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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D73A6C it is the complementary color #28C593. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D73A6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D73A6C shade: #DC3A67, #ED4C7A, #FE5E8D, #FF70A0 and #FF82B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D73A6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D73A6C shade: #D73A6C, #C62859, #B51646, #A40433 and #930020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D73A6C shade: #D73C6D, #D73C43 and #D73C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D73A6C shade: #D73C6D, #D73C97, #D73CC1, #C33CD7 and #993CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D73A6C shade matches the following richer shades: #D73C6D, #EA2966 and #FD165F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D73A6C shade: #D73C6D, #C44F74, #B1627B, #9E7582 and #8B8889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D73A6C shade: #D73CC2, #D73C99, #D73C6F, #D73C46 and #D75B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D73A6C shade: #A02049, #C22759, #D73C6D, #DE5E87 and #E580A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D73A6C shade: #D73A6C, #D7C23C and #3CADD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D73A6C shade: #D73A6C, #6FD73C and #3C6FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D73A6C shade: #D73A6C, #D7C23C, #3CD7A3 and #3C50D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D73A6C shade: #D73A6C, #BDD73C, #3CD7A3 and #563CD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 50 / 16

HEX #D73A6C

RGB 215 58 108

HSL 340.89, 0.66%, 0.54%

LAB 50.16, 63.53, 8.38

 

Complementary color

CMYK 80 / 0 / 25 / 23

HEX #28C593

RGB 40 197 147

HSL 160.89, 0.66%, 0.46%

LAB 71.21, -50.87, 14.1

 

CMYK 0 / 74 / 53 / 14

HEX #DC3A67

RGB 220 58 103

HSL 343.33, 0.7%, 0.55%

LAB 50.94, 64.55, 12.64

 

CMYK 0 / 68 / 49 / 7

HEX #ED4C7A

RGB 237 76 122

HSL 342.86, 0.82%, 0.61%

LAB 56.66, 64.66, 9.74

 

CMYK 0 / 63 / 44 / 0

HEX #FE5E8D

RGB 254 94 141

HSL 342.38, 0.99%, 0.68%

LAB 62.51, 64.38, 7.33

 

CMYK 0 / 56 / 37 / 0

HEX #FF70A0

RGB 255 112 160

HSL 339.86, 1%, 0.72%

LAB 66.05, 58.87, 1.55

 

CMYK 0 / 49 / 30 / 0

HEX #FF82B3

RGB 255 130 179

HSL 336.48, 1%, 0.75%

LAB 69.81, 52.66, -3.67

 

CMYK 0 / 73 / 50 / 16

HEX #D73A6C

RGB 215 58 108

HSL 340.89, 0.66%, 0.54%

LAB 50.16, 63.53, 8.38

 

CMYK 0 / 80 / 55 / 22

HEX #C62859

RGB 198 40 89

HSL 341.39, 0.66%, 0.47%

LAB 44.58, 62.82, 11.76

 

CMYK 0 / 88 / 61 / 29

HEX #B51646

RGB 181 22 70

HSL 341.89, 0.78%, 0.4%

LAB 39.31, 61.2, 15.98

 

CMYK 0 / 98 / 69 / 36

HEX #A40433

RGB 164 4 51

HSL 342.38, 0.95%, 0.33%

LAB 34.43, 58.41, 21.15

 

CMYK 0 / 100 / 78 / 42

HEX #930020

RGB 147 0 32

HSL 346.94, 1%, 0.29%

LAB 30.17, 53.83, 27.41

 

CMYK 0 / 72 / 49 / 16

HEX #D73C6D

RGB 215 60 109

HSL 341.03, 0.66%, 0.54%

LAB 50.43, 62.93, 8.16

 

CMYK 0 / 72 / 69 / 16

HEX #D73C43

RGB 215 60 67

HSL 357.29, 0.66%, 0.54%

LAB 49.6, 60.14, 32.28

 

CMYK 0 / 72 / 72 / 16

HEX #D73C3C

RGB 215 60 60

HSL 0, 0.66%, 0.54%

LAB 49.5, 59.81, 36.22

 

CMYK 0 / 72 / 49 / 16

HEX #D73C6D

RGB 215 60 109

HSL 341.03, 0.66%, 0.54%

LAB 50.43, 62.93, 8.16

 

CMYK 0 / 72 / 30 / 16

HEX #D73C97

RGB 215 60 151

HSL 324.77, 0.66%, 0.54%

LAB 51.74, 67.17, -15.16

 

CMYK 0 / 72 / 10 / 16

HEX #D73CC1

RGB 215 60 193

HSL 308.52, 0.66%, 0.54%

LAB 53.52, 72.72, -37

 

CMYK 9 / 72 / 0 / 16

HEX #C33CD7

RGB 195 60 215

HSL 292.26, 0.66%, 0.54%

LAB 51.54, 71.93, -52.97

 

CMYK 29 / 72 / 0 / 16

HEX #993CD7

RGB 153 60 215

HSL 276, 0.66%, 0.54%

LAB 45.51, 63.62, -62.99

 

CMYK 0 / 72 / 49 / 16

HEX #D73C6D

RGB 215 60 109

HSL 341.03, 0.66%, 0.54%

LAB 50.43, 62.93, 8.16

 

CMYK 0 / 82 / 56 / 8

HEX #EA2966

RGB 234 41 102

HSL 341.04, 0.82%, 0.54%

LAB 51.88, 72.9, 14.94

 

CMYK 0 / 91 / 62 / 1

HEX #FD165F

RGB 253 22 95

HSL 341.04, 0.98%, 0.54%

LAB 54.33, 80.29, 23.1

 

CMYK 0 / 72 / 49 / 16

HEX #D73C6D

RGB 215 60 109

HSL 341.03, 0.66%, 0.54%

LAB 50.43, 62.93, 8.16

 

CMYK 0 / 60 / 41 / 23

HEX #C44F74

RGB 196 79 116

HSL 341.03, 0.5%, 0.54%

LAB 50.2, 50.14, 3.17

 

CMYK 0 / 45 / 31 / 31

HEX #B1627B

RGB 177 98 123

HSL 341.01, 0.34%, 0.54%

LAB 51.28, 34.88, 0.21

 

CMYK 0 / 26 / 18 / 38

HEX #9E7582

RGB 158 117 130

HSL 340.98, 0.17%, 0.54%

LAB 53.6, 18.15, -0.8

 

CMYK 0 / 2 / 1 / 45

HEX #8B8889

RGB 139 136 137

HSL 340, 0.01%, 0.54%

LAB 56.98, 1.31, -0.15

 

CMYK 0 / 72 / 10 / 16

HEX #D73CC2

RGB 215 60 194

HSL 308.13, 0.66%, 0.54%

LAB 53.57, 72.86, -37.5

 

CMYK 0 / 72 / 29 / 16

HEX #D73C99

RGB 215 60 153

HSL 324, 0.66%, 0.54%

LAB 51.81, 67.41, -16.23

 

CMYK 0 / 72 / 48 / 16

HEX #D73C6F

RGB 215 60 111

HSL 340.26, 0.66%, 0.54%

LAB 50.48, 63.1, 7.02

 

CMYK 0 / 72 / 67 / 16

HEX #D73C46

RGB 215 60 70

HSL 356.13, 0.66%, 0.54%

LAB 49.64, 60.29, 30.57

 

CMYK 0 / 58 / 72 / 16

HEX #D75B3C

RGB 215 91 60

HSL 12, 0.66%, 0.54%

LAB 54.3, 46.92, 41.64

 

CMYK 0 / 80 / 54 / 37

HEX #A02049

RGB 160 32 73

HSL 340.78, 0.67%, 0.38%

LAB 35.96, 53.35, 8.77

 

CMYK 0 / 80 / 54 / 24

HEX #C22759

RGB 194 39 89

HSL 340.65, 0.67%, 0.46%

LAB 43.71, 62.01, 10.44

 

CMYK 0 / 72 / 49 / 16

HEX #D73C6D

RGB 215 60 109

HSL 341.03, 0.66%, 0.54%

LAB 50.43, 62.93, 8.16

 

CMYK 0 / 58 / 39 / 13

HEX #DE5E87

RGB 222 94 135

HSL 340.78, 0.66%, 0.62%

LAB 57.35, 53.78, 2.75

 

CMYK 0 / 44 / 30 / 10

HEX #E580A0

RGB 229 128 160

HSL 340.99, 0.66%, 0.7%

LAB 65.46, 42.5, 0.26

 

CMYK 0 / 73 / 50 / 16

HEX #D73A6C

RGB 215 58 108

HSL 340.89, 0.66%, 0.54%

LAB 50.16, 63.53, 8.38

 

CMYK 0 / 10 / 72 / 16

HEX #D7C23C

RGB 215 194 60

HSL 51.87, 0.66%, 0.54%

LAB 78.09, -7, 66.23

 

CMYK 72 / 20 / 0 / 16

HEX #3CADD7

RGB 60 173 215

HSL 196.26, 0.66%, 0.54%

LAB 66.33, -17.99, -30.38

 

CMYK 0 / 73 / 50 / 16

HEX #D73A6C

RGB 215 58 108

HSL 340.89, 0.66%, 0.54%

LAB 50.16, 63.53, 8.38

 

CMYK 48 / 0 / 72 / 16

HEX #6FD73C

RGB 111 215 60

HSL 100.26, 0.66%, 0.54%

LAB 77.46, -56.22, 63.42

 

CMYK 72 / 48 / 0 / 16

HEX #3C6FD7

RGB 60 111 215

HSL 220.26, 0.66%, 0.54%

LAB 48.56, 18.21, -58.45

 

CMYK 0 / 73 / 50 / 16

HEX #D73A6C

RGB 215 58 108

HSL 340.89, 0.66%, 0.54%

LAB 50.16, 63.53, 8.38

 

CMYK 0 / 10 / 72 / 16

HEX #D7C23C

RGB 215 194 60

HSL 51.87, 0.66%, 0.54%

LAB 78.09, -7, 66.23

 

CMYK 72 / 0 / 24 / 16

HEX #3CD7A3

RGB 60 215 163

HSL 159.87, 0.66%, 0.54%

LAB 77.4, -51.98, 14.31

 

CMYK 72 / 63 / 0 / 16

HEX #3C50D7

RGB 60 80 215

HSL 232.26, 0.66%, 0.54%

LAB 40.58, 37.82, -71.4

 

CMYK 0 / 73 / 50 / 16

HEX #D73A6C

RGB 215 58 108

HSL 340.89, 0.66%, 0.54%

LAB 50.16, 63.53, 8.38

 

CMYK 12 / 0 / 72 / 16

HEX #BDD73C

RGB 189 215 60

HSL 70.06, 0.66%, 0.54%

LAB 81.7, -28.27, 69.02

 

CMYK 72 / 0 / 24 / 16

HEX #3CD7A3

RGB 60 215 163

HSL 159.87, 0.66%, 0.54%

LAB 77.4, -51.98, 14.31

 

CMYK 60 / 72 / 0 / 16

HEX #563CD7

RGB 86 60 215

HSL 250.06, 0.66%, 0.54%

LAB 38.05, 52.65, -75.48

 

Description

Color code: HEX #D73A6C | qconv.com Color code: HEX #D73A6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 58 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 58 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 50 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 50% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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