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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7409A it is the complementary color #28BF65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7409A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7409A shade: #DC4095, #ED52A8, #FE64BB, #FF76CE and #FF88E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7409A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7409A shade: #D7409A, #C62E87, #B51C74, #A40A61 and #93004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7409A shade: #D6419A, #D64172, #D6414A and #D64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7409A shade: #D6419A, #D641C2, #C241D6, #9A41D6 and #7241D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7409A shade matches the following richer shades: #D6419A, #E92F9E and #FB1CA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7409A shade: #D6419A, #C45497, #B16693, #9F798F and #8C8B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7409A shade: #C241D6, #D641C2, #D6419B, #D64173 and #D6414B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7409A shade: #A3226F, #C52986, #D6419A, #DE63AC and #E585BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7409A shade: #D7409A, #D69B41 and #41D6D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7409A shade: #D7409A, #9BD641 and #419BD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7409A shade: #D7409A, #D69B41, #41D67D and #417DD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7409A shade: #D7409A, #D6C741, #41D67D and #4150D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 28 / 16

HEX #D7409A

RGB 215 64 154

HSL 324.24, 0.65%, 0.55%

LAB 52.34, 66.16, -16.02

 

Complementary color

CMYK 79 / 0 / 47 / 25

HEX #28BF65

RGB 40 191 101

HSL 144.24, 0.65%, 0.45%

LAB 68.5, -57.9, 34.67

 

CMYK 0 / 71 / 32 / 14

HEX #DC4095

RGB 220 64 149

HSL 327.31, 0.69%, 0.56%

LAB 53.01, 66.89, -11.97

 

CMYK 0 / 65 / 29 / 7

HEX #ED52A8

RGB 237 82 168

HSL 326.71, 0.81%, 0.63%

LAB 58.85, 67.1, -14.02

 

CMYK 0 / 61 / 26 / 0

HEX #FE64BB

RGB 254 100 187

HSL 326.1, 0.99%, 0.69%

LAB 64.78, 66.94, -15.7

 

CMYK 0 / 54 / 19 / 0

HEX #FF76CE

RGB 255 118 206

HSL 321.46, 1%, 0.73%

LAB 68.51, 61.9, -20.73

 

CMYK 0 / 47 / 12 / 0

HEX #FF88E1

RGB 255 136 225

HSL 315.13, 1%, 0.77%

LAB 72.43, 56.24, -25.28

 

CMYK 0 / 70 / 28 / 16

HEX #D7409A

RGB 215 64 154

HSL 324.24, 0.65%, 0.55%

LAB 52.34, 66.16, -16.02

 

CMYK 0 / 77 / 32 / 22

HEX #C62E87

RGB 198 46 135

HSL 324.87, 0.62%, 0.48%

LAB 46.59, 65.42, -13.64

 

CMYK 0 / 85 / 36 / 29

HEX #B51C74

RGB 181 28 116

HSL 325.49, 0.73%, 0.41%

LAB 41.08, 63.83, -10.59

 

CMYK 0 / 94 / 41 / 36

HEX #A40A61

RGB 164 10 97

HSL 326.1, 0.89%, 0.34%

LAB 35.93, 61.02, -6.66

 

CMYK 0 / 100 / 47 / 42

HEX #93004E

RGB 147 0 78

HSL 328.16, 1%, 0.29%

LAB 31.24, 56.67, -1.63

 

CMYK 0 / 70 / 28 / 16

HEX #D6419A

RGB 214 65 154

HSL 324.16, 0.65%, 0.55%

LAB 52.3, 65.54, -16.1

 

CMYK 0 / 70 / 47 / 16

HEX #D64172

RGB 214 65 114

HSL 340.27, 0.65%, 0.55%

LAB 51.03, 61.3, 5.96

 

CMYK 0 / 70 / 65 / 16

HEX #D6414A

RGB 214 65 74

HSL 356.38, 0.65%, 0.55%

LAB 50.18, 58.38, 28.84

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 70 / 28 / 16

HEX #D6419A

RGB 214 65 154

HSL 324.16, 0.65%, 0.55%

LAB 52.3, 65.54, -16.1

 

CMYK 0 / 70 / 9 / 16

HEX #D641C2

RGB 214 65 194

HSL 308.05, 0.65%, 0.55%

LAB 54, 70.97, -36.84

 

CMYK 9 / 70 / 0 / 16

HEX #C241D6

RGB 194 65 214

HSL 291.95, 0.65%, 0.55%

LAB 51.96, 69.77, -51.74

 

CMYK 28 / 70 / 0 / 16

HEX #9A41D6

RGB 154 65 214

HSL 275.84, 0.65%, 0.55%

LAB 46.32, 61.5, -61.1

 

CMYK 47 / 70 / 0 / 16

HEX #7241D6

RGB 114 65 214

HSL 259.73, 0.65%, 0.55%

LAB 41.55, 54.04, -69.06

 

CMYK 0 / 70 / 28 / 16

HEX #D6419A

RGB 214 65 154

HSL 324.16, 0.65%, 0.55%

LAB 52.3, 65.54, -16.1

 

CMYK 0 / 80 / 32 / 9

HEX #E92F9E

RGB 233 47 158

HSL 324.19, 0.81%, 0.55%

LAB 53.84, 76.11, -15.81

 

CMYK 0 / 89 / 36 / 2

HEX #FB1CA1

RGB 251 28 161

HSL 324.22, 0.97%, 0.55%

LAB 56, 84.01, -14

 

CMYK 0 / 70 / 28 / 16

HEX #D6419A

RGB 214 65 154

HSL 324.16, 0.65%, 0.55%

LAB 52.3, 65.54, -16.1

 

CMYK 0 / 57 / 23 / 23

HEX #C45497

RGB 196 84 151

HSL 324.11, 0.49%, 0.55%

LAB 52.19, 52.18, -14.76

 

CMYK 0 / 42 / 17 / 31

HEX #B16693

RGB 177 102 147

HSL 324, 0.32%, 0.55%

LAB 52.9, 36.29, -11.58

 

CMYK 0 / 24 / 10 / 38

HEX #9F798F

RGB 159 121 143

HSL 325.26, 0.17%, 0.55%

LAB 55.1, 18.49, -6.17

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 9 / 70 / 0 / 16

HEX #C241D6

RGB 194 65 214

HSL 291.95, 0.65%, 0.55%

LAB 51.96, 69.77, -51.74

 

CMYK 0 / 70 / 9 / 16

HEX #D641C2

RGB 214 65 194

HSL 308.05, 0.65%, 0.55%

LAB 54, 70.97, -36.84

 

CMYK 0 / 70 / 28 / 16

HEX #D6419B

RGB 214 65 155

HSL 323.76, 0.65%, 0.55%

LAB 52.33, 65.66, -16.64

 

CMYK 0 / 70 / 46 / 16

HEX #D64173

RGB 214 65 115

HSL 339.87, 0.65%, 0.55%

LAB 51.05, 61.39, 5.39

 

CMYK 0 / 70 / 65 / 16

HEX #D6414B

RGB 214 65 75

HSL 355.97, 0.65%, 0.55%

LAB 50.2, 58.44, 28.27

 

CMYK 0 / 79 / 32 / 36

HEX #A3226F

RGB 163 34 111

HSL 324.19, 0.65%, 0.39%

LAB 37.98, 57.32, -12.48

 

CMYK 0 / 79 / 32 / 23

HEX #C52986

RGB 197 41 134

HSL 324.23, 0.66%, 0.47%

LAB 45.88, 66.47, -14.13

 

CMYK 0 / 70 / 28 / 16

HEX #D6419A

RGB 214 65 154

HSL 324.16, 0.65%, 0.55%

LAB 52.3, 65.54, -16.1

 

CMYK 0 / 55 / 23 / 13

HEX #DE63AC

RGB 222 99 172

HSL 324.39, 0.65%, 0.63%

LAB 59.37, 56.06, -15.76

 

CMYK 0 / 42 / 17 / 10

HEX #E585BE

RGB 229 133 190

HSL 324.38, 0.65%, 0.71%

LAB 67.39, 44.17, -13.8

 

CMYK 0 / 70 / 28 / 16

HEX #D7409A

RGB 215 64 154

HSL 324.24, 0.65%, 0.55%

LAB 52.34, 66.16, -16.02

 

CMYK 0 / 28 / 70 / 16

HEX #D69B41

RGB 214 155 65

HSL 36.24, 0.65%, 0.55%

LAB 68.11, 13.42, 54.1

 

CMYK 70 / 0 / 0 / 16

HEX #41D6D6

RGB 65 214 214

HSL 180, 0.65%, 0.55%

LAB 78.5, -37.83, -11.33

 

CMYK 0 / 70 / 28 / 16

HEX #D7409A

RGB 215 64 154

HSL 324.24, 0.65%, 0.55%

LAB 52.34, 66.16, -16.02

 

CMYK 28 / 0 / 70 / 16

HEX #9BD641

RGB 155 214 65

HSL 83.76, 0.65%, 0.55%

LAB 79.3, -40.75, 64.15

 

CMYK 70 / 28 / 0 / 16

HEX #419BD6

RGB 65 155 214

HSL 203.76, 0.65%, 0.55%

LAB 61.15, -7.81, -37.87

 

CMYK 0 / 70 / 28 / 16

HEX #D7409A

RGB 215 64 154

HSL 324.24, 0.65%, 0.55%

LAB 52.34, 66.16, -16.02

 

CMYK 0 / 28 / 70 / 16

HEX #D69B41

RGB 214 155 65

HSL 36.24, 0.65%, 0.55%

LAB 68.11, 13.42, 54.1

 

CMYK 70 / 0 / 42 / 16

HEX #41D67D

RGB 65 214 125

HSL 144.16, 0.65%, 0.55%

LAB 76.5, -58.53, 32.88

 

CMYK 70 / 42 / 0 / 16

HEX #417DD6

RGB 65 125 214

HSL 215.84, 0.65%, 0.55%

LAB 52.56, 9.85, -51.45

 

CMYK 0 / 70 / 28 / 16

HEX #D7409A

RGB 215 64 154

HSL 324.24, 0.65%, 0.55%

LAB 52.34, 66.16, -16.02

 

CMYK 0 / 7 / 70 / 16

HEX #D6C741

RGB 214 199 65

HSL 53.96, 0.65%, 0.55%

LAB 79.34, -9.74, 65.57

 

CMYK 70 / 0 / 42 / 16

HEX #41D67D

RGB 65 214 125

HSL 144.16, 0.65%, 0.55%

LAB 76.5, -58.53, 32.88

 

CMYK 70 / 63 / 0 / 16

HEX #4150D6

RGB 65 80 214

HSL 233.96, 0.65%, 0.55%

LAB 40.76, 38.08, -70.52

 

Description

Color code: HEX #D7409A | qconv.com Color code: HEX #D7409A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 64 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 64 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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