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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6BD6F it is the complementary color #294290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6BD6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6BD6F shade: #DBBD6A, #ECCF7D, #FDE190, #FFF3A3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6BD6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6BD6F shade: #D6BD6F, #C5AB5C, #B49949, #A38736 and #927523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6BD6F shade: #D6BD6F, #D6A16F, #D6866F and #D66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6BD6F shade: #D6BD6F, #D3D66F, #B8D66F, #9CD66F and #80D66F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6BD6F shade matches the following richer shades: #D6BD6F, #E5C560 and #F4CC52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6BD6F shade: #D6BD6F, #C7B67E, #B8AE8D, #AAA69C and #9B9FAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6BD6F shade: #D6866F, #D6A16F, #D6BC6F, #D4D66F and #B9D66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6BD6F shade: #BE9D35, #CDAE4F, #D6BD6F, #DFCC8F and #E8DBB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6BD6F shade: #D6BD6F, #74D66F and #936FD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6BD6F shade: #D6BD6F, #6FD6BC and #BC6FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6BD6F shade: #D6BD6F, #74D66F, #6F89D6 and #D16FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6BD6F shade: #D6BD6F, #6FD689, #6F89D6 and #D66FBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

Complementary color

CMYK 72 / 54 / 0 / 44

HEX #294290

RGB 41 66 144

HSL 225.44, 0.56%, 0.36%

LAB 30.36, 18.37, -46.04

 

CMYK 0 / 14 / 52 / 14

HEX #DBBD6A

RGB 219 189 106

HSL 44.07, 0.61%, 0.64%

LAB 77.58, 0.31, 45.54

 

CMYK 0 / 12 / 47 / 7

HEX #ECCF7D

RGB 236 207 125

HSL 44.32, 0.74%, 0.71%

LAB 83.93, -0.39, 44.29

 

CMYK 0 / 11 / 43 / 1

HEX #FDE190

RGB 253 225 144

HSL 44.59, 0.96%, 0.78%

LAB 90.2, -1, 43.07

 

CMYK 0 / 5 / 36 / 0

HEX #FFF3A3

RGB 255 243 163

HSL 52.17, 1%, 0.82%

LAB 95.16, -7.26, 40.06

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 0 / 13 / 53 / 23

HEX #C5AB5C

RGB 197 171 92

HSL 45.14, 0.48%, 0.57%

LAB 70.71, -0.56, 43.73

 

CMYK 0 / 15 / 59 / 29

HEX #B49949

RGB 180 153 73

HSL 44.86, 0.42%, 0.5%

LAB 64.13, 0.3, 44.98

 

CMYK 0 / 17 / 67 / 36

HEX #A38736

RGB 163 135 54

HSL 44.59, 0.5%, 0.43%

LAB 57.44, 1.35, 46.12

 

CMYK 0 / 20 / 76 / 43

HEX #927523

RGB 146 117 35

HSL 44.32, 0.61%, 0.35%

LAB 50.63, 2.65, 46.92

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 0 / 25 / 48 / 16

HEX #D6A16F

RGB 214 161 111

HSL 29.13, 0.56%, 0.64%

LAB 70.13, 13.62, 33.58

 

CMYK 0 / 37 / 48 / 16

HEX #D6866F

RGB 214 134 111

HSL 13.4, 0.56%, 0.64%

LAB 63.75, 28.2, 25.25

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 1 / 0 / 48 / 16

HEX #D3D66F

RGB 211 214 111

HSL 61.75, 0.56%, 0.64%

LAB 83.49, -15.28, 50.08

 

CMYK 14 / 0 / 48 / 16

HEX #B8D66F

RGB 184 214 111

HSL 77.48, 0.56%, 0.64%

LAB 81.53, -25.88, 47.26

 

CMYK 27 / 0 / 48 / 16

HEX #9CD66F

RGB 156 214 111

HSL 93.79, 0.56%, 0.64%

LAB 79.79, -36.25, 44.73

 

CMYK 40 / 0 / 48 / 16

HEX #80D66F

RGB 128 214 111

HSL 110.1, 0.56%, 0.64%

LAB 78.36, -45.58, 42.66

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 0 / 14 / 58 / 10

HEX #E5C560

RGB 229 197 96

HSL 45.56, 0.72%, 0.64%

LAB 80.42, -0.51, 53.93

 

CMYK 0 / 16 / 66 / 4

HEX #F4CC52

RGB 244 204 82

HSL 45.19, 0.88%, 0.64%

LAB 83.46, 1.23, 63.86

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 0 / 9 / 37 / 22

HEX #C7B67E

RGB 199 182 126

HSL 46.03, 0.39%, 0.64%

LAB 74.26, -2.11, 30.73

 

CMYK 0 / 5 / 23 / 28

HEX #B8AE8D

RGB 184 174 141

HSL 46.05, 0.23%, 0.64%

LAB 71.14, -1.8, 18.26

 

CMYK 0 / 2 / 8 / 33

HEX #AAA69C

RGB 170 166 156

HSL 42.86, 0.08%, 0.64%

LAB 68.18, -0.37, 5.68

 

CMYK 9 / 7 / 0 / 33

HEX #9B9FAB

RGB 155 159 171

HSL 225, 0.09%, 0.64%

LAB 65.52, 0.99, -6.72

 

CMYK 0 / 37 / 48 / 16

HEX #D6866F

RGB 214 134 111

HSL 13.4, 0.56%, 0.64%

LAB 63.75, 28.2, 25.25

 

CMYK 0 / 25 / 48 / 16

HEX #D6A16F

RGB 214 161 111

HSL 29.13, 0.56%, 0.64%

LAB 70.13, 13.62, 33.58

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 1 / 0 / 48 / 16

HEX #D4D66F

RGB 212 214 111

HSL 61.17, 0.56%, 0.64%

LAB 83.57, -14.88, 50.2

 

CMYK 14 / 0 / 48 / 16

HEX #B9D66F

RGB 185 214 111

HSL 76.89, 0.56%, 0.64%

LAB 81.6, -25.5, 47.35

 

CMYK 0 / 17 / 72 / 25

HEX #BE9D35

RGB 190 157 53

HSL 45.55, 0.56%, 0.48%

LAB 66, 1.28, 56.24

 

CMYK 0 / 15 / 61 / 20

HEX #CDAE4F

RGB 205 174 79

HSL 45.24, 0.56%, 0.56%

LAB 72.11, 0.24, 51.8

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 0 / 9 / 36 / 13

HEX #DFCC8F

RGB 223 204 143

HSL 45.75, 0.56%, 0.72%

LAB 82.3, -2.11, 32.84

 

CMYK 0 / 6 / 24 / 9

HEX #E8DBB0

RGB 232 219 176

HSL 46.07, 0.55%, 0.8%

LAB 87.46, -2.2, 22.79

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 46 / 0 / 48 / 16

HEX #74D66F

RGB 116 214 111

HSL 117.09, 0.56%, 0.64%

LAB 77.85, -49.17, 41.9

 

CMYK 31 / 48 / 0 / 16

HEX #936FD6

RGB 147 111 214

HSL 260.97, 0.56%, 0.64%

LAB 54.48, 36.1, -48.07

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 48 / 0 / 12 / 16

HEX #6FD6BC

RGB 111 214 188

HSL 164.85, 0.56%, 0.64%

LAB 79.1, -36.23, 3.61

 

CMYK 12 / 48 / 0 / 16

HEX #BC6FD6

RGB 188 111 214

HSL 284.85, 0.56%, 0.64%

LAB 58.9, 47.32, -40.8

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 46 / 0 / 48 / 16

HEX #74D66F

RGB 116 214 111

HSL 117.09, 0.56%, 0.64%

LAB 77.85, -49.17, 41.9

 

CMYK 48 / 36 / 0 / 16

HEX #6F89D6

RGB 111 137 214

HSL 224.85, 0.56%, 0.64%

LAB 58.16, 11.62, -42.43

 

CMYK 2 / 48 / 0 / 16

HEX #D16FD6

RGB 209 111 214

HSL 297.09, 0.56%, 0.64%

LAB 61.46, 53.24, -36.59

 

CMYK 0 / 12 / 48 / 16

HEX #D6BD6F

RGB 214 189 111

HSL 45.44, 0.56%, 0.64%

LAB 77.18, -1.29, 42.47

 

CMYK 48 / 0 / 36 / 16

HEX #6FD689

RGB 111 214 137

HSL 135.15, 0.56%, 0.64%

LAB 78.04, -46.56, 29.03

 

CMYK 48 / 36 / 0 / 16

HEX #6F89D6

RGB 111 137 214

HSL 224.85, 0.56%, 0.64%

LAB 58.16, 11.62, -42.43

 

CMYK 0 / 48 / 12 / 16

HEX #D66FBC

RGB 214 111 188

HSL 315.15, 0.56%, 0.64%

LAB 61.04, 50.25, -22.48

 

Description

Color code: HEX #D6BD6F | qconv.com Color code: HEX #D6BD6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 189 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 189 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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