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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68AE0 it is the complementary color #29751F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68AE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68AE0 shade: #DB8ADB, #EC9CEE, #FDAEFF, #FFC0FF and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68AE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68AE0 shade: #D68AE0, #C578CD, #B466BA, #A354A7 and #924294

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68AE0 shade: #D58ADF, #DF8AD2, #DF8ABB, #DF8AA4 and #DF8A8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68AE0 shade: #D58ADF, #BE8ADF, #A78ADF, #908ADF and #8A8ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68AE0 shade matches the following richer shades: #D58ADF, #DF7EEB and #E872F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68AE0 shade: #D58ADF, #CC96D3, #C3A2C8, #BAAEBC and #B1BAB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68AE0 shade: #A88ADF, #BF8ADF, #D58ADF, #DF8AD3 and #DF8ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68AE0 shade: #BF48CE, #CA69D7, #D58ADF, #E1AAE8 and #ECCBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68AE0 shade: #D68AE0, #DF918A and #8ADFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68AE0 shade: #D68AE0, #DFD58A and #8ADFD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68AE0 shade: #D68AE0, #DF918A, #94DF8A and #8AD8DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68AE0 shade: #D68AE0, #DFAB8A, #94DF8A and #8ABFDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 38 / 0 / 12

HEX #D68AE0

RGB 214 138 224

HSL 293.02, 0.58%, 0.71%

LAB 67.91, 42.67, -32.09

 

Complementary color

CMYK 65 / 0 / 74 / 54

HEX #29751F

RGB 41 117 31

HSL 113.02, 0.58%, 0.29%

LAB 43.2, -40.5, 38.69

 

CMYK 0 / 37 / 0 / 14

HEX #DB8ADB

RGB 219 138 219

HSL 300, 0.53%, 0.7%

LAB 68.28, 43.26, -28.71

 

CMYK 1 / 34 / 0 / 7

HEX #EC9CEE

RGB 236 156 238

HSL 298.54, 0.71%, 0.77%

LAB 74.69, 42.53, -29.12

 

CMYK 1 / 32 / 0 / 0

HEX #FDAEFF

RGB 253 174 255

HSL 298.52, 1%, 0.84%

LAB 80.95, 41.47, -28.54

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 4 / 38 / 0 / 12

HEX #D68AE0

RGB 214 138 224

HSL 293.02, 0.58%, 0.71%

LAB 67.91, 42.67, -32.09

 

CMYK 4 / 41 / 0 / 20

HEX #C578CD

RGB 197 120 205

HSL 294.35, 0.46%, 0.64%

LAB 61.4, 43.42, -31.73

 

CMYK 3 / 45 / 0 / 27

HEX #B466BA

RGB 180 102 186

HSL 295.71, 0.38%, 0.56%

LAB 54.82, 44.17, -31.31

 

CMYK 2 / 50 / 0 / 35

HEX #A354A7

RGB 163 84 167

HSL 297.11, 0.33%, 0.49%

LAB 48.16, 44.89, -30.81

 

CMYK 1 / 55 / 0 / 42

HEX #924294

RGB 146 66 148

HSL 298.54, 0.38%, 0.42%

LAB 41.45, 45.49, -30.15

 

CMYK 4 / 38 / 0 / 13

HEX #D58ADF

RGB 213 138 223

HSL 292.94, 0.57%, 0.71%

LAB 67.76, 42.17, -31.78

 

CMYK 0 / 38 / 6 / 13

HEX #DF8AD2

RGB 223 138 210

HSL 309.18, 0.57%, 0.71%

LAB 68.4, 42.91, -23.5

 

CMYK 0 / 38 / 16 / 13

HEX #DF8ABB

RGB 223 138 187

HSL 325.41, 0.57%, 0.71%

LAB 67.62, 39.11, -11.85

 

CMYK 0 / 38 / 26 / 13

HEX #DF8AA4

RGB 223 138 164

HSL 341.65, 0.57%, 0.71%

LAB 66.93, 35.71, 0.06

 

CMYK 0 / 38 / 37 / 13

HEX #DF8A8D

RGB 223 138 141

HSL 357.88, 0.57%, 0.71%

LAB 66.36, 32.76, 12.19

 

CMYK 4 / 38 / 0 / 13

HEX #D58ADF

RGB 213 138 223

HSL 292.94, 0.57%, 0.71%

LAB 67.76, 42.17, -31.78

 

CMYK 15 / 38 / 0 / 13

HEX #BE8ADF

RGB 190 138 223

HSL 276.71, 0.57%, 0.71%

LAB 65.32, 35.22, -35.76

 

CMYK 25 / 38 / 0 / 13

HEX #A78ADF

RGB 167 138 223

HSL 260.47, 0.57%, 0.71%

LAB 63.11, 28.46, -39.37

 

CMYK 35 / 38 / 0 / 13

HEX #908ADF

RGB 144 138 223

HSL 244.24, 0.57%, 0.71%

LAB 61.16, 22.02, -42.57

 

CMYK 38 / 38 / 0 / 13

HEX #8A8ADF

RGB 138 138 223

HSL 240, 0.57%, 0.71%

LAB 60.7, 20.42, -43.33

 

CMYK 4 / 38 / 0 / 13

HEX #D58ADF

RGB 213 138 223

HSL 292.94, 0.57%, 0.71%

LAB 67.76, 42.17, -31.78

 

CMYK 5 / 46 / 0 / 8

HEX #DF7EEB

RGB 223 126 235

HSL 293.39, 0.73%, 0.71%

LAB 66.98, 53.57, -39.54

 

CMYK 6 / 54 / 0 / 3

HEX #E872F7

RGB 232 114 247

HSL 293.23, 0.89%, 0.71%

LAB 66.45, 64, -46.91

 

CMYK 4 / 38 / 0 / 13

HEX #D58ADF

RGB 213 138 223

HSL 292.94, 0.57%, 0.71%

LAB 67.76, 42.17, -31.78

 

CMYK 3 / 29 / 0 / 17

HEX #CC96D3

RGB 204 150 211

HSL 293.11, 0.41%, 0.71%

LAB 69.01, 30.56, -23.31

 

CMYK 3 / 19 / 0 / 22

HEX #C3A2C8

RGB 195 162 200

HSL 292.11, 0.26%, 0.71%

LAB 70.6, 18.85, -14.89

 

CMYK 1 / 7 / 0 / 26

HEX #BAAEBC

RGB 186 174 188

HSL 291.43, 0.09%, 0.71%

LAB 72.46, 6.86, -5.6

 

CMYK 5 / 0 / 5 / 27

HEX #B1BAB0

RGB 177 186 176

HSL 114, 0.07%, 0.71%

LAB 74.57, -5, 3.98

 

CMYK 25 / 38 / 0 / 13

HEX #A88ADF

RGB 168 138 223

HSL 261.18, 0.57%, 0.71%

LAB 63.2, 28.74, -39.23

 

CMYK 14 / 38 / 0 / 13

HEX #BF8ADF

RGB 191 138 223

HSL 277.41, 0.57%, 0.71%

LAB 65.42, 35.52, -35.6

 

CMYK 4 / 38 / 0 / 13

HEX #D58ADF

RGB 213 138 223

HSL 292.94, 0.57%, 0.71%

LAB 67.76, 42.17, -31.78

 

CMYK 0 / 38 / 5 / 13

HEX #DF8AD3

RGB 223 138 211

HSL 308.47, 0.57%, 0.71%

LAB 68.44, 43.08, -24

 

CMYK 0 / 38 / 16 / 13

HEX #DF8ABC

RGB 223 138 188

HSL 324.71, 0.57%, 0.71%

LAB 67.65, 39.27, -12.36

 

CMYK 7 / 65 / 0 / 19

HEX #BF48CE

RGB 191 72 206

HSL 293.28, 0.58%, 0.55%

LAB 52.03, 64.98, -47.09

 

CMYK 6 / 51 / 0 / 16

HEX #CA69D7

RGB 202 105 215

HSL 292.91, 0.58%, 0.63%

LAB 59.49, 54.44, -40.3

 

CMYK 4 / 38 / 0 / 13

HEX #D58ADF

RGB 213 138 223

HSL 292.94, 0.57%, 0.71%

LAB 67.76, 42.17, -31.78

 

CMYK 3 / 27 / 0 / 9

HEX #E1AAE8

RGB 225 170 232

HSL 293.23, 0.57%, 0.79%

LAB 76.43, 30.51, -23.3

 

CMYK 2 / 16 / 0 / 5

HEX #ECCBF1

RGB 236 203 241

HSL 292.11, 0.58%, 0.87%

LAB 85.45, 18.13, -14.4

 

CMYK 4 / 38 / 0 / 12

HEX #D68AE0

RGB 214 138 224

HSL 293.02, 0.58%, 0.71%

LAB 67.91, 42.67, -32.09

 

CMYK 0 / 35 / 38 / 13

HEX #DF918A

RGB 223 145 138

HSL 4.94, 0.57%, 0.71%

LAB 67.85, 28.68, 15.96

 

CMYK 38 / 0 / 20 / 13

HEX #8ADFB3

RGB 138 223 179

HSL 148.94, 0.57%, 0.71%

LAB 82.61, -35.33, 13.55

 

CMYK 4 / 38 / 0 / 12

HEX #D68AE0

RGB 214 138 224

HSL 293.02, 0.58%, 0.71%

LAB 67.91, 42.67, -32.09

 

CMYK 0 / 4 / 38 / 13

HEX #DFD58A

RGB 223 213 138

HSL 52.94, 0.57%, 0.71%

LAB 84.54, -7.3, 38.31

 

CMYK 38 / 0 / 4 / 13

HEX #8ADFD5

RGB 138 223 213

HSL 172.94, 0.57%, 0.71%

LAB 83.43, -28, -3.23

 

CMYK 4 / 38 / 0 / 12

HEX #D68AE0

RGB 214 138 224

HSL 293.02, 0.58%, 0.71%

LAB 67.91, 42.67, -32.09

 

CMYK 0 / 35 / 38 / 13

HEX #DF918A

RGB 223 145 138

HSL 4.94, 0.57%, 0.71%

LAB 67.85, 28.68, 15.96

 

CMYK 34 / 0 / 38 / 13

HEX #94DF8A

RGB 148 223 138

HSL 112.94, 0.57%, 0.71%

LAB 82.33, -39.43, 34.48

 

CMYK 38 / 3 / 0 / 13

HEX #8AD8DF

RGB 138 216 223

HSL 184.94, 0.57%, 0.71%

LAB 81.75, -22.19, -11.04

 

CMYK 4 / 38 / 0 / 12

HEX #D68AE0

RGB 214 138 224

HSL 293.02, 0.58%, 0.71%

LAB 67.91, 42.67, -32.09

 

CMYK 0 / 23 / 38 / 13

HEX #DFAB8A

RGB 223 171 138

HSL 23.29, 0.57%, 0.71%

LAB 73.96, 14.72, 24.34

 

CMYK 34 / 0 / 38 / 13

HEX #94DF8A

RGB 148 223 138

HSL 112.94, 0.57%, 0.71%

LAB 82.33, -39.43, 34.48

 

CMYK 38 / 14 / 0 / 13

HEX #8ABFDF

RGB 138 191 223

HSL 202.59, 0.57%, 0.71%

LAB 74.82, -9.33, -21.48

 

Description

Color code: HEX #D68AE0 | qconv.com Color code: HEX #D68AE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 138 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 138 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 38 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 38% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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