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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D766E2 it is the complementary color #28991D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D766E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D766E2 shade: #DC66DD, #ED78F0, #FE8AFF, #FF9CFF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D766E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D766E2 shade: #D766E2, #C654CF, #B542BC, #A430A9 and #931E96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D766E2 shade: #D664E1, #E164CB, #E164A9, #E16487 and #E16466

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D766E2 shade: #D664E1, #B464E1, #9364E1, #7164E1 and #6464E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D766E2 shade matches the following richer shades: #D664E1 and #E255F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D766E2 shade: #D664E1, #CA73D2, #BE82C3, #B191B5 and #A5A0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D766E2 shade: #9264E1, #B364E1, #D564E1, #E164CC and #E164AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D766E2 shade: #BE27CC, #CD42DB, #D664E1, #DF87E8 and #E8AAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D766E2 shade: #D766E2, #E17164 and #64E1A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D766E2 shade: #D766E2, #E1D564 and #64E1D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D766E2 shade: #D766E2, #E17164, #71E164 and #64D5E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D766E2 shade: #D766E2, #E19664, #71E164 and #64AFE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 55 / 0 / 11

HEX #D766E2

RGB 215 102 226

HSL 294.68, 0.68%, 0.64%

LAB 61.17, 61.37, -43.72

 

Complementary color

CMYK 74 / 0 / 81 / 40

HEX #28991D

RGB 40 153 29

HSL 114.68, 0.68%, 0.36%

LAB 55.4, -53.58, 51.46

 

CMYK 0 / 54 / 0 / 13

HEX #DC66DD

RGB 220 102 221

HSL 299.5, 0.64%, 0.63%

LAB 61.6, 61.79, -40.2

 

CMYK 1 / 50 / 0 / 6

HEX #ED78F0

RGB 237 120 240

HSL 298.5, 0.8%, 0.71%

LAB 67.82, 61.26, -40.85

 

CMYK 0 / 46 / 0 / 0

HEX #FE8AFF

RGB 254 138 255

HSL 299.49, 1%, 0.77%

LAB 73.85, 59.94, -39.49

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 5 / 55 / 0 / 11

HEX #D766E2

RGB 215 102 226

HSL 294.68, 0.68%, 0.64%

LAB 61.17, 61.37, -43.72

 

CMYK 4 / 59 / 0 / 19

HEX #C654CF

RGB 198 84 207

HSL 295.61, 0.56%, 0.57%

LAB 54.92, 61.76, -43.01

 

CMYK 4 / 65 / 0 / 26

HEX #B542BC

RGB 181 66 188

HSL 296.56, 0.48%, 0.5%

LAB 48.7, 61.86, -42.07

 

CMYK 3 / 72 / 0 / 34

HEX #A430A9

RGB 164 48 169

HSL 297.52, 0.56%, 0.43%

LAB 42.57, 61.5, -40.79

 

CMYK 2 / 80 / 0 / 41

HEX #931E96

RGB 147 30 150

HSL 298.5, 0.67%, 0.35%

LAB 36.62, 60.34, -38.99

 

CMYK 5 / 56 / 0 / 12

HEX #D664E1

RGB 214 100 225

HSL 294.72, 0.68%, 0.64%

LAB 60.65, 61.85, -44

 

CMYK 0 / 56 / 10 / 12

HEX #E164CB

RGB 225 100 203

HSL 310.56, 0.68%, 0.64%

LAB 61.16, 61.07, -30.69

 

CMYK 0 / 56 / 25 / 12

HEX #E164A9

RGB 225 100 169

HSL 326.88, 0.68%, 0.64%

LAB 59.88, 56.1, -13.23

 

CMYK 0 / 56 / 40 / 12

HEX #E16487

RGB 225 100 135

HSL 343.2, 0.68%, 0.64%

LAB 58.85, 51.99, 4.98

 

CMYK 0 / 56 / 55 / 12

HEX #E16466

RGB 225 100 102

HSL 359.04, 0.68%, 0.64%

LAB 58.11, 48.91, 23.13

 

CMYK 5 / 56 / 0 / 12

HEX #D664E1

RGB 214 100 225

HSL 294.72, 0.68%, 0.64%

LAB 60.65, 61.85, -44

 

CMYK 20 / 56 / 0 / 12

HEX #B464E1

RGB 180 100 225

HSL 278.4, 0.68%, 0.64%

LAB 56.34, 53.17, -51.09

 

CMYK 35 / 56 / 0 / 12

HEX #9364E1

RGB 147 100 225

HSL 262.56, 0.68%, 0.64%

LAB 52.68, 45.08, -57.15

 

CMYK 50 / 56 / 0 / 12

HEX #7164E1

RGB 113 100 225

HSL 246.24, 0.68%, 0.64%

LAB 49.57, 37.55, -62.32

 

CMYK 56 / 56 / 0 / 12

HEX #6464E1

RGB 100 100 225

HSL 240, 0.68%, 0.64%

LAB 48.59, 35, -63.96

 

CMYK 5 / 56 / 0 / 12

HEX #D664E1

RGB 214 100 225

HSL 294.72, 0.68%, 0.64%

LAB 60.65, 61.85, -44

 

CMYK 6 / 65 / 0 / 6

HEX #E255F0

RGB 226 85 240

HSL 294.58, 0.84%, 0.64%

LAB 60.74, 73.75, -52.11

 

CMYK 5 / 56 / 0 / 12

HEX #D664E1

RGB 214 100 225

HSL 294.72, 0.68%, 0.64%

LAB 60.65, 61.85, -44

 

CMYK 4 / 45 / 0 / 18

HEX #CA73D2

RGB 202 115 210

HSL 294.95, 0.51%, 0.64%

LAB 61.2, 48.46, -34.82

 

CMYK 3 / 33 / 0 / 24

HEX #BE82C3

RGB 190 130 195

HSL 295.38, 0.35%, 0.64%

LAB 62.38, 33.9, -24.64

 

CMYK 2 / 20 / 0 / 29

HEX #B191B5

RGB 177 145 181

HSL 293.33, 0.2%, 0.64%

LAB 64.11, 18.46, -14.25

 

CMYK 1 / 4 / 0 / 35

HEX #A5A0A6

RGB 165 160 166

HSL 290, 0.03%, 0.64%

LAB 66.44, 2.94, -2.48

 

CMYK 35 / 56 / 0 / 12

HEX #9264E1

RGB 146 100 225

HSL 262.08, 0.68%, 0.64%

LAB 52.58, 44.85, -57.32

 

CMYK 20 / 56 / 0 / 12

HEX #B364E1

RGB 179 100 225

HSL 277.92, 0.68%, 0.64%

LAB 56.22, 52.92, -51.29

 

CMYK 5 / 56 / 0 / 12

HEX #D564E1

RGB 213 100 225

HSL 294.24, 0.68%, 0.64%

LAB 60.51, 61.59, -44.22

 

CMYK 0 / 56 / 9 / 12

HEX #E164CC

RGB 225 100 204

HSL 310.08, 0.68%, 0.64%

LAB 61.2, 61.23, -31.19

 

CMYK 0 / 56 / 24 / 12

HEX #E164AB

RGB 225 100 171

HSL 325.92, 0.68%, 0.64%

LAB 59.94, 56.37, -14.28

 

CMYK 7 / 81 / 0 / 20

HEX #BE27CC

RGB 190 39 204

HSL 294.91, 0.68%, 0.48%

LAB 47.95, 75.26, -52.45

 

CMYK 6 / 70 / 0 / 14

HEX #CD42DB

RGB 205 66 219

HSL 294.51, 0.68%, 0.56%

LAB 54.02, 72.62, -51.2

 

CMYK 5 / 56 / 0 / 12

HEX #D664E1

RGB 214 100 225

HSL 294.72, 0.68%, 0.64%

LAB 60.65, 61.85, -44

 

CMYK 4 / 42 / 0 / 9

HEX #DF87E8

RGB 223 135 232

HSL 294.43, 0.68%, 0.72%

LAB 68.64, 48.43, -35.3

 

CMYK 3 / 29 / 0 / 7

HEX #E8AAEE

RGB 232 170 238

HSL 294.71, 0.67%, 0.8%

LAB 77.33, 33.87, -25.12

 

CMYK 5 / 55 / 0 / 11

HEX #D766E2

RGB 215 102 226

HSL 294.68, 0.68%, 0.64%

LAB 61.17, 61.37, -43.72

 

CMYK 0 / 50 / 56 / 12

HEX #E17164

RGB 225 113 100

HSL 6.24, 0.68%, 0.64%

LAB 60.55, 42.4, 27.48

 

CMYK 56 / 0 / 28 / 12

HEX #64E1A3

RGB 100 225 163

HSL 150.24, 0.68%, 0.64%

LAB 81.4, -48.96, 20.04

 

CMYK 5 / 55 / 0 / 11

HEX #D766E2

RGB 215 102 226

HSL 294.68, 0.68%, 0.64%

LAB 61.17, 61.37, -43.72

 

CMYK 0 / 5 / 56 / 12

HEX #E1D564

RGB 225 213 100

HSL 54.24, 0.68%, 0.64%

LAB 84.23, -10.04, 56.36

 

CMYK 56 / 0 / 5 / 12

HEX #64E1D5

RGB 100 225 213

HSL 174.24, 0.68%, 0.64%

LAB 82.57, -37.54, -4.66

 

CMYK 5 / 55 / 0 / 11

HEX #D766E2

RGB 215 102 226

HSL 294.68, 0.68%, 0.64%

LAB 61.17, 61.37, -43.72

 

CMYK 0 / 50 / 56 / 12

HEX #E17164

RGB 225 113 100

HSL 6.24, 0.68%, 0.64%

LAB 60.55, 42.4, 27.48

 

CMYK 50 / 0 / 56 / 12

HEX #71E164

RGB 113 225 100

HSL 113.76, 0.68%, 0.64%

LAB 80.89, -55.77, 50.77

 

CMYK 56 / 5 / 0 / 12

HEX #64D5E1

RGB 100 213 225

HSL 185.76, 0.68%, 0.64%

LAB 79.46, -28.71, -15.69

 

CMYK 5 / 55 / 0 / 11

HEX #D766E2

RGB 215 102 226

HSL 294.68, 0.68%, 0.64%

LAB 61.17, 61.37, -43.72

 

CMYK 0 / 33 / 56 / 12

HEX #E19664

RGB 225 150 100

HSL 24, 0.68%, 0.64%

LAB 68.56, 23.05, 37.68

 

CMYK 50 / 0 / 56 / 12

HEX #71E164

RGB 113 225 100

HSL 113.76, 0.68%, 0.64%

LAB 80.89, -55.77, 50.77

 

CMYK 56 / 22 / 0 / 12

HEX #64AFE1

RGB 100 175 225

HSL 204, 0.68%, 0.64%

LAB 68.61, -9.15, -32.25

 

Description

Color code: HEX #D766E2 | qconv.com Color code: HEX #D766E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 102 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 102 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 55 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 55% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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