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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68BEE it is the complementary color #297411. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68BEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68BEE shade: #DB8BE9, #EC9DFC, #FDAFFF, #FFC1FF and #FFD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68BEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68BEE shade: #D68BEE, #C579DB, #B467C8, #A355B5 and #9243A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68BEE shade: #D58BED, #ED8BEB, #ED8BD0, #ED8BB6 and #ED8B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68BEE shade: #D58BED, #BB8BED, #A18BED and #8B8BED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68BEE shade matches the following richer shades: #D58BED and #DB80F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68BEE shade: #D58BED, #D096E3, #CAA1D8, #C5ABCD and #BFB6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68BEE shade: #A08BED, #BB8BED, #D58BED, #ED8BEC and #ED8BD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68BEE shade: #BC43E3, #C967E8, #D58BED, #E2AFF3 and #EFD3F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68BEE shade: #D68BEE, #ED8B90 and #8BEDAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68BEE shade: #D68BEE, #EDD58B and #8BEDD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68BEE shade: #D68BEE, #ED8B90, #A4ED8B and #8BEDE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68BEE shade: #D68BEE, #EDA48B, #A4ED8B and #8BD5ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 42 / 0 / 7

HEX #D68BEE

RGB 214 139 238

HSL 285.45, 0.74%, 0.74%

LAB 68.7, 44.87, -38.58

 

Complementary color

CMYK 65 / 0 / 85 / 55

HEX #297411

RGB 41 116 17

HSL 105.45, 0.74%, 0.26%

LAB 42.77, -41.15, 43.31

 

CMYK 6 / 40 / 0 / 9

HEX #DB8BE9

RGB 219 139 233

HSL 291.06, 0.68%, 0.73%

LAB 69.05, 45.36, -35.25

 

CMYK 6 / 38 / 0 / 1

HEX #EC9DFC

RGB 236 157 252

HSL 289.89, 0.94%, 0.8%

LAB 75.44, 44.63, -35.56

 

CMYK 1 / 31 / 0 / 0

HEX #FDAFFF

RGB 253 175 255

HSL 298.5, 1%, 0.84%

LAB 81.16, 40.95, -28.21

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 10 / 42 / 0 / 7

HEX #D68BEE

RGB 214 139 238

HSL 285.45, 0.74%, 0.74%

LAB 68.7, 44.87, -38.58

 

CMYK 10 / 45 / 0 / 14

HEX #C579DB

RGB 197 121 219

HSL 286.53, 0.58%, 0.67%

LAB 62.22, 45.64, -38.32

 

CMYK 10 / 49 / 0 / 22

HEX #B467C8

RGB 180 103 200

HSL 287.63, 0.47%, 0.59%

LAB 55.66, 46.4, -38.01

 

CMYK 10 / 53 / 0 / 29

HEX #A355B5

RGB 163 85 181

HSL 288.75, 0.39%, 0.52%

LAB 49.03, 47.13, -37.63

 

CMYK 10 / 59 / 0 / 36

HEX #9243A2

RGB 146 67 162

HSL 289.89, 0.41%, 0.45%

LAB 42.36, 47.73, -37.12

 

CMYK 10 / 41 / 0 / 7

HEX #D58BED

RGB 213 139 237

HSL 285.31, 0.73%, 0.74%

LAB 68.55, 44.38, -38.27

 

CMYK 0 / 41 / 1 / 7

HEX #ED8BEB

RGB 237 139 235

HSL 301.22, 0.73%, 0.74%

LAB 71.19, 51.06, -32.86

 

CMYK 0 / 41 / 12 / 7

HEX #ED8BD0

RGB 237 139 208

HSL 317.76, 0.73%, 0.74%

LAB 70.19, 46.5, -19.5

 

CMYK 0 / 41 / 23 / 7

HEX #ED8BB6

RGB 237 139 182

HSL 333.67, 0.73%, 0.74%

LAB 69.36, 42.58, -6.27

 

CMYK 0 / 41 / 35 / 7

HEX #ED8B9B

RGB 237 139 155

HSL 350.2, 0.73%, 0.74%

LAB 68.63, 39.03, 7.79

 

CMYK 10 / 41 / 0 / 7

HEX #D58BED

RGB 213 139 237

HSL 285.31, 0.73%, 0.74%

LAB 68.55, 44.38, -38.27

 

CMYK 21 / 41 / 0 / 7

HEX #BB8BED

RGB 187 139 237

HSL 269.39, 0.73%, 0.74%

LAB 65.86, 36.88, -42.68

 

CMYK 32 / 41 / 0 / 7

HEX #A18BED

RGB 161 139 237

HSL 253.47, 0.73%, 0.74%

LAB 63.47, 29.68, -46.6

 

CMYK 41 / 41 / 0 / 7

HEX #8B8BED

RGB 139 139 237

HSL 240, 0.73%, 0.74%

LAB 61.71, 23.98, -49.49

 

CMYK 10 / 41 / 0 / 7

HEX #D58BED

RGB 213 139 237

HSL 285.31, 0.73%, 0.74%

LAB 68.55, 44.38, -38.27

 

CMYK 12 / 48 / 0 / 3

HEX #DB80F8

RGB 219 128 248

HSL 285.5, 0.9%, 0.74%

LAB 67.48, 53.96, -45.93

 

CMYK 10 / 41 / 0 / 7

HEX #D58BED

RGB 213 139 237

HSL 285.31, 0.73%, 0.74%

LAB 68.55, 44.38, -38.27

 

CMYK 8 / 34 / 0 / 11

HEX #D096E3

RGB 208 150 227

HSL 285.19, 0.58%, 0.74%

LAB 70.01, 34.98, -30.55

 

CMYK 6 / 25 / 0 / 15

HEX #CAA1D8

RGB 202 161 216

HSL 284.73, 0.41%, 0.74%

LAB 71.56, 24.86, -22.19

 

CMYK 4 / 17 / 0 / 20

HEX #C5ABCD

RGB 197 171 205

HSL 285.88, 0.25%, 0.74%

LAB 73.16, 15.55, -13.78

 

CMYK 2 / 6 / 0 / 24

HEX #BFB6C2

RGB 191 182 194

HSL 285, 0.09%, 0.74%

LAB 75.09, 5.39, -4.94

 

CMYK 32 / 41 / 0 / 7

HEX #A08BED

RGB 160 139 237

HSL 252.86, 0.73%, 0.74%

LAB 63.39, 29.41, -46.74

 

CMYK 21 / 41 / 0 / 7

HEX #BB8BED

RGB 187 139 237

HSL 269.39, 0.73%, 0.74%

LAB 65.86, 36.88, -42.68

 

CMYK 10 / 41 / 0 / 7

HEX #D58BED

RGB 213 139 237

HSL 285.31, 0.73%, 0.74%

LAB 68.55, 44.38, -38.27

 

CMYK 0 / 41 / 0 / 7

HEX #ED8BEC

RGB 237 139 236

HSL 300.61, 0.73%, 0.74%

LAB 71.23, 51.24, -33.35

 

CMYK 0 / 41 / 12 / 7

HEX #ED8BD1

RGB 237 139 209

HSL 317.14, 0.73%, 0.74%

LAB 70.23, 46.66, -20.01

 

CMYK 17 / 70 / 0 / 11

HEX #BC43E3

RGB 188 67 227

HSL 285.38, 0.74%, 0.58%

LAB 52.12, 70.18, -58.91

 

CMYK 13 / 56 / 0 / 9

HEX #C967E8

RGB 201 103 232

HSL 285.58, 0.74%, 0.66%

LAB 59.84, 58.44, -49.3

 

CMYK 10 / 41 / 0 / 7

HEX #D58BED

RGB 213 139 237

HSL 285.31, 0.73%, 0.74%

LAB 68.55, 44.38, -38.27

 

CMYK 7 / 28 / 0 / 5

HEX #E2AFF3

RGB 226 175 243

HSL 285, 0.74%, 0.82%

LAB 78.05, 30.26, -26.76

 

CMYK 4 / 15 / 0 / 3

HEX #EFD3F8

RGB 239 211 248

HSL 285.41, 0.73%, 0.9%

LAB 87.83, 16.19, -14.51

 

CMYK 10 / 42 / 0 / 7

HEX #D68BEE

RGB 214 139 238

HSL 285.45, 0.74%, 0.74%

LAB 68.7, 44.87, -38.58

 

CMYK 0 / 41 / 39 / 7

HEX #ED8B90

RGB 237 139 144

HSL 356.94, 0.73%, 0.74%

LAB 68.38, 37.75, 13.59

 

CMYK 41 / 0 / 27 / 7

HEX #8BEDAD

RGB 139 237 173

HSL 140.82, 0.73%, 0.74%

LAB 86.54, -42.51, 22.17

 

CMYK 10 / 42 / 0 / 7

HEX #D68BEE

RGB 214 139 238

HSL 285.45, 0.74%, 0.74%

LAB 68.7, 44.87, -38.58

 

CMYK 0 / 10 / 41 / 7

HEX #EDD58B

RGB 237 213 139

HSL 45.31, 0.73%, 0.74%

LAB 85.73, -1.69, 39.58

 

CMYK 41 / 0 / 10 / 7

HEX #8BEDD5

RGB 139 237 213

HSL 165.31, 0.73%, 0.74%

LAB 87.42, -34.37, 2.59

 

CMYK 10 / 42 / 0 / 7

HEX #D68BEE

RGB 214 139 238

HSL 285.45, 0.74%, 0.74%

LAB 68.7, 44.87, -38.58

 

CMYK 0 / 41 / 39 / 7

HEX #ED8B90

RGB 237 139 144

HSL 356.94, 0.73%, 0.74%

LAB 68.38, 37.75, 13.59

 

CMYK 31 / 0 / 41 / 7

HEX #A4ED8B

RGB 164 237 139

HSL 104.69, 0.73%, 0.74%

LAB 87.16, -40.33, 40.39

 

CMYK 41 / 0 / 2 / 7

HEX #8BEDE8

RGB 139 237 232

HSL 176.94, 0.73%, 0.74%

LAB 87.91, -29.99, -6.64

 

CMYK 10 / 42 / 0 / 7

HEX #D68BEE

RGB 214 139 238

HSL 285.45, 0.74%, 0.74%

LAB 68.7, 44.87, -38.58

 

CMYK 0 / 31 / 41 / 7

HEX #EDA48B

RGB 237 164 139

HSL 15.31, 0.73%, 0.74%

LAB 73.82, 24.04, 23.85

 

CMYK 31 / 0 / 41 / 7

HEX #A4ED8B

RGB 164 237 139

HSL 104.69, 0.73%, 0.74%

LAB 87.16, -40.33, 40.39

 

CMYK 41 / 10 / 0 / 7

HEX #8BD5ED

RGB 139 213 237

HSL 194.69, 0.73%, 0.74%

LAB 81.4, -16.92, -19.02

 

Description

Color code: HEX #D68BEE | qconv.com Color code: HEX #D68BEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 139 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 139 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 42 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 42% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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