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Color name
HEX #D717D2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D717D2 it is the complementary color #28E82D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D717D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D717D2 shade: #DC17CD, #ED29E0, #FE3BF3, #FF4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D717D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D717D2 shade: #D717D2, #C605BF, #B500AC, #A40099 and #930086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D717D2 shade: #D816D3, #D8169F, #D8166B, #D81636 and #D81616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D717D2 shade: #D816D3, #A916D8, #7516D8, #4016D8 and #1616D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D717D2 shade matches the following richer shades: #D816D3 and #EC03E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D717D2 shade: #D816D3, #C52AC1, #B23DAF, #9E509C and #8B648A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D717D2 shade: #7416D8, #A816D8, #D816D5, #D816A1 and #D8166E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D717D2 shade: #8E0E8A, #B312AF, #D816D3, #E92FE4 and #ED55E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D717D2 shade: #D717D2, #D84016 and #16D88E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D717D2 shade: #D717D2, #D5D816 and #16D5D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D717D2 shade: #D717D2, #D84016, #16D81A and #16AED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D717D2 shade: #D717D2, #D87B16, #16D81A and #1674D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 2 / 16

HEX #D717D2

RGB 215 23 210

HSL 301.56, 0.81%, 0.47%

LAB 51.51, 83.58, -49.97

 

Complementary color

CMYK 83 / 0 / 81 / 9

HEX #28E82D

RGB 40 232 45

HSL 121.56, 0.81%, 0.53%

LAB 80.94, -76.62, 70.83

 

CMYK 0 / 90 / 7 / 14

HEX #DC17CD

RGB 220 23 205

HSL 304.57, 0.81%, 0.48%

LAB 52.1, 83.75, -46.1

 

CMYK 0 / 83 / 5 / 7

HEX #ED29E0

RGB 237 41 224

HSL 303.98, 0.84%, 0.55%

LAB 57.05, 86.52, -48.9

 

CMYK 0 / 77 / 4 / 0

HEX #FE3BF3

RGB 254 59 243

HSL 303.38, 0.99%, 0.61%

LAB 62.23, 88.4, -51.16

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 89 / 2 / 16

HEX #D717D2

RGB 215 23 210

HSL 301.56, 0.81%, 0.47%

LAB 51.51, 83.58, -49.97

 

CMYK 0 / 97 / 4 / 22

HEX #C605BF

RGB 198 5 191

HSL 302.18, 0.95%, 0.4%

LAB 46.81, 79.78, -46.65

 

CMYK 0 / 100 / 5 / 29

HEX #B500AC

RGB 181 0 172

HSL 302.98, 1%, 0.35%

LAB 42.46, 74.65, -42.56

 

CMYK 0 / 100 / 7 / 36

HEX #A40099

RGB 164 0 153

HSL 304.02, 1%, 0.32%

LAB 38.19, 69, -38.14

 

CMYK 0 / 100 / 9 / 42

HEX #930086

RGB 147 0 134

HSL 305.31, 1%, 0.29%

LAB 33.82, 63.23, -33.59

 

CMYK 0 / 90 / 2 / 15

HEX #D816D3

RGB 216 22 211

HSL 301.55, 0.82%, 0.47%

LAB 51.7, 84.03, -50.24

 

CMYK 0 / 90 / 26 / 15

HEX #D8169F

RGB 216 22 159

HSL 317.63, 0.82%, 0.47%

LAB 49.1, 77.31, -23.94

 

CMYK 0 / 90 / 50 / 15

HEX #D8166B

RGB 216 22 107

HSL 333.71, 0.82%, 0.47%

LAB 47.28, 72.37, 4.91

 

CMYK 0 / 90 / 75 / 15

HEX #D81636

RGB 216 22 54

HSL 350.1, 0.82%, 0.47%

LAB 46.23, 69.42, 36.02

 

CMYK 0 / 90 / 90 / 15

HEX #D81616

RGB 216 22 22

HSL 0, 0.82%, 0.47%

LAB 45.95, 68.62, 52.47

 

CMYK 0 / 90 / 2 / 15

HEX #D816D3

RGB 216 22 211

HSL 301.55, 0.82%, 0.47%

LAB 51.7, 84.03, -50.24

 

CMYK 22 / 90 / 0 / 15

HEX #A916D8

RGB 169 22 216

HSL 285.46, 0.82%, 0.47%

LAB 44.19, 77.36, -65.61

 

CMYK 46 / 90 / 0 / 15

HEX #7516D8

RGB 117 22 216

HSL 269.38, 0.82%, 0.47%

LAB 36.58, 70.84, -78.35

 

CMYK 70 / 90 / 0 / 15

HEX #4016D8

RGB 64 22 216

HSL 252.99, 0.82%, 0.47%

LAB 30.93, 66.69, -87.89

 

CMYK 90 / 90 / 0 / 15

HEX #1616D8

RGB 22 22 216

HSL 240, 0.82%, 0.47%

LAB 28.65, 65.25, -91.75

 

CMYK 0 / 90 / 2 / 15

HEX #D816D3

RGB 216 22 211

HSL 301.55, 0.82%, 0.47%

LAB 51.7, 84.03, -50.24

 

CMYK 0 / 99 / 3 / 7

HEX #EC03E6

RGB 236 3 230

HSL 301.55, 0.97%, 0.47%

LAB 55.7, 91.63, -54.45

 

CMYK 0 / 90 / 2 / 15

HEX #D816D3

RGB 216 22 211

HSL 301.55, 0.82%, 0.47%

LAB 51.7, 84.03, -50.24

 

CMYK 0 / 79 / 2 / 23

HEX #C52AC1

RGB 197 42 193

HSL 301.55, 0.65%, 0.47%

LAB 48.73, 74.1, -44.77

 

CMYK 0 / 66 / 2 / 30

HEX #B23DAF

RGB 178 61 175

HSL 301.54, 0.49%, 0.47%

LAB 46.84, 60.9, -37.43

 

CMYK 0 / 49 / 1 / 38

HEX #9E509C

RGB 158 80 156

HSL 301.54, 0.33%, 0.47%

LAB 46.19, 43.4, -27.42

 

CMYK 0 / 28 / 1 / 45

HEX #8B648A

RGB 139 100 138

HSL 301.54, 0.16%, 0.47%

LAB 47.54, 22.46, -14.8

 

CMYK 46 / 90 / 0 / 15

HEX #7416D8

RGB 116 22 216

HSL 269.07, 0.82%, 0.47%

LAB 36.45, 70.74, -78.57

 

CMYK 22 / 90 / 0 / 15

HEX #A816D8

RGB 168 22 216

HSL 285.15, 0.82%, 0.47%

LAB 44.03, 77.21, -65.87

 

CMYK 0 / 90 / 1 / 15

HEX #D816D5

RGB 216 22 213

HSL 300.93, 0.82%, 0.47%

LAB 51.81, 84.32, -51.2

 

CMYK 0 / 90 / 25 / 15

HEX #D816A1

RGB 216 22 161

HSL 317.01, 0.82%, 0.47%

LAB 49.19, 77.54, -25

 

CMYK 0 / 90 / 49 / 15

HEX #D8166E

RGB 216 22 110

HSL 332.78, 0.82%, 0.47%

LAB 47.36, 72.6, 3.18

 

CMYK 0 / 90 / 3 / 44

HEX #8E0E8A

RGB 142 14 138

HSL 301.88, 0.82%, 0.31%

LAB 33.77, 60.96, -36.21

 

CMYK 0 / 90 / 2 / 30

HEX #B312AF

RGB 179 18 175

HSL 301.49, 0.82%, 0.39%

LAB 42.93, 72.81, -43.62

 

CMYK 0 / 90 / 2 / 15

HEX #D816D3

RGB 216 22 211

HSL 301.55, 0.82%, 0.47%

LAB 51.7, 84.03, -50.24

 

CMYK 0 / 80 / 2 / 9

HEX #E92FE4

RGB 233 47 228

HSL 301.61, 0.81%, 0.55%

LAB 57.03, 85.09, -51.22

 

CMYK 0 / 64 / 2 / 7

HEX #ED55E9

RGB 237 85 233

HSL 301.58, 0.81%, 0.63%

LAB 61.98, 75.1, -46.14

 

CMYK 0 / 89 / 2 / 16

HEX #D717D2

RGB 215 23 210

HSL 301.56, 0.81%, 0.47%

LAB 51.51, 83.58, -49.97

 

CMYK 0 / 70 / 90 / 15

HEX #D84016

RGB 216 64 22

HSL 12.99, 0.82%, 0.47%

LAB 49.89, 57.56, 55.28

 

CMYK 90 / 0 / 34 / 15

HEX #16D88E

RGB 22 216 142

HSL 157.11, 0.82%, 0.47%

LAB 76.82, -60.53, 24.47

 

CMYK 0 / 89 / 2 / 16

HEX #D717D2

RGB 215 23 210

HSL 301.56, 0.81%, 0.47%

LAB 51.51, 83.58, -49.97

 

CMYK 1 / 0 / 90 / 15

HEX #D5D816

RGB 213 216 22

HSL 60.93, 0.82%, 0.47%

LAB 83.61, -20.04, 80.81

 

CMYK 90 / 1 / 0 / 15

HEX #16D5D8

RGB 22 213 216

HSL 180.93, 0.82%, 0.47%

LAB 77.71, -40.42, -13.65

 

CMYK 0 / 89 / 2 / 16

HEX #D717D2

RGB 215 23 210

HSL 301.56, 0.81%, 0.47%

LAB 51.51, 83.58, -49.97

 

CMYK 0 / 70 / 90 / 15

HEX #D84016

RGB 216 64 22

HSL 12.99, 0.82%, 0.47%

LAB 49.89, 57.56, 55.28

 

CMYK 90 / 0 / 88 / 15

HEX #16D81A

RGB 22 216 26

HSL 121.24, 0.82%, 0.47%

LAB 75.67, -74.47, 70.35

 

CMYK 90 / 19 / 0 / 15

HEX #16AED8

RGB 22 174 216

HSL 192.99, 0.82%, 0.47%

LAB 66.06, -21.56, -31.4

 

CMYK 0 / 89 / 2 / 16

HEX #D717D2

RGB 215 23 210

HSL 301.56, 0.81%, 0.47%

LAB 51.51, 83.58, -49.97

 

CMYK 0 / 43 / 90 / 15

HEX #D87B16

RGB 216 123 22

HSL 31.24, 0.82%, 0.47%

LAB 60.62, 29.96, 63.23

 

CMYK 90 / 0 / 88 / 15

HEX #16D81A

RGB 22 216 26

HSL 121.24, 0.82%, 0.47%

LAB 75.67, -74.47, 70.35

 

CMYK 90 / 46 / 0 / 15

HEX #1674D8

RGB 22 116 216

HSL 210.93, 0.82%, 0.47%

LAB 49.03, 11.9, -58.3

 

Description

Color code: HEX #D717D2 | qconv.com Color code: HEX #D717D2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 23 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 23 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 2% 16% C M Y K

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Provide designers and agencies with accurate color values.

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