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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7708B it is the complementary color #288F74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7708B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7708B shade: #DC7086, #ED8299, #FE94AC, #FFA6BF and #FFB8D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7708B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7708B shade: #D7708B, #C65E78, #B54C65, #A43A52 and #93283F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7708B shade: #D66F8A and #D66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7708B shade: #D66F8A, #D66FA6, #D66FC2, #CF6FD6 and #B36FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7708B shade matches the following richer shades: #D66F8A, #E56083 and #F4527C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7708B shade: #D66F8A, #C77E91, #B88D98, #AA9C9F and #9BABA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7708B shade: #D66FC2, #D66FA6, #D66F8B, #D66F6F and #D68B6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7708B shade: #BE3559, #CD4F70, #D66F8A, #DF8FA4 and #E8B0BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7708B shade: #D7708B, #D6CF6F and #6FB4D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7708B shade: #D7708B, #8BD66F and #6F8BD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7708B shade: #D7708B, #D6CF6F, #6FD6BB and #6F76D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7708B shade: #D7708B, #BED66F, #6FD6BB and #876FD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 35 / 16

HEX #D7708B

RGB 215 112 139

HSL 344.27, 0.56%, 0.64%

LAB 59.8, 43.17, 3.83

 

Complementary color

CMYK 72 / 0 / 19 / 44

HEX #288F74

RGB 40 143 116

HSL 164.27, 0.56%, 0.36%

LAB 53.34, -35.76, 6.02

 

CMYK 0 / 49 / 39 / 14

HEX #DC7086

RGB 220 112 134

HSL 347.78, 0.61%, 0.65%

LAB 60.36, 44.34, 7.62

 

CMYK 0 / 45 / 35 / 7

HEX #ED8299

RGB 237 130 153

HSL 347.1, 0.75%, 0.72%

LAB 66.73, 43.41, 6.19

 

CMYK 0 / 42 / 32 / 0

HEX #FE94AC

RGB 254 148 172

HSL 346.42, 0.98%, 0.79%

LAB 73.04, 42.5, 4.93

 

CMYK 0 / 35 / 25 / 0

HEX #FFA6BF

RGB 255 166 191

HSL 343.15, 1%, 0.83%

LAB 77.46, 36.05, 0.89

 

CMYK 0 / 28 / 18 / 0

HEX #FFB8D2

RGB 255 184 210

HSL 338.03, 1%, 0.86%

LAB 81.94, 29.39, -2.84

 

CMYK 0 / 48 / 35 / 16

HEX #D7708B

RGB 215 112 139

HSL 344.27, 0.56%, 0.64%

LAB 59.8, 43.17, 3.83

 

CMYK 0 / 53 / 39 / 22

HEX #C65E78

RGB 198 94 120

HSL 345, 0.48%, 0.57%

LAB 53.35, 44.07, 5.36

 

CMYK 0 / 58 / 44 / 29

HEX #B54C65

RGB 181 76 101

HSL 345.71, 0.42%, 0.5%

LAB 46.89, 44.93, 7.18

 

CMYK 0 / 65 / 50 / 36

HEX #A43A52

RGB 164 58 82

HSL 346.42, 0.48%, 0.44%

LAB 40.46, 45.62, 9.45

 

CMYK 0 / 73 / 57 / 42

HEX #93283F

RGB 147 40 63

HSL 347.1, 0.57%, 0.37%

LAB 34.15, 45.93, 12.35

 

CMYK 0 / 48 / 36 / 16

HEX #D66F8A

RGB 214 111 138

HSL 344.27, 0.56%, 0.64%

LAB 59.43, 43.21, 3.87

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 48 / 36 / 16

HEX #D66F8A

RGB 214 111 138

HSL 344.27, 0.56%, 0.64%

LAB 59.43, 43.21, 3.87

 

CMYK 0 / 48 / 22 / 16

HEX #D66FA6

RGB 214 111 166

HSL 327.96, 0.56%, 0.64%

LAB 60.26, 46.9, -11.07

 

CMYK 0 / 48 / 9 / 16

HEX #D66FC2

RGB 214 111 194

HSL 311.65, 0.56%, 0.64%

LAB 61.27, 51.22, -25.54

 

CMYK 3 / 48 / 0 / 16

HEX #CF6FD6

RGB 207 111 214

HSL 295.92, 0.56%, 0.64%

LAB 61.21, 52.67, -37

 

CMYK 16 / 48 / 0 / 16

HEX #B36FD6

RGB 179 111 214

HSL 279.61, 0.56%, 0.64%

LAB 57.85, 44.8, -42.51

 

CMYK 0 / 48 / 36 / 16

HEX #D66F8A

RGB 214 111 138

HSL 344.27, 0.56%, 0.64%

LAB 59.43, 43.21, 3.87

 

CMYK 0 / 58 / 43 / 10

HEX #E56083

RGB 229 96 131

HSL 344.21, 0.72%, 0.64%

LAB 58.66, 54.72, 7.11

 

CMYK 0 / 66 / 49 / 4

HEX #F4527C

RGB 244 82 124

HSL 344.44, 0.88%, 0.64%

LAB 58.72, 64.63, 11.62

 

CMYK 0 / 48 / 36 / 16

HEX #D66F8A

RGB 214 111 138

HSL 344.27, 0.56%, 0.64%

LAB 59.43, 43.21, 3.87

 

CMYK 0 / 37 / 27 / 22

HEX #C77E91

RGB 199 126 145

HSL 344.38, 0.39%, 0.64%

LAB 60.88, 30.82, 1.68

 

CMYK 0 / 23 / 17 / 28

HEX #B88D98

RGB 184 141 152

HSL 344.65, 0.23%, 0.64%

LAB 62.93, 18.01, 0.48

 

CMYK 0 / 8 / 6 / 33

HEX #AA9C9F

RGB 170 156 159

HSL 347.14, 0.08%, 0.64%

LAB 65.61, 5.66, 0.28

 

CMYK 9 / 0 / 2 / 33

HEX #9BABA7

RGB 155 171 167

HSL 165, 0.09%, 0.64%

LAB 68.67, -6.37, 0.14

 

CMYK 0 / 48 / 9 / 16

HEX #D66FC2

RGB 214 111 194

HSL 311.65, 0.56%, 0.64%

LAB 61.27, 51.22, -25.54

 

CMYK 0 / 48 / 22 / 16

HEX #D66FA6

RGB 214 111 166

HSL 327.96, 0.56%, 0.64%

LAB 60.26, 46.9, -11.07

 

CMYK 0 / 48 / 35 / 16

HEX #D66F8B

RGB 214 111 139

HSL 343.69, 0.56%, 0.64%

LAB 59.46, 43.33, 3.33

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 35 / 48 / 16

HEX #D68B6F

RGB 214 139 111

HSL 16.31, 0.56%, 0.64%

LAB 64.89, 25.51, 26.76

 

CMYK 0 / 72 / 53 / 25

HEX #BE3559

RGB 190 53 89

HSL 344.23, 0.56%, 0.48%

LAB 44.54, 56.45, 11.47

 

CMYK 0 / 61 / 45 / 20

HEX #CD4F70

RGB 205 79 112

HSL 344.29, 0.56%, 0.56%

LAB 51.54, 52.66, 7.69

 

CMYK 0 / 48 / 36 / 16

HEX #D66F8A

RGB 214 111 138

HSL 344.27, 0.56%, 0.64%

LAB 59.43, 43.21, 3.87

 

CMYK 0 / 36 / 26 / 13

HEX #DF8FA4

RGB 223 143 164

HSL 344.25, 0.56%, 0.72%

LAB 68.03, 33.06, 1.66

 

CMYK 0 / 24 / 18 / 9

HEX #E8B0BE

RGB 232 176 190

HSL 345, 0.55%, 0.8%

LAB 77.24, 22.46, 0.82

 

CMYK 0 / 48 / 35 / 16

HEX #D7708B

RGB 215 112 139

HSL 344.27, 0.56%, 0.64%

LAB 59.8, 43.17, 3.83

 

CMYK 0 / 3 / 48 / 16

HEX #D6CF6F

RGB 214 207 111

HSL 55.92, 0.56%, 0.64%

LAB 81.88, -10.56, 48.2

 

CMYK 48 / 16 / 0 / 16

HEX #6FB4D6

RGB 111 180 214

HSL 199.81, 0.56%, 0.64%

LAB 70.09, -12.64, -23.91

 

CMYK 0 / 48 / 35 / 16

HEX #D7708B

RGB 215 112 139

HSL 344.27, 0.56%, 0.64%

LAB 59.8, 43.17, 3.83

 

CMYK 35 / 0 / 48 / 16

HEX #8BD66F

RGB 139 214 111

HSL 103.69, 0.56%, 0.64%

LAB 78.89, -42.06, 43.42

 

CMYK 48 / 35 / 0 / 16

HEX #6F8BD6

RGB 111 139 214

HSL 223.69, 0.56%, 0.64%

LAB 58.7, 10.44, -41.58

 

CMYK 0 / 48 / 35 / 16

HEX #D7708B

RGB 215 112 139

HSL 344.27, 0.56%, 0.64%

LAB 59.8, 43.17, 3.83

 

CMYK 0 / 3 / 48 / 16

HEX #D6CF6F

RGB 214 207 111

HSL 55.92, 0.56%, 0.64%

LAB 81.88, -10.56, 48.2

 

CMYK 48 / 0 / 13 / 16

HEX #6FD6BB

RGB 111 214 187

HSL 164.27, 0.56%, 0.64%

LAB 79.08, -36.46, 4.11

 

CMYK 48 / 45 / 0 / 16

HEX #6F76D6

RGB 111 118 214

HSL 235.92, 0.56%, 0.64%

LAB 53.16, 22.99, -50.35

 

CMYK 0 / 48 / 35 / 16

HEX #D7708B

RGB 215 112 139

HSL 344.27, 0.56%, 0.64%

LAB 59.8, 43.17, 3.83

 

CMYK 11 / 0 / 48 / 16

HEX #BED66F

RGB 190 214 111

HSL 73.98, 0.56%, 0.64%

LAB 81.94, -23.57, 47.85

 

CMYK 48 / 0 / 13 / 16

HEX #6FD6BB

RGB 111 214 187

HSL 164.27, 0.56%, 0.64%

LAB 79.08, -36.46, 4.11

 

CMYK 37 / 48 / 0 / 16

HEX #876FD6

RGB 135 111 214

HSL 253.98, 0.56%, 0.64%

LAB 53.36, 33, -49.92

 

Description

Color code: HEX #D7708B | qconv.com Color code: HEX #D7708B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 112 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 112 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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