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Color name
HEX #D7740D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7740D it is the complementary color #288BF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7740D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7740D shade: #DC7408, #ED861B, #FE982E, #FFAA41 and #FFBC54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7740D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7740D shade: #D7740D, #C66200, #B55000, #A43E00 and #932C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7740D shade: #D8740C, #D83D0C and #D80C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7740D shade: #D8740C, #D8AB0C, #CED80C, #97D80C and #60D80C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7740D shade matches the following richer shades: #D8740C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7740D shade: #D8740C, #C6741F, #B37431, #A17344 and #8E7356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7740D shade: #D80C13, #D83C0C, #D8720C, #D8A90C and #D2D80C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7740D shade: #8A4A08, #B15F0A, #D8740C, #F1891C and #F49D43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7740D shade: #D7740D, #49D80C and #210CD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7740D shade: #D7740D, #0CD872 and #720CD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7740D shade: #D7740D, #49D80C, #0C72D8 and #9B0CD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7740D shade: #D7740D, #0CD80C, #0C72D8 and #D80CD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 94 / 16

HEX #D7740D

RGB 215 116 13

HSL 30.59, 0.89%, 0.45%

LAB 58.94, 33.09, 63.99

 

Complementary color

CMYK 83 / 43 / 0 / 5

HEX #288BF2

RGB 40 139 242

HSL 210.59, 0.89%, 0.55%

LAB 57.39, 8.79, -59.41

 

CMYK 0 / 47 / 96 / 14

HEX #DC7408

RGB 220 116 8

HSL 30.57, 0.93%, 0.45%

LAB 59.64, 35.08, 65.67

 

CMYK 0 / 43 / 89 / 7

HEX #ED861B

RGB 237 134 27

HSL 30.57, 0.85%, 0.52%

LAB 65.85, 32.94, 67.11

 

CMYK 0 / 40 / 82 / 0

HEX #FE982E

RGB 254 152 46

HSL 30.58, 0.99%, 0.59%

LAB 72.04, 30.99, 67.16

 

CMYK 0 / 33 / 75 / 0

HEX #FFAA41

RGB 255 170 65

HSL 33.16, 1%, 0.63%

LAB 76.31, 22.7, 63.95

 

CMYK 0 / 26 / 67 / 0

HEX #FFBC54

RGB 255 188 84

HSL 36.49, 1%, 0.66%

LAB 80.66, 14.21, 60.36

 

CMYK 0 / 46 / 94 / 16

HEX #D7740D

RGB 215 116 13

HSL 30.59, 0.89%, 0.45%

LAB 58.94, 33.09, 63.99

 

CMYK 0 / 51 / 100 / 22

HEX #C66200

RGB 198 98 0

HSL 29.7, 1%, 0.39%

LAB 52.67, 35.36, 61.2

 

CMYK 0 / 56 / 100 / 29

HEX #B55000

RGB 181 80 0

HSL 26.52, 1%, 0.35%

LAB 46.39, 37.71, 56.18

 

CMYK 0 / 62 / 100 / 36

HEX #A43E00

RGB 164 62 0

HSL 22.68, 1%, 0.32%

LAB 40.14, 39.89, 51.2

 

CMYK 0 / 70 / 100 / 42

HEX #932C00

RGB 147 44 0

HSL 17.96, 1%, 0.29%

LAB 33.99, 41.69, 46.26

 

CMYK 0 / 46 / 94 / 15

HEX #D8740C

RGB 216 116 12

HSL 30.59, 0.89%, 0.45%

LAB 59.08, 33.49, 64.34

 

CMYK 0 / 72 / 94 / 15

HEX #D83D0C

RGB 216 61 12

HSL 14.41, 0.89%, 0.45%

LAB 49.45, 58.52, 58.12

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 46 / 94 / 15

HEX #D8740C

RGB 216 116 12

HSL 30.59, 0.89%, 0.45%

LAB 59.08, 33.49, 64.34

 

CMYK 0 / 21 / 94 / 15

HEX #D8AB0C

RGB 216 171 12

HSL 46.76, 0.89%, 0.45%

LAB 72.06, 4.11, 73.55

 

CMYK 5 / 0 / 94 / 15

HEX #CED80C

RGB 206 216 12

HSL 62.94, 0.89%, 0.45%

LAB 83.05, -23.12, 81.38

 

CMYK 30 / 0 / 94 / 15

HEX #97D80C

RGB 151 216 12

HSL 79.12, 0.89%, 0.45%

LAB 79.45, -45.09, 77.03

 

CMYK 56 / 0 / 94 / 15

HEX #60D80C

RGB 96 216 12

HSL 95.29, 0.89%, 0.45%

LAB 77.06, -62.78, 74.1

 

CMYK 0 / 46 / 94 / 15

HEX #D8740C

RGB 216 116 12

HSL 30.59, 0.89%, 0.45%

LAB 59.08, 33.49, 64.34

 

CMYK 0 / 46 / 94 / 15

HEX #D8740C

RGB 216 116 12

HSL 30.59, 0.89%, 0.45%

LAB 59.08, 33.49, 64.34

 

CMYK 0 / 41 / 84 / 22

HEX #C6741F

RGB 198 116 31

HSL 30.54, 0.73%, 0.45%

LAB 56.68, 26.33, 56.29

 

CMYK 0 / 35 / 73 / 30

HEX #B37431

RGB 179 116 49

HSL 30.92, 0.57%, 0.45%

LAB 54.34, 18.83, 45.72

 

CMYK 0 / 29 / 58 / 37

HEX #A17344

RGB 161 115 68

HSL 30.32, 0.41%, 0.45%

LAB 52.13, 12.76, 32.91

 

CMYK 0 / 19 / 39 / 44

HEX #8E7356

RGB 142 115 86

HSL 31.07, 0.25%, 0.45%

LAB 50.32, 6.33, 20.04

 

CMYK 0 / 94 / 91 / 15

HEX #D80C13

RGB 216 12 19

HSL 357.94, 0.89%, 0.45%

LAB 45.51, 69.8, 53.39

 

CMYK 0 / 72 / 94 / 15

HEX #D83C0C

RGB 216 60 12

HSL 14.12, 0.89%, 0.45%

LAB 49.32, 58.87, 58.04

 

CMYK 0 / 47 / 94 / 15

HEX #D8720C

RGB 216 114 12

HSL 30, 0.89%, 0.45%

LAB 58.66, 34.53, 64.05

 

CMYK 0 / 22 / 94 / 15

HEX #D8A90C

RGB 216 169 12

HSL 46.18, 0.89%, 0.45%

LAB 71.56, 5.17, 73.18

 

CMYK 3 / 0 / 94 / 15

HEX #D2D80C

RGB 210 216 12

HSL 61.76, 0.89%, 0.45%

LAB 83.36, -21.44, 81.74

 

CMYK 0 / 46 / 94 / 46

HEX #8A4A08

RGB 138 74 8

HSL 30.46, 0.89%, 0.29%

LAB 38.41, 22.93, 45.46

 

CMYK 0 / 46 / 94 / 31

HEX #B15F0A

RGB 177 95 10

HSL 30.54, 0.89%, 0.37%

LAB 48.95, 28.33, 55.13

 

CMYK 0 / 46 / 94 / 15

HEX #D8740C

RGB 216 116 12

HSL 30.59, 0.89%, 0.45%

LAB 59.08, 33.49, 64.34

 

CMYK 0 / 43 / 88 / 5

HEX #F1891C

RGB 241 137 28

HSL 30.7, 0.88%, 0.53%

LAB 67.03, 33.04, 67.98

 

CMYK 0 / 36 / 73 / 4

HEX #F49D43

RGB 244 157 67

HSL 30.51, 0.89%, 0.61%

LAB 72.06, 25.06, 58.4

 

CMYK 0 / 46 / 94 / 16

HEX #D7740D

RGB 215 116 13

HSL 30.59, 0.89%, 0.45%

LAB 58.94, 33.09, 63.99

 

CMYK 66 / 0 / 94 / 15

HEX #49D80C

RGB 73 216 12

HSL 102.06, 0.89%, 0.45%

LAB 76.41, -68.13, 73.3

 

CMYK 85 / 94 / 0 / 15

HEX #210CD8

RGB 33 12 216

HSL 246.18, 0.89%, 0.45%

LAB 28.23, 67.97, -92.44

 

CMYK 0 / 46 / 94 / 16

HEX #D7740D

RGB 215 116 13

HSL 30.59, 0.89%, 0.45%

LAB 58.94, 33.09, 63.99

 

CMYK 94 / 0 / 47 / 15

HEX #0CD872

RGB 12 216 114

HSL 150, 0.89%, 0.45%

LAB 76.32, -66.24, 38.04

 

CMYK 47 / 94 / 0 / 15

HEX #720CD8

RGB 114 12 216

HSL 270, 0.89%, 0.45%

LAB 35.59, 72.34, -80

 

CMYK 0 / 46 / 94 / 16

HEX #D7740D

RGB 215 116 13

HSL 30.59, 0.89%, 0.45%

LAB 58.94, 33.09, 63.99

 

CMYK 66 / 0 / 94 / 15

HEX #49D80C

RGB 73 216 12

HSL 102.06, 0.89%, 0.45%

LAB 76.41, -68.13, 73.3

 

CMYK 94 / 47 / 0 / 15

HEX #0C72D8

RGB 12 114 216

HSL 210, 0.89%, 0.45%

LAB 48.35, 12.73, -59.4

 

CMYK 28 / 94 / 0 / 15

HEX #9B0CD8

RGB 155 12 216

HSL 282.06, 0.89%, 0.45%

LAB 41.52, 76.84, -70.05

 

CMYK 0 / 46 / 94 / 16

HEX #D7740D

RGB 215 116 13

HSL 30.59, 0.89%, 0.45%

LAB 58.94, 33.09, 63.99

 

CMYK 94 / 0 / 94 / 15

HEX #0CD80C

RGB 12 216 12

HSL 120, 0.89%, 0.45%

LAB 75.59, -75.38, 72.29

 

CMYK 94 / 47 / 0 / 15

HEX #0C72D8

RGB 12 114 216

HSL 210, 0.89%, 0.45%

LAB 48.35, 12.73, -59.4

 

CMYK 0 / 94 / 0 / 15

HEX #D80CD8

RGB 216 12 216

HSL 300, 0.89%, 0.45%

LAB 51.63, 85.79, -53.2

 

Description

Color code: HEX #D7740D | qconv.com Color code: HEX #D7740D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 116 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 116 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 94 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 94% 16% C M Y K

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Provide designers and agencies with accurate color values.

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