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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65CF0 it is the complementary color #29A30F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65CF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65CF0 shade: #DB5CEB, #EC6EFE, #FD80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65CF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65CF0 shade: #D65CF0, #C54ADD, #B438CA, #A326B7 and #9214A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65CF0 shade: #D55BEF, #EF5BE1, #EF5BB9, #EF5B91 and #EF5B6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65CF0 shade: #D55BEF, #AD5BEF, #855BEF, #5D5BEF and #5B5BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65CF0 shade matches the following richer shades: #D55BEF and #DF4DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65CF0 shade: #D55BEF, #CC6AE1, #C378D2, #B986C4 and #B095B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65CF0 shade: #855BEF, #AD5BEF, #D45BEF, #EF5BE3 and #EF5BBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65CF0 shade: #BF15E3, #CC35EC, #D55BEF, #DF81F3 and #E8A7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65CF0 shade: #D65CF0, #EF5E5B and #5BEF99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65CF0 shade: #D65CF0, #EFD45B and #5BEFD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65CF0 shade: #D65CF0, #EF5E5B, #76EF5B and #5BEDEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65CF0 shade: #D65CF0, #EF8A5B, #76EF5B and #5BC0EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 62 / 0 / 6

HEX #D65CF0

RGB 214 92 240

HSL 289.46, 0.83%, 0.65%

LAB 60.11, 68.15, -53.22

 

Complementary color

CMYK 75 / 0 / 91 / 36

HEX #29A30F

RGB 41 163 15

HSL 109.46, 0.83%, 0.35%

LAB 58.7, -57.29, 57.83

 

CMYK 7 / 61 / 0 / 8

HEX #DB5CEB

RGB 219 92 235

HSL 293.29, 0.78%, 0.64%

LAB 60.53, 68.41, -49.73

 

CMYK 7 / 57 / 0 / 0

HEX #EC6EFE

RGB 236 110 254

HSL 292.5, 0.99%, 0.71%

LAB 66.63, 68.09, -50.43

 

CMYK 1 / 50 / 0 / 0

HEX #FD80FF

RGB 253 128 255

HSL 299.06, 1%, 0.75%

LAB 71.92, 64.41, -42.51

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 11 / 62 / 0 / 6

HEX #D65CF0

RGB 214 92 240

HSL 289.46, 0.83%, 0.65%

LAB 60.11, 68.15, -53.22

 

CMYK 11 / 67 / 0 / 13

HEX #C54ADD

RGB 197 74 221

HSL 290.2, 0.68%, 0.58%

LAB 54.01, 68.25, -52.41

 

CMYK 11 / 72 / 0 / 21

HEX #B438CA

RGB 180 56 202

HSL 290.96, 0.58%, 0.51%

LAB 48, 67.92, -51.3

 

CMYK 11 / 79 / 0 / 28

HEX #A326B7

RGB 163 38 183

HSL 291.72, 0.66%, 0.43%

LAB 42.14, 66.93, -49.77

 

CMYK 11 / 88 / 0 / 36

HEX #9214A4

RGB 146 20 164

HSL 292.5, 0.78%, 0.36%

LAB 36.54, 64.89, -47.61

 

CMYK 11 / 62 / 0 / 6

HEX #D55BEF

RGB 213 91 239

HSL 289.46, 0.82%, 0.65%

LAB 59.76, 68.16, -53.22

 

CMYK 0 / 62 / 6 / 6

HEX #EF5BE1

RGB 239 91 225

HSL 305.68, 0.82%, 0.65%

LAB 62.73, 71.99, -40.47

 

CMYK 0 / 62 / 23 / 6

HEX #EF5BB9

RGB 239 91 185

HSL 321.89, 0.82%, 0.65%

LAB 61.08, 66.21, -20.4

 

CMYK 0 / 62 / 39 / 6

HEX #EF5B91

RGB 239 91 145

HSL 338.11, 0.82%, 0.65%

LAB 59.78, 61.47, 0.76

 

CMYK 0 / 62 / 56 / 6

HEX #EF5B6A

RGB 239 91 106

HSL 353.92, 0.82%, 0.65%

LAB 58.86, 57.99, 22.19

 

CMYK 11 / 62 / 0 / 6

HEX #D55BEF

RGB 213 91 239

HSL 289.46, 0.82%, 0.65%

LAB 59.76, 68.16, -53.22

 

CMYK 28 / 62 / 0 / 6

HEX #AD5BEF

RGB 173 91 239

HSL 273.24, 0.82%, 0.65%

LAB 54.66, 59.06, -61.68

 

CMYK 44 / 62 / 0 / 6

HEX #855BEF

RGB 133 91 239

HSL 257.03, 0.82%, 0.65%

LAB 50.34, 50.66, -68.87

 

CMYK 61 / 62 / 0 / 6

HEX #5D5BEF

RGB 93 91 239

HSL 240.81, 0.82%, 0.65%

LAB 47.03, 43.63, -74.4

 

CMYK 62 / 62 / 0 / 6

HEX #5B5BEF

RGB 91 91 239

HSL 240, 0.82%, 0.65%

LAB 46.89, 43.33, -74.62

 

CMYK 11 / 62 / 0 / 6

HEX #D55BEF

RGB 213 91 239

HSL 289.46, 0.82%, 0.65%

LAB 59.76, 68.16, -53.22

 

CMYK 12 / 70 / 0 / 0

HEX #DF4DFE

RGB 223 77 254

HSL 289.49, 0.99%, 0.65%

LAB 60.03, 78.54, -61.04

 

CMYK 11 / 62 / 0 / 6

HEX #D55BEF

RGB 213 91 239

HSL 289.46, 0.82%, 0.65%

LAB 59.76, 68.16, -53.22

 

CMYK 9 / 53 / 0 / 12

HEX #CC6AE1

RGB 204 106 225

HSL 289.41, 0.66%, 0.65%

LAB 60.41, 56.39, -44.45

 

CMYK 7 / 43 / 0 / 18

HEX #C378D2

RGB 195 120 210

HSL 290, 0.5%, 0.65%

LAB 61.38, 43.79, -34.59

 

CMYK 6 / 32 / 0 / 23

HEX #B986C4

RGB 185 134 196

HSL 289.35, 0.34%, 0.65%

LAB 62.8, 30.28, -24.61

 

CMYK 3 / 18 / 0 / 29

HEX #B095B6

RGB 176 149 182

HSL 289.09, 0.18%, 0.65%

LAB 65.04, 16.07, -13.41

 

CMYK 44 / 62 / 0 / 6

HEX #855BEF

RGB 133 91 239

HSL 257.03, 0.82%, 0.65%

LAB 50.34, 50.66, -68.87

 

CMYK 28 / 62 / 0 / 6

HEX #AD5BEF

RGB 173 91 239

HSL 273.24, 0.82%, 0.65%

LAB 54.66, 59.06, -61.68

 

CMYK 11 / 62 / 0 / 6

HEX #D45BEF

RGB 212 91 239

HSL 289.05, 0.82%, 0.65%

LAB 59.63, 67.92, -53.45

 

CMYK 0 / 62 / 5 / 6

HEX #EF5BE3

RGB 239 91 227

HSL 304.86, 0.82%, 0.65%

LAB 62.83, 72.3, -41.45

 

CMYK 0 / 62 / 22 / 6

HEX #EF5BBB

RGB 239 91 187

HSL 321.08, 0.82%, 0.65%

LAB 61.15, 66.47, -21.43

 

CMYK 16 / 91 / 0 / 11

HEX #BF15E3

RGB 191 21 227

HSL 289.51, 0.83%, 0.49%

LAB 48.46, 82.64, -64.79

 

CMYK 14 / 78 / 0 / 7

HEX #CC35EC

RGB 204 53 236

HSL 289.51, 0.83%, 0.57%

LAB 53.43, 79.5, -61.75

 

CMYK 11 / 62 / 0 / 6

HEX #D55BEF

RGB 213 91 239

HSL 289.46, 0.82%, 0.65%

LAB 59.76, 68.16, -53.22

 

CMYK 8 / 47 / 0 / 5

HEX #DF81F3

RGB 223 129 243

HSL 289.47, 0.83%, 0.73%

LAB 67.92, 53.58, -42.48

 

CMYK 6 / 32 / 0 / 4

HEX #E8A7F6

RGB 232 167 246

HSL 289.37, 0.81%, 0.81%

LAB 76.95, 36.99, -30.02

 

CMYK 11 / 62 / 0 / 6

HEX #D65CF0

RGB 214 92 240

HSL 289.46, 0.83%, 0.65%

LAB 60.11, 68.15, -53.22

 

CMYK 0 / 61 / 62 / 6

HEX #EF5E5B

RGB 239 94 91

HSL 1.22, 0.82%, 0.65%

LAB 59.08, 55.67, 31.1

 

CMYK 62 / 0 / 36 / 6

HEX #5BEF99

RGB 91 239 153

HSL 145.14, 0.82%, 0.65%

LAB 85.13, -58.32, 30.21

 

CMYK 11 / 62 / 0 / 6

HEX #D65CF0

RGB 214 92 240

HSL 289.46, 0.83%, 0.65%

LAB 60.11, 68.15, -53.22

 

CMYK 0 / 11 / 62 / 6

HEX #EFD45B

RGB 239 212 91

HSL 49.05, 0.82%, 0.65%

LAB 85.09, -4.4, 61.65

 

CMYK 62 / 0 / 11 / 6

HEX #5BEFD4

RGB 91 239 212

HSL 169.05, 0.82%, 0.65%

LAB 86.36, -45.64, 1.38

 

CMYK 11 / 62 / 0 / 6

HEX #D65CF0

RGB 214 92 240

HSL 289.46, 0.83%, 0.65%

LAB 60.11, 68.15, -53.22

 

CMYK 0 / 61 / 62 / 6

HEX #EF5E5B

RGB 239 94 91

HSL 1.22, 0.82%, 0.65%

LAB 59.08, 55.67, 31.1

 

CMYK 51 / 0 / 62 / 6

HEX #76EF5B

RGB 118 239 91

HSL 109.05, 0.82%, 0.65%

LAB 85.17, -60.68, 59.65

 

CMYK 62 / 1 / 0 / 6

HEX #5BEDEF

RGB 91 237 239

HSL 180.81, 0.82%, 0.65%

LAB 86.52, -37.77, -12.56

 

CMYK 11 / 62 / 0 / 6

HEX #D65CF0

RGB 214 92 240

HSL 289.46, 0.83%, 0.65%

LAB 60.11, 68.15, -53.22

 

CMYK 0 / 42 / 62 / 6

HEX #EF8A5B

RGB 239 138 91

HSL 19.05, 0.82%, 0.65%

LAB 67.49, 34.32, 41.49

 

CMYK 51 / 0 / 62 / 6

HEX #76EF5B

RGB 118 239 91

HSL 109.05, 0.82%, 0.65%

LAB 85.17, -60.68, 59.65

 

CMYK 62 / 20 / 0 / 6

HEX #5BC0EF

RGB 91 192 239

HSL 199.05, 0.82%, 0.65%

LAB 73.65, -15.68, -32.11

 

Description

Color code: HEX #D65CF0 | qconv.com Color code: HEX #D65CF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 92 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 92 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 62 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 62% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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