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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D717BE it is the complementary color #28E841. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D717BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D717BE shade: #DC17B9, #ED29CC, #FE3BDF, #FF4DF2 and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D717BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D717BE shade: #D717BE, #C605AB, #B50098, #A40085 and #930072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D717BE shade: #D816BF, #D8168B, #D81656, #D81622 and #D81616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D717BE shade: #D816BF, #BD16D8, #8916D8, #5516D8 and #2016D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D717BE shade matches the following richer shades: #D816BF and #EC03CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D717BE shade: #D816BF, #C52AB1, #B23DA2, #9E5094 and #8B6486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D717BE shade: #8816D8, #BB16D8, #D816C2, #D8168E and #D8165A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D717BE shade: #8E0E7D, #B3129E, #D816BF, #E92FD1 and #ED55D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D717BE shade: #D717BE, #D85416 and #16D8A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D717BE shade: #D717BE, #C2D816 and #16C2D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D717BE shade: #D717BE, #D85416, #16D82D and #169BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D717BE shade: #D717BE, #D88E16, #16D82D and #1661D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 12 / 16

HEX #D717BE

RGB 215 23 190

HSL 307.81, 0.81%, 0.47%

LAB 50.43, 80.81, -40.14

 

Complementary color

CMYK 83 / 0 / 72 / 9

HEX #28E841

RGB 40 232 65

HSL 127.81, 0.81%, 0.53%

LAB 81.04, -75.27, 64.75

 

CMYK 0 / 90 / 16 / 14

HEX #DC17B9

RGB 220 23 185

HSL 310.66, 0.81%, 0.48%

LAB 51.07, 81.1, -36.15

 

CMYK 0 / 83 / 14 / 7

HEX #ED29CC

RGB 237 41 204

HSL 310.1, 0.84%, 0.55%

LAB 56.04, 83.8, -39.12

 

CMYK 0 / 77 / 12 / 0

HEX #FE3BDF

RGB 254 59 223

HSL 309.54, 0.99%, 0.61%

LAB 61.24, 85.61, -41.52

 

CMYK 0 / 70 / 5 / 0

HEX #FF4DF2

RGB 255 77 242

HSL 304.38, 1%, 0.65%

LAB 64.14, 83.28, -47.56

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 89 / 12 / 16

HEX #D717BE

RGB 215 23 190

HSL 307.81, 0.81%, 0.47%

LAB 50.43, 80.81, -40.14

 

CMYK 0 / 97 / 14 / 22

HEX #C605AB

RGB 198 5 171

HSL 308.39, 0.95%, 0.4%

LAB 45.71, 77.05, -36.63

 

CMYK 0 / 100 / 16 / 29

HEX #B50098

RGB 181 0 152

HSL 309.61, 1%, 0.35%

LAB 41.36, 71.93, -32.3

 

CMYK 0 / 100 / 19 / 36

HEX #A40085

RGB 164 0 133

HSL 311.34, 1%, 0.32%

LAB 37.09, 66.28, -27.6

 

CMYK 0 / 100 / 22 / 42

HEX #930072

RGB 147 0 114

HSL 313.47, 1%, 0.29%

LAB 32.74, 60.53, -22.72

 

CMYK 0 / 90 / 12 / 15

HEX #D816BF

RGB 216 22 191

HSL 307.73, 0.82%, 0.47%

LAB 50.61, 81.26, -40.42

 

CMYK 0 / 90 / 36 / 15

HEX #D8168B

RGB 216 22 139

HSL 323.81, 0.82%, 0.47%

LAB 48.31, 75.18, -13.14

 

CMYK 0 / 90 / 60 / 15

HEX #D81656

RGB 216 22 86

HSL 340.21, 0.82%, 0.47%

LAB 46.77, 70.95, 17.2

 

CMYK 0 / 90 / 84 / 15

HEX #D81622

RGB 216 22 34

HSL 356.29, 0.82%, 0.47%

LAB 46.03, 68.84, 46.93

 

CMYK 0 / 90 / 90 / 15

HEX #D81616

RGB 216 22 22

HSL 0, 0.82%, 0.47%

LAB 45.95, 68.62, 52.47

 

CMYK 0 / 90 / 12 / 15

HEX #D816BF

RGB 216 22 191

HSL 307.73, 0.82%, 0.47%

LAB 50.61, 81.26, -40.42

 

CMYK 13 / 90 / 0 / 15

HEX #BD16D8

RGB 189 22 216

HSL 291.65, 0.82%, 0.47%

LAB 47.43, 80.37, -60.19

 

CMYK 37 / 90 / 0 / 15

HEX #8916D8

RGB 137 22 216

HSL 275.57, 0.82%, 0.47%

LAB 39.33, 73.09, -73.74

 

CMYK 61 / 90 / 0 / 15

HEX #5516D8

RGB 85 22 216

HSL 259.48, 0.82%, 0.47%

LAB 32.84, 68.01, -84.66

 

CMYK 85 / 90 / 0 / 15

HEX #2016D8

RGB 32 22 216

HSL 243.09, 0.82%, 0.47%

LAB 29, 65.46, -91.15

 

CMYK 0 / 90 / 12 / 15

HEX #D816BF

RGB 216 22 191

HSL 307.73, 0.82%, 0.47%

LAB 50.61, 81.26, -40.42

 

CMYK 0 / 99 / 13 / 7

HEX #EC03CD

RGB 236 3 205

HSL 307.98, 0.97%, 0.47%

LAB 54.35, 88.32, -42.36

 

CMYK 0 / 90 / 12 / 15

HEX #D816BF

RGB 216 22 191

HSL 307.73, 0.82%, 0.47%

LAB 50.61, 81.26, -40.42

 

CMYK 0 / 79 / 10 / 23

HEX #C52AB1

RGB 197 42 177

HSL 307.74, 0.65%, 0.47%

LAB 47.88, 71.72, -36.76

 

CMYK 0 / 66 / 9 / 30

HEX #B23DA2

RGB 178 61 162

HSL 308.21, 0.49%, 0.47%

LAB 46.19, 58.78, -30.76

 

CMYK 0 / 49 / 6 / 38

HEX #9E5094

RGB 158 80 148

HSL 307.69, 0.33%, 0.47%

LAB 45.83, 41.94, -23.19

 

CMYK 0 / 28 / 4 / 45

HEX #8B6486

RGB 139 100 134

HSL 307.69, 0.16%, 0.47%

LAB 47.4, 21.67, -12.63

 

CMYK 37 / 90 / 0 / 15

HEX #8816D8

RGB 136 22 216

HSL 275.26, 0.82%, 0.47%

LAB 39.18, 72.97, -73.98

 

CMYK 13 / 90 / 0 / 15

HEX #BB16D8

RGB 187 22 216

HSL 291.03, 0.82%, 0.47%

LAB 47.1, 80.06, -60.74

 

CMYK 0 / 90 / 10 / 15

HEX #D816C2

RGB 216 22 194

HSL 306.8, 0.82%, 0.47%

LAB 50.77, 81.66, -41.91

 

CMYK 0 / 90 / 34 / 15

HEX #D8168E

RGB 216 22 142

HSL 322.89, 0.82%, 0.47%

LAB 48.42, 75.48, -14.79

 

CMYK 0 / 90 / 58 / 15

HEX #D8165A

RGB 216 22 90

HSL 338.97, 0.82%, 0.47%

LAB 46.86, 71.19, 14.84

 

CMYK 0 / 90 / 12 / 44

HEX #8E0E7D

RGB 142 14 125

HSL 307.97, 0.82%, 0.31%

LAB 33.02, 59, -29.3

 

CMYK 0 / 90 / 12 / 30

HEX #B3129E

RGB 179 18 158

HSL 307.83, 0.82%, 0.39%

LAB 41.98, 70.37, -34.98

 

CMYK 0 / 90 / 12 / 15

HEX #D816BF

RGB 216 22 191

HSL 307.73, 0.82%, 0.47%

LAB 50.61, 81.26, -40.42

 

CMYK 0 / 80 / 10 / 9

HEX #E92FD1

RGB 233 47 209

HSL 307.74, 0.81%, 0.55%

LAB 56.05, 82.38, -42.01

 

CMYK 0 / 64 / 8 / 7

HEX #ED55D9

RGB 237 85 217

HSL 307.89, 0.81%, 0.63%

LAB 61.23, 72.61, -38.36

 

CMYK 0 / 89 / 12 / 16

HEX #D717BE

RGB 215 23 190

HSL 307.81, 0.81%, 0.47%

LAB 50.43, 80.81, -40.14

 

CMYK 0 / 61 / 90 / 15

HEX #D85416

RGB 216 84 22

HSL 19.18, 0.82%, 0.47%

LAB 52.95, 49.32, 57.51

 

CMYK 90 / 0 / 25 / 15

HEX #16D8A1

RGB 22 216 161

HSL 162.99, 0.82%, 0.47%

LAB 77.19, -56.35, 15

 

CMYK 0 / 89 / 12 / 16

HEX #D717BE

RGB 215 23 190

HSL 307.81, 0.81%, 0.47%

LAB 50.43, 80.81, -40.14

 

CMYK 10 / 0 / 90 / 15

HEX #C2D816

RGB 194 216 22

HSL 66.8, 0.82%, 0.47%

LAB 82.18, -27.96, 79.08

 

CMYK 90 / 10 / 0 / 15

HEX #16C2D8

RGB 22 194 216

HSL 186.8, 0.82%, 0.47%

LAB 72.04, -31.57, -22.23

 

CMYK 0 / 89 / 12 / 16

HEX #D717BE

RGB 215 23 190

HSL 307.81, 0.81%, 0.47%

LAB 50.43, 80.81, -40.14

 

CMYK 0 / 61 / 90 / 15

HEX #D85416

RGB 216 84 22

HSL 19.18, 0.82%, 0.47%

LAB 52.95, 49.32, 57.51

 

CMYK 90 / 0 / 79 / 15

HEX #16D82D

RGB 22 216 45

HSL 127.11, 0.82%, 0.47%

LAB 75.74, -73.56, 65.9

 

CMYK 90 / 28 / 0 / 15

HEX #169BD8

RGB 22 155 216

HSL 198.87, 0.82%, 0.47%

LAB 60.4, -11.34, -40.22

 

CMYK 0 / 89 / 12 / 16

HEX #D717BE

RGB 215 23 190

HSL 307.81, 0.81%, 0.47%

LAB 50.43, 80.81, -40.14

 

CMYK 0 / 34 / 90 / 15

HEX #D88E16

RGB 216 142 22

HSL 37.11, 0.82%, 0.47%

LAB 64.96, 19.8, 66.51

 

CMYK 90 / 0 / 79 / 15

HEX #16D82D

RGB 22 216 45

HSL 127.11, 0.82%, 0.47%

LAB 75.74, -73.56, 65.9

 

CMYK 90 / 55 / 0 / 15

HEX #1661D8

RGB 22 97 216

HSL 216.8, 0.82%, 0.47%

LAB 43.77, 24.1, -66.82

 

Description

Color code: HEX #D717BE | qconv.com Color code: HEX #D717BE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 23 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 23 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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