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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D77346 it is the complementary color #288CB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D77346. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D77346 shade: #DC7341, #ED8554, #FE9767, #FFA97A and #FFBB8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D77346. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D77346 shade: #D77346, #C66133, #B54F20, #A43D0D and #932B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D77346 shade: #D67346, #D64C46 and #D64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D77346 shade: #D67346, #D69A46, #D6C146, #C5D646 and #9ED646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D77346 shade matches the following richer shades: #D67346, #E86C34 and #FA6522

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D77346 shade: #D67346, #C47A59, #B2816B, #A0887D and #8D8F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D77346 shade: #D64668, #D64B46, #D67246, #D69846 and #D6BE46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D77346 shade: #A64C24, #C85C2B, #D67346, #DE8D68 and #E5A68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D77346 shade: #D77346, #8ED646 and #4655D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D77346 shade: #D77346, #46D672 and #7246D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D77346 shade: #D77346, #8ED646, #46ABD6 and #8E46D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D77346 shade: #D77346, #63D646, #46ABD6 and #B946D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 67 / 16

HEX #D77346

RGB 215 115 70

HSL 18.62, 0.64%, 0.56%

LAB 59.11, 35.5, 41.82

 

Complementary color

CMYK 78 / 24 / 0 / 27

HEX #288CB9

RGB 40 140 185

HSL 198.62, 0.64%, 0.44%

LAB 54.77, -12.65, -31.54

 

CMYK 0 / 48 / 70 / 14

HEX #DC7341

RGB 220 115 65

HSL 19.35, 0.69%, 0.56%

LAB 59.76, 37.21, 45.32

 

CMYK 0 / 44 / 65 / 7

HEX #ED8554

RGB 237 133 84

HSL 19.22, 0.81%, 0.63%

LAB 66.07, 35.68, 43.39

 

CMYK 0 / 41 / 59 / 0

HEX #FE9767

RGB 254 151 103

HSL 19.07, 0.99%, 0.7%

LAB 72.35, 34.28, 41.57

 

CMYK 0 / 34 / 52 / 0

HEX #FFA97A

RGB 255 169 122

HSL 21.2, 1%, 0.74%

LAB 76.7, 26.79, 37.11

 

CMYK 0 / 27 / 45 / 0

HEX #FFBB8D

RGB 255 187 141

HSL 24.21, 1%, 0.78%

LAB 81.14, 19.12, 32.91

 

CMYK 0 / 47 / 67 / 16

HEX #D77346

RGB 215 115 70

HSL 18.62, 0.64%, 0.56%

LAB 59.11, 35.5, 41.82

 

CMYK 0 / 51 / 74 / 22

HEX #C66133

RGB 198 97 51

HSL 18.78, 0.59%, 0.49%

LAB 52.72, 37.11, 43.84

 

CMYK 0 / 56 / 82 / 29

HEX #B54F20

RGB 181 79 32

HSL 18.93, 0.7%, 0.42%

LAB 46.34, 38.82, 45.78

 

CMYK 0 / 63 / 92 / 36

HEX #A43D0D

RGB 164 61 13

HSL 19.07, 0.85%, 0.35%

LAB 40.01, 40.56, 47.03

 

CMYK 0 / 71 / 100 / 42

HEX #932B00

RGB 147 43 0

HSL 17.55, 1%, 0.29%

LAB 33.84, 42.11, 46.17

 

CMYK 0 / 46 / 67 / 16

HEX #D67346

RGB 214 115 70

HSL 18.75, 0.64%, 0.56%

LAB 58.97, 35.11, 41.62

 

CMYK 0 / 64 / 67 / 16

HEX #D64C46

RGB 214 76 70

HSL 2.5, 0.64%, 0.56%

LAB 51.73, 53.78, 33.08

 

CMYK 0 / 67 / 67 / 16

HEX #D64646

RGB 214 70 70

HSL 0, 0.64%, 0.56%

LAB 50.83, 56.23, 31.98

 

CMYK 0 / 46 / 67 / 16

HEX #D67346

RGB 214 115 70

HSL 18.75, 0.64%, 0.56%

LAB 58.97, 35.11, 41.62

 

CMYK 0 / 28 / 67 / 16

HEX #D69A46

RGB 214 154 70

HSL 35, 0.64%, 0.56%

LAB 67.91, 14.24, 51.61

 

CMYK 0 / 10 / 67 / 16

HEX #D6C146

RGB 214 193 70

HSL 51.25, 0.64%, 0.56%

LAB 77.8, -6.41, 62.06

 

CMYK 8 / 0 / 67 / 16

HEX #C5D646

RGB 197 214 70

HSL 67.08, 0.64%, 0.56%

LAB 82.06, -24, 65.97

 

CMYK 26 / 0 / 67 / 16

HEX #9ED646

RGB 158 214 70

HSL 83.33, 0.64%, 0.56%

LAB 79.5, -39.3, 62.53

 

CMYK 0 / 46 / 67 / 16

HEX #D67346

RGB 214 115 70

HSL 18.75, 0.64%, 0.56%

LAB 58.97, 35.11, 41.62

 

CMYK 0 / 53 / 78 / 9

HEX #E86C34

RGB 232 108 52

HSL 18.67, 0.8%, 0.56%

LAB 60, 44.77, 52.44

 

CMYK 0 / 60 / 86 / 2

HEX #FA6522

RGB 250 101 34

HSL 18.61, 0.96%, 0.56%

LAB 61.44, 54.09, 62.29

 

CMYK 0 / 46 / 67 / 16

HEX #D67346

RGB 214 115 70

HSL 18.75, 0.64%, 0.56%

LAB 58.97, 35.11, 41.62

 

CMYK 0 / 38 / 55 / 23

HEX #C47A59

RGB 196 122 89

HSL 18.5, 0.48%, 0.56%

LAB 58.39, 25.46, 30.08

 

CMYK 0 / 28 / 40 / 30

HEX #B2816B

RGB 178 129 107

HSL 18.59, 0.32%, 0.56%

LAB 58.25, 16.03, 19.38

 

CMYK 0 / 15 / 22 / 37

HEX #A0887D

RGB 160 136 125

HSL 18.86, 0.16%, 0.56%

LAB 58.57, 7.29, 9.27

 

CMYK 1 / 0 / 0 / 44

HEX #8D8F8F

RGB 141 143 143

HSL 180, 0.01%, 0.56%

LAB 59.24, -0.73, -0.26

 

CMYK 0 / 67 / 51 / 16

HEX #D64668

RGB 214 70 104

HSL 345.83, 0.64%, 0.56%

LAB 51.47, 58.54, 12.61

 

CMYK 0 / 65 / 67 / 16

HEX #D64B46

RGB 214 75 70

HSL 2.08, 0.64%, 0.56%

LAB 51.58, 54.2, 32.89

 

CMYK 0 / 47 / 67 / 16

HEX #D67246

RGB 214 114 70

HSL 18.33, 0.64%, 0.56%

LAB 58.76, 35.63, 41.38

 

CMYK 0 / 29 / 67 / 16

HEX #D69846

RGB 214 152 70

HSL 34.17, 0.64%, 0.56%

LAB 67.42, 15.32, 51.08

 

CMYK 0 / 11 / 67 / 16

HEX #D6BE46

RGB 214 190 70

HSL 50, 0.64%, 0.56%

LAB 77.02, -4.86, 61.25

 

CMYK 0 / 54 / 78 / 35

HEX #A64C24

RGB 166 76 36

HSL 18.46, 0.64%, 0.4%

LAB 43.36, 34.55, 40.16

 

CMYK 0 / 54 / 79 / 22

HEX #C85C2B

RGB 200 92 43

HSL 18.73, 0.65%, 0.48%

LAB 51.96, 40.09, 47.08

 

CMYK 0 / 46 / 67 / 16

HEX #D67346

RGB 214 115 70

HSL 18.75, 0.64%, 0.56%

LAB 58.97, 35.11, 41.62

 

CMYK 0 / 36 / 53 / 13

HEX #DE8D68

RGB 222 141 104

HSL 18.81, 0.64%, 0.64%

LAB 66.2, 26.99, 32.48

 

CMYK 0 / 28 / 40 / 10

HEX #E5A68A

RGB 229 166 138

HSL 18.46, 0.64%, 0.72%

LAB 73.39, 19.75, 23.67

 

CMYK 0 / 47 / 67 / 16

HEX #D77346

RGB 215 115 70

HSL 18.62, 0.64%, 0.56%

LAB 59.11, 35.5, 41.82

 

CMYK 34 / 0 / 67 / 16

HEX #8ED646

RGB 142 214 70

HSL 90, 0.64%, 0.56%

LAB 78.63, -45.09, 61.35

 

CMYK 67 / 60 / 0 / 16

HEX #4655D6

RGB 70 85 214

HSL 233.75, 0.64%, 0.56%

LAB 42.24, 35.64, -68.09

 

CMYK 0 / 47 / 67 / 16

HEX #D77346

RGB 215 115 70

HSL 18.62, 0.64%, 0.56%

LAB 59.11, 35.5, 41.82

 

CMYK 67 / 0 / 47 / 16

HEX #46D672

RGB 70 214 114

HSL 138.33, 0.64%, 0.56%

LAB 76.44, -59.51, 38.36

 

CMYK 47 / 67 / 0 / 16

HEX #7246D6

RGB 114 70 214

HSL 258.33, 0.64%, 0.56%

LAB 42.48, 51.48, -67.55

 

CMYK 0 / 47 / 67 / 16

HEX #D77346

RGB 215 115 70

HSL 18.62, 0.64%, 0.56%

LAB 59.11, 35.5, 41.82

 

CMYK 34 / 0 / 67 / 16

HEX #8ED646

RGB 142 214 70

HSL 90, 0.64%, 0.56%

LAB 78.63, -45.09, 61.35

 

CMYK 67 / 20 / 0 / 16

HEX #46ABD6

RGB 70 171 214

HSL 197.92, 0.64%, 0.56%

LAB 65.97, -15.83, -30.37

 

CMYK 34 / 67 / 0 / 16

HEX #8E46D6

RGB 142 70 214

HSL 270, 0.64%, 0.56%

LAB 45.62, 56.83, -62.31

 

CMYK 0 / 47 / 67 / 16

HEX #D77346

RGB 215 115 70

HSL 18.62, 0.64%, 0.56%

LAB 59.11, 35.5, 41.82

 

CMYK 54 / 0 / 67 / 16

HEX #63D646

RGB 99 214 70

HSL 107.92, 0.64%, 0.56%

LAB 76.79, -58.41, 58.86

 

CMYK 67 / 20 / 0 / 16

HEX #46ABD6

RGB 70 171 214

HSL 197.92, 0.64%, 0.56%

LAB 65.97, -15.83, -30.37

 

CMYK 14 / 67 / 0 / 16

HEX #B946D6

RGB 185 70 214

HSL 287.92, 0.64%, 0.56%

LAB 51.32, 65.91, -52.83

 

Description

Color code: HEX #D77346 | qconv.com Color code: HEX #D77346 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 115 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 115 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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