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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D74114 it is the complementary color #28BEEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D74114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D74114 shade: #DC410F, #ED5322, #FE6535, #FF7748 and #FF895B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D74114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D74114 shade: #D74114, #C62F01, #B51D00, #A40B00 and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D74114 shade: #D64013 and #D61313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D74114 shade: #D64013, #D67513, #D6A913, #CED613 and #9AD613

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D74114 shade matches the following richer shades: #D64013 and #E93600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D74114 shade: #D64013, #C34B26, #B05539, #9D5F4C and #8A695F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D74114 shade: #D61351, #D6131D, #D63E13, #D67213 and #D6A513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D74114 shade: #8B2A0C, #B03510, #D64013, #EB5528 and #EE734E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D74114 shade: #D74114, #85D613 and #1337D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D74114 shade: #D74114, #13D63E and #3E13D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D74114 shade: #D74114, #85D613, #13ACD6 and #6513D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D74114 shade: #D74114, #4BD613, #13ACD6 and #9F13D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 91 / 16

HEX #D74114

RGB 215 65 20

HSL 13.85, 0.83%, 0.46%

LAB 49.83, 56.83, 55.86

 

Complementary color

CMYK 83 / 19 / 0 / 8

HEX #28BEEB

RGB 40 190 235

HSL 193.85, 0.83%, 0.54%

LAB 71.74, -22.28, -32.98

 

CMYK 0 / 70 / 93 / 14

HEX #DC410F

RGB 220 65 15

HSL 14.63, 0.87%, 0.46%

LAB 50.72, 58.38, 58.46

 

CMYK 0 / 65 / 86 / 7

HEX #ED5322

RGB 237 83 34

HSL 14.48, 0.85%, 0.53%

LAB 56.39, 57.29, 57.32

 

CMYK 0 / 60 / 79 / 0

HEX #FE6535

RGB 254 101 53

HSL 14.33, 0.99%, 0.6%

LAB 62.2, 55.98, 55.29

 

CMYK 0 / 53 / 72 / 0

HEX #FF7748

RGB 255 119 72

HSL 15.41, 1%, 0.64%

LAB 65.69, 48.83, 49.75

 

CMYK 0 / 46 / 64 / 0

HEX #FF895B

RGB 255 137 91

HSL 16.83, 1%, 0.68%

LAB 69.4, 41.02, 44.29

 

CMYK 0 / 70 / 91 / 16

HEX #D74114

RGB 215 65 20

HSL 13.85, 0.83%, 0.46%

LAB 49.83, 56.83, 55.86

 

CMYK 0 / 76 / 99 / 22

HEX #C62F01

RGB 198 47 1

HSL 14.01, 0.99%, 0.39%

LAB 44.29, 57.51, 56.46

 

CMYK 0 / 84 / 100 / 29

HEX #B51D00

RGB 181 29 0

HSL 9.61, 1%, 0.35%

LAB 39.07, 57.48, 52.55

 

CMYK 0 / 93 / 100 / 36

HEX #A40B00

RGB 164 11 0

HSL 4.02, 1%, 0.32%

LAB 34.26, 56.14, 48.24

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 70 / 91 / 16

HEX #D64013

RGB 214 64 19

HSL 13.85, 0.84%, 0.46%

LAB 49.51, 56.86, 55.89

 

CMYK 0 / 91 / 91 / 16

HEX #D61313

RGB 214 19 19

HSL 0, 0.84%, 0.46%

LAB 45.37, 68.49, 53.09

 

CMYK 0 / 70 / 91 / 16

HEX #D64013

RGB 214 64 19

HSL 13.85, 0.84%, 0.46%

LAB 49.51, 56.86, 55.89

 

CMYK 0 / 45 / 91 / 16

HEX #D67513

RGB 214 117 19

HSL 30.15, 0.84%, 0.46%

LAB 59.04, 32.24, 62.68

 

CMYK 0 / 21 / 91 / 16

HEX #D6A913

RGB 214 169 19

HSL 46.15, 0.84%, 0.46%

LAB 71.36, 4.38, 71.88

 

CMYK 4 / 0 / 91 / 16

HEX #CED613

RGB 206 214 19

HSL 62.46, 0.84%, 0.46%

LAB 82.52, -22.06, 80.15

 

CMYK 28 / 0 / 91 / 16

HEX #9AD613

RGB 154 214 19

HSL 78.46, 0.84%, 0.46%

LAB 79.05, -43, 75.93

 

CMYK 0 / 70 / 91 / 16

HEX #D64013

RGB 214 64 19

HSL 13.85, 0.84%, 0.46%

LAB 49.51, 56.86, 55.89

 

CMYK 0 / 77 / 100 / 9

HEX #E93600

RGB 233 54 0

HSL 13.91, 1%, 0.46%

LAB 51.79, 65.9, 64.01

 

CMYK 0 / 70 / 91 / 16

HEX #D64013

RGB 214 64 19

HSL 13.85, 0.84%, 0.46%

LAB 49.51, 56.86, 55.89

 

CMYK 0 / 62 / 81 / 24

HEX #C34B26

RGB 195 75 38

HSL 14.14, 0.67%, 0.46%

LAB 47.97, 46.19, 45.32

 

CMYK 0 / 52 / 68 / 31

HEX #B05539

RGB 176 85 57

HSL 14.12, 0.51%, 0.46%

LAB 47, 34.92, 33.33

 

CMYK 0 / 39 / 52 / 38

HEX #9D5F4C

RGB 157 95 76

HSL 14.07, 0.35%, 0.46%

LAB 46.81, 23.16, 21.55

 

CMYK 0 / 24 / 31 / 46

HEX #8A695F

RGB 138 105 95

HSL 13.95, 0.18%, 0.46%

LAB 47.41, 11.67, 10.71

 

CMYK 0 / 91 / 62 / 16

HEX #D61351

RGB 214 19 81

HSL 340.92, 0.84%, 0.46%

LAB 46.12, 70.59, 19.35

 

CMYK 0 / 91 / 86 / 16

HEX #D6131D

RGB 214 19 29

HSL 356.92, 0.84%, 0.46%

LAB 45.43, 68.65, 48.74

 

CMYK 0 / 71 / 91 / 16

HEX #D63E13

RGB 214 62 19

HSL 13.23, 0.84%, 0.46%

LAB 49.24, 57.6, 55.7

 

CMYK 0 / 47 / 91 / 16

HEX #D67213

RGB 214 114 19

HSL 29.23, 0.84%, 0.46%

LAB 58.39, 33.81, 62.21

 

CMYK 0 / 23 / 91 / 16

HEX #D6A513

RGB 214 165 19

HSL 44.92, 0.84%, 0.46%

LAB 70.35, 6.51, 71.11

 

CMYK 0 / 70 / 91 / 45

HEX #8B2A0C

RGB 139 42 12

HSL 14.17, 0.84%, 0.3%

LAB 32.19, 39.87, 39.55

 

CMYK 0 / 70 / 91 / 31

HEX #B03510

RGB 176 53 16

HSL 13.88, 0.83%, 0.38%

LAB 40.92, 48.4, 47.62

 

CMYK 0 / 70 / 91 / 16

HEX #D64013

RGB 214 64 19

HSL 13.85, 0.84%, 0.46%

LAB 49.51, 56.86, 55.89

 

CMYK 0 / 64 / 83 / 8

HEX #EB5528

RGB 235 85 40

HSL 13.85, 0.83%, 0.54%

LAB 56.4, 55.93, 54.65

 

CMYK 0 / 52 / 67 / 7

HEX #EE734E

RGB 238 115 78

HSL 13.88, 0.82%, 0.62%

LAB 62.5, 44.78, 42.38

 

CMYK 0 / 70 / 91 / 16

HEX #D74114

RGB 215 65 20

HSL 13.85, 0.83%, 0.46%

LAB 49.83, 56.83, 55.86

 

CMYK 38 / 0 / 91 / 16

HEX #85D613

RGB 133 214 19

HSL 84.92, 0.84%, 0.46%

LAB 77.95, -50.59, 74.58

 

CMYK 91 / 74 / 0 / 16

HEX #1337D6

RGB 19 55 214

HSL 228.92, 0.84%, 0.46%

LAB 33.41, 49.67, -82.69

 

CMYK 0 / 70 / 91 / 16

HEX #D74114

RGB 215 65 20

HSL 13.85, 0.83%, 0.46%

LAB 49.83, 56.83, 55.86

 

CMYK 91 / 0 / 71 / 16

HEX #13D63E

RGB 19 214 62

HSL 133.23, 0.84%, 0.46%

LAB 75.19, -71.91, 59.74

 

CMYK 71 / 91 / 0 / 16

HEX #3E13D6

RGB 62 19 214

HSL 253.23, 0.84%, 0.46%

LAB 30.27, 66.86, -87.84

 

CMYK 0 / 70 / 91 / 16

HEX #D74114

RGB 215 65 20

HSL 13.85, 0.83%, 0.46%

LAB 49.83, 56.83, 55.86

 

CMYK 38 / 0 / 91 / 16

HEX #85D613

RGB 133 214 19

HSL 84.92, 0.84%, 0.46%

LAB 77.95, -50.59, 74.58

 

CMYK 91 / 20 / 0 / 16

HEX #13ACD6

RGB 19 172 214

HSL 192.92, 0.84%, 0.46%

LAB 65.36, -21.35, -31.39

 

CMYK 53 / 91 / 0 / 16

HEX #6513D6

RGB 101 19 214

HSL 265.23, 0.84%, 0.46%

LAB 34.16, 69.5, -81.26

 

CMYK 0 / 70 / 91 / 16

HEX #D74114

RGB 215 65 20

HSL 13.85, 0.83%, 0.46%

LAB 49.83, 56.83, 55.86

 

CMYK 65 / 0 / 91 / 16

HEX #4BD613

RGB 75 214 19

HSL 102.77, 0.84%, 0.46%

LAB 75.85, -66.93, 71.98

 

CMYK 91 / 20 / 0 / 16

HEX #13ACD6

RGB 19 172 214

HSL 192.92, 0.84%, 0.46%

LAB 65.36, -21.35, -31.39

 

CMYK 26 / 91 / 0 / 16

HEX #9F13D6

RGB 159 19 214

HSL 283.08, 0.84%, 0.46%

LAB 42.3, 76.06, -67.6

 

Description

Color code: HEX #D74114 | qconv.com Color code: HEX #D74114 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 65 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 65 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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