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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D782B0 it is the complementary color #287D4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D782B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D782B0 shade: #DC82AB, #ED94BE, #FEA6D1, #FFB8E4 and #FFCAF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D782B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D782B0 shade: #D782B0, #C6709D, #B55E8A, #A44C77 and #933A64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D782B0 shade: #D782B0, #D7829A, #D78283 and #D78282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D782B0 shade: #D782B0, #D782C7, #D182D7, #BA82D7 and #A382D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D782B0 shade matches the following richer shades: #D782B0, #E575B1 and #F268B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D782B0 shade: #D782B0, #CA90AF, #BD9DAE, #B0AAAD and #A3B7AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D782B0 shade: #D082D7, #D782C8, #D782B1, #D7829B and #D78284

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D782B0 shade: #C44489, #CD639D, #D782B0, #E1A2C4 and #EBC1D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D782B0 shade: #D782B0, #D7BA82 and #82D3D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D782B0 shade: #D782B0, #B1D782 and #82B1D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D782B0 shade: #D782B0, #D7BA82, #82D7A9 and #82A0D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D782B0 shade: #D782B0, #D7D382, #82D7A9 and #8287D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

Complementary color

CMYK 68 / 0 / 37 / 51

HEX #287D4F

RGB 40 125 79

HSL 147.53, 0.52%, 0.32%

LAB 46.56, -36.62, 17.87

 

CMYK 0 / 41 / 22 / 14

HEX #DC82AB

RGB 220 130 171

HSL 332.67, 0.56%, 0.69%

LAB 65.06, 39.87, -6.69

 

CMYK 0 / 38 / 20 / 7

HEX #ED94BE

RGB 237 148 190

HSL 331.69, 0.71%, 0.75%

LAB 71.49, 39.07, -7.57

 

CMYK 0 / 35 / 18 / 0

HEX #FEA6D1

RGB 254 166 209

HSL 330.68, 0.98%, 0.82%

LAB 77.84, 38.31, -8.37

 

CMYK 0 / 28 / 11 / 0

HEX #FFB8E4

RGB 255 184 228

HSL 322.82, 1%, 0.86%

LAB 82.46, 32.23, -11.76

 

CMYK 0 / 21 / 3 / 0

HEX #FFCAF7

RGB 255 202 247

HSL 309.06, 1%, 0.9%

LAB 87.1, 26, -14.93

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 43 / 21 / 22

HEX #C6709D

RGB 198 112 157

HSL 328.6, 0.43%, 0.61%

LAB 58.06, 39.72, -9.4

 

CMYK 0 / 48 / 24 / 29

HEX #B55E8A

RGB 181 94 138

HSL 329.66, 0.37%, 0.54%

LAB 51.46, 40.53, -8.38

 

CMYK 0 / 54 / 27 / 36

HEX #A44C77

RGB 164 76 119

HSL 330.68, 0.37%, 0.47%

LAB 44.79, 41.31, -7.17

 

CMYK 0 / 61 / 32 / 42

HEX #933A64

RGB 147 58 100

HSL 331.69, 0.43%, 0.4%

LAB 38.11, 41.96, -5.64

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 40 / 28 / 16

HEX #D7829A

RGB 215 130 154

HSL 343.06, 0.52%, 0.68%

LAB 63.95, 35.72, 1.26

 

CMYK 0 / 40 / 39 / 16

HEX #D78283

RGB 215 130 131

HSL 359.29, 0.52%, 0.68%

LAB 63.39, 32.84, 13.52

 

CMYK 0 / 40 / 40 / 16

HEX #D78282

RGB 215 130 130

HSL 0, 0.52%, 0.68%

LAB 63.36, 32.73, 14.05

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 40 / 7 / 16

HEX #D782C7

RGB 215 130 199

HSL 311.29, 0.52%, 0.68%

LAB 65.39, 42.66, -22.05

 

CMYK 3 / 40 / 0 / 16

HEX #D182D7

RGB 209 130 215

HSL 295.76, 0.52%, 0.68%

LAB 65.3, 43.67, -31.18

 

CMYK 13 / 40 / 0 / 16

HEX #BA82D7

RGB 186 130 215

HSL 279.53, 0.52%, 0.68%

LAB 62.77, 36.72, -35.31

 

CMYK 24 / 40 / 0 / 16

HEX #A382D7

RGB 163 130 215

HSL 263.29, 0.52%, 0.68%

LAB 60.48, 29.93, -39.06

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 49 / 23 / 10

HEX #E575B1

RGB 229 117 177

HSL 327.86, 0.68%, 0.68%

LAB 63.8, 50.33, -11.86

 

CMYK 0 / 57 / 26 / 5

HEX #F268B3

RGB 242 104 179

HSL 327.39, 0.84%, 0.68%

LAB 63.37, 60.72, -13.46

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 29 / 13 / 21

HEX #CA90AF

RGB 202 144 175

HSL 327.93, 0.35%, 0.68%

LAB 66.21, 26.68, -7.46

 

CMYK 0 / 17 / 8 / 26

HEX #BD9DAE

RGB 189 157 174

HSL 328.13, 0.2%, 0.68%

LAB 68.01, 14.69, -4.38

 

CMYK 0 / 3 / 2 / 31

HEX #B0AAAD

RGB 176 170 173

HSL 330, 0.04%, 0.68%

LAB 70.17, 2.7, -0.78

 

CMYK 11 / 0 / 6 / 28

HEX #A3B7AC

RGB 163 183 172

HSL 147, 0.12%, 0.68%

LAB 72.65, -9.03, 3.25

 

CMYK 3 / 40 / 0 / 16

HEX #D082D7

RGB 208 130 215

HSL 295.06, 0.52%, 0.68%

LAB 65.19, 43.37, -31.37

 

CMYK 0 / 40 / 7 / 16

HEX #D782C8

RGB 215 130 200

HSL 310.59, 0.52%, 0.68%

LAB 65.42, 42.83, -22.55

 

CMYK 0 / 40 / 18 / 16

HEX #D782B1

RGB 215 130 177

HSL 326.82, 0.52%, 0.68%

LAB 64.63, 39.07, -10.79

 

CMYK 0 / 40 / 28 / 16

HEX #D7829B

RGB 215 130 155

HSL 342.35, 0.52%, 0.68%

LAB 63.98, 35.86, 0.73

 

CMYK 0 / 40 / 39 / 16

HEX #D78284

RGB 215 130 132

HSL 358.59, 0.52%, 0.68%

LAB 63.41, 32.96, 12.98

 

CMYK 0 / 65 / 30 / 23

HEX #C44489

RGB 196 68 137

HSL 327.66, 0.52%, 0.52%

LAB 49.1, 57.34, -11.09

 

CMYK 0 / 52 / 23 / 20

HEX #CD639D

RGB 205 99 157

HSL 327.17, 0.51%, 0.6%

LAB 56.42, 48.67, -11.76

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 28 / 13 / 12

HEX #E1A2C4

RGB 225 162 196

HSL 327.62, 0.51%, 0.76%

LAB 73.44, 28.44, -8.14

 

CMYK 0 / 18 / 8 / 8

HEX #EBC1D8

RGB 235 193 216

HSL 327.14, 0.51%, 0.84%

LAB 82.25, 18.66, -5.83

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 13 / 40 / 16

HEX #D7BA82

RGB 215 186 130

HSL 39.53, 0.52%, 0.68%

LAB 76.79, 2.64, 32.22

 

CMYK 40 / 2 / 0 / 16

HEX #82D3D7

RGB 130 211 215

HSL 182.82, 0.52%, 0.68%

LAB 79.75, -23.7, -9.79

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 18 / 0 / 40 / 16

HEX #B1D782

RGB 177 215 130

HSL 86.82, 0.52%, 0.68%

LAB 81.6, -26.81, 37.89

 

CMYK 40 / 18 / 0 / 16

HEX #82B1D7

RGB 130 177 215

HSL 206.82, 0.52%, 0.68%

LAB 70.24, -6.02, -24.13

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 13 / 40 / 16

HEX #D7BA82

RGB 215 186 130

HSL 39.53, 0.52%, 0.68%

LAB 76.79, 2.64, 32.22

 

CMYK 40 / 0 / 21 / 16

HEX #82D7A9

RGB 130 215 169

HSL 147.53, 0.52%, 0.68%

LAB 79.73, -35.88, 14.72

 

CMYK 40 / 26 / 0 / 16

HEX #82A0D7

RGB 130 160 215

HSL 218.82, 0.52%, 0.68%

LAB 65.59, 3.41, -31.29

 

CMYK 0 / 40 / 18 / 16

HEX #D782B0

RGB 215 130 176

HSL 327.53, 0.52%, 0.68%

LAB 64.6, 38.91, -10.27

 

CMYK 0 / 2 / 40 / 16

HEX #D7D382

RGB 215 211 130

HSL 57.18, 0.52%, 0.68%

LAB 83.26, -10.3, 40.57

 

CMYK 40 / 0 / 21 / 16

HEX #82D7A9

RGB 130 215 169

HSL 147.53, 0.52%, 0.68%

LAB 79.73, -35.88, 14.72

 

CMYK 40 / 37 / 0 / 16

HEX #8287D7

RGB 130 135 215

HSL 236.47, 0.52%, 0.68%

LAB 58.96, 17.86, -41.64

 

Description

Color code: HEX #D782B0 | qconv.com Color code: HEX #D782B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 130 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 130 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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