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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D66081 it is the complementary color #299F7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D66081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D66081 shade: #DB607C, #EC728F, #FD84A2, #FF96B5 and #FFA8C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D66081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D66081 shade: #D66081, #C54E6E, #B43C5B, #A32A48 and #921835

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D66081 shade: #D66081, #D66062 and #D66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D66081 shade: #D66081, #D660A1, #D660C0, #CB60D6 and #AC60D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D66081 shade matches the following richer shades: #D66081, #E6507A and #F64073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D66081 shade: #D66081, #C67088, #B6818F, #A59196 and #95A19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D66081 shade: #D660C0, #D660A1, #D66082, #D66062 and #D67E60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D66081 shade: #B52E54, #CD4067, #D66081, #DE819B and #E7A2B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D66081 shade: #D66081, #D6CC60 and #60B1D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D66081 shade: #D66081, #82D660 and #6082D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D66081 shade: #D66081, #D6CC60, #60D6B4 and #606AD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D66081 shade: #D66081, #BCD660, #60D6B4 and #7A60D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

Complementary color

CMYK 74 / 0 / 21 / 38

HEX #299F7E

RGB 41 159 126

HSL 163.22, 0.59%, 0.39%

LAB 58.76, -40.12, 8.08

 

CMYK 0 / 56 / 43 / 14

HEX #DB607C

RGB 219 96 124

HSL 346.34, 0.63%, 0.62%

LAB 56.96, 50.72, 8.58

 

CMYK 0 / 52 / 39 / 7

HEX #EC728F

RGB 236 114 143

HSL 345.74, 0.76%, 0.69%

LAB 63.22, 49.87, 6.83

 

CMYK 0 / 48 / 36 / 1

HEX #FD84A2

RGB 253 132 162

HSL 345.12, 0.97%, 0.75%

LAB 69.47, 48.98, 5.33

 

CMYK 0 / 41 / 29 / 0

HEX #FF96B5

RGB 255 150 181

HSL 342.29, 1%, 0.79%

LAB 73.81, 42.96, 1.08

 

CMYK 0 / 34 / 22 / 0

HEX #FFA8C8

RGB 255 168 200

HSL 337.93, 1%, 0.83%

LAB 78.13, 36.28, -3.03

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 60 / 44 / 23

HEX #C54E6E

RGB 197 78 110

HSL 343.87, 0.51%, 0.54%

LAB 50.03, 50.3, 6.56

 

CMYK 0 / 67 / 49 / 29

HEX #B43C5B

RGB 180 60 91

HSL 344.5, 0.5%, 0.47%

LAB 43.79, 50.81, 8.92

 

CMYK 0 / 74 / 56 / 36

HEX #A32A48

RGB 163 42 72

HSL 345.12, 0.59%, 0.4%

LAB 37.68, 50.89, 11.89

 

CMYK 0 / 84 / 64 / 43

HEX #921835

RGB 146 24 53

HSL 345.74, 0.72%, 0.33%

LAB 31.86, 50.17, 15.76

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 55 / 54 / 16

HEX #D66062

RGB 214 96 98

HSL 358.98, 0.59%, 0.61%

LAB 55.63, 46.61, 21.83

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 55 / 25 / 16

HEX #D660A1

RGB 214 96 161

HSL 326.95, 0.59%, 0.61%

LAB 57.3, 53.5, -12.63

 

CMYK 0 / 55 / 10 / 16

HEX #D660C0

RGB 214 96 192

HSL 311.19, 0.59%, 0.61%

LAB 58.48, 58.08, -28.71

 

CMYK 5 / 55 / 0 / 16

HEX #CB60D6

RGB 203 96 214

HSL 294.41, 0.59%, 0.61%

LAB 57.96, 58.85, -42.14

 

CMYK 20 / 55 / 0 / 16

HEX #AC60D6

RGB 172 96 214

HSL 278.64, 0.59%, 0.61%

LAB 54.02, 50.8, -48.63

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 65 / 47 / 10

HEX #E6507A

RGB 230 80 122

HSL 343.2, 0.75%, 0.61%

LAB 56.05, 61.02, 8.71

 

CMYK 0 / 74 / 53 / 4

HEX #F64073

RGB 246 64 115

HSL 343.19, 0.91%, 0.61%

LAB 56.58, 70.78, 14

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 43 / 31 / 22

HEX #C67088

RGB 198 112 136

HSL 343.26, 0.43%, 0.61%

LAB 57.44, 36.75, 1.86

 

CMYK 0 / 29 / 21 / 29

HEX #B6818F

RGB 182 129 143

HSL 344.15, 0.27%, 0.61%

LAB 59.55, 22.54, 0.66

 

CMYK 0 / 12 / 9 / 35

HEX #A59196

RGB 165 145 150

HSL 345, 0.1%, 0.61%

LAB 62.04, 8.33, 0.09

 

CMYK 7 / 0 / 2 / 37

HEX #95A19E

RGB 149 161 158

HSL 165, 0.06%, 0.61%

LAB 65.24, -4.84, 0.09

 

CMYK 0 / 55 / 10 / 16

HEX #D660C0

RGB 214 96 192

HSL 311.19, 0.59%, 0.61%

LAB 58.48, 58.08, -28.71

 

CMYK 0 / 55 / 25 / 16

HEX #D660A1

RGB 214 96 161

HSL 326.95, 0.59%, 0.61%

LAB 57.3, 53.5, -12.63

 

CMYK 0 / 55 / 39 / 16

HEX #D66082

RGB 214 96 130

HSL 342.71, 0.59%, 0.61%

LAB 56.36, 49.68, 4.1

 

CMYK 0 / 55 / 54 / 16

HEX #D66062

RGB 214 96 98

HSL 358.98, 0.59%, 0.61%

LAB 55.63, 46.61, 21.83

 

CMYK 0 / 41 / 55 / 16

HEX #D67E60

RGB 214 126 96

HSL 15.25, 0.59%, 0.61%

LAB 61.71, 31.13, 30.91

 

CMYK 0 / 75 / 54 / 29

HEX #B52E54

RGB 181 46 84

HSL 343.11, 0.59%, 0.45%

LAB 41.87, 55.83, 10.63

 

CMYK 0 / 69 / 50 / 20

HEX #CD4067

RGB 205 64 103

HSL 343.4, 0.59%, 0.53%

LAB 49.04, 58.03, 9.58

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 42 / 30 / 13

HEX #DE819B

RGB 222 129 155

HSL 343.23, 0.58%, 0.69%

LAB 64.64, 38.88, 1.8

 

CMYK 0 / 30 / 22 / 9

HEX #E7A2B5

RGB 231 162 181

HSL 343.48, 0.59%, 0.77%

LAB 73.65, 28.23, 0.51

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 5 / 55 / 16

HEX #D6CC60

RGB 214 204 96

HSL 54.92, 0.59%, 0.61%

LAB 80.92, -10.3, 54.15

 

CMYK 55 / 17 / 0 / 16

HEX #60B1D6

RGB 96 177 214

HSL 198.81, 0.59%, 0.61%

LAB 68.6, -14.34, -26.25

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 39 / 0 / 55 / 16

HEX #82D660

RGB 130 214 96

HSL 102.71, 0.59%, 0.61%

LAB 78.28, -46.75, 49.69

 

CMYK 55 / 39 / 0 / 16

HEX #6082D6

RGB 96 130 214

HSL 222.71, 0.59%, 0.61%

LAB 55.39, 12.42, -46.86

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 5 / 55 / 16

HEX #D6CC60

RGB 214 204 96

HSL 54.92, 0.59%, 0.61%

LAB 80.92, -10.3, 54.15

 

CMYK 55 / 0 / 16 / 16

HEX #60D6B4

RGB 96 214 180

HSL 162.71, 0.59%, 0.61%

LAB 78.39, -41.41, 6.79

 

CMYK 55 / 50 / 0 / 16

HEX #606AD6

RGB 96 106 214

HSL 234.92, 0.59%, 0.61%

LAB 49.07, 27.06, -56.95

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 12 / 0 / 55 / 16

HEX #BCD660

RGB 188 214 96

HSL 73.22, 0.59%, 0.61%

LAB 81.64, -25.75, 54.45

 

CMYK 55 / 0 / 16 / 16

HEX #60D6B4

RGB 96 214 180

HSL 162.71, 0.59%, 0.61%

LAB 78.39, -41.41, 6.79

 

CMYK 43 / 55 / 0 / 16

HEX #7A60D6

RGB 122 96 214

HSL 253.22, 0.59%, 0.61%

LAB 48.71, 38.63, -57.43

 

Description

Color code: HEX #D66081 | qconv.com Color code: HEX #D66081 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 96 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 96 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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