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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68D97 it is the complementary color #297268. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68D97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68D97 shade: #DB8D92, #EC9FA5, #FDB1B8, #FFC3CB and #FFD5DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68D97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68D97 shade: #D68D97, #C57B84, #B46971, #A3575E and #92454B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68D97 shade: #D68E98 and #D68E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68D97 shade: #D68E98, #D68EAB, #D68EBF, #D68ED2 and #C68ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68D97 shade matches the following richer shades: #D68E98, #E2828F, #EF7586 and #FB697D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68D97 shade: #D68E98, #CA9AA1, #BDA7AA, #B1B3B3 and #A4C0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68D97 shade: #D68EBF, #D68EAC, #D68E99, #D6968E and #D6AA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68D97 shade: #C05161, #CB707C, #D68E98, #E1ACB4 and #ECCBCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68D97 shade: #D68D97, #D2D68E and #8EB6D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68D97 shade: #D68D97, #99D68E and #8E99D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68D97 shade: #D68D97, #D2D68E, #8ED6CB and #928ED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68D97 shade: #D68D97, #BDD68E, #8ED6CB and #A78ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 29 / 16

HEX #D68D97

RGB 214 141 151

HSL 351.78, 0.47%, 0.7%

LAB 66.2, 29.07, 6.18

 

Complementary color

CMYK 64 / 0 / 9 / 55

HEX #297268

RGB 41 114 104

HSL 171.78, 0.47%, 0.3%

LAB 43.52, -25.06, -1.15

 

CMYK 0 / 36 / 33 / 14

HEX #DB8D92

RGB 219 141 146

HSL 356.15, 0.52%, 0.71%

LAB 66.66, 30.28, 9.74

 

CMYK 0 / 33 / 30 / 7

HEX #EC9FA5

RGB 236 159 165

HSL 355.32, 0.67%, 0.77%

LAB 73.12, 29.42, 8.63

 

CMYK 0 / 30 / 27 / 1

HEX #FDB1B8

RGB 253 177 184

HSL 354.47, 0.95%, 0.84%

LAB 79.49, 28.64, 7.62

 

CMYK 0 / 24 / 20 / 0

HEX #FFC3CB

RGB 255 195 203

HSL 352, 1%, 0.88%

LAB 84.28, 22.58, 4.32

 

CMYK 0 / 16 / 13 / 0

HEX #FFD5DE

RGB 255 213 222

HSL 347.14, 1%, 0.92%

LAB 88.98, 16.05, 1.06

 

CMYK 0 / 34 / 29 / 16

HEX #D68D97

RGB 214 141 151

HSL 351.78, 0.47%, 0.7%

LAB 66.2, 29.07, 6.18

 

CMYK 0 / 38 / 33 / 23

HEX #C57B84

RGB 197 123 132

HSL 352.7, 0.39%, 0.63%

LAB 59.62, 29.94, 7.31

 

CMYK 0 / 42 / 37 / 29

HEX #B46971

RGB 180 105 113

HSL 353.6, 0.33%, 0.56%

LAB 52.95, 30.9, 8.58

 

CMYK 0 / 47 / 42 / 36

HEX #A3575E

RGB 163 87 94

HSL 354.47, 0.3%, 0.49%

LAB 46.19, 31.94, 10.07

 

CMYK 0 / 53 / 49 / 43

HEX #92454B

RGB 146 69 75

HSL 355.32, 0.36%, 0.42%

LAB 39.37, 33.05, 11.87

 

CMYK 0 / 34 / 29 / 16

HEX #D68E98

RGB 214 142 152

HSL 351.67, 0.47%, 0.7%

LAB 66.45, 28.66, 5.98

 

CMYK 0 / 34 / 34 / 16

HEX #D68E8E

RGB 214 142 142

HSL 0, 0.47%, 0.7%

LAB 66.21, 27.35, 11.26

 

CMYK 0 / 34 / 29 / 16

HEX #D68E98

RGB 214 142 152

HSL 351.67, 0.47%, 0.7%

LAB 66.45, 28.66, 5.98

 

CMYK 0 / 34 / 20 / 16

HEX #D68EAB

RGB 214 142 171

HSL 335.83, 0.47%, 0.7%

LAB 66.96, 31.39, -3.96

 

CMYK 0 / 34 / 11 / 16

HEX #D68EBF

RGB 214 142 191

HSL 319.17, 0.47%, 0.7%

LAB 67.58, 34.6, -14.25

 

CMYK 0 / 34 / 2 / 16

HEX #D68ED2

RGB 214 142 210

HSL 303.33, 0.47%, 0.7%

LAB 68.24, 37.93, -23.84

 

CMYK 7 / 34 / 0 / 16

HEX #C68ED6

RGB 198 142 214

HSL 286.67, 0.47%, 0.7%

LAB 66.68, 33.62, -28.6

 

CMYK 0 / 34 / 29 / 16

HEX #D68E98

RGB 214 142 152

HSL 351.67, 0.47%, 0.7%

LAB 66.45, 28.66, 5.98

 

CMYK 0 / 42 / 37 / 11

HEX #E2828F

RGB 226 130 143

HSL 351.88, 0.62%, 0.7%

LAB 65.06, 38.3, 9.27

 

CMYK 0 / 51 / 44 / 6

HEX #EF7586

RGB 239 117 134

HSL 351.64, 0.79%, 0.7%

LAB 63.99, 48.5, 13.14

 

CMYK 0 / 58 / 50 / 2

HEX #FB697D

RGB 251 105 125

HSL 351.78, 0.95%, 0.7%

LAB 63.42, 57.32, 17.75

 

CMYK 0 / 34 / 29 / 16

HEX #D68E98

RGB 214 142 152

HSL 351.67, 0.47%, 0.7%

LAB 66.45, 28.66, 5.98

 

CMYK 0 / 24 / 20 / 21

HEX #CA9AA1

RGB 202 154 161

HSL 351.25, 0.31%, 0.7%

LAB 68.2, 18.96, 3.29

 

CMYK 0 / 12 / 10 / 26

HEX #BDA7AA

RGB 189 167 170

HSL 351.82, 0.14%, 0.7%

LAB 70.43, 8.49, 1.38

 

CMYK 1 / 0 / 0 / 30

HEX #B1B3B3

RGB 177 179 179

HSL 180, 0.01%, 0.7%

LAB 72.79, -0.7, -0.25

HEX #B1B3B3

CMYK 15 / 0 / 2 / 25

HEX #A4C0BC

RGB 164 192 188

HSL 171.43, 0.18%, 0.7%

LAB 75.59, -10.24, -1.17

HEX #A4C0BC

CMYK 0 / 34 / 11 / 16

HEX #D68EBF

RGB 214 142 191

HSL 319.17, 0.47%, 0.7%

LAB 67.58, 34.6, -14.25

 

CMYK 0 / 34 / 20 / 16

HEX #D68EAC

RGB 214 142 172

HSL 335, 0.47%, 0.7%

LAB 66.99, 31.55, -4.48

 

CMYK 0 / 34 / 29 / 16

HEX #D68E99

RGB 214 142 153

HSL 350.83, 0.47%, 0.7%

LAB 66.48, 28.8, 5.46

 

CMYK 0 / 30 / 34 / 16

HEX #D6968E

RGB 214 150 142

HSL 6.67, 0.47%, 0.7%

LAB 68.07, 23.02, 13.88

 

CMYK 0 / 21 / 34 / 16

HEX #D6AA8E

RGB 214 170 142

HSL 23.33, 0.47%, 0.7%

LAB 72.89, 12.21, 20.57

 

CMYK 0 / 58 / 49 / 25

HEX #C05161

RGB 192 81 97

HSL 351.35, 0.47%, 0.54%

LAB 49.44, 45.95, 13.45

 

CMYK 0 / 45 / 39 / 20

HEX #CB707C

RGB 203 112 124

HSL 352.09, 0.47%, 0.62%

LAB 57.79, 37.09, 9.44

 

CMYK 0 / 34 / 29 / 16

HEX #D68E98

RGB 214 142 152

HSL 351.67, 0.47%, 0.7%

LAB 66.45, 28.66, 5.98

 

CMYK 0 / 24 / 20 / 12

HEX #E1ACB4

RGB 225 172 180

HSL 350.94, 0.47%, 0.78%

LAB 75.33, 20.55, 3.42

 

CMYK 0 / 14 / 12 / 7

HEX #ECCBCF

RGB 236 203 207

HSL 352.73, 0.46%, 0.86%

LAB 84.51, 12.22, 2.3

 

CMYK 0 / 34 / 29 / 16

HEX #D68D97

RGB 214 141 151

HSL 351.78, 0.47%, 0.7%

LAB 66.2, 29.07, 6.18

 

CMYK 2 / 0 / 34 / 16

HEX #D2D68E

RGB 210 214 142

HSL 63.33, 0.47%, 0.7%

LAB 83.83, -12.39, 35.16

 

CMYK 34 / 15 / 0 / 16

HEX #8EB6D6

RGB 142 182 214

HSL 206.67, 0.47%, 0.7%

LAB 72.27, -5.71, -20.44

 

CMYK 0 / 34 / 29 / 16

HEX #D68D97

RGB 214 141 151

HSL 351.78, 0.47%, 0.7%

LAB 66.2, 29.07, 6.18

 

CMYK 29 / 0 / 34 / 16

HEX #99D68E

RGB 153 214 142

HSL 110.83, 0.47%, 0.7%

LAB 80.08, -33.09, 29.51

 

CMYK 34 / 29 / 0 / 16

HEX #8E99D6

RGB 142 153 214

HSL 230.83, 0.47%, 0.7%

LAB 64.47, 10.43, -32.4

 

CMYK 0 / 34 / 29 / 16

HEX #D68D97

RGB 214 141 151

HSL 351.78, 0.47%, 0.7%

LAB 66.2, 29.07, 6.18

 

CMYK 2 / 0 / 34 / 16

HEX #D2D68E

RGB 210 214 142

HSL 63.33, 0.47%, 0.7%

LAB 83.83, -12.39, 35.16

 

CMYK 34 / 0 / 5 / 16

HEX #8ED6CB

RGB 142 214 203

HSL 170.83, 0.47%, 0.7%

LAB 80.83, -24.84, -1.72

 

CMYK 32 / 34 / 0 / 16

HEX #928ED6

RGB 146 142 214

HSL 243.33, 0.47%, 0.7%

LAB 61.92, 17.89, -36.35

 

CMYK 0 / 34 / 29 / 16

HEX #D68D97

RGB 214 141 151

HSL 351.78, 0.47%, 0.7%

LAB 66.2, 29.07, 6.18

 

CMYK 12 / 0 / 34 / 16

HEX #BDD68E

RGB 189 214 142

HSL 80.83, 0.47%, 0.7%

LAB 82.31, -20.33, 32.87

 

CMYK 34 / 0 / 5 / 16

HEX #8ED6CB

RGB 142 214 203

HSL 170.83, 0.47%, 0.7%

LAB 80.83, -24.84, -1.72

 

CMYK 22 / 34 / 0 / 16

HEX #A78ED6

RGB 167 142 214

HSL 260.83, 0.47%, 0.7%

LAB 63.69, 24.05, -33.47

 

Description

Color code: HEX #D68D97 | qconv.com Color code: HEX #D68D97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 141 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 141 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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