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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D74080 it is the complementary color #28BF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D74080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D74080 shade: #DC407B, #ED528E, #FE64A1, #FF76B4 and #FF88C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D74080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D74080 shade: #D74080, #C62E6D, #B51C5A, #A40A47 and #930034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D74080 shade: #D64180, #D64158 and #D64141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D74080 shade: #D64180, #D641A9, #D641D1, #B441D6 and #8B41D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D74080 shade matches the following richer shades: #D64180, #E92F7E and #FB1C7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D74080 shade: #D64180, #C45483, #B16686, #9F7989 and #8C8B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D74080 shade: #D641D1, #D641AA, #D64182, #D6415A and #D65041

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D74080 shade: #A32259, #C5296B, #D64180, #DE6397 and #E585AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D74080 shade: #D74080, #D6B441 and #41BDD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D74080 shade: #D74080, #82D641 and #4182D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D74080 shade: #D74080, #D6B441, #41D696 and #4164D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D74080 shade: #D74080, #CCD641, #41D696 and #4B41D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 40 / 16

HEX #D74080

RGB 215 64 128

HSL 334.57, 0.65%, 0.55%

LAB 51.46, 63.28, -1.82

 

Complementary color

CMYK 79 / 0 / 34 / 25

HEX #28BF7F

RGB 40 191 127

HSL 154.57, 0.65%, 0.45%

LAB 68.93, -52.98, 21.68

 

CMYK 0 / 71 / 44 / 14

HEX #DC407B

RGB 220 64 123

HSL 337.31, 0.69%, 0.56%

LAB 52.19, 64.21, 2.35

 

CMYK 0 / 65 / 40 / 7

HEX #ED528E

RGB 237 82 142

HSL 336.77, 0.81%, 0.63%

LAB 58.03, 64.22, -0.08

 

CMYK 0 / 61 / 37 / 0

HEX #FE64A1

RGB 254 100 161

HSL 336.23, 0.99%, 0.69%

LAB 63.96, 63.9, -2.08

 

CMYK 0 / 54 / 29 / 0

HEX #FF76B4

RGB 255 118 180

HSL 332.85, 1%, 0.73%

LAB 67.66, 58.46, -7.41

 

CMYK 0 / 47 / 22 / 0

HEX #FF88C7

RGB 255 136 199

HSL 328.24, 1%, 0.77%

LAB 71.55, 52.39, -12.24

 

CMYK 0 / 70 / 40 / 16

HEX #D74080

RGB 215 64 128

HSL 334.57, 0.65%, 0.55%

LAB 51.46, 63.28, -1.82

 

CMYK 0 / 77 / 45 / 22

HEX #C62E6D

RGB 198 46 109

HSL 335.13, 0.62%, 0.48%

LAB 45.72, 62.75, 0.98

 

CMYK 0 / 85 / 50 / 29

HEX #B51C5A

RGB 181 28 90

HSL 335.69, 0.73%, 0.41%

LAB 40.23, 61.4, 4.52

 

CMYK 0 / 94 / 57 / 36

HEX #A40A47

RGB 164 10 71

HSL 336.23, 0.89%, 0.34%

LAB 35.13, 58.84, 9.04

 

CMYK 0 / 100 / 65 / 42

HEX #930034

RGB 147 0 52

HSL 338.78, 1%, 0.29%

LAB 30.52, 54.77, 14.7

 

CMYK 0 / 70 / 40 / 16

HEX #D64180

RGB 214 65 128

HSL 334.63, 0.65%, 0.55%

LAB 51.42, 62.64, -1.9

 

CMYK 0 / 70 / 59 / 16

HEX #D64158

RGB 214 65 88

HSL 350.74, 0.65%, 0.55%

LAB 50.43, 59.25, 20.82

 

CMYK 0 / 70 / 70 / 16

HEX #D64141

RGB 214 65 65

HSL 0, 0.65%, 0.55%

LAB 50.05, 57.91, 33.94

 

CMYK 0 / 70 / 40 / 16

HEX #D64180

RGB 214 65 128

HSL 334.63, 0.65%, 0.55%

LAB 51.42, 62.64, -1.9

 

CMYK 0 / 70 / 21 / 16

HEX #D641A9

RGB 214 65 169

HSL 318.12, 0.65%, 0.55%

LAB 52.89, 67.45, -24.04

 

CMYK 0 / 70 / 2 / 16

HEX #D641D1

RGB 214 65 209

HSL 302.01, 0.65%, 0.55%

LAB 54.74, 73.27, -44.27

 

CMYK 16 / 70 / 0 / 16

HEX #B441D6

RGB 180 65 214

HSL 286.31, 0.65%, 0.55%

LAB 49.9, 66.82, -55.14

 

CMYK 35 / 70 / 0 / 16

HEX #8B41D6

RGB 139 65 214

HSL 269.8, 0.65%, 0.55%

LAB 44.41, 58.57, -64.28

 

CMYK 0 / 70 / 40 / 16

HEX #D64180

RGB 214 65 128

HSL 334.63, 0.65%, 0.55%

LAB 51.42, 62.64, -1.9

 

CMYK 0 / 80 / 46 / 9

HEX #E92F7E

RGB 233 47 126

HSL 334.52, 0.81%, 0.55%

LAB 52.8, 73.04, 1.72

 

CMYK 0 / 89 / 51 / 2

HEX #FB1C7B

RGB 251 28 123

HSL 334.44, 0.97%, 0.55%

LAB 54.83, 80.81, 6.89

 

CMYK 0 / 70 / 40 / 16

HEX #D64180

RGB 214 65 128

HSL 334.63, 0.65%, 0.55%

LAB 51.42, 62.64, -1.9

 

CMYK 0 / 57 / 33 / 23

HEX #C45483

RGB 196 84 131

HSL 334.82, 0.49%, 0.55%

LAB 51.51, 49.55, -3.9

 

CMYK 0 / 42 / 24 / 31

HEX #B16686

RGB 177 102 134

HSL 334.4, 0.32%, 0.55%

LAB 52.48, 34.28, -4.55

 

CMYK 0 / 24 / 14 / 38

HEX #9F7989

RGB 159 121 137

HSL 334.74, 0.17%, 0.55%

LAB 54.92, 17.43, -2.95

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 0 / 70 / 2 / 16

HEX #D641D1

RGB 214 65 209

HSL 302.01, 0.65%, 0.55%

LAB 54.74, 73.27, -44.27

 

CMYK 0 / 70 / 21 / 16

HEX #D641AA

RGB 214 65 170

HSL 317.72, 0.65%, 0.55%

LAB 52.93, 67.58, -24.56

 

CMYK 0 / 70 / 39 / 16

HEX #D64182

RGB 214 65 130

HSL 333.83, 0.65%, 0.55%

LAB 51.48, 62.84, -3.01

 

CMYK 0 / 70 / 58 / 16

HEX #D6415A

RGB 214 65 90

HSL 349.93, 0.65%, 0.55%

LAB 50.47, 59.39, 19.67

 

CMYK 0 / 63 / 70 / 16

HEX #D65041

RGB 214 80 65

HSL 6.04, 0.65%, 0.55%

LAB 52.3, 51.8, 36.6

 

CMYK 0 / 79 / 45 / 36

HEX #A32259

RGB 163 34 89

HSL 334.42, 0.65%, 0.39%

LAB 37.21, 54.98, 0.34

 

CMYK 0 / 79 / 46 / 23

HEX #C5296B

RGB 197 41 107

HSL 334.62, 0.66%, 0.47%

LAB 44.97, 63.74, 1.1

 

CMYK 0 / 70 / 40 / 16

HEX #D64180

RGB 214 65 128

HSL 334.63, 0.65%, 0.55%

LAB 51.42, 62.64, -1.9

 

CMYK 0 / 55 / 32 / 13

HEX #DE6397

RGB 222 99 151

HSL 334.63, 0.65%, 0.63%

LAB 58.68, 53.32, -4.64

 

CMYK 0 / 42 / 24 / 10

HEX #E585AE

RGB 229 133 174

HSL 334.38, 0.65%, 0.71%

LAB 66.89, 41.82, -5.55

 

CMYK 0 / 70 / 40 / 16

HEX #D74080

RGB 215 64 128

HSL 334.57, 0.65%, 0.55%

LAB 51.46, 63.28, -1.82

 

CMYK 0 / 16 / 70 / 16

HEX #D6B441

RGB 214 180 65

HSL 46.31, 0.65%, 0.55%

LAB 74.39, 0.09, 60.6

 

CMYK 70 / 12 / 0 / 16

HEX #41BDD6

RGB 65 189 214

HSL 190.07, 0.65%, 0.55%

LAB 71.13, -25.86, -22.46

 

CMYK 0 / 70 / 40 / 16

HEX #D74080

RGB 215 64 128

HSL 334.57, 0.65%, 0.55%

LAB 51.46, 63.28, -1.82

 

CMYK 39 / 0 / 70 / 16

HEX #82D641

RGB 130 214 65

HSL 93.83, 0.65%, 0.55%

LAB 78.01, -49.54, 62.42

 

CMYK 70 / 39 / 0 / 16

HEX #4182D6

RGB 65 130 214

HSL 213.83, 0.65%, 0.55%

LAB 53.97, 6.8, -49.21

 

CMYK 0 / 70 / 40 / 16

HEX #D74080

RGB 215 64 128

HSL 334.57, 0.65%, 0.55%

LAB 51.46, 63.28, -1.82

 

CMYK 0 / 16 / 70 / 16

HEX #D6B441

RGB 214 180 65

HSL 46.31, 0.65%, 0.55%

LAB 74.39, 0.09, 60.6

 

CMYK 70 / 0 / 30 / 16

HEX #41D696

RGB 65 214 150

HSL 154.23, 0.65%, 0.55%

LAB 76.93, -53.71, 20.53

 

CMYK 70 / 53 / 0 / 16

HEX #4164D6

RGB 65 100 214

HSL 225.91, 0.65%, 0.55%

LAB 45.76, 25.5, -62.38

 

CMYK 0 / 70 / 40 / 16

HEX #D74080

RGB 215 64 128

HSL 334.57, 0.65%, 0.55%

LAB 51.46, 63.28, -1.82

 

CMYK 5 / 0 / 70 / 16

HEX #CCD641

RGB 204 214 65

HSL 64.03, 0.65%, 0.55%

LAB 82.55, -21.4, 68.47

 

CMYK 70 / 0 / 30 / 16

HEX #41D696

RGB 65 214 150

HSL 154.23, 0.65%, 0.55%

LAB 76.93, -53.71, 20.53

 

CMYK 65 / 70 / 0 / 16

HEX #4B41D6

RGB 75 65 214

HSL 244.03, 0.65%, 0.55%

LAB 38.08, 48.23, -74.89

 

Description

Color code: HEX #D74080 | qconv.com Color code: HEX #D74080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 64 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 64 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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