5

 

CMYK 14 / 49 / 0 / 1

HEX #DA81FD

RGB 218 129 253

HSL 283.06, 0.97%, 0.75%

LAB 67.8, 54.18, -48.18

 

CMYK 12 / 43 / 0 / 5

HEX #D68BF2

RGB 214 139 242

HSL 283.69, 0.8%, 0.75%

LAB 68.88, 45.68, -40.5

 

CMYK 10 / 36 / 0 / 9

HEX #D195E8

RGB 209 149 232

HSL 283.37, 0.64%, 0.75%

LAB 70.09, 36.83, -33.17

 

CMYK 8 / 28 / 0 / 13

HEX #CDA0DE

RGB 205 160 222

HSL 283.55, 0.48%, 0.75%

LAB 71.82, 27.58, -25.05

 

CMYK 5 / 19 / 0 / 17

HEX #C8AAD3

RGB 200 170 211

HSL 283.9, 0.32%, 0.75%

LAB 73.37, 18.28, -16.72

 

CMYK 3 / 10 / 0 / 21

HEX #C3B4C9

RGB 195 180 201

HSL 282.86, 0.16%, 0.75%

LAB 75.12, 9.19, -8.68

 

CMYK 35 / 43 / 0 / 5

HEX #9E8BF2

RGB 158 139 242

HSL 251.07, 0.8%, 0.75%

LAB 63.46, 30.17, -49.39

 

CMYK 23 / 43 / 0 / 5

HEX #BA8BF2

RGB 186 139 242

HSL 267.38, 0.8%, 0.75%

LAB 65.99, 37.74, -45.23

 

CMYK 12 / 43 / 0 / 5

HEX #D58BF2

RGB 213 139 242

HSL 283.11, 0.8%, 0.75%

LAB 68.77, 45.39, -40.68

 

CMYK 0 / 43 / 0 / 5

HEX #F18BF2

RGB 241 139 242

HSL 299.42, 0.8%, 0.75%

LAB 71.94, 53.47, -35.49

 

CMYK 0 / 43 / 10 / 5

HEX #F28BD9

RGB 242 139 217

HSL 314.56, 0.8%, 0.75%

LAB 71.11, 49.52, -23.03

 

CMYK 20 / 73 / 0 / 8

HEX #BB40EB

RGB 187 64 235

HSL 283.16, 0.81%, 0.59%

LAB 52.1, 72.62, -63.47

 

CMYK 16 / 57 / 0 / 7

HEX #C966EE

RGB 201 102 238

HSL 283.68, 0.8%, 0.67%

LAB 59.97, 60.11, -52.43

 

CMYK 12 / 43 / 0 / 5

HEX #D68BF2

RGB 214 139 242

HSL 283.69, 0.8%, 0.75%

LAB 68.88, 45.68, -40.5

 

CMYK 8 / 28 / 0 / 4

HEX #E3B0F6

RGB 227 176 246

HSL 283.71, 0.8%, 0.83%

LAB 78.48, 30.62, -27.71

 

CMYK 4 / 14 / 0 / 2

HEX #F0D6FA

RGB 240 214 250

HSL 283.33, 0.78%, 0.91%

LAB 88.7, 15.31, -14.26

 

CMYK 12 / 42 / 0 / 5

HEX #D78EF3

RGB 215 142 243

HSL 283.37, 0.81%, 0.75%

LAB 69.66, 44.58, -39.82

 

CMYK 0 / 43 / 39 / 5

HEX #F28B94

RGB 242 139 148

HSL 354.76, 0.8%, 0.75%

LAB 69.1, 40.02, 12.46

 

CMYK 43 / 0 / 29 / 5

HEX #8BF2AC

RGB 139 242 172

HSL 139.22, 0.8%, 0.75%

LAB 87.96, -44.87, 24.63

 

CMYK 12 / 42 / 0 / 5

HEX #D78EF3

RGB 215 142 243

HSL 283.37, 0.81%, 0.75%

LAB 69.66, 44.58, -39.82

 

CMYK 0 / 12 / 43 / 5

HEX #F2D58B

RGB 242 213 139

HSL 43.11, 0.8%, 0.75%

LAB 86.17, 0.29, 40.22

 

CMYK 43 / 0 / 12 / 5

HEX #8BF2D5

RGB 139 242 213

HSL 163.11, 0.8%, 0.75%

LAB 88.83, -36.68, 4.64

 

CMYK 12 / 42 / 0 / 5

HEX #D78EF3

RGB 215 142 243

HSL 283.37, 0.81%, 0.75%

LAB 69.66, 44.58, -39.82

 

CMYK 0 / 43 / 39 / 5

HEX #F28B94

RGB 242 139 148

HSL 354.76, 0.8%, 0.75%

LAB 69.1, 40.02, 12.46

 

CMYK 31 / 0 / 43 / 5

HEX #A8F28B

RGB 168 242 139

HSL 103.11, 0.8%, 0.75%

LAB 88.78, -41.22, 42.51

 

CMYK 43 / 0 / 3 / 5

HEX #8BF2EA

RGB 139 242 234

HSL 175.34, 0.8%, 0.75%

LAB 89.36, -31.88, -5.54

 

CMYK 12 / 42 / 0 / 5

HEX #D78EF3

RGB 215 142 243

HSL 283.37, 0.81%, 0.75%

LAB 69.66, 44.58, -39.82

 

CMYK 0 / 33 / 43 / 5

HEX #F2A18B

RGB 242 161 139

HSL 12.82, 0.8%, 0.75%

LAB 73.7, 27.56, 23.78

 

CMYK 31 / 0 / 43 / 5

HEX #A8F28B

RGB 168 242 139

HSL 103.11, 0.8%, 0.75%

LAB 88.78, -41.22, 42.51

 

CMYK 43 / 9 / 0 / 5

HEX #8BDCF2

RGB 139 220 242

HSL 192.82, 0.8%, 0.75%

LAB 83.49, -19.19, -18.52

 

Description

Color code: HEX #D78EF3 | qconv.com Color code: HEX #D78EF3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 142 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 142 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 42 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 42% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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