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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D67F79 it is the complementary color #298086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D67F79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D67F79 shade: #DB7F74, #EC9187, #FDA39A, #FFB5AD and #FFC7C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D67F79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D67F79 shade: #D67F79, #C56D66, #B45B53, #A34940 and #92372D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D67F79 shade: #D6807A and #D67A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D67F79 shade: #D6807A, #D6997A, #D6B17A, #D6CA7A and #C9D67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D67F79 shade matches the following richer shades: #D6807A, #E4746C and #F2675E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D67F79 shade: #D6807A, #C88C88, #BA9896, #ACA4A4 and #9EB1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D67F79 shade: #D67AA6, #D67A8E, #D67E7A, #D6977A and #D6AF7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D67F79 shade: #C2443B, #CC625A, #D6807A, #DF9E99 and #E9BCB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D67F79 shade: #D67F79, #BFD67A and #7A9AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D67F79 shade: #D67F79, #7AD67E and #7E7AD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D67F79 shade: #D67F79, #BFD67A, #7AD1D6 and #917AD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D67F79 shade: #D67F79, #A3D67A, #7AD1D6 and #AC7AD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 43 / 16

HEX #D67F79

RGB 214 127 121

HSL 3.87, 0.53%, 0.66%

LAB 62.39, 32.95, 17.79

 

Complementary color

CMYK 69 / 4 / 0 / 47

HEX #298086

RGB 41 128 134

HSL 183.87, 0.53%, 0.34%

LAB 49.05, -23.17, -10.77

 

CMYK 0 / 42 / 47 / 14

HEX #DB7F74

RGB 219 127 116

HSL 6.41, 0.59%, 0.66%

LAB 62.93, 34.35, 21.46

 

CMYK 0 / 39 / 43 / 7

HEX #EC9187

RGB 236 145 135

HSL 5.94, 0.73%, 0.73%

LAB 69.35, 33.28, 19.94

 

CMYK 0 / 36 / 39 / 1

HEX #FDA39A

RGB 253 163 154

HSL 5.45, 0.96%, 0.8%

LAB 75.71, 32.29, 18.58

 

CMYK 0 / 29 / 32 / 0

HEX #FFB5AD

RGB 255 181 173

HSL 5.85, 1%, 0.84%

LAB 80.36, 25.85, 14.82

 

CMYK 0 / 22 / 25 / 0

HEX #FFC7C0

RGB 255 199 192

HSL 6.67, 1%, 0.88%

LAB 84.95, 18.91, 11.15

 

CMYK 0 / 41 / 43 / 16

HEX #D67F79

RGB 214 127 121

HSL 3.87, 0.53%, 0.66%

LAB 62.39, 32.95, 17.79

 

CMYK 0 / 45 / 48 / 23

HEX #C56D66

RGB 197 109 102

HSL 4.42, 0.45%, 0.59%

LAB 55.85, 34.06, 19.39

 

CMYK 0 / 49 / 54 / 29

HEX #B45B53

RGB 180 91 83

HSL 4.95, 0.39%, 0.52%

LAB 49.26, 35.26, 21.25

 

CMYK 0 / 55 / 61 / 36

HEX #A34940

RGB 163 73 64

HSL 5.45, 0.44%, 0.45%

LAB 42.65, 36.53, 23.45

 

CMYK 0 / 62 / 69 / 43

HEX #92372D

RGB 146 55 45

HSL 5.94, 0.53%, 0.37%

LAB 36.05, 37.78, 26.12

 

CMYK 0 / 40 / 43 / 16

HEX #D6807A

RGB 214 128 122

HSL 3.91, 0.53%, 0.66%

LAB 62.63, 32.53, 17.55

 

CMYK 0 / 43 / 43 / 16

HEX #D67A7A

RGB 214 122 122

HSL 0, 0.53%, 0.66%

LAB 61.33, 35.7, 15.75

 

CMYK 0 / 40 / 43 / 16

HEX #D6807A

RGB 214 128 122

HSL 3.91, 0.53%, 0.66%

LAB 62.63, 32.53, 17.55

 

CMYK 0 / 29 / 43 / 16

HEX #D6997A

RGB 214 153 122

HSL 20.22, 0.53%, 0.66%

LAB 68.38, 19.06, 25.35

 

CMYK 0 / 17 / 43 / 16

HEX #D6B17A

RGB 214 177 122

HSL 35.87, 0.53%, 0.66%

LAB 74.28, 6.14, 33.13

 

CMYK 0 / 6 / 43 / 16

HEX #D6CA7A

RGB 214 202 122

HSL 52.17, 0.53%, 0.66%

LAB 80.71, -6.95, 41.34

 

CMYK 6 / 0 / 43 / 16

HEX #C9D67A

RGB 201 214 122

HSL 68.48, 0.53%, 0.66%

LAB 82.87, -18.15, 43.83

 

CMYK 0 / 40 / 43 / 16

HEX #D6807A

RGB 214 128 122

HSL 3.91, 0.53%, 0.66%

LAB 62.63, 32.53, 17.55

 

CMYK 0 / 49 / 53 / 11

HEX #E4746C

RGB 228 116 108

HSL 4, 0.69%, 0.66%

LAB 61.71, 42.66, 24.56

 

CMYK 0 / 57 / 61 / 5

HEX #F2675E

RGB 242 103 94

HSL 3.65, 0.85%, 0.66%

LAB 61.12, 52.87, 32.09

 

CMYK 0 / 40 / 43 / 16

HEX #D6807A

RGB 214 128 122

HSL 3.91, 0.53%, 0.66%

LAB 62.63, 32.53, 17.55

 

CMYK 0 / 30 / 32 / 22

HEX #C88C88

RGB 200 140 136

HSL 3.75, 0.37%, 0.66%

LAB 64.01, 22.31, 11.31

 

CMYK 0 / 18 / 19 / 27

HEX #BA9896

RGB 186 152 150

HSL 3.33, 0.21%, 0.66%

LAB 65.82, 12.33, 5.82

 

CMYK 0 / 5 / 5 / 33

HEX #ACA4A4

RGB 172 164 164

HSL 0, 0.05%, 0.66%

LAB 68.02, 2.88, 1.02

 

CMYK 11 / 1 / 0 / 30

HEX #9EB1B2

RGB 158 177 178

HSL 183, 0.11%, 0.66%

LAB 70.82, -6.34, -2.75

 

CMYK 0 / 43 / 22 / 16

HEX #D67AA6

RGB 214 122 166

HSL 331.3, 0.53%, 0.66%

LAB 62.48, 41.27, -7.76

 

CMYK 0 / 43 / 34 / 16

HEX #D67A8E

RGB 214 122 142

HSL 346.96, 0.53%, 0.66%

LAB 61.8, 38.02, 4.97

 

CMYK 0 / 41 / 43 / 16

HEX #D67E7A

RGB 214 126 122

HSL 2.61, 0.53%, 0.66%

LAB 62.19, 33.59, 16.95

 

CMYK 0 / 29 / 43 / 16

HEX #D6977A

RGB 214 151 122

HSL 18.91, 0.53%, 0.66%

LAB 67.9, 20.14, 24.71

 

CMYK 0 / 18 / 43 / 16

HEX #D6AF7A

RGB 214 175 122

HSL 34.57, 0.53%, 0.66%

LAB 73.78, 7.21, 32.48

 

CMYK 0 / 65 / 70 / 24

HEX #C2443B

RGB 194 68 59

HSL 4, 0.53%, 0.5%

LAB 46.87, 49.82, 32.77

 

CMYK 0 / 52 / 56 / 20

HEX #CC625A

RGB 204 98 90

HSL 4.21, 0.53%, 0.58%

LAB 54.36, 41.34, 24.52

 

CMYK 0 / 40 / 43 / 16

HEX #D6807A

RGB 214 128 122

HSL 3.91, 0.53%, 0.66%

LAB 62.63, 32.53, 17.55

 

CMYK 0 / 29 / 31 / 13

HEX #DF9E99

RGB 223 158 153

HSL 4.29, 0.52%, 0.74%

LAB 71.17, 23.55, 12.29

 

CMYK 0 / 19 / 21 / 9

HEX #E9BCB9

RGB 233 188 185

HSL 3.75, 0.52%, 0.82%

LAB 80.06, 15.67, 7.63

 

CMYK 0 / 41 / 43 / 16

HEX #D67F79

RGB 214 127 121

HSL 3.87, 0.53%, 0.66%

LAB 62.39, 32.95, 17.79

 

CMYK 11 / 0 / 43 / 16

HEX #BFD67A

RGB 191 214 122

HSL 75, 0.53%, 0.66%

LAB 82.15, -22.02, 42.77

 

CMYK 43 / 28 / 0 / 16

HEX #7A9AD6

RGB 122 154 214

HSL 219.13, 0.53%, 0.66%

LAB 63.43, 4.45, -34.13

 

CMYK 0 / 41 / 43 / 16

HEX #D67F79

RGB 214 127 121

HSL 3.87, 0.53%, 0.66%

LAB 62.39, 32.95, 17.79

 

CMYK 43 / 0 / 41 / 16

HEX #7AD67E

RGB 122 214 126

HSL 122.61, 0.53%, 0.66%

LAB 78.31, -45.28, 35.08

 

CMYK 41 / 43 / 0 / 16

HEX #7E7AD6

RGB 126 122 214

HSL 242.61, 0.53%, 0.66%

LAB 55.29, 24.23, -46.9

 

CMYK 0 / 41 / 43 / 16

HEX #D67F79

RGB 214 127 121

HSL 3.87, 0.53%, 0.66%

LAB 62.39, 32.95, 17.79

 

CMYK 11 / 0 / 43 / 16

HEX #BFD67A

RGB 191 214 122

HSL 75, 0.53%, 0.66%

LAB 82.15, -22.02, 42.77

 

CMYK 43 / 2 / 0 / 16

HEX #7AD1D6

RGB 122 209 214

HSL 183.26, 0.53%, 0.66%

LAB 78.81, -24.92, -10.7

 

CMYK 32 / 43 / 0 / 16

HEX #917AD6

RGB 145 122 214

HSL 255, 0.53%, 0.66%

LAB 56.87, 29.22, -44.28

 

CMYK 0 / 41 / 43 / 16

HEX #D67F79

RGB 214 127 121

HSL 3.87, 0.53%, 0.66%

LAB 62.39, 32.95, 17.79

 

CMYK 24 / 0 / 43 / 16

HEX #A3D67A

RGB 163 214 122

HSL 93.26, 0.53%, 0.66%

LAB 80.34, -32.42, 40.11

 

CMYK 43 / 2 / 0 / 16

HEX #7AD1D6

RGB 122 209 214

HSL 183.26, 0.53%, 0.66%

LAB 78.81, -24.92, -10.7

 

CMYK 20 / 43 / 0 / 16

HEX #AC7AD6

RGB 172 122 214

HSL 272.61, 0.53%, 0.66%

LAB 59.48, 36.81, -40.01

 

Description

Color code: HEX #D67F79 | qconv.com Color code: HEX #D67F79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 127 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 127 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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