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Color name
HEX #D74A3C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D74A3C it is the complementary color #28B5C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D74A3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D74A3C shade: #DC4A37, #ED5C4A, #FE6E5D, #FF8070 and #FF9283

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D74A3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D74A3C shade: #D74A3C, #C63829, #B52616, #A41403 and #930200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D74A3C shade: #D74A3C and #D73C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D74A3C shade: #D74A3C, #D7743C, #D79D3C, #D7C73C and #BCD73C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D74A3C shade matches the following richer shades: #D74A3C, #EA3A29 and #FD2B16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D74A3C shade: #D74A3C, #C4594F, #B16962, #9E7875 and #8B8888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D74A3C shade: #D73C81, #D73C58, #D7493C, #D7723C and #D79B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D74A3C shade: #A02C20, #C23527, #D74A3C, #DE6A5E and #E58980

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D74A3C shade: #D74A3C, #ABD73C and #3C6DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D74A3C shade: #D74A3C, #3CD749 and #493CD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D74A3C shade: #D74A3C, #ABD73C, #3CCAD7 and #683CD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D74A3C shade: #D74A3C, #7CD73C, #3CCAD7 and #963CD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

Complementary color

CMYK 79 / 7 / 0 / 24

HEX #28B5C3

RGB 40 181 195

HSL 185.42, 0.66%, 0.46%

LAB 67.61, -30.67, -17.44

 

CMYK 0 / 66 / 75 / 14

HEX #DC4A37

RGB 220 74 55

HSL 6.91, 0.7%, 0.54%

LAB 52.27, 55.9, 42.34

 

CMYK 0 / 61 / 69 / 7

HEX #ED5C4A

RGB 237 92 74

HSL 6.63, 0.82%, 0.61%

LAB 58.18, 54.91, 39.45

 

CMYK 0 / 57 / 63 / 0

HEX #FE6E5D

RGB 254 110 93

HSL 6.34, 0.99%, 0.68%

LAB 64.17, 53.78, 36.86

 

CMYK 0 / 50 / 56 / 0

HEX #FF8070

RGB 255 128 112

HSL 6.71, 1%, 0.72%

LAB 67.92, 46.9, 31.19

 

CMYK 0 / 43 / 49 / 0

HEX #FF9283

RGB 255 146 131

HSL 7.26, 1%, 0.76%

LAB 71.86, 39.48, 25.95

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 0 / 72 / 79 / 22

HEX #C63829

RGB 198 56 41

HSL 5.73, 0.66%, 0.47%

LAB 45.63, 55.17, 41.65

 

CMYK 0 / 79 / 88 / 29

HEX #B52616

RGB 181 38 22

HSL 6.04, 0.78%, 0.4%

LAB 40.03, 55.37, 44.86

 

CMYK 0 / 88 / 98 / 36

HEX #A41403

RGB 164 20 3

HSL 6.34, 0.96%, 0.33%

LAB 34.8, 54.65, 47.32

 

CMYK 0 / 99 / 100 / 42

HEX #930200

RGB 147 2 0

HSL 0.82, 1%, 0.29%

LAB 30.03, 52.82, 43.61

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 0 / 72 / 72 / 16

HEX #D73C3C

RGB 215 60 60

HSL 0, 0.66%, 0.54%

LAB 49.5, 59.81, 36.22

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 0 / 46 / 72 / 16

HEX #D7743C

RGB 215 116 60

HSL 21.68, 0.66%, 0.54%

LAB 59.22, 34.46, 47.02

 

CMYK 0 / 27 / 72 / 16

HEX #D79D3C

RGB 215 157 60

HSL 37.55, 0.66%, 0.54%

LAB 68.67, 12.52, 56.89

 

CMYK 0 / 7 / 72 / 16

HEX #D7C73C

RGB 215 199 60

HSL 53.81, 0.66%, 0.54%

LAB 79.4, -9.56, 67.5

 

CMYK 13 / 0 / 72 / 16

HEX #BCD73C

RGB 188 215 60

HSL 70.45, 0.66%, 0.54%

LAB 81.63, -28.67, 68.93

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 0 / 75 / 82 / 8

HEX #EA3A29

RGB 234 58 41

HSL 5.28, 0.82%, 0.54%

LAB 52.6, 65.57, 50.69

 

CMYK 0 / 83 / 91 / 1

HEX #FD2B16

RGB 253 43 22

HSL 5.45, 0.98%, 0.54%

LAB 54.73, 74.51, 61.9

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 0 / 55 / 60 / 23

HEX #C4594F

RGB 196 89 79

HSL 5.13, 0.5%, 0.54%

LAB 51.2, 42.02, 26.58

 

CMYK 0 / 41 / 45 / 31

HEX #B16962

RGB 177 105 98

HSL 5.32, 0.34%, 0.54%

LAB 52.21, 28, 16.32

 

CMYK 0 / 24 / 26 / 38

HEX #9E7875

RGB 158 120 117

HSL 4.39, 0.17%, 0.54%

LAB 54.01, 14.37, 7.39

 

CMYK 0 / 2 / 2 / 45

HEX #8B8888

RGB 139 136 136

HSL 0, 0.01%, 0.54%

LAB 56.95, 1.12, 0.39

 

CMYK 0 / 72 / 40 / 16

HEX #D73C81

RGB 215 60 129

HSL 333.29, 0.66%, 0.54%

LAB 50.99, 64.78, -3.11

 

CMYK 0 / 72 / 59 / 16

HEX #D73C58

RGB 215 60 88

HSL 349.16, 0.66%, 0.54%

LAB 49.96, 61.35, 20.22

 

CMYK 0 / 66 / 72 / 16

HEX #D7493C

RGB 215 73 60

HSL 5.03, 0.66%, 0.54%

LAB 51.31, 54.86, 38.29

 

CMYK 0 / 47 / 72 / 16

HEX #D7723C

RGB 215 114 60

HSL 20.9, 0.66%, 0.54%

LAB 58.8, 35.5, 46.57

 

CMYK 0 / 28 / 72 / 16

HEX #D79B3C

RGB 215 155 60

HSL 36.77, 0.66%, 0.54%

LAB 68.18, 13.6, 56.39

 

CMYK 0 / 73 / 80 / 37

HEX #A02C20

RGB 160 44 32

HSL 5.63, 0.67%, 0.38%

LAB 36.7, 46.93, 35.17

 

CMYK 0 / 73 / 80 / 24

HEX #C23527

RGB 194 53 39

HSL 5.42, 0.67%, 0.46%

LAB 44.46, 54.91, 41.31

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 0 / 52 / 58 / 13

HEX #DE6A5E

RGB 222 106 94

HSL 5.63, 0.66%, 0.62%

LAB 58.65, 44.32, 28.32

 

CMYK 0 / 40 / 44 / 10

HEX #E58980

RGB 229 137 128

HSL 5.35, 0.66%, 0.7%

LAB 66.6, 34.1, 19.93

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 20 / 0 / 72 / 16

HEX #ABD73C

RGB 171 215 60

HSL 77.03, 0.66%, 0.54%

LAB 80.51, -35.41, 67.45

 

CMYK 72 / 49 / 0 / 16

HEX #3C6DD7

RGB 60 109 215

HSL 221.03, 0.66%, 0.54%

LAB 48.01, 19.47, -59.32

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 72 / 0 / 66 / 16

HEX #3CD749

RGB 60 215 73

HSL 125.03, 0.66%, 0.54%

LAB 76.1, -66.8, 56.6

 

CMYK 66 / 72 / 0 / 16

HEX #493CD7

RGB 73 60 215

HSL 245.03, 0.66%, 0.54%

LAB 37.03, 51.07, -77.19

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 20 / 0 / 72 / 16

HEX #ABD73C

RGB 171 215 60

HSL 77.03, 0.66%, 0.54%

LAB 80.51, -35.41, 67.45

 

CMYK 72 / 6 / 0 / 16

HEX #3CCAD7

RGB 60 202 215

HSL 185.03, 0.66%, 0.54%

LAB 74.89, -32.55, -17.3

 

CMYK 52 / 72 / 0 / 16

HEX #683CD7

RGB 104 60 215

HSL 257.03, 0.66%, 0.54%

LAB 39.72, 55.19, -72.68

 

CMYK 0 / 66 / 72 / 16

HEX #D74A3C

RGB 215 74 60

HSL 5.42, 0.66%, 0.54%

LAB 51.46, 54.45, 38.46

 

CMYK 42 / 0 / 72 / 16

HEX #7CD73C

RGB 124 215 60

HSL 95.23, 0.66%, 0.54%

LAB 78, -52.24, 64.14

 

CMYK 72 / 6 / 0 / 16

HEX #3CCAD7

RGB 60 202 215

HSL 185.03, 0.66%, 0.54%

LAB 74.89, -32.55, -17.3

 

CMYK 30 / 72 / 0 / 16

HEX #963CD7

RGB 150 60 215

HSL 274.84, 0.66%, 0.54%

LAB 45.11, 63.06, -63.65

 

Description

Color code: HEX #D74A3C | qconv.com Color code: HEX #D74A3C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 74 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 74 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 72 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 72% 16% C M Y K

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Provide designers and agencies with accurate color values.

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