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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D736AB it is the complementary color #28C954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D736AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D736AB shade: #DC36A6, #ED48B9, #FE5ACC, #FF6CDF and #FF7EF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D736AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D736AB shade: #D736AB, #C62498, #B51285, #A40072 and #93005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D736AB shade: #D736AB, #D73680, #D73654 and #D73636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D736AB shade: #D736AB, #D736D6, #AC36D7, #8136D7 and #5636D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D736AB shade matches the following richer shades: #D736AB, #EA23B4 and #FE10BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D736AB shade: #D736AB, #C44AA2, #B05D99, #9D7191 and #898488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D736AB shade: #AC36D7, #D736D7, #D736AC, #D73681 and #D73656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D736AB shade: #9C1E7A, #BF2595, #D736AB, #DE59B9 and #E57BC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D736AB shade: #D736AB, #D78136 and #36D7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D736AB shade: #D736AB, #ACD736 and #36ACD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D736AB shade: #D736AB, #D78136, #36D761 and #368CD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D736AB shade: #D736AB, #D7B136, #36D761 and #365CD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

Complementary color

CMYK 80 / 0 / 58 / 21

HEX #28C954

RGB 40 201 84

HSL 136.4, 0.67%, 0.47%

LAB 71.46, -63.79, 46.53

 

CMYK 0 / 75 / 25 / 14

HEX #DC36A6

RGB 220 54 166

HSL 319.52, 0.7%, 0.54%

LAB 52.52, 72.1, -22.76

 

CMYK 0 / 70 / 22 / 7

HEX #ED48B9

RGB 237 72 185

HSL 318.91, 0.82%, 0.61%

LAB 58.17, 72.86, -24.88

 

CMYK 0 / 65 / 20 / 0

HEX #FE5ACC

RGB 254 90 204

HSL 318.29, 0.99%, 0.67%

LAB 63.95, 73.11, -26.6

 

CMYK 0 / 58 / 13 / 0

HEX #FF6CDF

RGB 255 108 223

HSL 313.06, 1%, 0.71%

LAB 67.51, 68.77, -31.74

 

CMYK 0 / 51 / 5 / 0

HEX #FF7EF2

RGB 255 126 242

HSL 306.05, 1%, 0.75%

LAB 71.28, 63.7, -36.39

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 82 / 23 / 22

HEX #C62498

RGB 198 36 152

HSL 317.04, 0.69%, 0.46%

LAB 46.36, 70.08, -24.26

 

CMYK 0 / 90 / 27 / 29

HEX #B51285

RGB 181 18 133

HSL 317.67, 0.82%, 0.39%

LAB 41.14, 67.57, -21.04

 

CMYK 0 / 100 / 30 / 36

HEX #A40072

RGB 164 0 114

HSL 318.29, 1%, 0.32%

LAB 36.19, 64.01, -17.1

 

CMYK 0 / 100 / 35 / 42

HEX #93005F

RGB 147 0 95

HSL 321.22, 1%, 0.29%

LAB 31.87, 58.32, -11.83

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 75 / 40 / 16

HEX #D73680

RGB 215 54 128

HSL 332.42, 0.67%, 0.53%

LAB 50.27, 66.63, -3.58

 

CMYK 0 / 75 / 61 / 16

HEX #D73654

RGB 215 54 84

HSL 348.82, 0.67%, 0.53%

LAB 49.16, 63.1, 21.58

 

CMYK 0 / 75 / 75 / 16

HEX #D73636

RGB 215 54 54

HSL 0, 0.67%, 0.53%

LAB 48.7, 61.59, 38.72

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 75 / 0 / 16

HEX #D736D6

RGB 215 54 214

HSL 300.37, 0.67%, 0.53%

LAB 53.96, 77.7, -48.35

 

CMYK 20 / 75 / 0 / 16

HEX #AC36D7

RGB 172 54 215

HSL 283.98, 0.67%, 0.53%

LAB 47.39, 69.47, -59.83

 

CMYK 40 / 75 / 0 / 16

HEX #8136D7

RGB 129 54 215

HSL 267.95, 0.67%, 0.53%

LAB 41.55, 61.87, -69.57

 

CMYK 60 / 75 / 0 / 16

HEX #5636D7

RGB 86 54 215

HSL 251.93, 0.67%, 0.53%

LAB 36.97, 55.7, -77.25

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 85 / 23 / 8

HEX #EA23B4

RGB 234 35 180

HSL 316.28, 0.83%, 0.53%

LAB 54.02, 81.36, -28.45

 

CMYK 0 / 94 / 26 / 0

HEX #FE10BD

RGB 254 16 189

HSL 316.39, 0.99%, 0.53%

LAB 57.19, 88.82, -28.47

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 62 / 17 / 23

HEX #C44AA2

RGB 196 74 162

HSL 316.72, 0.51%, 0.53%

LAB 50.97, 58.21, -23.12

 

CMYK 0 / 47 / 13 / 31

HEX #B05D99

RGB 176 93 153

HSL 316.63, 0.34%, 0.53%

LAB 51.1, 41.73, -17.85

 

CMYK 0 / 28 / 8 / 38

HEX #9D7191

RGB 157 113 145

HSL 316.36, 0.18%, 0.53%

LAB 52.97, 22.72, -10.54

 

CMYK 0 / 4 / 1 / 46

HEX #898488

RGB 137 132 136

HSL 312, 0.02%, 0.53%

LAB 55.68, 2.65, -1.49

 

CMYK 20 / 75 / 0 / 16

HEX #AC36D7

RGB 172 54 215

HSL 283.98, 0.67%, 0.53%

LAB 47.39, 69.47, -59.83

 

CMYK 0 / 75 / 0 / 16

HEX #D736D7

RGB 215 54 215

HSL 300, 0.67%, 0.53%

LAB 54.02, 77.85, -48.83

 

CMYK 0 / 75 / 20 / 16

HEX #D736AC

RGB 215 54 172

HSL 316.02, 0.67%, 0.53%

LAB 51.91, 71.68, -27.3

 

CMYK 0 / 75 / 40 / 16

HEX #D73681

RGB 215 54 129

HSL 332.05, 0.67%, 0.53%

LAB 50.3, 66.73, -4.14

 

CMYK 0 / 75 / 60 / 16

HEX #D73656

RGB 215 54 86

HSL 348.07, 0.67%, 0.53%

LAB 49.2, 63.22, 20.42

 

CMYK 0 / 81 / 22 / 39

HEX #9C1E7A

RGB 156 30 122

HSL 316.19, 0.68%, 0.36%

LAB 36.75, 58.11, -21.4

 

CMYK 0 / 81 / 22 / 25

HEX #BF2595

RGB 191 37 149

HSL 316.36, 0.68%, 0.45%

LAB 45.04, 67.89, -24.6

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 60 / 17 / 13

HEX #DE59B9

RGB 222 89 185

HSL 316.69, 0.67%, 0.61%

LAB 58.2, 62.36, -25.03

 

CMYK 0 / 46 / 13 / 10

HEX #E57BC8

RGB 229 123 200

HSL 316.42, 0.67%, 0.69%

LAB 65.74, 50.8, -21.9

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 40 / 75 / 16

HEX #D78136

RGB 215 129 54

HSL 27.95, 0.67%, 0.53%

LAB 62.01, 27.32, 52.75

 

CMYK 75 / 0 / 10 / 16

HEX #36D7C2

RGB 54 215 194

HSL 172.17, 0.67%, 0.53%

LAB 78.04, -45.06, -1.33

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 20 / 0 / 75 / 16

HEX #ACD736

RGB 172 215 54

HSL 76.02, 0.67%, 0.53%

LAB 80.54, -35.33, 69.49

 

CMYK 75 / 20 / 0 / 16

HEX #36ACD7

RGB 54 172 215

HSL 196.02, 0.67%, 0.53%

LAB 65.9, -18.2, -31.06

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 40 / 75 / 16

HEX #D78136

RGB 215 129 54

HSL 27.95, 0.67%, 0.53%

LAB 62.01, 27.32, 52.75

 

CMYK 75 / 0 / 55 / 16

HEX #36D761

RGB 54 215 97

HSL 136.02, 0.67%, 0.53%

LAB 76.22, -64.89, 46.2

 

CMYK 75 / 35 / 0 / 16

HEX #368CD7

RGB 54 140 215

HSL 207.95, 0.67%, 0.53%

LAB 56.53, -0.32, -45.72

 

CMYK 0 / 75 / 20 / 16

HEX #D736AB

RGB 215 54 171

HSL 316.4, 0.67%, 0.53%

LAB 51.87, 71.55, -26.78

 

CMYK 0 / 18 / 75 / 16

HEX #D7B136

RGB 215 177 54

HSL 45.84, 0.67%, 0.53%

LAB 73.65, 1.58, 64.15

 

CMYK 75 / 0 / 55 / 16

HEX #36D761

RGB 54 215 97

HSL 136.02, 0.67%, 0.53%

LAB 76.22, -64.89, 46.2

 

CMYK 75 / 57 / 0 / 16

HEX #365CD7

RGB 54 92 215

HSL 225.84, 0.67%, 0.53%

LAB 43.28, 29.56, -67

 

Description

Color code: HEX #D736AB | qconv.com Color code: HEX #D736AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 54 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 54 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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