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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7318D it is the complementary color #28CE72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7318D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7318D shade: #DC3188, #ED439B, #FE55AE, #FF67C1 and #FF79D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7318D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7318D shade: #D7318D, #C61F7A, #B50D67, #A40054 and #930041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7318D shade: #D6328D, #D63261, #D63235 and #D63232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7318D shade: #D6328D, #D632B9, #C732D6, #9B32D6 and #6E32D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7318D shade matches the following richer shades: #D6328D, #EA1E8F and #FE0A91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7318D shade: #D6328D, #C2468B, #AE5A89, #9B6E87 and #878184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7318D shade: #C632D6, #D632BB, #D6328F, #D63263 and #D63238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7318D shade: #981E61, #BA2478, #D6328D, #DD55A0 and #E477B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7318D shade: #D7318D, #D69A32 and #32D1D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7318D shade: #D7318D, #8FD632 and #328FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7318D shade: #D7318D, #D69A32, #32D679 and #326ED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7318D shade: #D7318D, #D6CB32, #32D679 and #323DD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 34 / 16

HEX #D7318D

RGB 215 49 141

HSL 326.75, 0.67%, 0.52%

LAB 50.18, 69.45, -11.55

 

Complementary color

CMYK 81 / 0 / 45 / 19

HEX #28CE72

RGB 40 206 114

HSL 146.75, 0.67%, 0.48%

LAB 73.42, -60.93, 34.39

 

CMYK 0 / 78 / 38 / 14

HEX #DC3188

RGB 220 49 136

HSL 329.47, 0.71%, 0.53%

LAB 50.91, 70.18, -7.35

 

CMYK 0 / 72 / 35 / 7

HEX #ED439B

RGB 237 67 155

HSL 328.94, 0.83%, 0.6%

LAB 56.47, 71.01, -10.01

 

CMYK 0 / 67 / 31 / 0

HEX #FE55AE

RGB 254 85 174

HSL 328.4, 0.99%, 0.66%

LAB 62.19, 71.29, -12.18

 

CMYK 0 / 60 / 24 / 0

HEX #FF67C1

RGB 255 103 193

HSL 324.47, 1%, 0.7%

LAB 65.6, 66.73, -17.85

 

CMYK 0 / 53 / 17 / 0

HEX #FF79D4

RGB 255 121 212

HSL 319.25, 1%, 0.74%

LAB 69.25, 61.38, -22.95

 

CMYK 0 / 77 / 34 / 16

HEX #D7318D

RGB 215 49 141

HSL 326.75, 0.67%, 0.52%

LAB 50.18, 69.45, -11.55

 

CMYK 0 / 84 / 38 / 22

HEX #C61F7A

RGB 198 31 122

HSL 327.31, 0.73%, 0.45%

LAB 44.79, 67.84, -8.41

 

CMYK 0 / 93 / 43 / 29

HEX #B50D67

RGB 181 13 103

HSL 327.86, 0.87%, 0.38%

LAB 39.73, 65.12, -4.45

 

CMYK 0 / 100 / 49 / 36

HEX #A40054

RGB 164 0 84

HSL 329.27, 1%, 0.32%

LAB 35.07, 61.09, 0.47

 

CMYK 0 / 100 / 56 / 42

HEX #930041

RGB 147 0 65

HSL 333.47, 1%, 0.29%

LAB 30.84, 55.62, 6.44

 

CMYK 0 / 77 / 34 / 16

HEX #D6328D

RGB 214 50 141

HSL 326.71, 0.67%, 0.52%

LAB 50.1, 68.92, -11.68

 

CMYK 0 / 77 / 55 / 16

HEX #D63261

RGB 214 50 97

HSL 342.8, 0.67%, 0.52%

LAB 48.81, 64.93, 13.16

 

CMYK 0 / 77 / 75 / 16

HEX #D63235

RGB 214 50 53

HSL 358.9, 0.67%, 0.52%

LAB 48.05, 62.51, 38.52

 

CMYK 0 / 77 / 77 / 16

HEX #D63232

RGB 214 50 50

HSL 0, 0.67%, 0.52%

LAB 48.02, 62.4, 40.17

 

CMYK 0 / 77 / 34 / 16

HEX #D6328D

RGB 214 50 141

HSL 326.71, 0.67%, 0.52%

LAB 50.1, 68.92, -11.68

 

CMYK 0 / 77 / 14 / 16

HEX #D632B9

RGB 214 50 185

HSL 310.61, 0.67%, 0.52%

LAB 51.93, 74.35, -34.88

 

CMYK 7 / 77 / 0 / 16

HEX #C732D6

RGB 199 50 214

HSL 294.51, 0.67%, 0.52%

LAB 51.01, 75.69, -53.21

 

CMYK 28 / 77 / 0 / 16

HEX #9B32D6

RGB 155 50 214

HSL 278.41, 0.67%, 0.52%

LAB 44.38, 67.58, -64.23

 

CMYK 49 / 77 / 0 / 16

HEX #6E32D6

RGB 110 50 214

HSL 261.95, 0.67%, 0.52%

LAB 38.64, 60.42, -73.85

 

CMYK 0 / 77 / 34 / 16

HEX #D6328D

RGB 214 50 141

HSL 326.71, 0.67%, 0.52%

LAB 50.1, 68.92, -11.68

 

CMYK 0 / 87 / 39 / 8

HEX #EA1E8F

RGB 234 30 143

HSL 326.76, 0.83%, 0.52%

LAB 52.29, 78.31, -9.21

 

CMYK 0 / 96 / 43 / 0

HEX #FE0A91

RGB 254 10 145

HSL 326.8, 0.99%, 0.52%

LAB 55.41, 85.01, -5.35

 

CMYK 0 / 77 / 34 / 16

HEX #D6328D

RGB 214 50 141

HSL 326.71, 0.67%, 0.52%

LAB 50.1, 68.92, -11.68

 

CMYK 0 / 64 / 28 / 24

HEX #C2468B

RGB 194 70 139

HSL 326.61, 0.5%, 0.52%

LAB 49.15, 56.18, -12.25

 

CMYK 0 / 48 / 21 / 32

HEX #AE5A89

RGB 174 90 137

HSL 326.43, 0.34%, 0.52%

LAB 49.64, 40.09, -10.61

 

CMYK 0 / 29 / 13 / 39

HEX #9B6E87

RGB 155 110 135

HSL 326.67, 0.18%, 0.52%

LAB 51.69, 21.91, -6.61

 

CMYK 0 / 4 / 2 / 47

HEX #878184

RGB 135 129 132

HSL 330, 0.02%, 0.52%

LAB 54.57, 2.84, -0.82

 

CMYK 7 / 77 / 0 / 16

HEX #C632D6

RGB 198 50 214

HSL 294.15, 0.67%, 0.52%

LAB 50.85, 75.49, -53.47

 

CMYK 0 / 77 / 13 / 16

HEX #D632BB

RGB 214 50 187

HSL 309.88, 0.67%, 0.52%

LAB 52.02, 74.63, -35.89

 

CMYK 0 / 77 / 33 / 16

HEX #D6328F

RGB 214 50 143

HSL 325.98, 0.67%, 0.52%

LAB 50.17, 69.13, -12.77

 

CMYK 0 / 77 / 54 / 16

HEX #D63263

RGB 214 50 99

HSL 342.07, 0.67%, 0.52%

LAB 48.86, 65.08, 12

 

CMYK 0 / 77 / 74 / 16

HEX #D63238

RGB 214 50 56

HSL 357.8, 0.67%, 0.52%

LAB 48.09, 62.62, 36.85

 

CMYK 0 / 80 / 36 / 40

HEX #981E61

RGB 152 30 97

HSL 327.05, 0.67%, 0.36%

LAB 34.94, 54.03, -8.39

 

CMYK 0 / 81 / 35 / 27

HEX #BA2478

RGB 186 36 120

HSL 326.4, 0.68%, 0.44%

LAB 42.85, 63.55, -10.32

 

CMYK 0 / 77 / 34 / 16

HEX #D6328D

RGB 214 50 141

HSL 326.71, 0.67%, 0.52%

LAB 50.1, 68.92, -11.68

 

CMYK 0 / 62 / 28 / 13

HEX #DD55A0

RGB 221 85 160

HSL 326.91, 0.67%, 0.6%

LAB 56.49, 60.38, -13.17

 

CMYK 0 / 48 / 21 / 11

HEX #E477B3

RGB 228 119 179

HSL 326.97, 0.67%, 0.68%

LAB 64.11, 49.3, -12.53

 

CMYK 0 / 77 / 34 / 16

HEX #D7318D

RGB 215 49 141

HSL 326.75, 0.67%, 0.52%

LAB 50.18, 69.45, -11.55

 

CMYK 0 / 28 / 77 / 16

HEX #D69A32

RGB 214 154 50

HSL 38.05, 0.67%, 0.52%

LAB 67.75, 13.26, 60.01

 

CMYK 77 / 2 / 0 / 16

HEX #32D1D6

RGB 50 209 214

HSL 181.83, 0.67%, 0.52%

LAB 76.76, -37.22, -13.97

 

CMYK 0 / 77 / 34 / 16

HEX #D7318D

RGB 215 49 141

HSL 326.75, 0.67%, 0.52%

LAB 50.18, 69.45, -11.55

 

CMYK 33 / 0 / 77 / 16

HEX #8FD632

RGB 143 214 50

HSL 85.98, 0.67%, 0.52%

LAB 78.56, -45.98, 68.28

 

CMYK 77 / 33 / 0 / 16

HEX #328FD6

RGB 50 143 214

HSL 205.98, 0.67%, 0.52%

LAB 57.25, -2.91, -44.03

 

CMYK 0 / 77 / 34 / 16

HEX #D7318D

RGB 215 49 141

HSL 326.75, 0.67%, 0.52%

LAB 50.18, 69.45, -11.55

 

CMYK 0 / 28 / 77 / 16

HEX #D69A32

RGB 214 154 50

HSL 38.05, 0.67%, 0.52%

LAB 67.75, 13.26, 60.01

 

CMYK 77 / 0 / 43 / 16

HEX #32D679

RGB 50 214 121

HSL 145.98, 0.67%, 0.52%

LAB 76.16, -61.37, 34.42

 

CMYK 77 / 49 / 0 / 16

HEX #326ED6

RGB 50 110 214

HSL 218.05, 0.67%, 0.52%

LAB 47.86, 17.24, -59.02

 

CMYK 0 / 77 / 34 / 16

HEX #D7318D

RGB 215 49 141

HSL 326.75, 0.67%, 0.52%

LAB 50.18, 69.45, -11.55

 

CMYK 0 / 5 / 77 / 16

HEX #D6CB32

RGB 214 203 50

HSL 55.98, 0.67%, 0.52%

LAB 80.31, -12.43, 71.66

 

CMYK 77 / 0 / 43 / 16

HEX #32D679

RGB 50 214 121

HSL 145.98, 0.67%, 0.52%

LAB 76.16, -61.37, 34.42

 

CMYK 77 / 71 / 0 / 16

HEX #323DD6

RGB 50 61 214

HSL 235.98, 0.67%, 0.52%

LAB 35.73, 47.94, -78.8

 

Description

Color code: HEX #D7318D | qconv.com Color code: HEX #D7318D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 49 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 49 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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