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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D78C15 it is the complementary color #2873EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D78C15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D78C15 shade: #DC8C10, #ED9E23, #FEB036, #FFC249 and #FFD45C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D78C15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D78C15 shade: #D78C15, #C67A02, #B56800, #A45600 and #934400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D78C15 shade: #D58B15, #D55715, #D52315 and #D51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D78C15 shade: #D58B15, #D5BE15, #B8D515, #84D515 and #50D515

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D78C15 shade matches the following richer shades: #D58B15 and #E88F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D78C15 shade: #D58B15, #C28628, #AF823B, #9C7E4E and #897961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D78C15 shade: #D52115, #D55515, #D58815, #D5BB15 and #BBD515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D78C15 shade: #8A5A0D, #AF7211, #D58B15, #E99F29 and #EDB04F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D78C15 shade: #D78C15, #3BD515 and #3B15D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D78C15 shade: #D78C15, #15D588 and #8815D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D78C15 shade: #D78C15, #3BD515, #1562D5 and #AF15D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D78C15 shade: #D78C15, #15D528, #1562D5 and #D515C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 90 / 16

HEX #D78C15

RGB 215 140 21

HSL 36.8, 0.82%, 0.46%

LAB 64.37, 20.43, 66.24

 

Complementary color

CMYK 83 / 51 / 0 / 8

HEX #2873EA

RGB 40 115 234

HSL 216.8, 0.82%, 0.54%

LAB 50.28, 20.64, -66.41

 

CMYK 0 / 36 / 93 / 14

HEX #DC8C10

RGB 220 140 16

HSL 36.47, 0.86%, 0.46%

LAB 64.97, 22.5, 67.98

 

CMYK 0 / 33 / 85 / 7

HEX #ED9E23

RGB 237 158 35

HSL 36.53, 0.85%, 0.53%

LAB 71.27, 20.5, 69.19

 

CMYK 0 / 31 / 79 / 0

HEX #FEB036

RGB 254 176 54

HSL 36.6, 0.99%, 0.6%

LAB 77.51, 18.74, 69.24

 

CMYK 0 / 24 / 71 / 0

HEX #FFC249

RGB 255 194 73

HSL 39.89, 1%, 0.64%

LAB 82.01, 10.54, 66.41

 

CMYK 0 / 17 / 64 / 0

HEX #FFD45C

RGB 255 212 92

HSL 44.17, 1%, 0.68%

LAB 86.56, 2.27, 63.24

 

CMYK 0 / 35 / 90 / 16

HEX #D78C15

RGB 215 140 21

HSL 36.8, 0.82%, 0.46%

LAB 64.37, 20.43, 66.24

 

CMYK 0 / 38 / 99 / 22

HEX #C67A02

RGB 198 122 2

HSL 36.73, 0.98%, 0.39%

LAB 57.97, 22.57, 64.14

 

CMYK 0 / 43 / 100 / 29

HEX #B56800

RGB 181 104 0

HSL 34.48, 1%, 0.35%

LAB 51.52, 25.01, 59.26

 

CMYK 0 / 48 / 100 / 36

HEX #A45600

RGB 164 86 0

HSL 31.46, 1%, 0.32%

LAB 45.01, 27.51, 54

 

CMYK 0 / 54 / 100 / 42

HEX #934400

RGB 147 68 0

HSL 27.76, 1%, 0.29%

LAB 38.44, 30.02, 48.72

 

CMYK 0 / 35 / 90 / 16

HEX #D58B15

RGB 213 139 21

HSL 36.88, 0.82%, 0.46%

LAB 63.89, 20.1, 65.77

 

CMYK 0 / 59 / 90 / 16

HEX #D55715

RGB 213 87 21

HSL 20.63, 0.82%, 0.46%

LAB 52.97, 46.84, 57.62

 

CMYK 0 / 84 / 90 / 16

HEX #D52315

RGB 213 35 21

HSL 4.38, 0.82%, 0.46%

LAB 46.18, 65.37, 52.76

 

CMYK 0 / 90 / 90 / 16

HEX #D51515

RGB 213 21 21

HSL 0, 0.82%, 0.46%

LAB 45.27, 67.97, 52.12

 

CMYK 0 / 35 / 90 / 16

HEX #D58B15

RGB 213 139 21

HSL 36.88, 0.82%, 0.46%

LAB 63.89, 20.1, 65.77

 

CMYK 0 / 11 / 90 / 16

HEX #D5BE15

RGB 213 190 21

HSL 52.81, 0.82%, 0.46%

LAB 76.7, -7.02, 75.58

 

CMYK 14 / 0 / 90 / 16

HEX #B8D515

RGB 184 213 21

HSL 69.06, 0.82%, 0.46%

LAB 80.65, -30.68, 77.71

 

CMYK 38 / 0 / 90 / 16

HEX #84D515

RGB 132 213 21

HSL 85.31, 0.82%, 0.46%

LAB 77.61, -50.49, 73.98

 

CMYK 62 / 0 / 90 / 16

HEX #50D515

RGB 80 213 21

HSL 101.56, 0.82%, 0.46%

LAB 75.67, -65.47, 71.58

 

CMYK 0 / 35 / 90 / 16

HEX #D58B15

RGB 213 139 21

HSL 36.88, 0.82%, 0.46%

LAB 63.89, 20.1, 65.77

 

CMYK 0 / 38 / 99 / 9

HEX #E88F02

RGB 232 143 2

HSL 36.78, 0.98%, 0.46%

LAB 67.13, 25.85, 72.24

 

CMYK 0 / 35 / 90 / 16

HEX #D58B15

RGB 213 139 21

HSL 36.88, 0.82%, 0.46%

LAB 63.89, 20.1, 65.77

 

CMYK 0 / 31 / 79 / 24

HEX #C28628

RGB 194 134 40

HSL 36.62, 0.66%, 0.46%

LAB 60.49, 15.05, 56.2

 

CMYK 0 / 26 / 66 / 31

HEX #AF823B

RGB 175 130 59

HSL 36.72, 0.5%, 0.46%

LAB 57.46, 9.81, 44.14

 

CMYK 0 / 19 / 50 / 39

HEX #9C7E4E

RGB 156 126 78

HSL 36.92, 0.33%, 0.46%

LAB 54.6, 5.23, 30.38

 

CMYK 0 / 12 / 29 / 46

HEX #897961

RGB 137 121 97

HSL 36, 0.17%, 0.46%

LAB 51.67, 2.24, 15.44

 

CMYK 0 / 85 / 90 / 16

HEX #D52115

RGB 213 33 21

HSL 3.75, 0.82%, 0.46%

LAB 46.03, 65.81, 52.65

 

CMYK 0 / 60 / 90 / 16

HEX #D55515

RGB 213 85 21

HSL 20, 0.82%, 0.46%

LAB 52.62, 47.76, 57.37

 

CMYK 0 / 36 / 90 / 16

HEX #D58815

RGB 213 136 21

HSL 35.94, 0.82%, 0.46%

LAB 63.18, 21.72, 65.23

 

CMYK 0 / 12 / 90 / 16

HEX #D5BB15

RGB 213 187 21

HSL 51.88, 0.82%, 0.46%

LAB 75.91, -5.47, 74.98

 

CMYK 12 / 0 / 90 / 16

HEX #BBD515

RGB 187 213 21

HSL 68.13, 0.82%, 0.46%

LAB 80.85, -29.45, 77.96

 

CMYK 0 / 35 / 91 / 46

HEX #8A5A0D

RGB 138 90 13

HSL 36.96, 0.83%, 0.3%

LAB 42.38, 13.75, 47.08

 

CMYK 0 / 35 / 90 / 31

HEX #AF7211

RGB 175 114 17

HSL 36.84, 0.82%, 0.38%

LAB 53.16, 17.05, 56.47

 

CMYK 0 / 35 / 90 / 16

HEX #D58B15

RGB 213 139 21

HSL 36.88, 0.82%, 0.46%

LAB 63.89, 20.1, 65.77

 

CMYK 0 / 32 / 82 / 9

HEX #E99F29

RGB 233 159 41

HSL 36.88, 0.81%, 0.54%

LAB 71.06, 18.43, 67

 

CMYK 0 / 26 / 67 / 7

HEX #EDB04F

RGB 237 176 79

HSL 36.84, 0.81%, 0.62%

LAB 75.84, 12.73, 56.81

 

CMYK 0 / 35 / 90 / 16

HEX #D78C15

RGB 215 140 21

HSL 36.8, 0.82%, 0.46%

LAB 64.37, 20.43, 66.24

 

CMYK 72 / 0 / 90 / 16

HEX #3BD515

RGB 59 213 21

HSL 108.13, 0.82%, 0.46%

LAB 75.18, -69.58, 70.98

 

CMYK 72 / 90 / 0 / 16

HEX #3B15D5

RGB 59 21 213

HSL 251.88, 0.82%, 0.46%

LAB 30.08, 65.93, -87.57

 

CMYK 0 / 35 / 90 / 16

HEX #D78C15

RGB 215 140 21

HSL 36.8, 0.82%, 0.46%

LAB 64.37, 20.43, 66.24

 

CMYK 90 / 0 / 36 / 16

HEX #15D588

RGB 21 213 136

HSL 155.94, 0.82%, 0.46%

LAB 75.78, -60.74, 26.17

 

CMYK 36 / 90 / 0 / 16

HEX #8815D5

RGB 136 21 213

HSL 275.94, 0.82%, 0.46%

LAB 38.85, 72.55, -72.79

 

CMYK 0 / 35 / 90 / 16

HEX #D78C15

RGB 215 140 21

HSL 36.8, 0.82%, 0.46%

LAB 64.37, 20.43, 66.24

 

CMYK 72 / 0 / 90 / 16

HEX #3BD515

RGB 59 213 21

HSL 108.13, 0.82%, 0.46%

LAB 75.18, -69.58, 70.98

 

CMYK 90 / 54 / 0 / 16

HEX #1562D5

RGB 21 98 213

HSL 215.94, 0.82%, 0.46%

LAB 43.8, 22.22, -65.06

 

CMYK 18 / 90 / 0 / 16

HEX #AF15D5

RGB 175 21 213

HSL 288.13, 0.82%, 0.46%

LAB 44.88, 77.87, -62.71

 

CMYK 0 / 35 / 90 / 16

HEX #D78C15

RGB 215 140 21

HSL 36.8, 0.82%, 0.46%

LAB 64.37, 20.43, 66.24

 

CMYK 90 / 0 / 81 / 16

HEX #15D528

RGB 21 213 40

HSL 125.94, 0.82%, 0.46%

LAB 74.76, -73.07, 66.36

 

CMYK 90 / 54 / 0 / 16

HEX #1562D5

RGB 21 98 213

HSL 215.94, 0.82%, 0.46%

LAB 43.8, 22.22, -65.06

 

CMYK 0 / 90 / 9 / 16

HEX #D515C2

RGB 213 21 194

HSL 305.94, 0.82%, 0.46%

LAB 50.19, 81.25, -42.86

 

Description

Color code: HEX #D78C15 | qconv.com Color code: HEX #D78C15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 140 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 140 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 90 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 90% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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