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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69F61 it is the complementary color #29609E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69F61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69F61 shade: #DB9F5C, #ECB16F, #FDC382, #FFD595 and #FFE7A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69F61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69F61 shade: #D69F61, #C58D4E, #B47B3B, #A36928 and #925715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69F61 shade: #D69F60, #D67F60 and #D66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69F61 shade: #D69F60, #D6BE60, #CED660, #AED660 and #8ED660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69F61 shade matches the following richer shades: #D69F60, #E6A050 and #F6A040

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69F61 shade: #D69F60, #C69E70, #B69D81, #A59C91 and #959BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69F61 shade: #D66062, #D67E60, #D69D60, #D6BC60 and #D0D660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69F61 shade: #B5762E, #CD8B40, #D69F60, #DEB281 and #E7C6A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69F61 shade: #D69F61, #82D660 and #6E60D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69F61 shade: #D69F61, #60D69D and #9D60D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69F61 shade: #D69F61, #82D660, #6099D6 and #B460D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69F61 shade: #D69F61, #60D662, #6099D6 and #D660D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 55 / 16

HEX #D69F61

RGB 214 159 97

HSL 31.79, 0.59%, 0.61%

LAB 69.44, 13.44, 40.05

 

Complementary color

CMYK 74 / 39 / 0 / 38

HEX #29609E

RGB 41 96 158

HSL 211.79, 0.59%, 0.39%

LAB 40.09, 3.86, -38.89

 

CMYK 0 / 27 / 58 / 14

HEX #DB9F5C

RGB 219 159 92

HSL 31.65, 0.64%, 0.61%

LAB 69.92, 15.12, 43.32

 

CMYK 0 / 25 / 53 / 7

HEX #ECB16F

RGB 236 177 111

HSL 31.68, 0.77%, 0.68%

LAB 76.33, 14.05, 41.88

 

CMYK 0 / 23 / 49 / 1

HEX #FDC382

RGB 253 195 130

HSL 31.71, 0.97%, 0.75%

LAB 82.66, 13.11, 40.52

 

CMYK 0 / 16 / 42 / 0

HEX #FFD595

RGB 255 213 149

HSL 36.23, 1%, 0.79%

LAB 87.49, 6.42, 37.1

 

CMYK 0 / 9 / 34 / 0

HEX #FFE7A8

RGB 255 231 168

HSL 43.45, 1%, 0.83%

LAB 92.24, -0.67, 33.69

 

CMYK 0 / 26 / 55 / 16

HEX #D69F61

RGB 214 159 97

HSL 31.79, 0.59%, 0.61%

LAB 69.44, 13.44, 40.05

 

CMYK 0 / 28 / 60 / 23

HEX #C58D4E

RGB 197 141 78

HSL 31.76, 0.51%, 0.54%

LAB 62.9, 14.58, 41.52

 

CMYK 0 / 32 / 67 / 29

HEX #B47B3B

RGB 180 123 59

HSL 31.74, 0.51%, 0.47%

LAB 56.27, 15.92, 42.99

 

CMYK 0 / 36 / 75 / 36

HEX #A36928

RGB 163 105 40

HSL 31.71, 0.61%, 0.4%

LAB 49.55, 17.51, 44.34

 

CMYK 0 / 40 / 86 / 43

HEX #925715

RGB 146 87 21

HSL 31.68, 0.75%, 0.33%

LAB 42.74, 19.4, 45.16

 

CMYK 0 / 26 / 55 / 16

HEX #D69F60

RGB 214 159 96

HSL 32.03, 0.59%, 0.61%

LAB 69.42, 13.36, 40.55

 

CMYK 0 / 41 / 55 / 16

HEX #D67F60

RGB 214 127 96

HSL 15.76, 0.59%, 0.61%

LAB 61.93, 30.6, 31.19

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 0 / 26 / 55 / 16

HEX #D69F60

RGB 214 159 96

HSL 32.03, 0.59%, 0.61%

LAB 69.42, 13.36, 40.55

 

CMYK 0 / 11 / 55 / 16

HEX #D6BE60

RGB 214 190 96

HSL 47.8, 0.59%, 0.61%

LAB 77.26, -3.11, 49.92

 

CMYK 4 / 0 / 55 / 16

HEX #CED660

RGB 206 214 96

HSL 64.07, 0.59%, 0.61%

LAB 82.95, -18.57, 56.29

 

CMYK 19 / 0 / 55 / 16

HEX #AED660

RGB 174 214 96

HSL 80.34, 0.59%, 0.61%

LAB 80.7, -31.17, 53.13

 

CMYK 34 / 0 / 55 / 16

HEX #8ED660

RGB 142 214 96

HSL 96.61, 0.59%, 0.61%

LAB 78.86, -42.78, 50.52

 

CMYK 0 / 26 / 55 / 16

HEX #D69F60

RGB 214 159 96

HSL 32.03, 0.59%, 0.61%

LAB 69.42, 13.36, 40.55

 

CMYK 0 / 30 / 65 / 10

HEX #E6A050

RGB 230 160 80

HSL 32, 0.75%, 0.61%

LAB 71.24, 18.36, 51.08

 

CMYK 0 / 35 / 74 / 4

HEX #F6A040

RGB 246 160 64

HSL 31.65, 0.91%, 0.61%

LAB 72.96, 24.18, 60.68

 

CMYK 0 / 26 / 55 / 16

HEX #D69F60

RGB 214 159 96

HSL 32.03, 0.59%, 0.61%

LAB 69.42, 13.36, 40.55

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

CMYK 0 / 14 / 29 / 29

HEX #B69D81

RGB 182 157 129

HSL 31.7, 0.27%, 0.61%

LAB 66.25, 4.93, 18.06

 

CMYK 0 / 5 / 12 / 35

HEX #A59C91

RGB 165 156 145

HSL 33, 0.1%, 0.61%

LAB 64.82, 1.33, 6.93

 

CMYK 7 / 4 / 0 / 37

HEX #959BA1

RGB 149 155 161

HSL 210, 0.06%, 0.61%

LAB 63.68, -0.94, -3.88

 

CMYK 0 / 55 / 54 / 16

HEX #D66062

RGB 214 96 98

HSL 358.98, 0.59%, 0.61%

LAB 55.63, 46.61, 21.83

 

CMYK 0 / 41 / 55 / 16

HEX #D67E60

RGB 214 126 96

HSL 15.25, 0.59%, 0.61%

LAB 61.71, 31.13, 30.91

 

CMYK 0 / 27 / 55 / 16

HEX #D69D60

RGB 214 157 96

HSL 31.02, 0.59%, 0.61%

LAB 68.94, 14.43, 39.95

 

CMYK 0 / 12 / 55 / 16

HEX #D6BC60

RGB 214 188 96

HSL 46.78, 0.59%, 0.61%

LAB 76.74, -2.07, 49.31

 

CMYK 3 / 0 / 55 / 16

HEX #D0D660

RGB 208 214 96

HSL 63.05, 0.59%, 0.61%

LAB 83.1, -17.76, 56.51

 

CMYK 0 / 35 / 75 / 29

HEX #B5762E

RGB 181 118 46

HSL 32, 0.59%, 0.45%

LAB 55.05, 18.44, 47.91

 

CMYK 0 / 32 / 69 / 20

HEX #CD8B40

RGB 205 139 64

HSL 31.91, 0.59%, 0.53%

LAB 63.19, 18.19, 49

 

CMYK 0 / 26 / 55 / 16

HEX #D69F60

RGB 214 159 96

HSL 32.03, 0.59%, 0.61%

LAB 69.42, 13.36, 40.55

 

CMYK 0 / 20 / 42 / 13

HEX #DEB281

RGB 222 178 129

HSL 31.61, 0.58%, 0.69%

LAB 75.42, 9.58, 31.08

 

CMYK 0 / 14 / 30 / 9

HEX #E7C6A2

RGB 231 198 162

HSL 31.3, 0.59%, 0.77%

LAB 81.83, 6.45, 22.38

 

CMYK 0 / 26 / 55 / 16

HEX #D69F61

RGB 214 159 97

HSL 31.79, 0.59%, 0.61%

LAB 69.44, 13.44, 40.05

 

CMYK 39 / 0 / 55 / 16

HEX #82D660

RGB 130 214 96

HSL 102.71, 0.59%, 0.61%

LAB 78.28, -46.75, 49.69

 

CMYK 49 / 55 / 0 / 16

HEX #6E60D6

RGB 110 96 214

HSL 247.12, 0.59%, 0.61%

LAB 47.67, 36.01, -59.15

 

CMYK 0 / 26 / 55 / 16

HEX #D69F61

RGB 214 159 97

HSL 31.79, 0.59%, 0.61%

LAB 69.44, 13.44, 40.05

 

CMYK 55 / 0 / 27 / 16

HEX #60D69D

RGB 96 214 157

HSL 151.02, 0.59%, 0.61%

LAB 77.88, -46.44, 18.28

 

CMYK 27 / 55 / 0 / 16

HEX #9D60D6

RGB 157 96 214

HSL 271.02, 0.59%, 0.61%

LAB 52.27, 47, -51.51

 

CMYK 0 / 26 / 55 / 16

HEX #D69F61

RGB 214 159 97

HSL 31.79, 0.59%, 0.61%

LAB 69.44, 13.44, 40.05

 

CMYK 39 / 0 / 55 / 16

HEX #82D660

RGB 130 214 96

HSL 102.71, 0.59%, 0.61%

LAB 78.28, -46.75, 49.69

 

CMYK 55 / 29 / 0 / 16

HEX #6099D6

RGB 96 153 214

HSL 211.02, 0.59%, 0.61%

LAB 61.76, -1.09, -36.83

 

CMYK 16 / 55 / 0 / 16

HEX #B460D6

RGB 180 96 214

HSL 282.71, 0.59%, 0.61%

LAB 54.99, 52.86, -47.02

 

CMYK 0 / 26 / 55 / 16

HEX #D69F61

RGB 214 159 97

HSL 31.79, 0.59%, 0.61%

LAB 69.44, 13.44, 40.05

 

CMYK 55 / 0 / 54 / 16

HEX #60D662

RGB 96 214 98

HSL 121.02, 0.59%, 0.61%

LAB 76.96, -56.23, 46.87

 

CMYK 55 / 29 / 0 / 16

HEX #6099D6

RGB 96 153 214

HSL 211.02, 0.59%, 0.61%

LAB 61.76, -1.09, -36.83

 

CMYK 0 / 55 / 1 / 16

HEX #D660D4

RGB 214 96 212

HSL 301.02, 0.59%, 0.61%

LAB 59.36, 61.38, -38.71

 

Description

Color code: HEX #D69F61 | qconv.com Color code: HEX #D69F61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 159 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 159 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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