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Color name
HEX #D6712A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6712A it is the complementary color #298ED5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6712A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6712A shade: #DB7125, #EC8338, #FD954B, #FFA75E and #FFB971

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6712A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6712A shade: #D6712A, #C55F17, #B44D04, #A33B00 and #922900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6712A shade: #D67028, #D64128 and #D62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6712A shade: #D67028, #D69F28, #D6CD28, #AFD628 and #80D628

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6712A shade matches the following richer shades: #D67028 and #EA6C14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6712A shade: #D67028, #C1733D, #AC7752, #987B66 and #837E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6712A shade: #D6283F, #D63F28, #D66E28, #D69C28 and #D6CA28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6712A shade: #904C1B, #B35E22, #D67028, #DC874B and #E39E6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6712A shade: #D6712A, #6ED628 and #2828D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6712A shade: #D6712A, #28D66E and #6E28D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6712A shade: #D6712A, #6ED628, #2890D6 and #9028D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6712A shade: #D6712A, #3AD628, #2890D6 and #C428D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 80 / 16

HEX #D6712A

RGB 214 113 42

HSL 24.77, 0.68%, 0.5%

LAB 58.3, 34.89, 54.31

 

Complementary color

CMYK 81 / 33 / 0 / 16

HEX #298ED5

RGB 41 142 213

HSL 204.77, 0.68%, 0.5%

LAB 56.7, -3.63, -44.35

 

CMYK 0 / 48 / 83 / 14

HEX #DB7125

RGB 219 113 37

HSL 25.05, 0.72%, 0.5%

LAB 58.98, 36.74, 57.21

 

CMYK 0 / 44 / 76 / 7

HEX #EC8338

RGB 236 131 56

HSL 25, 0.83%, 0.57%

LAB 65.24, 34.92, 56.01

 

CMYK 0 / 41 / 70 / 1

HEX #FD954B

RGB 253 149 75

HSL 24.94, 0.98%, 0.64%

LAB 71.48, 33.25, 54.49

 

CMYK 0 / 35 / 63 / 0

HEX #FFA75E

RGB 255 167 94

HSL 27.2, 1%, 0.68%

LAB 75.89, 25.77, 50.36

 

CMYK 0 / 27 / 56 / 0

HEX #FFB971

RGB 255 185 113

HSL 30.42, 1%, 0.72%

LAB 80.26, 17.7, 46.16

 

CMYK 0 / 47 / 80 / 16

HEX #D6712A

RGB 214 113 42

HSL 24.77, 0.68%, 0.5%

LAB 58.3, 34.89, 54.31

 

CMYK 0 / 52 / 88 / 23

HEX #C55F17

RGB 197 95 23

HSL 24.83, 0.79%, 0.43%

LAB 51.97, 36.82, 55.11

 

CMYK 0 / 57 / 98 / 29

HEX #B44D04

RGB 180 77 4

HSL 24.89, 0.96%, 0.36%

LAB 45.66, 38.86, 54.61

 

CMYK 0 / 64 / 100 / 36

HEX #A33B00

RGB 163 59 0

HSL 21.72, 1%, 0.32%

LAB 39.44, 40.92, 50.73

 

CMYK 0 / 72 / 100 / 43

HEX #922900

RGB 146 41 0

HSL 16.85, 1%, 0.29%

LAB 33.34, 42.57, 45.77

 

CMYK 0 / 48 / 81 / 16

HEX #D67028

RGB 214 112 40

HSL 24.83, 0.69%, 0.5%

LAB 58.07, 35.34, 54.94

 

CMYK 0 / 70 / 81 / 16

HEX #D64128

RGB 214 65 40

HSL 8.62, 0.69%, 0.5%

LAB 49.77, 56.94, 47.22

 

CMYK 0 / 81 / 81 / 16

HEX #D62828

RGB 214 40 40

HSL 0, 0.69%, 0.5%

LAB 46.93, 64.86, 44.5

 

CMYK 0 / 48 / 81 / 16

HEX #D67028

RGB 214 112 40

HSL 24.83, 0.69%, 0.5%

LAB 58.07, 35.34, 54.94

 

CMYK 0 / 26 / 81 / 16

HEX #D69F28

RGB 214 159 40

HSL 41.03, 0.69%, 0.5%

LAB 68.93, 10.22, 64.64

 

CMYK 0 / 4 / 81 / 16

HEX #D6CD28

RGB 214 205 40

HSL 56.9, 0.69%, 0.5%

LAB 80.8, -13.76, 74.92

 

CMYK 18 / 0 / 81 / 16

HEX #AFD628

RGB 175 214 40

HSL 73.45, 0.69%, 0.5%

LAB 80.38, -34.27, 73.42

 

CMYK 40 / 0 / 81 / 16

HEX #80D628

RGB 128 214 40

HSL 89.66, 0.69%, 0.5%

LAB 77.78, -51.62, 70.12

 

CMYK 0 / 48 / 81 / 16

HEX #D67028

RGB 214 112 40

HSL 24.83, 0.69%, 0.5%

LAB 58.07, 35.34, 54.94

 

CMYK 0 / 54 / 91 / 8

HEX #EA6C14

RGB 234 108 20

HSL 24.67, 0.84%, 0.5%

LAB 60.13, 44.73, 64.55

 

CMYK 0 / 48 / 81 / 16

HEX #D67028

RGB 214 112 40

HSL 24.83, 0.69%, 0.5%

LAB 58.07, 35.34, 54.94

 

CMYK 0 / 40 / 68 / 24

HEX #C1733D

RGB 193 115 61

HSL 24.55, 0.52%, 0.5%

LAB 56.02, 26.03, 42.16

 

CMYK 0 / 31 / 52 / 33

HEX #AC7752

RGB 172 119 82

HSL 24.67, 0.35%, 0.5%

LAB 54.63, 16.49, 28.59

 

CMYK 0 / 19 / 33 / 40

HEX #987B66

RGB 152 123 102

HSL 25.2, 0.2%, 0.5%

LAB 53.81, 8.06, 15.73

 

CMYK 0 / 4 / 6 / 49

HEX #837E7B

RGB 131 126 123

HSL 22.5, 0.03%, 0.5%

LAB 53.14, 1.32, 2.3

 

CMYK 0 / 81 / 71 / 16

HEX #D6283F

RGB 214 40 63

HSL 352.07, 0.69%, 0.5%

LAB 47.2, 65.69, 31.71

 

CMYK 0 / 71 / 81 / 16

HEX #D63F28

RGB 214 63 40

HSL 7.93, 0.69%, 0.5%

LAB 49.5, 57.69, 46.97

 

CMYK 0 / 49 / 81 / 16

HEX #D66E28

RGB 214 110 40

HSL 24.14, 0.69%, 0.5%

LAB 57.66, 36.37, 54.56

 

CMYK 0 / 27 / 81 / 16

HEX #D69C28

RGB 214 156 40

HSL 40, 0.69%, 0.5%

LAB 68.19, 11.83, 63.98

 

CMYK 0 / 6 / 81 / 16

HEX #D6CA28

RGB 214 202 40

HSL 55.86, 0.69%, 0.5%

LAB 80.01, -12.26, 74.24

 

CMYK 0 / 47 / 81 / 44

HEX #904C1B

RGB 144 76 27

HSL 25.13, 0.68%, 0.34%

LAB 39.88, 24.98, 39.94

 

CMYK 0 / 47 / 81 / 30

HEX #B35E22

RGB 179 94 34

HSL 24.83, 0.68%, 0.42%

LAB 49.14, 30.29, 47.38

 

CMYK 0 / 48 / 81 / 16

HEX #D67028

RGB 214 112 40

HSL 24.83, 0.69%, 0.5%

LAB 58.07, 35.34, 54.94

 

CMYK 0 / 39 / 66 / 14

HEX #DC874B

RGB 220 135 75

HSL 24.83, 0.67%, 0.58%

LAB 64.2, 27.27, 45.25

 

CMYK 0 / 30 / 52 / 11

HEX #E39E6E

RGB 227 158 110

HSL 24.62, 0.68%, 0.66%

LAB 70.81, 20.42, 35.27

 

CMYK 0 / 47 / 80 / 16

HEX #D6712A

RGB 214 113 42

HSL 24.77, 0.68%, 0.5%

LAB 58.3, 34.89, 54.31

 

CMYK 49 / 0 / 81 / 16

HEX #6ED628

RGB 110 214 40

HSL 95.86, 0.69%, 0.5%

LAB 77.02, -57.28, 69.15

 

CMYK 81 / 81 / 0 / 16

HEX #2828D6

RGB 40 40 214

HSL 240, 0.69%, 0.5%

LAB 31.4, 58.29, -85.99

 

CMYK 0 / 47 / 80 / 16

HEX #D6712A

RGB 214 113 42

HSL 24.77, 0.68%, 0.5%

LAB 58.3, 34.89, 54.31

 

CMYK 81 / 0 / 49 / 16

HEX #28D66E

RGB 40 214 110

HSL 144.14, 0.69%, 0.5%

LAB 75.87, -64.33, 39.49

 

CMYK 49 / 81 / 0 / 16

HEX #6E28D6

RGB 110 40 214

HSL 264.14, 0.69%, 0.5%

LAB 37.28, 64.38, -76.09

 

CMYK 0 / 47 / 80 / 16

HEX #D6712A

RGB 214 113 42

HSL 24.77, 0.68%, 0.5%

LAB 58.3, 34.89, 54.31

 

CMYK 49 / 0 / 81 / 16

HEX #6ED628

RGB 110 214 40

HSL 95.86, 0.69%, 0.5%

LAB 77.02, -57.28, 69.15

 

CMYK 81 / 33 / 0 / 16

HEX #2890D6

RGB 40 144 214

HSL 204.14, 0.69%, 0.5%

LAB 57.32, -4.52, -43.93

 

CMYK 33 / 81 / 0 / 16

HEX #9028D6

RGB 144 40 214

HSL 275.86, 0.69%, 0.5%

LAB 41.69, 69.09, -68.68

 

CMYK 0 / 47 / 80 / 16

HEX #D6712A

RGB 214 113 42

HSL 24.77, 0.68%, 0.5%

LAB 58.3, 34.89, 54.31

 

CMYK 73 / 0 / 81 / 16

HEX #3AD628

RGB 58 214 40

HSL 113.79, 0.69%, 0.5%

LAB 75.54, -69.28, 67.25

 

CMYK 81 / 33 / 0 / 16

HEX #2890D6

RGB 40 144 214

HSL 204.14, 0.69%, 0.5%

LAB 57.32, -4.52, -43.93

 

CMYK 8 / 81 / 0 / 16

HEX #C428D6

RGB 196 40 214

HSL 293.79, 0.69%, 0.5%

LAB 49.63, 77.75, -55.45

 

Description

Color code: HEX #D6712A | qconv.com Color code: HEX #D6712A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 113 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 113 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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