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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D66BE0 it is the complementary color #29941F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D66BE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D66BE0 shade: #DB6BDB, #EC7DEE, #FD8FFF, #FFA1FF and #FFB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D66BE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D66BE0 shade: #D66BE0, #C559CD, #B447BA, #A335A7 and #922394

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D66BE0 shade: #D56BDF, #DF6BCA, #DF6BAB, #DF6B8B and #DF6B6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D66BE0 shade: #D56BDF, #B66BDF, #976BDF, #776BDF and #6B6BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D66BE0 shade matches the following richer shades: #D56BDF, #E15DEE and #ED4EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D66BE0 shade: #D56BDF, #C97AD1, #BD88C2, #B197B4 and #A5A5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D66BE0 shade: #966BDF, #B56BDF, #D46BDF, #DF6BCC and #DF6BAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D66BE0 shade: #BF2BCD, #CC49D8, #D56BDF, #DF8DE6 and #E8AFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D66BE0 shade: #D66BE0, #DF776B and #6BDFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D66BE0 shade: #D66BE0, #DFD46B and #6BDFD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D66BE0 shade: #D66BE0, #DF776B, #77DF6B and #6BD4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D66BE0 shade: #D66BE0, #DF9A6B, #77DF6B and #6BB1DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 52 / 0 / 12

HEX #D66BE0

RGB 214 107 224

HSL 294.87, 0.65%, 0.65%

LAB 61.82, 58.39, -41.59

 

Complementary color

CMYK 72 / 0 / 79 / 42

HEX #29941F

RGB 41 148 31

HSL 114.87, 0.65%, 0.35%

LAB 53.76, -51.6, 49.26

 

CMYK 0 / 51 / 0 / 14

HEX #DB6BDB

RGB 219 107 219

HSL 300, 0.61%, 0.64%

LAB 62.25, 58.84, -38.08

 

CMYK 1 / 47 / 0 / 7

HEX #EC7DEE

RGB 236 125 238

HSL 298.94, 0.77%, 0.71%

LAB 68.51, 58.24, -38.68

 

CMYK 1 / 44 / 0 / 0

HEX #FD8FFF

RGB 253 143 255

HSL 298.93, 1%, 0.78%

LAB 74.67, 57.22, -38.23

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 4 / 52 / 0 / 12

HEX #D66BE0

RGB 214 107 224

HSL 294.87, 0.65%, 0.65%

LAB 61.82, 58.39, -41.59

 

CMYK 4 / 57 / 0 / 20

HEX #C559CD

RGB 197 89 205

HSL 295.86, 0.54%, 0.58%

LAB 55.51, 58.89, -40.95

 

CMYK 3 / 62 / 0 / 27

HEX #B447BA

RGB 180 71 186

HSL 296.87, 0.45%, 0.5%

LAB 49.2, 59.18, -40.13

 

CMYK 2 / 68 / 0 / 35

HEX #A335A7

RGB 163 53 167

HSL 297.89, 0.52%, 0.43%

LAB 42.95, 59.08, -39.01

 

CMYK 1 / 76 / 0 / 42

HEX #922394

RGB 146 35 148

HSL 298.94, 0.62%, 0.36%

LAB 36.84, 58.31, -37.43

 

CMYK 4 / 52 / 0 / 13

HEX #D56BDF

RGB 213 107 223

HSL 294.83, 0.64%, 0.65%

LAB 61.64, 57.94, -41.31

 

CMYK 0 / 52 / 9 / 13

HEX #DF6BCA

RGB 223 107 202

HSL 310.86, 0.64%, 0.65%

LAB 62.06, 57.11, -28.76

 

CMYK 0 / 52 / 23 / 13

HEX #DF6BAB

RGB 223 107 171

HSL 326.9, 0.64%, 0.65%

LAB 60.91, 52.45, -12.85

 

CMYK 0 / 52 / 38 / 13

HEX #DF6B8B

RGB 223 107 139

HSL 343.45, 0.64%, 0.65%

LAB 59.95, 48.41, 4.19

 

CMYK 0 / 52 / 52 / 13

HEX #DF6B6C

RGB 223 107 108

HSL 359.48, 0.64%, 0.65%

LAB 59.24, 45.31, 21.13

 

CMYK 4 / 52 / 0 / 13

HEX #D56BDF

RGB 213 107 223

HSL 294.83, 0.64%, 0.65%

LAB 61.64, 57.94, -41.31

 

CMYK 18 / 52 / 0 / 13

HEX #B66BDF

RGB 182 107 223

HSL 278.79, 0.64%, 0.65%

LAB 57.84, 49.66, -47.58

 

CMYK 32 / 52 / 0 / 13

HEX #976BDF

RGB 151 107 223

HSL 262.76, 0.64%, 0.65%

LAB 54.47, 41.67, -53.13

 

CMYK 47 / 52 / 0 / 13

HEX #776BDF

RGB 119 107 223

HSL 246.21, 0.64%, 0.65%

LAB 51.57, 34.09, -57.94

 

CMYK 52 / 52 / 0 / 13

HEX #6B6BDF

RGB 107 107 223

HSL 240, 0.64%, 0.65%

LAB 50.65, 31.53, -59.47

 

CMYK 4 / 52 / 0 / 13

HEX #D56BDF

RGB 213 107 223

HSL 294.83, 0.64%, 0.65%

LAB 61.64, 57.94, -41.31

 

CMYK 5 / 61 / 0 / 7

HEX #E15DEE

RGB 225 93 238

HSL 294.62, 0.81%, 0.65%

LAB 61.66, 69.95, -49.55

 

CMYK 6 / 69 / 0 / 1

HEX #ED4EFC

RGB 237 78 252

HSL 294.83, 0.97%, 0.65%

LAB 62.07, 80.71, -56.56

 

CMYK 4 / 52 / 0 / 13

HEX #D56BDF

RGB 213 107 223

HSL 294.83, 0.64%, 0.65%

LAB 61.64, 57.94, -41.31

 

CMYK 4 / 42 / 0 / 18

HEX #C97AD1

RGB 201 122 209

HSL 294.48, 0.49%, 0.65%

LAB 62.46, 44.33, -32.31

 

CMYK 3 / 30 / 0 / 24

HEX #BD88C2

RGB 189 136 194

HSL 294.83, 0.32%, 0.65%

LAB 63.61, 30.08, -22.21

 

CMYK 2 / 16 / 0 / 29

HEX #B197B4

RGB 177 151 180

HSL 293.79, 0.16%, 0.65%

LAB 65.57, 14.9, -11.49

 

CMYK 33 / 52 / 0 / 13

HEX #966BDF

RGB 150 107 223

HSL 262.24, 0.64%, 0.65%

LAB 54.37, 41.42, -53.3

 

CMYK 19 / 52 / 0 / 13

HEX #B56BDF

RGB 181 107 223

HSL 278.28, 0.64%, 0.65%

LAB 57.72, 49.4, -47.77

 

CMYK 5 / 52 / 0 / 13

HEX #D46BDF

RGB 212 107 223

HSL 294.31, 0.64%, 0.65%

LAB 61.52, 57.67, -41.53

 

CMYK 0 / 52 / 9 / 13

HEX #DF6BCC

RGB 223 107 204

HSL 309.83, 0.64%, 0.65%

LAB 62.14, 57.43, -29.77

 

CMYK 0 / 52 / 22 / 13

HEX #DF6BAD

RGB 223 107 173

HSL 325.86, 0.64%, 0.65%

LAB 60.98, 52.73, -13.9

 

CMYK 7 / 79 / 0 / 20

HEX #BF2BCD

RGB 191 43 205

HSL 294.81, 0.65%, 0.49%

LAB 48.53, 74.6, -52.1

 

CMYK 6 / 66 / 0 / 15

HEX #CC49D8

RGB 204 73 216

HSL 294.97, 0.65%, 0.57%

LAB 54.62, 69.31, -48.55

 

CMYK 4 / 52 / 0 / 13

HEX #D56BDF

RGB 213 107 223

HSL 294.83, 0.64%, 0.65%

LAB 61.64, 57.94, -41.31

 

CMYK 3 / 39 / 0 / 10

HEX #DF8DE6

RGB 223 141 230

HSL 295.28, 0.64%, 0.73%

LAB 69.79, 44.94, -32.42

 

CMYK 3 / 26 / 0 / 7

HEX #E8AFEE

RGB 232 175 238

HSL 294.29, 0.65%, 0.81%

LAB 78.46, 31.2, -23.4

 

CMYK 4 / 52 / 0 / 12

HEX #D66BE0

RGB 214 107 224

HSL 294.87, 0.65%, 0.65%

LAB 61.82, 58.39, -41.59

 

CMYK 0 / 47 / 52 / 13

HEX #DF776B

RGB 223 119 107

HSL 6.21, 0.64%, 0.65%

LAB 61.61, 39.19, 24.86

 

CMYK 52 / 0 / 26 / 13

HEX #6BDFA5

RGB 107 223 165

HSL 150, 0.64%, 0.65%

LAB 81.08, -46.14, 18.58

 

CMYK 4 / 52 / 0 / 12

HEX #D66BE0

RGB 214 107 224

HSL 294.87, 0.65%, 0.65%

LAB 61.82, 58.39, -41.59

 

CMYK 0 / 5 / 52 / 13

HEX #DFD46B

RGB 223 212 107

HSL 54.31, 0.64%, 0.65%

LAB 83.88, -9.79, 52.67

 

CMYK 52 / 0 / 5 / 13

HEX #6BDFD4

RGB 107 223 212

HSL 174.31, 0.64%, 0.65%

LAB 82.19, -35.48, -4.67

 

CMYK 4 / 52 / 0 / 12

HEX #D66BE0

RGB 214 107 224

HSL 294.87, 0.65%, 0.65%

LAB 61.82, 58.39, -41.59

 

CMYK 0 / 47 / 52 / 13

HEX #DF776B

RGB 223 119 107

HSL 6.21, 0.64%, 0.65%

LAB 61.61, 39.19, 24.86

 

CMYK 47 / 0 / 52 / 13

HEX #77DF6B

RGB 119 223 107

HSL 113.79, 0.64%, 0.65%

LAB 80.6, -52.47, 47.23

 

CMYK 52 / 5 / 0 / 13

HEX #6BD4DF

RGB 107 212 223

HSL 185.69, 0.64%, 0.65%

LAB 79.35, -27.38, -14.76

 

CMYK 4 / 52 / 0 / 12

HEX #D66BE0

RGB 214 107 224

HSL 294.87, 0.65%, 0.65%

LAB 61.82, 58.39, -41.59

 

CMYK 0 / 31 / 52 / 13

HEX #DF9A6B

RGB 223 154 107

HSL 24.31, 0.64%, 0.65%

LAB 69.37, 20.68, 34.94

 

CMYK 47 / 0 / 52 / 13

HEX #77DF6B

RGB 119 223 107

HSL 113.79, 0.64%, 0.65%

LAB 80.6, -52.47, 47.23

 

CMYK 52 / 21 / 0 / 13

HEX #6BB1DF

RGB 107 177 223

HSL 203.79, 0.64%, 0.65%

LAB 69.4, -9.35, -29.91

 

Description

Color code: HEX #D66BE0 | qconv.com Color code: HEX #D66BE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 107 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 107 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 52 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 52% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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