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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6CF57 it is the complementary color #2930A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6CF57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6CF57 shade: #DBCF52, #ECE165, #FDF378, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6CF57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6CF57 shade: #D6CF57, #C5BD44, #B4AB31, #A3991E and #92870B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6CF57 shade: #D6CF56, #D6AC56, #D68A56, #D66856 and #D65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6CF57 shade: #D6CF56, #BAD656, #98D656, #76D656 and #56D659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6CF57 shade matches the following richer shades: #D6CF56, #E7DE45 and #F8ED34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6CF57 shade: #D6CF56, #C5C067, #B4B178, #A3A289 and #92929A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6CF57 shade: #D68956, #D6AB56, #D6CD56, #BCD656 and #9AD656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6CF57 shade: #AFA82A, #CEC535, #D6CF56, #DED877 and #E6E299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6CF57 shade: #D6CF57, #56D667 and #9A56D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6CF57 shade: #D6CF57, #56D6CD and #CD56D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6CF57 shade: #D6CF57, #56D667, #565FD6 and #D656C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6CF57 shade: #D6CF57, #56D68D, #565FD6 and #D6569E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 59 / 16

HEX #D6CF57

RGB 214 207 87

HSL 56.69, 0.61%, 0.59%

LAB 81.63, -12.48, 58.97

 

Complementary color

CMYK 76 / 71 / 0 / 34

HEX #2930A8

RGB 41 48 168

HSL 236.69, 0.61%, 0.41%

LAB 27.88, 39.09, -64.68

 

CMYK 0 / 5 / 63 / 14

HEX #DBCF52

RGB 219 207 82

HSL 54.74, 0.66%, 0.59%

LAB 82, -10.74, 61.64

 

CMYK 0 / 5 / 57 / 7

HEX #ECE165

RGB 236 225 101

HSL 55.11, 0.78%, 0.66%

LAB 88.27, -11.49, 60.72

 

CMYK 0 / 4 / 53 / 1

HEX #FDF378

RGB 253 243 120

HSL 55.49, 0.97%, 0.73%

LAB 94.46, -12.13, 59.68

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 3 / 59 / 16

HEX #D6CF57

RGB 214 207 87

HSL 56.69, 0.61%, 0.59%

LAB 81.63, -12.48, 58.97

 

CMYK 0 / 4 / 65 / 23

HEX #C5BD44

RGB 197 189 68

HSL 56.28, 0.53%, 0.52%

LAB 75.25, -11.69, 59.77

 

CMYK 0 / 5 / 73 / 29

HEX #B4AB31

RGB 180 171 49

HSL 55.88, 0.57%, 0.45%

LAB 68.79, -10.74, 60.19

 

CMYK 0 / 6 / 82 / 36

HEX #A3991E

RGB 163 153 30

HSL 55.49, 0.69%, 0.38%

LAB 62.22, -9.58, 59.88

 

CMYK 0 / 8 / 92 / 43

HEX #92870B

RGB 146 135 11

HSL 55.11, 0.86%, 0.31%

LAB 55.55, -8.15, 58.22

 

CMYK 0 / 3 / 60 / 16

HEX #D6CF56

RGB 214 207 86

HSL 56.72, 0.61%, 0.59%

LAB 81.62, -12.55, 59.4

 

CMYK 0 / 20 / 60 / 16

HEX #D6AC56

RGB 214 172 86

HSL 40.31, 0.61%, 0.59%

LAB 72.54, 5.62, 49.23

 

CMYK 0 / 36 / 60 / 16

HEX #D68A56

RGB 214 138 86

HSL 24.38, 0.61%, 0.59%

LAB 64.28, 23.92, 39.49

 

CMYK 0 / 51 / 60 / 16

HEX #D66856

RGB 214 104 86

HSL 8.44, 0.61%, 0.59%

LAB 56.95, 41.76, 30.44

 

CMYK 0 / 60 / 60 / 16

HEX #D65656

RGB 214 86 86

HSL 0, 0.61%, 0.59%

LAB 53.63, 50.38, 26.19

 

CMYK 0 / 3 / 60 / 16

HEX #D6CF56

RGB 214 207 86

HSL 56.72, 0.61%, 0.59%

LAB 81.62, -12.55, 59.4

 

CMYK 13 / 0 / 60 / 16

HEX #BAD656

RGB 186 214 86

HSL 73.13, 0.61%, 0.59%

LAB 81.4, -27.35, 58.56

 

CMYK 29 / 0 / 60 / 16

HEX #98D656

RGB 152 214 86

HSL 89.06, 0.61%, 0.59%

LAB 79.29, -40.24, 55.63

 

CMYK 45 / 0 / 60 / 16

HEX #76D656

RGB 118 214 86

HSL 105, 0.61%, 0.59%

LAB 77.65, -51.53, 53.33

 

CMYK 60 / 0 / 58 / 16

HEX #56D659

RGB 86 214 89

HSL 121.41, 0.61%, 0.59%

LAB 76.55, -59.69, 50.44

 

CMYK 0 / 3 / 60 / 16

HEX #D6CF56

RGB 214 207 86

HSL 56.72, 0.61%, 0.59%

LAB 81.62, -12.55, 59.4

 

CMYK 0 / 4 / 70 / 9

HEX #E7DE45

RGB 231 222 69

HSL 56.67, 0.77%, 0.59%

LAB 86.83, -13.96, 71.96

 

CMYK 0 / 4 / 79 / 3

HEX #F8ED34

RGB 248 237 52

HSL 56.63, 0.93%, 0.59%

LAB 92.03, -14.94, 82.58

 

CMYK 0 / 3 / 60 / 16

HEX #D6CF56

RGB 214 207 86

HSL 56.72, 0.61%, 0.59%

LAB 81.62, -12.55, 59.4

 

CMYK 0 / 3 / 48 / 23

HEX #C5C067

RGB 197 192 103

HSL 56.81, 0.45%, 0.59%

LAB 76.4, -10.56, 45.15

 

CMYK 0 / 2 / 33 / 29

HEX #B4B178

RGB 180 177 120

HSL 57, 0.29%, 0.59%

LAB 71.22, -7.8, 29.6

 

CMYK 0 / 1 / 16 / 36

HEX #A3A289

RGB 163 162 137

HSL 57.69, 0.12%, 0.59%

LAB 66.08, -4.03, 13.16

 

CMYK 5 / 5 / 0 / 40

HEX #92929A

RGB 146 146 154

HSL 240, 0.04%, 0.59%

LAB 60.78, 1.59, -4.22

 

CMYK 0 / 36 / 60 / 16

HEX #D68956

RGB 214 137 86

HSL 23.91, 0.61%, 0.59%

LAB 64.05, 24.46, 39.22

 

CMYK 0 / 20 / 60 / 16

HEX #D6AB56

RGB 214 171 86

HSL 39.84, 0.61%, 0.59%

LAB 72.29, 6.15, 48.94

 

CMYK 0 / 4 / 60 / 16

HEX #D6CD56

RGB 214 205 86

HSL 55.78, 0.61%, 0.59%

LAB 81.09, -11.54, 58.82

 

CMYK 12 / 0 / 60 / 16

HEX #BCD656

RGB 188 214 86

HSL 72.19, 0.61%, 0.59%

LAB 81.54, -26.56, 58.75

 

CMYK 28 / 0 / 60 / 16

HEX #9AD656

RGB 154 214 86

HSL 88.13, 0.61%, 0.59%

LAB 79.41, -39.52, 55.78

 

CMYK 0 / 4 / 76 / 31

HEX #AFA82A

RGB 175 168 42

HSL 56.84, 0.61%, 0.43%

LAB 67.49, -11.68, 61.26

 

CMYK 0 / 4 / 74 / 19

HEX #CEC535

RGB 206 197 53

HSL 56.47, 0.61%, 0.51%

LAB 78.06, -12.68, 68.38

 

CMYK 0 / 3 / 60 / 16

HEX #D6CF56

RGB 214 207 86

HSL 56.72, 0.61%, 0.59%

LAB 81.62, -12.55, 59.4

 

CMYK 0 / 3 / 46 / 13

HEX #DED877

RGB 222 216 119

HSL 56.5, 0.61%, 0.67%

LAB 84.98, -11.15, 48.26

 

CMYK 0 / 2 / 33 / 10

HEX #E6E299

RGB 230 226 153

HSL 56.88, 0.61%, 0.75%

LAB 88.69, -9.44, 36.23

 

CMYK 0 / 3 / 59 / 16

HEX #D6CF57

RGB 214 207 87

HSL 56.69, 0.61%, 0.59%

LAB 81.63, -12.48, 58.97

 

CMYK 60 / 0 / 52 / 16

HEX #56D667

RGB 86 214 103

HSL 127.97, 0.61%, 0.59%

LAB 76.71, -57.93, 44.13

 

CMYK 28 / 60 / 0 / 16

HEX #9A56D6

RGB 154 86 214

HSL 271.88, 0.61%, 0.59%

LAB 49.95, 51.51, -55.25

 

CMYK 0 / 3 / 59 / 16

HEX #D6CF57

RGB 214 207 87

HSL 56.69, 0.61%, 0.59%

LAB 81.63, -12.48, 58.97

 

CMYK 60 / 0 / 4 / 16

HEX #56D6CD

RGB 86 214 205

HSL 175.78, 0.61%, 0.59%

LAB 78.74, -37.12, -6.11

 

CMYK 4 / 60 / 0 / 16

HEX #CD56D6

RGB 205 86 214

HSL 295.78, 0.61%, 0.59%

LAB 56.57, 63.87, -44.31

 

CMYK 0 / 3 / 59 / 16

HEX #D6CF57

RGB 214 207 87

HSL 56.69, 0.61%, 0.59%

LAB 81.63, -12.48, 58.97

 

CMYK 60 / 0 / 52 / 16

HEX #56D667

RGB 86 214 103

HSL 127.97, 0.61%, 0.59%

LAB 76.71, -57.93, 44.13

 

CMYK 60 / 56 / 0 / 16

HEX #565FD6

RGB 86 95 214

HSL 235.78, 0.61%, 0.59%

LAB 45.66, 31.96, -62.49

 

CMYK 0 / 60 / 8 / 16

HEX #D656C5

RGB 214 86 197

HSL 307.97, 0.61%, 0.59%

LAB 57.06, 63.3, -33.78

 

CMYK 0 / 3 / 59 / 16

HEX #D6CF57

RGB 214 207 87

HSL 56.69, 0.61%, 0.59%

LAB 81.63, -12.48, 58.97

 

CMYK 60 / 0 / 34 / 16

HEX #56D68D

RGB 86 214 141

HSL 145.78, 0.61%, 0.59%

LAB 77.28, -51.73, 25.79

 

CMYK 60 / 56 / 0 / 16

HEX #565FD6

RGB 86 95 214

HSL 235.78, 0.61%, 0.59%

LAB 45.66, 31.96, -62.49

 

CMYK 0 / 60 / 26 / 16

HEX #D6569E

RGB 214 86 158

HSL 326.25, 0.61%, 0.59%

LAB 55.5, 57.64, -13.6

 

Description

Color code: HEX #D6CF57 | qconv.com Color code: HEX #D6CF57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 207 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 207 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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