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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D758B2 it is the complementary color #28A74D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D758B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D758B2 shade: #DC58AD, #ED6AC0, #FE7CD3, #FF8EE6 and #FFA0F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D758B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D758B2 shade: #D758B2, #C6469F, #B5348C, #A42279 and #931066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D758B2 shade: #D656B1, #D6568E, #D6566C and #D65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D758B2 shade: #D656B1, #D656D3, #B656D6, #9456D6 and #7156D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D758B2 shade matches the following richer shades: #D656B1, #E745B8 and #F834BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D758B2 shade: #D656B1, #C567AA, #B478A2, #A3899B and #929A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D758B2 shade: #B656D6, #D656D4, #D656B2, #D65690 and #D6566E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D758B2 shade: #AF2A88, #CE35A1, #D656B1, #DE77C0 and #E699CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D758B2 shade: #D758B2, #D69456 and #56D6C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D758B2 shade: #D758B2, #B2D656 and #56B2D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D758B2 shade: #D758B2, #D69456, #56D67A and #5698D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D758B2 shade: #D758B2, #D6BA56, #56D67A and #5672D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 17 / 16

HEX #D758B2

RGB 215 88 178

HSL 317.48, 0.61%, 0.59%

LAB 56.72, 59.82, -23.36

 

Complementary color

CMYK 76 / 0 / 54 / 35

HEX #28A74D

RGB 40 167 77

HSL 137.48, 0.61%, 0.41%

LAB 60.45, -53.25, 36.72

 

CMYK 0 / 60 / 21 / 14

HEX #DC58AD

RGB 220 88 173

HSL 321.36, 0.65%, 0.6%

LAB 57.28, 60.53, -19.55

 

CMYK 0 / 55 / 19 / 7

HEX #ED6AC0

RGB 237 106 192

HSL 320.61, 0.78%, 0.67%

LAB 63.44, 60.11, -20.81

 

CMYK 0 / 51 / 17 / 0

HEX #FE7CD3

RGB 254 124 211

HSL 319.85, 0.98%, 0.74%

LAB 69.6, 59.55, -21.87

 

CMYK 0 / 44 / 10 / 0

HEX #FF8EE6

RGB 255 142 230

HSL 313.27, 1%, 0.78%

LAB 73.75, 54.1, -26

 

CMYK 0 / 37 / 2 / 0

HEX #FFA0F9

RGB 255 160 249

HSL 303.79, 1%, 0.81%

LAB 78.02, 48.23, -29.79

 

CMYK 0 / 59 / 17 / 16

HEX #D758B2

RGB 215 88 178

HSL 317.48, 0.61%, 0.59%

LAB 56.72, 59.82, -23.36

 

CMYK 0 / 65 / 20 / 22

HEX #C6469F

RGB 198 70 159

HSL 318.28, 0.53%, 0.53%

LAB 50.56, 59.99, -21.95

 

CMYK 0 / 71 / 23 / 29

HEX #B5348C

RGB 181 52 140

HSL 319.07, 0.55%, 0.46%

LAB 44.48, 59.74, -20.17

 

CMYK 0 / 79 / 26 / 36

HEX #A42279

RGB 164 34 121

HSL 319.85, 0.66%, 0.39%

LAB 38.58, 58.79, -17.82

 

CMYK 0 / 89 / 31 / 42

HEX #931066

RGB 147 16 102

HSL 320.61, 0.8%, 0.32%

LAB 32.99, 56.71, -14.65

 

CMYK 0 / 60 / 17 / 16

HEX #D656B1

RGB 214 86 177

HSL 317.34, 0.61%, 0.59%

LAB 56.21, 60.26, -23.58

 

CMYK 0 / 60 / 34 / 16

HEX #D6568E

RGB 214 86 142

HSL 333.75, 0.61%, 0.59%

LAB 54.97, 55.65, -4.99

 

CMYK 0 / 60 / 50 / 16

HEX #D6566C

RGB 214 86 108

HSL 349.69, 0.61%, 0.59%

LAB 54.06, 52.12, 13.83

 

CMYK 0 / 60 / 60 / 16

HEX #D65656

RGB 214 86 86

HSL 0, 0.61%, 0.59%

LAB 53.63, 50.38, 26.19

 

CMYK 0 / 60 / 17 / 16

HEX #D656B1

RGB 214 86 177

HSL 317.34, 0.61%, 0.59%

LAB 56.21, 60.26, -23.58

 

CMYK 0 / 60 / 1 / 16

HEX #D656D3

RGB 214 86 211

HSL 301.41, 0.61%, 0.59%

LAB 57.71, 65.59, -40.73

 

CMYK 15 / 60 / 0 / 16

HEX #B656D6

RGB 182 86 214

HSL 285, 0.61%, 0.59%

LAB 53.44, 58.22, -49.47

 

CMYK 31 / 60 / 0 / 16

HEX #9456D6

RGB 148 86 214

HSL 269.06, 0.61%, 0.59%

LAB 49.26, 50.12, -56.4

 

CMYK 47 / 60 / 0 / 16

HEX #7156D6

RGB 113 86 214

HSL 252.66, 0.61%, 0.59%

LAB 45.66, 42.48, -62.38

 

CMYK 0 / 60 / 17 / 16

HEX #D656B1

RGB 214 86 177

HSL 317.34, 0.61%, 0.59%

LAB 56.21, 60.26, -23.58

 

CMYK 0 / 70 / 20 / 9

HEX #E745B8

RGB 231 69 184

HSL 317.41, 0.77%, 0.59%

LAB 56.79, 72.27, -26.52

 

CMYK 0 / 79 / 23 / 3

HEX #F834BF

RGB 248 52 191

HSL 317.45, 0.93%, 0.59%

LAB 58.2, 82.02, -28.14

 

CMYK 0 / 60 / 17 / 16

HEX #D656B1

RGB 214 86 177

HSL 317.34, 0.61%, 0.59%

LAB 56.21, 60.26, -23.58

 

CMYK 0 / 48 / 14 / 23

HEX #C567AA

RGB 197 103 170

HSL 317.23, 0.45%, 0.59%

LAB 56.56, 46.08, -19.21

 

CMYK 0 / 33 / 10 / 29

HEX #B478A2

RGB 180 120 162

HSL 318, 0.29%, 0.59%

LAB 57.79, 29.98, -12.91

 

CMYK 0 / 16 / 5 / 36

HEX #A3899B

RGB 163 137 155

HSL 318.46, 0.12%, 0.59%

LAB 59.93, 13.03, -5.89

 

CMYK 5 / 0 / 4 / 40

HEX #929A94

RGB 146 154 148

HSL 135, 0.04%, 0.59%

LAB 62.81, -4.04, 2.14

 

CMYK 15 / 60 / 0 / 16

HEX #B656D6

RGB 182 86 214

HSL 285, 0.61%, 0.59%

LAB 53.44, 58.22, -49.47

 

CMYK 0 / 60 / 1 / 16

HEX #D656D4

RGB 214 86 212

HSL 300.94, 0.61%, 0.59%

LAB 57.76, 65.75, -41.22

 

CMYK 0 / 60 / 17 / 16

HEX #D656B2

RGB 214 86 178

HSL 316.88, 0.61%, 0.59%

LAB 56.25, 60.41, -24.09

 

CMYK 0 / 60 / 33 / 16

HEX #D65690

RGB 214 86 144

HSL 332.81, 0.61%, 0.59%

LAB 55.04, 55.88, -6.08

 

CMYK 0 / 60 / 49 / 16

HEX #D6566E

RGB 214 86 110

HSL 348.75, 0.61%, 0.59%

LAB 54.11, 52.3, 12.7

 

CMYK 0 / 76 / 22 / 31

HEX #AF2A88

RGB 175 42 136

HSL 317.59, 0.61%, 0.43%

LAB 42.07, 61.04, -21.53

 

CMYK 0 / 74 / 22 / 19

HEX #CE35A1

RGB 206 53 161

HSL 317.65, 0.61%, 0.51%

LAB 49.79, 68.42, -24.22

 

CMYK 0 / 60 / 17 / 16

HEX #D656B1

RGB 214 86 177

HSL 317.34, 0.61%, 0.59%

LAB 56.21, 60.26, -23.58

 

CMYK 0 / 46 / 14 / 13

HEX #DE77C0

RGB 222 119 192

HSL 317.48, 0.61%, 0.67%

LAB 63.78, 49.36, -20.48

 

CMYK 0 / 33 / 10 / 10

HEX #E699CF

RGB 230 153 207

HSL 317.92, 0.61%, 0.75%

LAB 72.3, 36.77, -15.84

 

CMYK 0 / 59 / 17 / 16

HEX #D758B2

RGB 215 88 178

HSL 317.48, 0.61%, 0.59%

LAB 56.72, 59.82, -23.36

 

CMYK 0 / 31 / 60 / 16

HEX #D69456

RGB 214 148 86

HSL 29.06, 0.61%, 0.59%

LAB 66.63, 18.52, 42.32

 

CMYK 60 / 0 / 7 / 16

HEX #56D6C7

RGB 86 214 199

HSL 172.97, 0.61%, 0.59%

LAB 78.58, -38.69, -3.14

 

CMYK 0 / 59 / 17 / 16

HEX #D758B2

RGB 215 88 178

HSL 317.48, 0.61%, 0.59%

LAB 56.72, 59.82, -23.36

 

CMYK 17 / 0 / 60 / 16

HEX #B2D656

RGB 178 214 86

HSL 76.88, 0.61%, 0.59%

LAB 80.87, -30.49, 57.82

 

CMYK 60 / 17 / 0 / 16

HEX #56B2D6

RGB 86 178 214

HSL 196.88, 0.61%, 0.59%

LAB 68.51, -16.83, -26.41

 

CMYK 0 / 59 / 17 / 16

HEX #D758B2

RGB 215 88 178

HSL 317.48, 0.61%, 0.59%

LAB 56.72, 59.82, -23.36

 

CMYK 0 / 31 / 60 / 16

HEX #D69456

RGB 214 148 86

HSL 29.06, 0.61%, 0.59%

LAB 66.63, 18.52, 42.32

 

CMYK 60 / 0 / 43 / 16

HEX #56D67A

RGB 86 214 122

HSL 136.88, 0.61%, 0.59%

LAB 76.97, -55.08, 35.11

 

CMYK 60 / 29 / 0 / 16

HEX #5698D6

RGB 86 152 214

HSL 209.06, 0.61%, 0.59%

LAB 61.04, -2.55, -38

 

CMYK 0 / 59 / 17 / 16

HEX #D758B2

RGB 215 88 178

HSL 317.48, 0.61%, 0.59%

LAB 56.72, 59.82, -23.36

 

CMYK 0 / 13 / 60 / 16

HEX #D6BA56

RGB 214 186 86

HSL 46.88, 0.61%, 0.59%

LAB 76.12, -1.77, 53.3

 

CMYK 60 / 0 / 43 / 16

HEX #56D67A

RGB 86 214 122

HSL 136.88, 0.61%, 0.59%

LAB 76.97, -55.08, 35.11

 

CMYK 60 / 47 / 0 / 16

HEX #5672D6

RGB 86 114 214

HSL 226.88, 0.61%, 0.59%

LAB 50.53, 20.18, -54.64

 

Description

Color code: HEX #D758B2 | qconv.com Color code: HEX #D758B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 88 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 88 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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