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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D70940 it is the complementary color #28F6BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D70940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D70940 shade: #DC093B, #ED1B4E, #FE2D61, #FF3F74 and #FF5187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D70940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D70940 shade: #D70940, #C6002D, #B5001A, #A40007 and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D70940 shade: #D70840 and #D70808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D70940 shade: #D70840, #D70877, #D708AF, #C708D7 and #9008D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D70940 shade matches the following richer shades: #D70840

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D70940 shade: #D70840, #C51B48, #B32D51, #A03F59 and #8E5161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D70940 shade: #D708B1, #D7087A, #D70843, #D7080C and #D73C08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D70940 shade: #880528, #AF0734, #D70840, #F51450 and #F63C6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D70940 shade: #D70940, #D7C608 and #0896D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D70940 shade: #D70940, #43D708 and #0843D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D70940 shade: #D70940, #D7C608, #08D79C and #081AD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D70940 shade: #D70940, #AAD708, #08D79C and #3508D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 70 / 16

HEX #D70940

RGB 215 9 64

HSL 343.98, 0.92%, 0.44%

LAB 45.65, 71.05, 29.28

 

Complementary color

CMYK 84 / 0 / 22 / 4

HEX #28F6BF

RGB 40 246 191

HSL 163.98, 0.92%, 0.56%

LAB 87.06, -59.68, 13.22

 

CMYK 0 / 96 / 73 / 14

HEX #DC093B

RGB 220 9 59

HSL 345.78, 0.92%, 0.45%

LAB 46.61, 72.06, 33.71

 

CMYK 0 / 89 / 67 / 7

HEX #ED1B4E

RGB 237 27 78

HSL 345.43, 0.85%, 0.52%

LAB 51.08, 74.93, 28.51

 

CMYK 0 / 82 / 62 / 0

HEX #FE2D61

RGB 254 45 97

HSL 345.07, 0.99%, 0.59%

LAB 55.9, 76.8, 24.02

 

CMYK 0 / 75 / 55 / 0

HEX #FF3F74

RGB 255 63 116

HSL 343.44, 1%, 0.62%

LAB 58.11, 73.61, 15.77

 

CMYK 0 / 68 / 47 / 0

HEX #FF5187

RGB 255 81 135

HSL 341.38, 1%, 0.66%

LAB 60.69, 69.15, 8.24

 

CMYK 0 / 96 / 70 / 16

HEX #D70940

RGB 215 9 64

HSL 343.98, 0.92%, 0.44%

LAB 45.65, 71.05, 29.28

 

CMYK 0 / 100 / 77 / 22

HEX #C6002D

RGB 198 0 45

HSL 346.36, 1%, 0.39%

LAB 41.52, 67.03, 35.08

 

CMYK 0 / 100 / 86 / 29

HEX #B5001A

RGB 181 0 26

HSL 351.38, 1%, 0.35%

LAB 37.66, 62.3, 40.88

HEX #B5001A

CMYK 0 / 100 / 96 / 36

HEX #A40007

RGB 164 0 7

HSL 357.44, 1%, 0.32%

LAB 33.79, 57.66, 45.12

HEX #A40007

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

HEX #930000

CMYK 0 / 96 / 70 / 16

HEX #D70840

RGB 215 8 64

HSL 343.77, 0.93%, 0.44%

LAB 45.62, 71.14, 29.24

 

CMYK 0 / 96 / 96 / 16

HEX #D70808

RGB 215 8 8

HSL 0, 0.93%, 0.44%

LAB 45.13, 69.79, 56.71

 

CMYK 0 / 96 / 70 / 16

HEX #D70840

RGB 215 8 64

HSL 343.77, 0.93%, 0.44%

LAB 45.62, 71.14, 29.24

 

CMYK 0 / 96 / 45 / 16

HEX #D70877

RGB 215 8 119

HSL 327.83, 0.93%, 0.44%

LAB 46.91, 74.62, -3.05

 

CMYK 0 / 96 / 19 / 16

HEX #D708AF

RGB 215 8 175

HSL 311.59, 0.93%, 0.44%

LAB 49.15, 80.44, -33.36

 

CMYK 7 / 96 / 0 / 16

HEX #C708D7

RGB 199 8 215

HSL 295.36, 0.93%, 0.44%

LAB 48.54, 83.26, -57.75

 

CMYK 33 / 96 / 0 / 16

HEX #9008D7

RGB 144 8 215

HSL 279.42, 0.93%, 0.44%

LAB 39.6, 75.75, -72.68

 

CMYK 0 / 96 / 70 / 16

HEX #D70840

RGB 215 8 64

HSL 343.77, 0.93%, 0.44%

LAB 45.62, 71.14, 29.24

 

CMYK 0 / 96 / 70 / 16

HEX #D70840

RGB 215 8 64

HSL 343.77, 0.93%, 0.44%

LAB 45.62, 71.14, 29.24

 

CMYK 0 / 86 / 63 / 23

HEX #C51B48

RGB 197 27 72

HSL 344.12, 0.76%, 0.44%

LAB 42.95, 64.51, 20.13

 

CMYK 0 / 75 / 55 / 30

HEX #B32D51

RGB 179 45 81

HSL 343.88, 0.6%, 0.44%

LAB 41.3, 55.34, 11.66

 

CMYK 0 / 61 / 44 / 37

HEX #A03F59

RGB 160 63 89

HSL 343.92, 0.43%, 0.44%

LAB 40.82, 42.65, 5.47

 

CMYK 0 / 43 / 32 / 44

HEX #8E5161

RGB 142 81 97

HSL 344.26, 0.27%, 0.44%

LAB 42, 27.55, 1.86

 

CMYK 0 / 96 / 18 / 16

HEX #D708B1

RGB 215 8 177

HSL 311.01, 0.93%, 0.44%

LAB 49.25, 80.69, -34.39

 

CMYK 0 / 96 / 43 / 16

HEX #D7087A

RGB 215 8 122

HSL 326.96, 0.93%, 0.44%

LAB 47.01, 74.88, -4.75

 

CMYK 0 / 96 / 69 / 16

HEX #D70843

RGB 215 8 67

HSL 342.9, 0.93%, 0.44%

LAB 45.67, 71.27, 27.46

 

CMYK 0 / 96 / 94 / 16

HEX #D7080C

RGB 215 8 12

HSL 358.84, 0.93%, 0.44%

LAB 45.15, 69.83, 55.54

 

CMYK 0 / 72 / 96 / 16

HEX #D73C08

RGB 215 60 8

HSL 15.07, 0.93%, 0.44%

LAB 49.13, 58.52, 58.81

 

CMYK 0 / 96 / 71 / 47

HEX #880528

RGB 136 5 40

HSL 343.97, 0.93%, 0.28%

LAB 28.1, 50.5, 19.12

 

CMYK 0 / 96 / 70 / 31

HEX #AF0734

RGB 175 7 52

HSL 343.93, 0.92%, 0.36%

LAB 36.96, 60.86, 24.18

 

CMYK 0 / 96 / 70 / 16

HEX #D70840

RGB 215 8 64

HSL 343.77, 0.93%, 0.44%

LAB 45.62, 71.14, 29.24

 

CMYK 0 / 92 / 67 / 4

HEX #F51450

RGB 245 20 80

HSL 344, 0.92%, 0.52%

LAB 52.39, 77.89, 29.3

 

CMYK 0 / 76 / 56 / 4

HEX #F63C6D

RGB 246 60 109

HSL 344.19, 0.91%, 0.6%

LAB 56.02, 71.57, 16.78

 

CMYK 0 / 96 / 70 / 16

HEX #D70940

RGB 215 9 64

HSL 343.98, 0.92%, 0.44%

LAB 45.65, 71.05, 29.28

 

CMYK 0 / 8 / 96 / 16

HEX #D7C608

RGB 215 198 8

HSL 55.07, 0.93%, 0.44%

LAB 78.96, -10.4, 79.01

 

CMYK 96 / 30 / 0 / 16

HEX #0896D7

RGB 8 150 215

HSL 198.84, 0.93%, 0.44%

LAB 58.76, -9.45, -42.25

 

CMYK 0 / 96 / 70 / 16

HEX #D70940

RGB 215 9 64

HSL 343.98, 0.92%, 0.44%

LAB 45.65, 71.05, 29.28

 

CMYK 69 / 0 / 96 / 16

HEX #43D708

RGB 67 215 8

HSL 102.9, 0.93%, 0.44%

LAB 75.95, -69.06, 73.27

 

CMYK 96 / 69 / 0 / 16

HEX #0843D7

RGB 8 67 215

HSL 222.9, 0.93%, 0.44%

LAB 35.93, 42.54, -79.09

 

CMYK 0 / 96 / 70 / 16

HEX #D70940

RGB 215 9 64

HSL 343.98, 0.92%, 0.44%

LAB 45.65, 71.05, 29.28

 

CMYK 0 / 8 / 96 / 16

HEX #D7C608

RGB 215 198 8

HSL 55.07, 0.93%, 0.44%

LAB 78.96, -10.4, 79.01

 

CMYK 96 / 0 / 27 / 16

HEX #08D79C

RGB 8 215 156

HSL 162.9, 0.93%, 0.44%

LAB 76.71, -57.67, 16.96

 

CMYK 96 / 88 / 0 / 16

HEX #081AD7

RGB 8 26 215

HSL 234.78, 0.93%, 0.44%

LAB 28.63, 63.47, -91.2

 

CMYK 0 / 96 / 70 / 16

HEX #D70940

RGB 215 9 64

HSL 343.98, 0.92%, 0.44%

LAB 45.65, 71.05, 29.28

 

CMYK 21 / 0 / 96 / 16

HEX #AAD708

RGB 170 215 8

HSL 73.04, 0.93%, 0.44%

LAB 80.27, -37.41, 78.52

 

CMYK 96 / 0 / 27 / 16

HEX #08D79C

RGB 8 215 156

HSL 162.9, 0.93%, 0.44%

LAB 76.71, -57.67, 16.96

 

CMYK 75 / 96 / 0 / 16

HEX #3508D7

RGB 53 8 215

HSL 253.04, 0.93%, 0.44%

LAB 29, 68.97, -90.55

 

Description

Color code: HEX #D70940 | qconv.com Color code: HEX #D70940 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 9 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 9 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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