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Color name
HEX #D7830D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7830D it is the complementary color #287CF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7830D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7830D shade: #DC8308, #ED951B, #FEA72E, #FFB941 and #FFCB54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7830D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7830D shade: #D7830D, #C67100, #B55F00, #A44D00 and #933B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7830D shade: #D8830C, #D84C0C, #D8150C and #D80C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7830D shade: #D8830C, #D8BB0C, #BFD80C, #88D80C and #51D80C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7830D shade matches the following richer shades: #D8830C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7830D shade: #D8830C, #C6801F, #B37D31, #A17A44 and #8E7756

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7830D shade: #D8160C, #D84D0C, #D8830C, #D8BA0C and #C1D80C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7830D shade: #8A5408, #B16C0A, #D8830C, #F1991C and #F4AA43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7830D shade: #D7830D, #38D80C and #320CD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7830D shade: #D7830D, #0CD883 and #830CD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7830D shade: #D7830D, #38D80C, #0C61D8 and #AC0CD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7830D shade: #D7830D, #0CD81D, #0C61D8 and #D80CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 94 / 16

HEX #D7830D

RGB 215 131 13

HSL 35.05, 0.89%, 0.45%

LAB 62.26, 25.14, 66.3

 

Complementary color

CMYK 83 / 49 / 0 / 5

HEX #287CF2

RGB 40 124 242

HSL 215.05, 0.89%, 0.55%

LAB 53.25, 18.01, -66.08

 

CMYK 0 / 40 / 96 / 14

HEX #DC8308

RGB 220 131 8

HSL 34.81, 0.93%, 0.45%

LAB 62.9, 27.21, 67.83

 

CMYK 0 / 37 / 89 / 7

HEX #ED951B

RGB 237 149 27

HSL 34.86, 0.85%, 0.52%

LAB 69.17, 25.09, 69.66

 

CMYK 0 / 34 / 82 / 0

HEX #FEA72E

RGB 254 167 46

HSL 34.9, 0.99%, 0.59%

LAB 75.39, 23.19, 70.08

 

CMYK 0 / 27 / 75 / 0

HEX #FFB941

RGB 255 185 65

HSL 37.89, 1%, 0.63%

LAB 79.81, 14.87, 67.37

 

CMYK 0 / 20 / 67 / 0

HEX #FFCB54

RGB 255 203 84

HSL 41.75, 1%, 0.66%

LAB 84.28, 6.44, 64.21

 

CMYK 0 / 39 / 94 / 16

HEX #D7830D

RGB 215 131 13

HSL 35.05, 0.89%, 0.45%

LAB 62.26, 25.14, 66.3

 

CMYK 0 / 43 / 100 / 22

HEX #C67100

RGB 198 113 0

HSL 34.24, 1%, 0.39%

LAB 55.9, 27.43, 63.18

 

CMYK 0 / 48 / 100 / 29

HEX #B55F00

RGB 181 95 0

HSL 31.49, 1%, 0.35%

LAB 49.51, 29.89, 58.01

 

CMYK 0 / 53 / 100 / 36

HEX #A44D00

RGB 164 77 0

HSL 28.17, 1%, 0.32%

LAB 43.06, 32.35, 52.83

 

CMYK 0 / 60 / 100 / 42

HEX #933B00

RGB 147 59 0

HSL 24.08, 1%, 0.29%

LAB 36.61, 34.71, 47.68

 

CMYK 0 / 39 / 94 / 15

HEX #D8830C

RGB 216 131 12

HSL 35, 0.89%, 0.45%

LAB 62.39, 25.56, 66.62

 

CMYK 0 / 65 / 94 / 15

HEX #D84C0C

RGB 216 76 12

HSL 18.82, 0.89%, 0.45%

LAB 51.6, 52.67, 59.44

 

CMYK 0 / 90 / 94 / 15

HEX #D8150C

RGB 216 21 12

HSL 2.65, 0.89%, 0.45%

LAB 45.86, 68.64, 56.04

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 39 / 94 / 15

HEX #D8830C

RGB 216 131 12

HSL 35, 0.89%, 0.45%

LAB 62.39, 25.56, 66.62

 

CMYK 0 / 13 / 94 / 15

HEX #D8BB0C

RGB 216 187 12

HSL 51.47, 0.89%, 0.45%

LAB 76.17, -4.28, 76.58

 

CMYK 12 / 0 / 94 / 15

HEX #BFD80C

RGB 191 216 12

HSL 67.35, 0.89%, 0.45%

LAB 81.95, -29.35, 80.06

 

CMYK 37 / 0 / 94 / 15

HEX #88D80C

RGB 136 216 12

HSL 83.53, 0.89%, 0.45%

LAB 78.68, -50.48, 76.09

 

CMYK 63 / 0 / 94 / 15

HEX #51D80C

RGB 81 216 12

HSL 99.71, 0.89%, 0.45%

LAB 76.61, -66.43, 73.55

 

CMYK 0 / 39 / 94 / 15

HEX #D8830C

RGB 216 131 12

HSL 35, 0.89%, 0.45%

LAB 62.39, 25.56, 66.62

 

CMYK 0 / 39 / 94 / 15

HEX #D8830C

RGB 216 131 12

HSL 35, 0.89%, 0.45%

LAB 62.39, 25.56, 66.62

 

CMYK 0 / 35 / 84 / 22

HEX #C6801F

RGB 198 128 31

HSL 34.85, 0.73%, 0.45%

LAB 59.47, 19.8, 58.67

 

CMYK 0 / 30 / 73 / 30

HEX #B37D31

RGB 179 125 49

HSL 35.08, 0.57%, 0.45%

LAB 56.56, 13.8, 48.02

 

CMYK 0 / 24 / 58 / 37

HEX #A17A44

RGB 161 122 68

HSL 34.84, 0.41%, 0.45%

LAB 53.94, 8.78, 35.09

 

CMYK 0 / 16 / 39 / 44

HEX #8E7756

RGB 142 119 86

HSL 35.36, 0.25%, 0.45%

LAB 51.4, 4.03, 21.49

 

CMYK 0 / 90 / 94 / 15

HEX #D8160C

RGB 216 22 12

HSL 2.94, 0.89%, 0.45%

LAB 45.91, 68.5, 56.07

 

CMYK 0 / 64 / 94 / 15

HEX #D84D0C

RGB 216 77 12

HSL 19.12, 0.89%, 0.45%

LAB 51.76, 52.24, 59.54

 

CMYK 0 / 39 / 94 / 15

HEX #D8830C

RGB 216 131 12

HSL 35, 0.89%, 0.45%

LAB 62.39, 25.56, 66.62

 

CMYK 0 / 14 / 94 / 15

HEX #D8BA0C

RGB 216 186 12

HSL 51.18, 0.89%, 0.45%

LAB 75.91, -3.77, 76.38

 

CMYK 11 / 0 / 94 / 15

HEX #C1D80C

RGB 193 216 12

HSL 66.76, 0.89%, 0.45%

LAB 82.1, -28.52, 80.23

 

CMYK 0 / 39 / 94 / 46

HEX #8A5408

RGB 138 84 8

HSL 35.08, 0.89%, 0.29%

LAB 40.83, 17.15, 47.25

 

CMYK 0 / 39 / 94 / 31

HEX #B16C0A

RGB 177 108 10

HSL 35.21, 0.89%, 0.37%

LAB 51.94, 21.18, 57.25

 

CMYK 0 / 39 / 94 / 15

HEX #D8830C

RGB 216 131 12

HSL 35, 0.89%, 0.45%

LAB 62.39, 25.56, 66.62

 

CMYK 0 / 37 / 88 / 5

HEX #F1991C

RGB 241 153 28

HSL 35.21, 0.88%, 0.53%

LAB 70.57, 24.68, 70.7

 

CMYK 0 / 30 / 73 / 4

HEX #F4AA43

RGB 244 170 67

HSL 34.92, 0.89%, 0.61%

LAB 75.07, 18.22, 61.47

 

CMYK 0 / 39 / 94 / 16

HEX #D7830D

RGB 215 131 13

HSL 35.05, 0.89%, 0.45%

LAB 62.26, 25.14, 66.3

 

CMYK 74 / 0 / 94 / 15

HEX #38D80C

RGB 56 216 12

HSL 107.06, 0.89%, 0.45%

LAB 76.06, -71.17, 72.87

 

CMYK 77 / 94 / 0 / 15

HEX #320CD8

RGB 50 12 216

HSL 251.18, 0.89%, 0.45%

LAB 29.16, 68.42, -90.87

 

CMYK 0 / 39 / 94 / 16

HEX #D7830D

RGB 215 131 13

HSL 35.05, 0.89%, 0.45%

LAB 62.26, 25.14, 66.3

 

CMYK 94 / 0 / 39 / 15

HEX #0CD883

RGB 12 216 131

HSL 155, 0.89%, 0.45%

LAB 76.58, -63.18, 29.81

 

CMYK 39 / 94 / 0 / 15

HEX #830CD8

RGB 131 12 216

HSL 275, 0.89%, 0.45%

LAB 37.93, 74.03, -76.07

 

CMYK 0 / 39 / 94 / 16

HEX #D7830D

RGB 215 131 13

HSL 35.05, 0.89%, 0.45%

LAB 62.26, 25.14, 66.3

 

CMYK 74 / 0 / 94 / 15

HEX #38D80C

RGB 56 216 12

HSL 107.06, 0.89%, 0.45%

LAB 76.06, -71.17, 72.87

 

CMYK 94 / 55 / 0 / 15

HEX #0C61D8

RGB 12 97 216

HSL 215, 0.89%, 0.45%

LAB 43.63, 23.68, -67.04

 

CMYK 20 / 94 / 0 / 15

HEX #AC0CD8

RGB 172 12 216

HSL 287.06, 0.89%, 0.45%

LAB 44.22, 79.11, -65.53

 

CMYK 0 / 39 / 94 / 16

HEX #D7830D

RGB 215 131 13

HSL 35.05, 0.89%, 0.45%

LAB 62.26, 25.14, 66.3

 

CMYK 94 / 0 / 87 / 15

HEX #0CD81D

RGB 12 216 29

HSL 125, 0.89%, 0.45%

LAB 75.62, -74.88, 69.7

 

CMYK 94 / 55 / 0 / 15

HEX #0C61D8

RGB 12 97 216

HSL 215, 0.89%, 0.45%

LAB 43.63, 23.68, -67.04

 

CMYK 0 / 94 / 8 / 15

HEX #D80CC7

RGB 216 12 199

HSL 305, 0.89%, 0.45%

LAB 50.67, 83.41, -44.96

 

Description

Color code: HEX #D7830D | qconv.com Color code: HEX #D7830D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 131 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 131 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 94 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 94% 16% C M Y K

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