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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76ACC it is the complementary color #289533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76ACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76ACC shade: #DC6AC7, #ED7CDA, #FE8EED, #FFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76ACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76ACC shade: #D76ACC, #C658B9, #B546A6, #A43493 and #932280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76ACC shade: #D769CC, #D769AE, #D76991, #D76973 and #D76969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76ACC shade: #D769CC, #C469D7, #A769D7, #8969D7 and #6C69D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76ACC shade matches the following richer shades: #D769CC, #E65AD8 and #F54BE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76ACC shade: #D769CC, #C879C0, #B888B3, #A997A7 and #9AA69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76ACC shade: #A769D7, #C569D7, #D769CC, #D769AF and #D76992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76ACC shade: #BC32AE, #CE49C1, #D769CC, #E08AD7 and #E8ABE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76ACC shade: #D76ACC, #D78A69 and #69D7B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76ACC shade: #D76ACC, #CCD769 and #69CCD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76ACC shade: #D76ACC, #D78A69, #69D774 and #69B6D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76ACC shade: #D76ACC, #D7AB69, #69D774 and #6995D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 5 / 16

HEX #D76ACC

RGB 215 106 204

HSL 306.06, 0.58%, 0.63%

LAB 60.88, 55.63, -31.8

 

Complementary color

CMYK 73 / 0 / 66 / 42

HEX #289533

RGB 40 149 51

HSL 126.06, 0.58%, 0.37%

LAB 54.22, -50.33, 41.84

 

CMYK 0 / 52 / 10 / 14

HEX #DC6AC7

RGB 220 106 199

HSL 311.05, 0.62%, 0.64%

LAB 61.35, 56.24, -28.19

 

CMYK 0 / 48 / 8 / 7

HEX #ED7CDA

RGB 237 124 218

HSL 310.09, 0.76%, 0.71%

LAB 67.64, 55.62, -28.97

 

CMYK 0 / 44 / 7 / 0

HEX #FE8EED

RGB 254 142 237

HSL 309.11, 0.98%, 0.78%

LAB 73.89, 54.94, -29.63

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 51 / 5 / 16

HEX #D76ACC

RGB 215 106 204

HSL 306.06, 0.58%, 0.63%

LAB 60.88, 55.63, -31.8

 

CMYK 0 / 56 / 7 / 22

HEX #C658B9

RGB 198 88 185

HSL 307.09, 0.49%, 0.56%

LAB 54.54, 56.14, -30.98

 

CMYK 0 / 61 / 8 / 29

HEX #B546A6

RGB 181 70 166

HSL 308.11, 0.44%, 0.49%

LAB 48.21, 56.45, -29.95

 

CMYK 0 / 68 / 10 / 36

HEX #A43493

RGB 164 52 147

HSL 309.11, 0.52%, 0.42%

LAB 41.93, 56.38, -28.59

 

CMYK 0 / 77 / 13 / 42

HEX #932280

RGB 147 34 128

HSL 310.09, 0.62%, 0.35%

LAB 35.8, 55.64, -26.74

 

CMYK 0 / 51 / 5 / 16

HEX #D769CC

RGB 215 105 204

HSL 306, 0.58%, 0.63%

LAB 60.7, 56.1, -32.08

 

CMYK 0 / 51 / 19 / 16

HEX #D769AE

RGB 215 105 174

HSL 322.36, 0.58%, 0.63%

LAB 59.53, 51.35, -16.77

 

CMYK 0 / 51 / 33 / 16

HEX #D76991

RGB 215 105 145

HSL 338.18, 0.58%, 0.63%

LAB 58.6, 47.41, -1.39

 

CMYK 0 / 51 / 47 / 16

HEX #D76973

RGB 215 105 115

HSL 354.55, 0.58%, 0.63%

LAB 57.84, 44.08, 14.97

 

CMYK 0 / 51 / 51 / 16

HEX #D76969

RGB 215 105 105

HSL 0, 0.58%, 0.63%

LAB 57.63, 43.15, 20.48

 

CMYK 0 / 51 / 5 / 16

HEX #D769CC

RGB 215 105 204

HSL 306, 0.58%, 0.63%

LAB 60.7, 56.1, -32.08

 

CMYK 9 / 51 / 0 / 16

HEX #C469D7

RGB 196 105 215

HSL 289.64, 0.58%, 0.63%

LAB 58.74, 52.81, -41.54

 

CMYK 22 / 51 / 0 / 16

HEX #A769D7

RGB 167 105 215

HSL 273.82, 0.58%, 0.63%

LAB 55.3, 44.98, -47.19

 

CMYK 36 / 51 / 0 / 16

HEX #8969D7

RGB 137 105 215

HSL 257.45, 0.58%, 0.63%

LAB 52.21, 37.25, -52.31

 

CMYK 50 / 51 / 0 / 16

HEX #6C69D7

RGB 108 105 215

HSL 241.64, 0.58%, 0.63%

LAB 49.73, 30.49, -56.41

 

CMYK 0 / 51 / 5 / 16

HEX #D769CC

RGB 215 105 204

HSL 306, 0.58%, 0.63%

LAB 60.7, 56.1, -32.08

 

CMYK 0 / 61 / 6 / 10

HEX #E65AD8

RGB 230 90 216

HSL 306, 0.74%, 0.63%

LAB 60.86, 68.75, -38.44

 

CMYK 0 / 69 / 7 / 4

HEX #F54BE4

RGB 245 75 228

HSL 306, 0.89%, 0.63%

LAB 61.69, 79.68, -43.72

 

CMYK 0 / 51 / 5 / 16

HEX #D769CC

RGB 215 105 204

HSL 306, 0.58%, 0.63%

LAB 60.7, 56.1, -32.08

 

CMYK 0 / 40 / 4 / 22

HEX #C879C0

RGB 200 121 192

HSL 306.08, 0.42%, 0.63%

LAB 61.45, 41.41, -24.29

 

CMYK 0 / 26 / 3 / 28

HEX #B888B3

RGB 184 136 179

HSL 306.25, 0.25%, 0.63%

LAB 62.55, 25.53, -15.4

 

CMYK 0 / 11 / 1 / 34

HEX #A997A7

RGB 169 151 167

HSL 306.67, 0.09%, 0.63%

LAB 64.45, 9.57, -5.93

 

CMYK 7 / 0 / 7 / 35

HEX #9AA69B

RGB 154 166 155

HSL 125, 0.06%, 0.63%

LAB 66.91, -6.37, 4.23

 

CMYK 22 / 51 / 0 / 16

HEX #A769D7

RGB 167 105 215

HSL 273.82, 0.58%, 0.63%

LAB 55.3, 44.98, -47.19

 

CMYK 8 / 51 / 0 / 16

HEX #C569D7

RGB 197 105 215

HSL 290.18, 0.58%, 0.63%

LAB 58.86, 53.08, -41.34

 

CMYK 0 / 51 / 5 / 16

HEX #D769CC

RGB 215 105 204

HSL 306, 0.58%, 0.63%

LAB 60.7, 56.1, -32.08

 

CMYK 0 / 51 / 19 / 16

HEX #D769AF

RGB 215 105 175

HSL 321.82, 0.58%, 0.63%

LAB 59.57, 51.5, -17.29

 

CMYK 0 / 51 / 32 / 16

HEX #D76992

RGB 215 105 146

HSL 337.64, 0.58%, 0.63%

LAB 58.63, 47.53, -1.93

 

CMYK 0 / 73 / 7 / 26

HEX #BC32AE

RGB 188 50 174

HSL 306.09, 0.58%, 0.47%

LAB 47.01, 67, -36.46

 

CMYK 0 / 65 / 6 / 19

HEX #CE49C1

RGB 206 73 193

HSL 305.86, 0.58%, 0.55%

LAB 53.75, 65.96, -36.75

 

CMYK 0 / 51 / 5 / 16

HEX #D769CC

RGB 215 105 204

HSL 306, 0.58%, 0.63%

LAB 60.7, 56.1, -32.08

 

CMYK 0 / 38 / 4 / 12

HEX #E08AD7

RGB 224 138 215

HSL 306.28, 0.58%, 0.71%

LAB 68.7, 44.1, -25.8

 

CMYK 0 / 26 / 3 / 9

HEX #E8ABE2

RGB 232 171 226

HSL 305.9, 0.57%, 0.79%

LAB 77.14, 31.14, -18.89

 

CMYK 0 / 51 / 5 / 16

HEX #D76ACC

RGB 215 106 204

HSL 306.06, 0.58%, 0.63%

LAB 60.88, 55.63, -31.8

 

CMYK 0 / 36 / 51 / 16

HEX #D78A69

RGB 215 138 105

HSL 18, 0.58%, 0.63%

LAB 64.68, 25.88, 29.81

 

CMYK 51 / 0 / 15 / 16

HEX #69D7B6

RGB 105 215 182

HSL 162, 0.58%, 0.63%

LAB 79.03, -39.44, 6.68

 

CMYK 0 / 51 / 5 / 16

HEX #D76ACC

RGB 215 106 204

HSL 306.06, 0.58%, 0.63%

LAB 60.88, 55.63, -31.8

 

CMYK 5 / 0 / 51 / 16

HEX #CCD769

RGB 204 215 105

HSL 66, 0.58%, 0.63%

LAB 83.16, -19.11, 52.38

 

CMYK 51 / 5 / 0 / 16

HEX #69CCD7

RGB 105 204 215

HSL 186, 0.58%, 0.63%

LAB 76.74, -26.02, -14.4

 

CMYK 0 / 51 / 5 / 16

HEX #D76ACC

RGB 215 106 204

HSL 306.06, 0.58%, 0.63%

LAB 60.88, 55.63, -31.8

 

CMYK 0 / 36 / 51 / 16

HEX #D78A69

RGB 215 138 105

HSL 18, 0.58%, 0.63%

LAB 64.68, 25.88, 29.81

 

CMYK 51 / 0 / 46 / 16

HEX #69D774

RGB 105 215 116

HSL 126, 0.58%, 0.63%

LAB 77.8, -51.88, 39.29

 

CMYK 51 / 15 / 0 / 16

HEX #69B6D7

RGB 105 182 215

HSL 198, 0.58%, 0.63%

LAB 70.43, -14.78, -23.95

 

CMYK 0 / 51 / 5 / 16

HEX #D76ACC

RGB 215 106 204

HSL 306.06, 0.58%, 0.63%

LAB 60.88, 55.63, -31.8

 

CMYK 0 / 20 / 51 / 16

HEX #D7AB69

RGB 215 171 105

HSL 36, 0.58%, 0.63%

LAB 72.62, 8.1, 39.89

 

CMYK 51 / 0 / 46 / 16

HEX #69D774

RGB 105 215 116

HSL 126, 0.58%, 0.63%

LAB 77.8, -51.88, 39.29

 

CMYK 51 / 31 / 0 / 16

HEX #6995D7

RGB 105 149 215

HSL 216, 0.58%, 0.63%

LAB 61.14, 3.5, -38.33

 

Description

Color code: HEX #D76ACC | qconv.com Color code: HEX #D76ACC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 106 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 106 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 5 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 5% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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