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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6B71E it is the complementary color #2948E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6B71E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6B71E shade: #DBB719, #ECC92C, #FDDB3F, #FFED52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6B71E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6B71E shade: #D6B71E, #C5A50B, #B49300, #A38100 and #926F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6B71E shade: #D6B71E, #D6851E, #D6541E, #D6221E and #D61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6B71E shade: #D6B71E, #C3D61E, #92D61E, #60D61E and #2FD61E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6B71E shade matches the following richer shades: #D6B71E and #EAC40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6B71E shade: #D6B71E, #C2AA32, #AE9D46, #9A8F5A and #86826D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6B71E shade: #D6521E, #D6831E, #D6B41E, #C6D61E and #95D61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6B71E shade: #8D7914, #B29819, #D6B71E, #E3C63B and #E8D15F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6B71E shade: #D6B71E, #1ED621 and #6B1ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6B71E shade: #D6B71E, #1ED6B4 and #B41ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6B71E shade: #D6B71E, #1ED621, #1E40D6 and #D61ED3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6B71E shade: #D6B71E, #1ED658, #1E40D6 and #D61E9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

Complementary color

CMYK 82 / 68 / 0 / 12

HEX #2948E1

RGB 41 72 225

HSL 229.89, 0.75%, 0.52%

LAB 38.8, 44.53, -80.07

 

CMYK 0 / 16 / 89 / 14

HEX #DBB719

RGB 219 183 25

HSL 48.87, 0.8%, 0.48%

LAB 75.45, -0.7, 74.13

 

CMYK 0 / 15 / 81 / 7

HEX #ECC92C

RGB 236 201 44

HSL 49.06, 0.83%, 0.55%

LAB 81.72, -2.22, 75.41

 

CMYK 0 / 13 / 75 / 1

HEX #FDDB3F

RGB 253 219 63

HSL 49.26, 0.98%, 0.62%

LAB 87.92, -3.54, 75.74

 

CMYK 0 / 7 / 68 / 0

HEX #FFED52

RGB 255 237 82

HSL 53.76, 1%, 0.66%

LAB 92.77, -10.83, 73.76

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 0 / 16 / 94 / 23

HEX #C5A50B

RGB 197 165 11

HSL 49.68, 0.89%, 0.41%

LAB 68.61, -1.13, 70.28

 

CMYK 0 / 18 / 100 / 29

HEX #B49300

RGB 180 147 0

HSL 49, 1%, 0.35%

LAB 62.14, 0.77, 66.31

 

CMYK 0 / 21 / 100 / 36

HEX #A38100

RGB 163 129 0

HSL 47.48, 1%, 0.32%

LAB 55.57, 2.88, 60.89

 

CMYK 0 / 24 / 100 / 43

HEX #926F00

RGB 146 111 0

HSL 45.62, 1%, 0.29%

LAB 48.86, 5.09, 55.37

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 0 / 38 / 86 / 16

HEX #D6851E

RGB 214 133 30

HSL 33.59, 0.75%, 0.48%

LAB 62.65, 23.95, 62.45

 

CMYK 0 / 61 / 86 / 16

HEX #D6541E

RGB 214 84 30

HSL 17.61, 0.75%, 0.48%

LAB 52.65, 48.76, 54.24

 

CMYK 0 / 84 / 86 / 16

HEX #D6221E

RGB 214 34 30

HSL 1.3, 0.75%, 0.48%

LAB 46.36, 66.03, 49.03

 

CMYK 0 / 86 / 86 / 16

HEX #D61E1E

RGB 214 30 30

HSL 0, 0.75%, 0.48%

LAB 46.07, 66.86, 48.79

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 9 / 0 / 86 / 16

HEX #C3D61E

RGB 195 214 30

HSL 66.2, 0.75%, 0.48%

LAB 81.72, -26.43, 77.35

 

CMYK 32 / 0 / 86 / 16

HEX #92D61E

RGB 146 214 30

HSL 82.17, 0.75%, 0.48%

LAB 78.64, -45.69, 73.52

 

CMYK 55 / 0 / 86 / 16

HEX #60D61E

RGB 96 214 30

HSL 98.48, 0.75%, 0.48%

LAB 76.48, -61.61, 70.82

 

CMYK 78 / 0 / 86 / 16

HEX #2FD61E

RGB 47 214 30

HSL 114.46, 0.75%, 0.48%

LAB 75.32, -71.34, 69.36

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 0 / 16 / 96 / 8

HEX #EAC40A

RGB 234 196 10

HSL 49.82, 0.92%, 0.48%

LAB 80.18, -1.14, 80.49

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 0 / 12 / 74 / 24

HEX #C2AA32

RGB 194 170 50

HSL 50, 0.59%, 0.48%

LAB 69.79, -4.04, 61.23

 

CMYK 0 / 10 / 60 / 32

HEX #AE9D46

RGB 174 157 70

HSL 50.19, 0.43%, 0.48%

LAB 64.61, -4.69, 46.81

 

CMYK 0 / 7 / 42 / 40

HEX #9A8F5A

RGB 154 143 90

HSL 49.69, 0.26%, 0.48%

LAB 59.21, -3.84, 29.66

 

CMYK 0 / 3 / 19 / 47

HEX #86826D

RGB 134 130 109

HSL 50.4, 0.1%, 0.48%

LAB 54.17, -2.25, 11.92

 

CMYK 0 / 62 / 86 / 16

HEX #D6521E

RGB 214 82 30

HSL 16.96, 0.75%, 0.48%

LAB 52.31, 49.66, 53.96

 

CMYK 0 / 39 / 86 / 16

HEX #D6831E

RGB 214 131 30

HSL 32.93, 0.75%, 0.48%

LAB 62.19, 25.02, 62.07

 

CMYK 0 / 16 / 86 / 16

HEX #D6B41E

RGB 214 180 30

HSL 48.91, 0.75%, 0.48%

LAB 74.21, -1.21, 71.87

 

CMYK 7 / 0 / 86 / 16

HEX #C6D61E

RGB 198 214 30

HSL 65.22, 0.75%, 0.48%

LAB 81.94, -25.19, 77.62

 

CMYK 30 / 0 / 86 / 16

HEX #95D61E

RGB 149 214 30

HSL 81.2, 0.75%, 0.48%

LAB 78.8, -44.59, 73.72

 

CMYK 0 / 14 / 86 / 45

HEX #8D7914

RGB 141 121 20

HSL 50.08, 0.75%, 0.32%

LAB 51.14, -2.53, 52.42

 

CMYK 0 / 15 / 86 / 30

HEX #B29819

RGB 178 152 25

HSL 49.8, 0.75%, 0.4%

LAB 63.34, -2.43, 62.74

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 0 / 13 / 74 / 11

HEX #E3C63B

RGB 227 198 59

HSL 49.64, 0.75%, 0.56%

LAB 80.2, -3.98, 68.99

 

CMYK 0 / 10 / 59 / 9

HEX #E8D15F

RGB 232 209 95

HSL 49.93, 0.75%, 0.64%

LAB 83.75, -5.5, 58.22

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 86 / 0 / 85 / 16

HEX #1ED621

RGB 30 214 33

HSL 120.98, 0.75%, 0.48%

LAB 75.13, -73.04, 68.45

 

CMYK 50 / 86 / 0 / 16

HEX #6B1ED6

RGB 107 30 214

HSL 265.11, 0.75%, 0.48%

LAB 35.81, 67.31, -78.52

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 86 / 0 / 16 / 16

HEX #1ED6B4

RGB 30 214 180

HSL 168.91, 0.75%, 0.48%

LAB 77.08, -50.42, 4.73

 

CMYK 16 / 86 / 0 / 16

HEX #B41ED6

RGB 180 30 214

HSL 288.91, 0.75%, 0.48%

LAB 46.29, 77.23, -60.96

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 86 / 0 / 85 / 16

HEX #1ED621

RGB 30 214 33

HSL 120.98, 0.75%, 0.48%

LAB 75.13, -73.04, 68.45

 

CMYK 86 / 70 / 0 / 16

HEX #1E40D6

RGB 30 64 214

HSL 228.91, 0.75%, 0.48%

LAB 35.59, 44.82, -79.06

 

CMYK 0 / 86 / 1 / 16

HEX #D61ED3

RGB 214 30 211

HSL 300.98, 0.75%, 0.48%

LAB 51.76, 82.5, -50.16

 

CMYK 0 / 14 / 86 / 16

HEX #D6B71E

RGB 214 183 30

HSL 49.89, 0.75%, 0.48%

LAB 74.99, -2.78, 72.5

 

CMYK 86 / 0 / 59 / 16

HEX #1ED658

RGB 30 214 88

HSL 138.91, 0.75%, 0.48%

LAB 75.5, -68.39, 49.4

 

CMYK 86 / 70 / 0 / 16

HEX #1E40D6

RGB 30 64 214

HSL 228.91, 0.75%, 0.48%

LAB 35.59, 44.82, -79.06

 

CMYK 0 / 86 / 27 / 16

HEX #D61E9C

RGB 214 30 156

HSL 318.91, 0.75%, 0.48%

LAB 49.04, 75.28, -22.28

 

Description

Color code: HEX #D6B71E | qconv.com Color code: HEX #D6B71E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 183 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 183 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 86 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 86% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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