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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71886 it is the complementary color #28E779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71886 shade: #DC1881, #ED2A94, #FE3CA7, #FF4EBA and #FF60CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71886 shade: #D71886, #C60673, #B50060, #A4004D and #93003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71886 shade: #D71786, #D71752, #D7171E and #D71717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71886 shade: #D71786, #D717BA, #C117D7, #8D17D7 and #5A17D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71886 shade matches the following richer shades: #D71786 and #EB0489

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71886 shade: #D71786, #C42B83, #B03E80, #9D527D and #8A657A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71886 shade: #C117D7, #D717BA, #D71787, #D71754 and #D71721

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71886 shade: #8D0F58, #B2136F, #D71786, #E8309A and #EC55AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71886 shade: #D71886, #D78E17 and #17D4D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71886 shade: #D71886, #87D717 and #1787D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71886 shade: #D71886, #D78E17, #17D767 and #1761D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71886 shade: #D71886, #D7C717, #17D767 and #1727D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 38 / 16

HEX #D71886

RGB 215 24 134

HSL 325.45, 0.8%, 0.47%

LAB 48.03, 74.18, -10.54

 

Complementary color

CMYK 83 / 0 / 48 / 9

HEX #28E779

RGB 40 231 121

HSL 145.45, 0.8%, 0.53%

LAB 81.28, -68.25, 40.94

 

CMYK 0 / 89 / 41 / 14

HEX #DC1881

RGB 220 24 129

HSL 327.86, 0.8%, 0.48%

LAB 48.83, 74.83, -6.22

 

CMYK 0 / 82 / 38 / 7

HEX #ED2A94

RGB 237 42 148

HSL 327.38, 0.84%, 0.55%

LAB 53.81, 77.18, -9.86

 

CMYK 0 / 76 / 34 / 0

HEX #FE3CA7

RGB 254 60 167

HSL 326.91, 0.99%, 0.62%

LAB 59.06, 78.65, -12.84

 

CMYK 0 / 69 / 27 / 0

HEX #FF4EBA

RGB 255 78 186

HSL 323.39, 1%, 0.65%

LAB 61.87, 75.44, -19.53

 

CMYK 0 / 62 / 20 / 0

HEX #FF60CD

RGB 255 96 205

HSL 318.87, 1%, 0.69%

LAB 64.99, 71.18, -25.55

 

CMYK 0 / 89 / 38 / 16

HEX #D71886

RGB 215 24 134

HSL 325.45, 0.8%, 0.47%

LAB 48.03, 74.18, -10.54

 

CMYK 0 / 97 / 42 / 22

HEX #C60673

RGB 198 6 115

HSL 325.94, 0.94%, 0.4%

LAB 43.32, 70.74, -6.27

 

CMYK 0 / 100 / 47 / 29

HEX #B50060

RGB 181 0 96

HSL 328.18, 1%, 0.35%

LAB 39.02, 65.93, -1.06

 

CMYK 0 / 100 / 53 / 36

HEX #A4004D

RGB 164 0 77

HSL 331.83, 1%, 0.32%

LAB 34.86, 60.54, 4.73

 

CMYK 0 / 100 / 61 / 42

HEX #93003A

RGB 147 0 58

HSL 336.33, 1%, 0.29%

LAB 30.66, 55.14, 10.87

 

CMYK 0 / 89 / 38 / 16

HEX #D71786

RGB 215 23 134

HSL 325.31, 0.81%, 0.47%

LAB 47.98, 74.33, -10.62

 

CMYK 0 / 89 / 62 / 16

HEX #D71752

RGB 215 23 82

HSL 341.56, 0.81%, 0.47%

LAB 46.54, 70.32, 19.32

 

CMYK 0 / 89 / 86 / 16

HEX #D7171E

RGB 215 23 30

HSL 357.81, 0.81%, 0.47%

LAB 45.84, 68.35, 48.68

 

CMYK 0 / 89 / 89 / 16

HEX #D71717

RGB 215 23 23

HSL 0, 0.81%, 0.47%

LAB 45.8, 68.22, 51.85

 

CMYK 0 / 89 / 38 / 16

HEX #D71786

RGB 215 23 134

HSL 325.31, 0.81%, 0.47%

LAB 47.98, 74.33, -10.62

 

CMYK 0 / 89 / 13 / 16

HEX #D717BA

RGB 215 23 186

HSL 309.06, 0.81%, 0.47%

LAB 50.22, 80.28, -38.13

 

CMYK 10 / 89 / 0 / 16

HEX #C117D7

RGB 193 23 215

HSL 293.13, 0.81%, 0.47%

LAB 48.08, 80.69, -58.54

 

CMYK 34 / 89 / 0 / 16

HEX #8D17D7

RGB 141 23 215

HSL 276.88, 0.81%, 0.47%

LAB 39.89, 73.19, -72.23

 

CMYK 58 / 89 / 0 / 16

HEX #5A17D7

RGB 90 23 215

HSL 260.94, 0.81%, 0.47%

LAB 33.33, 67.89, -83.25

 

CMYK 0 / 89 / 38 / 16

HEX #D71786

RGB 215 23 134

HSL 325.31, 0.81%, 0.47%

LAB 47.98, 74.33, -10.62

 

CMYK 0 / 98 / 42 / 8

HEX #EB0489

RGB 235 4 137

HSL 325.45, 0.97%, 0.47%

LAB 51.33, 80.75, -7.02

 

CMYK 0 / 89 / 38 / 16

HEX #D71786

RGB 215 23 134

HSL 325.31, 0.81%, 0.47%

LAB 47.98, 74.33, -10.62

 

CMYK 0 / 78 / 33 / 23

HEX #C42B83

RGB 196 43 131

HSL 325.49, 0.64%, 0.47%

LAB 45.77, 65.34, -12.48

 

CMYK 0 / 65 / 27 / 31

HEX #B03E80

RGB 176 62 128

HSL 325.26, 0.48%, 0.47%

LAB 44.57, 52.86, -12.81

 

CMYK 0 / 48 / 20 / 38

HEX #9D527D

RGB 157 82 125

HSL 325.6, 0.31%, 0.47%

LAB 45.2, 36.67, -10.31

 

CMYK 0 / 27 / 12 / 46

HEX #8A657A

RGB 138 101 122

HSL 325.95, 0.15%, 0.47%

LAB 47.13, 18.44, -5.87

 

CMYK 10 / 89 / 0 / 16

HEX #C117D7

RGB 193 23 215

HSL 293.13, 0.81%, 0.47%

LAB 48.08, 80.69, -58.54

 

CMYK 0 / 89 / 13 / 16

HEX #D717BA

RGB 215 23 186

HSL 309.06, 0.81%, 0.47%

LAB 50.22, 80.28, -38.13

 

CMYK 0 / 89 / 37 / 16

HEX #D71787

RGB 215 23 135

HSL 325, 0.81%, 0.47%

LAB 48.02, 74.43, -11.17

 

CMYK 0 / 89 / 61 / 16

HEX #D71754

RGB 215 23 84

HSL 340.94, 0.81%, 0.47%

LAB 46.58, 70.44, 18.14

 

CMYK 0 / 89 / 85 / 16

HEX #D71721

RGB 215 23 33

HSL 356.88, 0.81%, 0.47%

LAB 45.87, 68.41, 47.22

 

CMYK 0 / 89 / 38 / 45

HEX #8D0F58

RGB 141 15 88

HSL 325.24, 0.81%, 0.31%

LAB 31.13, 53.9, -8.5

 

CMYK 0 / 89 / 38 / 30

HEX #B2136F

RGB 178 19 111

HSL 325.28, 0.81%, 0.39%

LAB 39.71, 64.33, -9.59

 

CMYK 0 / 89 / 38 / 16

HEX #D71786

RGB 215 23 134

HSL 325.31, 0.81%, 0.47%

LAB 47.98, 74.33, -10.62

 

CMYK 0 / 79 / 34 / 9

HEX #E8309A

RGB 232 48 154

HSL 325.43, 0.8%, 0.55%

LAB 53.6, 75.21, -13.83

 

CMYK 0 / 64 / 27 / 7

HEX #EC55AC

RGB 236 85 172

HSL 325.43, 0.8%, 0.63%

LAB 59.26, 66.13, -15.73

 

CMYK 0 / 89 / 38 / 16

HEX #D71886

RGB 215 24 134

HSL 325.45, 0.8%, 0.47%

LAB 48.03, 74.18, -10.54

 

CMYK 0 / 34 / 89 / 16

HEX #D78E17

RGB 215 142 23

HSL 37.19, 0.81%, 0.47%

LAB 64.85, 19.38, 66.14

 

CMYK 89 / 1 / 0 / 16

HEX #17D4D7

RGB 23 212 215

HSL 180.94, 0.81%, 0.47%

LAB 77.39, -40.22, -13.6

 

CMYK 0 / 89 / 38 / 16

HEX #D71886

RGB 215 24 134

HSL 325.45, 0.8%, 0.47%

LAB 48.03, 74.18, -10.54

 

CMYK 37 / 0 / 89 / 16

HEX #87D717

RGB 135 215 23

HSL 85, 0.81%, 0.47%

LAB 78.35, -50.21, 74.34

 

CMYK 89 / 37 / 0 / 16

HEX #1787D7

RGB 23 135 215

HSL 205, 0.81%, 0.47%

LAB 54.47, -0.11, -49.04

 

CMYK 0 / 89 / 38 / 16

HEX #D71886

RGB 215 24 134

HSL 325.45, 0.8%, 0.47%

LAB 48.03, 74.18, -10.54

 

CMYK 0 / 34 / 89 / 16

HEX #D78E17

RGB 215 142 23

HSL 37.19, 0.81%, 0.47%

LAB 64.85, 19.38, 66.14

 

CMYK 89 / 0 / 52 / 16

HEX #17D767

RGB 23 215 103

HSL 145, 0.81%, 0.47%

LAB 75.92, -67.12, 42.92

 

CMYK 89 / 55 / 0 / 16

HEX #1761D7

RGB 23 97 215

HSL 216.88, 0.81%, 0.47%

LAB 43.71, 23.76, -66.34

 

CMYK 0 / 89 / 38 / 16

HEX #D71886

RGB 215 24 134

HSL 325.45, 0.8%, 0.47%

LAB 48.03, 74.18, -10.54

 

CMYK 0 / 7 / 89 / 16

HEX #D7C717

RGB 215 199 23

HSL 55, 0.81%, 0.47%

LAB 79.25, -10.71, 77.31

 

CMYK 89 / 0 / 52 / 16

HEX #17D767

RGB 23 215 103

HSL 145, 0.81%, 0.47%

LAB 75.92, -67.12, 42.92

 

CMYK 89 / 82 / 0 / 16

HEX #1727D7

RGB 23 39 215

HSL 235, 0.81%, 0.47%

LAB 30.73, 58.43, -87.69

 

Description

Color code: HEX #D71886 | qconv.com Color code: HEX #D71886 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 24 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 24 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 38 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 38% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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