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Color name
HEX #D75F8E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D75F8E it is the complementary color #28A071. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D75F8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D75F8E shade: #DC5F89, #ED719C, #FE83AF, #FF95C2 and #FFA7D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D75F8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D75F8E shade: #D75F8E, #C64D7B, #B53B68, #A42955 and #931742

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D75F8E shade: #D75F8E, #D75F6E and #D75F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D75F8E shade: #D75F8E, #D75FAE, #D75FCE, #BF5FD7 and #9F5FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D75F8E shade matches the following richer shades: #D75F8E, #E74F8B and #F73F87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D75F8E shade: #D75F8E, #C76F92, #B78095, #A69099 and #96A09C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D75F8E shade: #D75FCF, #D75FAF, #D75F8F, #D75F6F and #D76F5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D75F8E shade: #B62D63, #CE3E77, #D75F8E, #DF80A5 and #E7A1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D75F8E shade: #D75F8E, #D7BF5F and #5FBFD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D75F8E shade: #D75F8E, #8FD75F and #5F8FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D75F8E shade: #D75F8E, #D7BF5F, #5FD7A7 and #5F77D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D75F8E shade: #D75F8E, #CBD75F, #5FD7A7 and #6B5FD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

Complementary color

CMYK 75 / 0 / 29 / 37

HEX #28A071

RGB 40 160 113

HSL 156.5, 0.6%, 0.39%

LAB 58.77, -43.8, 15.37

 

CMYK 0 / 57 / 38 / 14

HEX #DC5F89

RGB 220 95 137

HSL 339.84, 0.64%, 0.62%

LAB 57.28, 52.89, 1.43

 

CMYK 0 / 52 / 34 / 7

HEX #ED719C

RGB 237 113 156

HSL 339.19, 0.78%, 0.69%

LAB 63.52, 52.15, -0.16

 

CMYK 0 / 48 / 31 / 0

HEX #FE83AF

RGB 254 131 175

HSL 338.54, 0.98%, 0.75%

LAB 69.75, 51.35, -1.53

 

CMYK 0 / 42 / 24 / 0

HEX #FF95C2

RGB 255 149 194

HSL 334.53, 1%, 0.79%

LAB 73.97, 45.21, -5.88

 

CMYK 0 / 35 / 16 / 0

HEX #FFA7D5

RGB 255 167 213

HSL 328.64, 1%, 0.83%

LAB 78.29, 38.73, -9.87

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 61 / 38 / 22

HEX #C64D7B

RGB 198 77 123

HSL 337.19, 0.51%, 0.54%

LAB 50.39, 52.45, -0.73

 

CMYK 0 / 67 / 43 / 29

HEX #B53B68

RGB 181 59 104

HSL 337.87, 0.51%, 0.47%

LAB 44.16, 52.79, 1.43

 

CMYK 0 / 75 / 48 / 36

HEX #A42955

RGB 164 41 85

HSL 338.54, 0.6%, 0.4%

LAB 38.08, 52.64, 4.18

 

CMYK 0 / 84 / 55 / 42

HEX #931742

RGB 147 23 66

HSL 339.19, 0.73%, 0.33%

LAB 32.28, 51.63, 7.8

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 56 / 49 / 16

HEX #D75F6E

RGB 215 95 110

HSL 352.5, 0.6%, 0.61%

LAB 55.84, 48.47, 15.14

 

CMYK 0 / 56 / 56 / 16

HEX #D75F5F

RGB 215 95 95

HSL 0, 0.6%, 0.61%

LAB 55.54, 47.2, 23.49

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 56 / 19 / 16

HEX #D75FAE

RGB 215 95 174

HSL 320.5, 0.6%, 0.61%

LAB 57.74, 56.09, -19.49

 

CMYK 0 / 56 / 4 / 16

HEX #D75FCE

RGB 215 95 206

HSL 304.5, 0.6%, 0.61%

LAB 59.06, 61.09, -35.78

 

CMYK 11 / 56 / 0 / 16

HEX #BF5FD7

RGB 191 95 215

HSL 288, 0.6%, 0.61%

LAB 56.25, 56.39, -45.5

 

CMYK 26 / 56 / 0 / 16

HEX #9F5FD7

RGB 159 95 215

HSL 272, 0.6%, 0.61%

LAB 52.36, 48.26, -51.94

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 66 / 40 / 9

HEX #E74F8B

RGB 231 79 139

HSL 336.32, 0.76%, 0.61%

LAB 56.53, 63.34, -0.62

 

CMYK 0 / 74 / 45 / 3

HEX #F73F87

RGB 247 63 135

HSL 336.52, 0.92%, 0.61%

LAB 57.15, 72.96, 2.98

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 44 / 27 / 22

HEX #C76F92

RGB 199 111 146

HSL 336.14, 0.44%, 0.61%

LAB 57.64, 38.99, -3.63

 

CMYK 0 / 30 / 19 / 28

HEX #B78095

RGB 183 128 149

HSL 337.09, 0.28%, 0.61%

LAB 59.59, 24.42, -2.71

 

CMYK 0 / 13 / 8 / 35

HEX #A69099

RGB 166 144 153

HSL 335.45, 0.11%, 0.61%

LAB 61.96, 9.8, -1.72

 

CMYK 6 / 0 / 2 / 37

HEX #96A09C

RGB 150 160 156

HSL 156, 0.05%, 0.61%

LAB 64.98, -4.34, 0.85

 

CMYK 0 / 56 / 4 / 16

HEX #D75FCF

RGB 215 95 207

HSL 304, 0.6%, 0.61%

LAB 59.1, 61.25, -36.27

 

CMYK 0 / 56 / 19 / 16

HEX #D75FAF

RGB 215 95 175

HSL 320, 0.6%, 0.61%

LAB 57.78, 56.24, -20.01

 

CMYK 0 / 56 / 33 / 16

HEX #D75F8F

RGB 215 95 143

HSL 336, 0.6%, 0.61%

LAB 56.7, 51.97, -3.02

 

CMYK 0 / 56 / 48 / 16

HEX #D75F6F

RGB 215 95 111

HSL 352, 0.6%, 0.61%

LAB 55.87, 48.57, 14.58

 

CMYK 0 / 48 / 56 / 16

HEX #D76F5F

RGB 215 111 95

HSL 8, 0.6%, 0.61%

LAB 58.64, 39.27, 27.55

 

CMYK 0 / 75 / 46 / 29

HEX #B62D63

RGB 182 45 99

HSL 336.35, 0.6%, 0.45%

LAB 42.34, 57.74, 1.92

 

CMYK 0 / 70 / 42 / 19

HEX #CE3E77

RGB 206 62 119

HSL 336.25, 0.6%, 0.53%

LAB 49.37, 60.55, 0.37

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 43 / 26 / 13

HEX #DF80A5

RGB 223 128 165

HSL 336.63, 0.6%, 0.69%

LAB 64.84, 41.09, -3.58

 

CMYK 0 / 30 / 18 / 9

HEX #E7A1BD

RGB 231 161 189

HSL 336, 0.59%, 0.77%

LAB 73.64, 29.97, -3.91

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 11 / 56 / 16

HEX #D7BF5F

RGB 215 191 95

HSL 48, 0.6%, 0.61%

LAB 77.6, -3.29, 50.81

 

CMYK 56 / 11 / 0 / 16

HEX #5FBFD7

RGB 95 191 215

HSL 192, 0.6%, 0.61%

LAB 72.63, -21.55, -20.64

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 33 / 0 / 56 / 16

HEX #8FD75F

RGB 143 215 95

HSL 96, 0.6%, 0.61%

LAB 79.19, -42.97, 51.38

 

CMYK 56 / 33 / 0 / 16

HEX #5F8FD7

RGB 95 143 215

HSL 216, 0.6%, 0.61%

LAB 58.96, 4.8, -41.79

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 0 / 11 / 56 / 16

HEX #D7BF5F

RGB 215 191 95

HSL 48, 0.6%, 0.61%

LAB 77.6, -3.29, 50.81

 

CMYK 56 / 0 / 22 / 16

HEX #5FD7A7

RGB 95 215 167

HSL 156, 0.6%, 0.61%

LAB 78.36, -44.97, 13.66

 

CMYK 56 / 45 / 0 / 16

HEX #5F77D7

RGB 95 119 215

HSL 228, 0.6%, 0.61%

LAB 52.43, 19.21, -52.13

 

CMYK 0 / 56 / 34 / 16

HEX #D75F8E

RGB 215 95 142

HSL 336.5, 0.6%, 0.61%

LAB 56.67, 51.85, -2.48

 

CMYK 6 / 0 / 56 / 16

HEX #CBD75F

RGB 203 215 95

HSL 66, 0.6%, 0.61%

LAB 82.98, -20.35, 56.72

 

CMYK 56 / 0 / 22 / 16

HEX #5FD7A7

RGB 95 215 167

HSL 156, 0.6%, 0.61%

LAB 78.36, -44.97, 13.66

 

CMYK 50 / 56 / 0 / 16

HEX #6B5FD7

RGB 107 95 215

HSL 246, 0.6%, 0.61%

LAB 47.26, 36.28, -60.4

 

Description

Color code: HEX #D75F8E | qconv.com Color code: HEX #D75F8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 95 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 95 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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