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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6F4C6 it is the complementary color #290B39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6F4C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6F4C6 shade: #DBF4C1, #ECFFD4, #FDFFE7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6F4C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6F4C6 shade: #D6F4C6, #C5E2B3, #B4D0A0, #A3BE8D and #92AC7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6F4C6 shade: #D6F4C7, #E3F4C7, #EFF4C7, #F4EDC7 and #F4E1C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6F4C6 shade: #D6F4C7, #CAF4C7, #C7F4CF, #C7F4DC and #C7F4E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6F4C6 shade matches the following richer shades: #D6F4C7 and #D5F9C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6F4C6 shade: #D6F4C7, #D8EFCC, #DAE9D2, #DBE4D7 and #DDDEDC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6F4C6 shade: #EFF4C7, #E3F4C7, #D7F4C7, #CBF4C7 and #C7F4CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6F4C6 shade: #A5E781, #BEEDA4, #D6F4C7 and #EFFAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6F4C6 shade: #D6F4C6, #C7F4ED and #F4C7E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6F4C6 shade: #D6F4C6, #C7D7F4 and #F4C7D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6F4C6 shade: #D6F4C6, #C7F4ED, #E4C7F4 and #F4C7CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6F4C6 shade: #D6F4C6, #C7EDF4, #E4C7F4 and #F4CEC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 19 / 4

HEX #D6F4C6

RGB 214 244 198

HSL 99.13, 0.68%, 0.87%

LAB 93.05, -17.91, 18.96

 

Complementary color

CMYK 28 / 81 / 0 / 78

HEX #290B39

RGB 41 11 57

HSL 279.13, 0.68%, 0.13%

LAB 9.04, 24.65, -23.15

 

CMYK 10 / 0 / 21 / 4

HEX #DBF4C1

RGB 219 244 193

HSL 89.41, 0.7%, 0.86%

LAB 93.28, -16.96, 21.9

 

CMYK 7 / 0 / 17 / 0

HEX #ECFFD4

RGB 236 255 212

HSL 86.51, 1%, 0.92%

LAB 97.67, -13.53, 18.49

 

CMYK 1 / 0 / 9 / 0

HEX #FDFFE7

RGB 253 255 231

HSL 65, 1%, 0.95%

LAB 99.29, -4.69, 11.24

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 12 / 0 / 19 / 4

HEX #D6F4C6

RGB 214 244 198

HSL 99.13, 0.68%, 0.87%

LAB 93.05, -17.91, 18.96

 

CMYK 13 / 0 / 21 / 11

HEX #C5E2B3

RGB 197 226 179

HSL 97.02, 0.45%, 0.79%

LAB 86.76, -17.96, 19.86

 

CMYK 13 / 0 / 23 / 18

HEX #B4D0A0

RGB 180 208 160

HSL 95, 0.34%, 0.72%

LAB 80.38, -18.02, 20.8

 

CMYK 14 / 0 / 26 / 25

HEX #A3BE8D

RGB 163 190 141

HSL 93.06, 0.27%, 0.65%

LAB 73.89, -18.08, 21.79

 

CMYK 15 / 0 / 29 / 33

HEX #92AC7A

RGB 146 172 122

HSL 91.2, 0.23%, 0.58%

LAB 67.29, -18.14, 22.84

 

CMYK 12 / 0 / 18 / 4

HEX #D6F4C7

RGB 214 244 199

HSL 100, 0.67%, 0.87%

LAB 93.07, -17.75, 18.47

 

CMYK 7 / 0 / 18 / 4

HEX #E3F4C7

RGB 227 244 199

HSL 82.67, 0.67%, 0.87%

LAB 93.95, -13.25, 19.84

 

CMYK 2 / 0 / 18 / 4

HEX #EFF4C7

RGB 239 244 199

HSL 66.67, 0.67%, 0.87%

LAB 94.81, -9.01, 21.17

 

CMYK 0 / 3 / 18 / 4

HEX #F4EDC7

RGB 244 237 199

HSL 50.67, 0.67%, 0.87%

LAB 93.42, -3.71, 19.28

 

CMYK 0 / 8 / 18 / 4

HEX #F4E1C7

RGB 244 225 199

HSL 34.67, 0.67%, 0.87%

LAB 90.42, 2.4, 15.07

 

CMYK 12 / 0 / 18 / 4

HEX #D6F4C7

RGB 214 244 199

HSL 100, 0.67%, 0.87%

LAB 93.07, -17.75, 18.47

 

CMYK 17 / 0 / 18 / 4

HEX #CAF4C7

RGB 202 244 199

HSL 116, 0.67%, 0.87%

LAB 92.3, -21.79, 17.29

 

CMYK 18 / 0 / 15 / 4

HEX #C7F4CF

RGB 199 244 207

HSL 130.67, 0.67%, 0.87%

LAB 92.29, -21.4, 13.11

 

CMYK 18 / 0 / 10 / 4

HEX #C7F4DC

RGB 199 244 220

HSL 148, 0.67%, 0.87%

LAB 92.58, -19.03, 6.8

 

CMYK 18 / 0 / 5 / 4

HEX #C7F4E8

RGB 199 244 232

HSL 164, 0.67%, 0.87%

LAB 92.87, -16.73, 1

 

CMYK 12 / 0 / 18 / 4

HEX #D6F4C7

RGB 214 244 199

HSL 100, 0.67%, 0.87%

LAB 93.07, -17.75, 18.47

 

CMYK 14 / 0 / 22 / 2

HEX #D5F9C1

RGB 213 249 193

HSL 98.57, 0.82%, 0.87%

LAB 94.2, -21.47, 23.12

 

CMYK 12 / 0 / 18 / 4

HEX #D6F4C7

RGB 214 244 199

HSL 100, 0.67%, 0.87%

LAB 93.07, -17.75, 18.47

 

CMYK 10 / 0 / 15 / 6

HEX #D8EFCC

RGB 216 239 204

HSL 99.43, 0.52%, 0.87%

LAB 91.99, -13.78, 14.4

 

CMYK 6 / 0 / 10 / 9

HEX #DAE9D2

RGB 218 233 210

HSL 99.13, 0.34%, 0.87%

LAB 90.71, -9.08, 9.47

 

CMYK 4 / 0 / 6 / 11

HEX #DBE4D7

RGB 219 228 215

HSL 101.54, 0.19%, 0.87%

LAB 89.6, -5.34, 5.29

 

CMYK 0 / 0 / 1 / 13

HEX #DDDEDC

RGB 221 222 220

HSL 90, 0.03%, 0.87%

LAB 88.34, -0.69, 0.85

 

CMYK 2 / 0 / 18 / 4

HEX #EFF4C7

RGB 239 244 199

HSL 66.67, 0.67%, 0.87%

LAB 94.81, -9.01, 21.17

 

CMYK 7 / 0 / 18 / 4

HEX #E3F4C7

RGB 227 244 199

HSL 82.67, 0.67%, 0.87%

LAB 93.95, -13.25, 19.84

 

CMYK 12 / 0 / 18 / 4

HEX #D7F4C7

RGB 215 244 199

HSL 98.67, 0.67%, 0.87%

LAB 93.13, -17.4, 18.57

 

CMYK 17 / 0 / 18 / 4

HEX #CBF4C7

RGB 203 244 199

HSL 114.67, 0.67%, 0.87%

LAB 92.36, -21.46, 17.38

 

CMYK 18 / 0 / 15 / 4

HEX #C7F4CF

RGB 199 244 207

HSL 130.67, 0.67%, 0.87%

LAB 92.29, -21.4, 13.11

 

CMYK 29 / 0 / 44 / 9

HEX #A5E781

RGB 165 231 129

HSL 98.82, 0.68%, 0.71%

LAB 85.37, -38.62, 43.04

 

CMYK 20 / 0 / 31 / 7

HEX #BEEDA4

RGB 190 237 164

HSL 98.63, 0.67%, 0.79%

LAB 89.01, -28.02, 30.58

 

CMYK 12 / 0 / 18 / 4

HEX #D6F4C7

RGB 214 244 199

HSL 100, 0.67%, 0.87%

LAB 93.07, -17.75, 18.47

 

CMYK 4 / 0 / 7 / 2

HEX #EFFAE9

RGB 239 250 233

HSL 98.82, 0.63%, 0.95%

LAB 97.07, -6.6, 6.89

 

CMYK 12 / 0 / 19 / 4

HEX #D6F4C6

RGB 214 244 198

HSL 99.13, 0.68%, 0.87%

LAB 93.05, -17.91, 18.96

 

CMYK 18 / 0 / 3 / 4

HEX #C7F4ED

RGB 199 244 237

HSL 170.67, 0.67%, 0.87%

LAB 93, -15.73, -1.41

 

CMYK 0 / 18 / 5 / 4

HEX #F4C7E9

RGB 244 199 233

HSL 314.67, 0.67%, 0.87%

LAB 84.98, 21.47, -10.78

 

CMYK 12 / 0 / 19 / 4

HEX #D6F4C6

RGB 214 244 198

HSL 99.13, 0.68%, 0.87%

LAB 93.05, -17.91, 18.96

 

CMYK 18 / 12 / 0 / 4

HEX #C7D7F4

RGB 199 215 244

HSL 218.67, 0.67%, 0.87%

LAB 85.64, 0.55, -15.99

 

CMYK 0 / 18 / 12 / 4

HEX #F4C7D7

RGB 244 199 215

HSL 338.67, 0.67%, 0.87%

LAB 84.48, 18.44, -1.93

 

CMYK 12 / 0 / 19 / 4

HEX #D6F4C6

RGB 214 244 198

HSL 99.13, 0.68%, 0.87%

LAB 93.05, -17.91, 18.96

 

CMYK 18 / 0 / 3 / 4

HEX #C7F4ED

RGB 199 244 237

HSL 170.67, 0.67%, 0.87%

LAB 93, -15.73, -1.41

 

CMYK 7 / 18 / 0 / 4

HEX #E4C7F4

RGB 228 199 244

HSL 278.67, 0.67%, 0.87%

LAB 83.9, 18.22, -18.4

 

CMYK 0 / 18 / 16 / 4

HEX #F4C7CE

RGB 244 199 206

HSL 350.67, 0.67%, 0.87%

LAB 84.24, 17.01, 2.54

 

CMYK 12 / 0 / 19 / 4

HEX #D6F4C6

RGB 214 244 198

HSL 99.13, 0.68%, 0.87%

LAB 93.05, -17.91, 18.96

 

CMYK 18 / 3 / 0 / 4

HEX #C7EDF4

RGB 199 237 244

HSL 189.33, 0.67%, 0.87%

LAB 91.34, -10.8, -7.49

 

CMYK 7 / 18 / 0 / 4

HEX #E4C7F4

RGB 228 199 244

HSL 278.67, 0.67%, 0.87%

LAB 83.9, 18.22, -18.4

 

CMYK 0 / 16 / 18 / 4

HEX #F4CEC7

RGB 244 206 199

HSL 9.33, 0.67%, 0.87%

LAB 85.76, 12.26, 8.44

 

Description

Color code: HEX #D6F4C6 | qconv.com Color code: HEX #D6F4C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 244 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 244 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 19 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 19% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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