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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6995D it is the complementary color #2966A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6995D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6995D shade: #DB9958, #ECAB6B, #FDBD7E, #FFCF91 and #FFE1A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6995D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6995D shade: #D6995D, #C5874A, #B47537, #A36324 and #925111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6995D shade: #D6985B, #D6775B and #D65B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6995D shade: #D6985B, #D6B95B, #D1D65B, #B0D65B and #8FD65B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6995D shade matches the following richer shades: #D6985B, #E6984B and #F7983A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6995D shade: #D6985B, #C5986C, #B5987C, #A4988D and #94999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6995D shade: #D65B61, #D6765B, #D6965B, #D6B75B and #D4D65B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6995D shade: #B26F2C, #CD833A, #D6985B, #DEAD7C and #E6C19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6995D shade: #D6995D, #82D65B and #655BD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6995D shade: #D6995D, #5BD696 and #965BD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6995D shade: #D6995D, #82D65B, #5B9BD6 and #AF5BD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6995D shade: #D6995D, #5DD65B, #5B9BD6 and #D45BD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 57 / 16

HEX #D6995D

RGB 214 153 93

HSL 29.75, 0.6%, 0.6%

LAB 67.92, 16.35, 40.27

 

Complementary color

CMYK 75 / 37 / 0 / 36

HEX #2966A2

RGB 41 102 162

HSL 209.75, 0.6%, 0.4%

LAB 42.13, 1.58, -38.04

 

CMYK 0 / 30 / 60 / 14

HEX #DB9958

RGB 219 153 88

HSL 29.77, 0.65%, 0.6%

LAB 68.42, 18.05, 43.56

 

CMYK 0 / 28 / 55 / 7

HEX #ECAB6B

RGB 236 171 107

HSL 29.77, 0.77%, 0.67%

LAB 74.84, 16.9, 42.08

 

CMYK 0 / 25 / 50 / 1

HEX #FDBD7E

RGB 253 189 126

HSL 29.76, 0.97%, 0.74%

LAB 81.17, 15.88, 40.67

 

CMYK 0 / 19 / 43 / 0

HEX #FFCF91

RGB 255 207 145

HSL 33.82, 1%, 0.78%

LAB 85.97, 9.11, 37.16

 

CMYK 0 / 12 / 36 / 0

HEX #FFE1A4

RGB 255 225 164

HSL 40.22, 1%, 0.82%

LAB 90.68, 1.92, 33.66

 

CMYK 0 / 29 / 57 / 16

HEX #D6995D

RGB 214 153 93

HSL 29.75, 0.6%, 0.6%

LAB 67.92, 16.35, 40.27

 

CMYK 0 / 31 / 62 / 23

HEX #C5874A

RGB 197 135 74

HSL 29.76, 0.51%, 0.53%

LAB 61.39, 17.59, 41.79

 

CMYK 0 / 35 / 69 / 29

HEX #B47537

RGB 180 117 55

HSL 29.76, 0.53%, 0.46%

LAB 54.76, 19.03, 43.31

 

CMYK 0 / 39 / 78 / 36

HEX #A36324

RGB 163 99 36

HSL 29.76, 0.64%, 0.39%

LAB 48.05, 20.72, 44.68

 

CMYK 0 / 45 / 88 / 43

HEX #925111

RGB 146 81 17

HSL 29.77, 0.79%, 0.32%

LAB 41.27, 22.72, 45.38

 

CMYK 0 / 29 / 57 / 16

HEX #D6985B

RGB 214 152 91

HSL 29.76, 0.6%, 0.6%

LAB 67.66, 16.74, 40.98

 

CMYK 0 / 44 / 57 / 16

HEX #D6775B

RGB 214 119 91

HSL 13.66, 0.6%, 0.6%

LAB 60.11, 34.43, 31.64

 

CMYK 0 / 57 / 57 / 16

HEX #D65B5B

RGB 214 91 91

HSL 0, 0.6%, 0.6%

LAB 54.59, 48.44, 24.53

 

CMYK 0 / 29 / 57 / 16

HEX #D6985B

RGB 214 152 91

HSL 29.76, 0.6%, 0.6%

LAB 67.66, 16.74, 40.98

 

CMYK 0 / 14 / 57 / 16

HEX #D6B95B

RGB 214 185 91

HSL 45.85, 0.6%, 0.6%

LAB 75.92, -0.89, 50.73

 

CMYK 2 / 0 / 57 / 16

HEX #D1D65B

RGB 209 214 91

HSL 62.44, 0.6%, 0.6%

LAB 83.13, -17.74, 58.78

 

CMYK 18 / 0 / 57 / 16

HEX #B0D65B

RGB 176 214 91

HSL 78.54, 0.6%, 0.6%

LAB 80.78, -30.85, 55.5

 

CMYK 33 / 0 / 57 / 16

HEX #8FD65B

RGB 143 214 91

HSL 94.63, 0.6%, 0.6%

LAB 78.86, -42.94, 52.8

 

CMYK 0 / 29 / 57 / 16

HEX #D6985B

RGB 214 152 91

HSL 29.76, 0.6%, 0.6%

LAB 67.66, 16.74, 40.98

 

CMYK 0 / 34 / 67 / 10

HEX #E6984B

RGB 230 152 75

HSL 29.81, 0.76%, 0.6%

LAB 69.32, 22.33, 51.32

 

CMYK 0 / 38 / 77 / 3

HEX #F7983A

RGB 247 152 58

HSL 29.84, 0.92%, 0.6%

LAB 71.24, 28.54, 61.52

 

CMYK 0 / 29 / 57 / 16

HEX #D6985B

RGB 214 152 91

HSL 29.76, 0.6%, 0.6%

LAB 67.66, 16.74, 40.98

 

CMYK 0 / 23 / 45 / 23

HEX #C5986C

RGB 197 152 108

HSL 29.66, 0.43%, 0.6%

LAB 66.07, 11.22, 29.59

 

CMYK 0 / 16 / 31 / 29

HEX #B5987C

RGB 181 152 124

HSL 29.47, 0.28%, 0.6%

LAB 64.75, 6.6, 18.76

 

CMYK 0 / 7 / 14 / 36

HEX #A4988D

RGB 164 152 141

HSL 28.7, 0.11%, 0.6%

LAB 63.57, 2.49, 7.37

 

CMYK 6 / 3 / 0 / 38

HEX #94999D

RGB 148 153 157

HSL 206.67, 0.04%, 0.6%

LAB 62.94, -1, -2.73

 

CMYK 0 / 57 / 55 / 16

HEX #D65B61

RGB 214 91 97

HSL 357.07, 0.6%, 0.6%

LAB 54.7, 48.9, 21.18

 

CMYK 0 / 45 / 57 / 16

HEX #D6765B

RGB 214 118 91

HSL 13.17, 0.6%, 0.6%

LAB 59.9, 34.95, 31.37

 

CMYK 0 / 30 / 57 / 16

HEX #D6965B

RGB 214 150 91

HSL 28.78, 0.6%, 0.6%

LAB 67.17, 17.82, 40.39

 

CMYK 0 / 14 / 57 / 16

HEX #D6B75B

RGB 214 183 91

HSL 44.88, 0.6%, 0.6%

LAB 75.4, 0.16, 50.13

 

CMYK 1 / 0 / 57 / 16

HEX #D4D65B

RGB 212 214 91

HSL 60.98, 0.6%, 0.6%

LAB 83.36, -16.51, 59.1

 

CMYK 0 / 38 / 75 / 30

HEX #B26F2C

RGB 178 111 44

HSL 30, 0.6%, 0.44%

LAB 52.97, 20.94, 46.59

 

CMYK 0 / 36 / 72 / 20

HEX #CD833A

RGB 205 131 58

HSL 29.8, 0.6%, 0.52%

LAB 61.24, 22.22, 49.73

 

CMYK 0 / 29 / 57 / 16

HEX #D6985B

RGB 214 152 91

HSL 29.76, 0.6%, 0.6%

LAB 67.66, 16.74, 40.98

 

CMYK 0 / 22 / 44 / 13

HEX #DEAD7C

RGB 222 173 124

HSL 30, 0.6%, 0.68%

LAB 74.11, 11.72, 32

 

CMYK 0 / 16 / 32 / 10

HEX #E6C19D

RGB 230 193 157

HSL 29.59, 0.59%, 0.76%

LAB 80.4, 8.06, 23.05

 

CMYK 0 / 29 / 57 / 16

HEX #D6995D

RGB 214 153 93

HSL 29.75, 0.6%, 0.6%

LAB 67.92, 16.35, 40.27

 

CMYK 39 / 0 / 57 / 16

HEX #82D65B

RGB 130 214 91

HSL 100.98, 0.6%, 0.6%

LAB 78.22, -47.28, 51.9

 

CMYK 53 / 57 / 0 / 16

HEX #655BD6

RGB 101 91 214

HSL 244.88, 0.6%, 0.6%

LAB 45.78, 37.17, -62.25

 

CMYK 0 / 29 / 57 / 16

HEX #D6995D

RGB 214 153 93

HSL 29.75, 0.6%, 0.6%

LAB 67.92, 16.35, 40.27

 

CMYK 57 / 0 / 30 / 16

HEX #5BD696

RGB 91 214 150

HSL 148.78, 0.6%, 0.6%

LAB 77.59, -48.94, 21.54

 

CMYK 30 / 57 / 0 / 16

HEX #965BD6

RGB 150 91 214

HSL 268.78, 0.6%, 0.6%

LAB 50.48, 47.95, -54.43

 

CMYK 0 / 29 / 57 / 16

HEX #D6995D

RGB 214 153 93

HSL 29.75, 0.6%, 0.6%

LAB 67.92, 16.35, 40.27

 

CMYK 39 / 0 / 57 / 16

HEX #82D65B

RGB 130 214 91

HSL 100.98, 0.6%, 0.6%

LAB 78.22, -47.28, 51.9

 

CMYK 57 / 28 / 0 / 16

HEX #5B9BD6

RGB 91 155 214

HSL 208.78, 0.6%, 0.6%

LAB 62.1, -3.27, -36.32

 

CMYK 18 / 57 / 0 / 16

HEX #AF5BD6

RGB 175 91 214

HSL 280.98, 0.6%, 0.6%

LAB 53.44, 54.08, -49.53

 

CMYK 0 / 29 / 57 / 16

HEX #D6995D

RGB 214 153 93

HSL 29.75, 0.6%, 0.6%

LAB 67.92, 16.35, 40.27

 

CMYK 57 / 0 / 57 / 16

HEX #5DD65B

RGB 93 214 91

HSL 119.02, 0.6%, 0.6%

LAB 76.79, -57.81, 49.86

 

CMYK 57 / 28 / 0 / 16

HEX #5B9BD6

RGB 91 155 214

HSL 208.78, 0.6%, 0.6%

LAB 62.1, -3.27, -36.32

 

CMYK 1 / 57 / 0 / 16

HEX #D45BD6

RGB 212 91 214

HSL 299.02, 0.6%, 0.6%

LAB 58.35, 63.44, -41.44

 

Description

Color code: HEX #D6995D | qconv.com Color code: HEX #D6995D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 153 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 153 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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