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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65B38 it is the complementary color #29A4C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65B38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65B38 shade: #DB5B33, #EC6D46, #FD7F59, #FF916C and #FFA37F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65B38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65B38 shade: #D65B38, #C54925, #B43712, #A32500 and #921300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65B38 shade: #D65B38 and #D63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65B38 shade: #D65B38, #D68538, #D6B038, #D1D638 and #A6D638

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65B38 shade matches the following richer shades: #D65B38, #E95024 and #FD4511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65B38 shade: #D65B38, #C2654B, #AF705E, #9C7B72 and #888685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65B38 shade: #D6386A, #D6383F, #D65A38, #D68438 and #D6AE38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65B38 shade: #9B3B1F, #BE4826, #D65B38, #DD775A and #E4937C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65B38 shade: #D65B38, #94D638 and #3855D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65B38 shade: #D65B38, #38D65A and #5A38D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65B38 shade: #D65B38, #94D638, #38B3D6 and #7938D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65B38 shade: #D65B38, #64D638, #38B3D6 and #A938D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

Complementary color

CMYK 79 / 18 / 0 / 22

HEX #29A4C7

RGB 41 164 199

HSL 193.29, 0.66%, 0.47%

LAB 62.63, -20.72, -27.25

 

CMYK 0 / 58 / 77 / 14

HEX #DB5B33

RGB 219 91 51

HSL 14.29, 0.7%, 0.53%

LAB 54.85, 48, 47.07

 

CMYK 0 / 54 / 70 / 7

HEX #EC6D46

RGB 236 109 70

HSL 14.1, 0.81%, 0.6%

LAB 60.97, 46.54, 44.74

 

CMYK 0 / 50 / 65 / 1

HEX #FD7F59

RGB 253 127 89

HSL 13.9, 0.98%, 0.67%

LAB 67.11, 45.11, 42.54

 

CMYK 0 / 43 / 58 / 0

HEX #FF916C

RGB 255 145 108

HSL 15.1, 1%, 0.71%

LAB 71.28, 38.1, 37.63

 

CMYK 0 / 36 / 50 / 0

HEX #FFA37F

RGB 255 163 127

HSL 16.88, 1%, 0.75%

LAB 75.44, 30.36, 32.84

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 0 / 63 / 81 / 23

HEX #C54925

RGB 197 73 37

HSL 13.5, 0.68%, 0.46%

LAB 47.97, 47.78, 45.92

 

CMYK 0 / 69 / 90 / 29

HEX #B43712

RGB 180 55 18

HSL 13.7, 0.82%, 0.39%

LAB 41.97, 49, 47.97

 

CMYK 0 / 77 / 100 / 36

HEX #A32500

RGB 163 37 0

HSL 13.62, 1%, 0.32%

LAB 36.19, 49.75, 49.14

 

CMYK 0 / 87 / 100 / 43

HEX #921300

RGB 146 19 0

HSL 7.81, 1%, 0.29%

LAB 30.82, 49.61, 44.1

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 0 / 74 / 74 / 16

HEX #D63838

RGB 214 56 56

HSL 0, 0.66%, 0.53%

LAB 48.77, 60.71, 37.62

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 0 / 38 / 74 / 16

HEX #D68538

RGB 214 133 56

HSL 29.24, 0.66%, 0.53%

LAB 62.81, 24.84, 52.63

 

CMYK 0 / 18 / 74 / 16

HEX #D6B038

RGB 214 176 56

HSL 45.57, 0.66%, 0.53%

LAB 73.31, 1.76, 63.05

 

CMYK 2 / 0 / 74 / 16

HEX #D1D638

RGB 209 214 56

HSL 61.9, 0.66%, 0.53%

LAB 82.88, -19.75, 71.99

 

CMYK 22 / 0 / 74 / 16

HEX #A6D638

RGB 166 214 56

HSL 78.23, 0.66%, 0.53%

LAB 79.89, -37.11, 68.1

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 0 / 66 / 85 / 9

HEX #E95024

RGB 233 80 36

HSL 13.4, 0.82%, 0.53%

LAB 55.27, 57.21, 55.27

 

CMYK 0 / 73 / 93 / 1

HEX #FD4511

RGB 253 69 17

HSL 13.22, 0.98%, 0.53%

LAB 57.25, 67.32, 64.97

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 0 / 48 / 61 / 24

HEX #C2654B

RGB 194 101 75

HSL 13.11, 0.49%, 0.53%

LAB 53.26, 34.84, 31.4

 

CMYK 0 / 36 / 46 / 31

HEX #AF705E

RGB 175 112 94

HSL 13.33, 0.34%, 0.53%

LAB 53.5, 22.87, 20.36

 

CMYK 0 / 21 / 27 / 39

HEX #9C7B72

RGB 156 123 114

HSL 12.86, 0.18%, 0.53%

LAB 54.5, 11.4, 9.8

 

CMYK 0 / 1 / 2 / 47

HEX #888685

RGB 136 134 133

HSL 20, 0.01%, 0.53%

LAB 56.07, 0.55, 0.79

 

CMYK 0 / 74 / 50 / 16

HEX #D6386A

RGB 214 56 106

HSL 341.01, 0.66%, 0.53%

LAB 49.7, 63.75, 8.91

 

CMYK 0 / 74 / 71 / 16

HEX #D6383F

RGB 214 56 63

HSL 357.34, 0.66%, 0.53%

LAB 48.86, 61.01, 33.69

 

CMYK 0 / 58 / 74 / 16

HEX #D65A38

RGB 214 90 56

HSL 12.91, 0.66%, 0.53%

LAB 53.91, 46.85, 43.29

 

CMYK 0 / 38 / 74 / 16

HEX #D68438

RGB 214 132 56

HSL 28.86, 0.66%, 0.53%

LAB 62.58, 25.38, 52.39

 

CMYK 0 / 19 / 74 / 16

HEX #D6AE38

RGB 214 174 56

HSL 44.81, 0.66%, 0.53%

LAB 72.8, 2.82, 62.55

 

CMYK 0 / 62 / 80 / 39

HEX #9B3B1F

RGB 155 59 31

HSL 13.55, 0.67%, 0.36%

LAB 38.19, 38.58, 36.92

 

CMYK 0 / 62 / 80 / 25

HEX #BE4826

RGB 190 72 38

HSL 13.42, 0.67%, 0.45%

LAB 46.61, 45.74, 43.7

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 0 / 46 / 59 / 13

HEX #DD775A

RGB 221 119 90

HSL 13.28, 0.66%, 0.61%

LAB 61.05, 37.08, 33.58

 

CMYK 0 / 36 / 46 / 11

HEX #E4937C

RGB 228 147 124

HSL 13.27, 0.66%, 0.69%

LAB 68.62, 28.02, 24.86

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 31 / 0 / 74 / 16

HEX #94D638

RGB 148 214 56

HSL 85.06, 0.66%, 0.53%

LAB 78.85, -43.86, 66.74

 

CMYK 74 / 60 / 0 / 16

HEX #3855D6

RGB 56 85 214

HSL 228.99, 0.66%, 0.53%

LAB 41.52, 33.87, -69.29

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 74 / 0 / 58 / 16

HEX #38D65A

RGB 56 214 90

HSL 132.91, 0.66%, 0.53%

LAB 75.87, -65.19, 49.01

 

CMYK 58 / 74 / 0 / 16

HEX #5A38D6

RGB 90 56 214

HSL 252.91, 0.66%, 0.53%

LAB 37.58, 54.93, -75.66

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 31 / 0 / 74 / 16

HEX #94D638

RGB 148 214 56

HSL 85.06, 0.66%, 0.53%

LAB 78.85, -43.86, 66.74

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 43 / 74 / 0 / 16

HEX #7938D6

RGB 121 56 214

HSL 264.68, 0.66%, 0.53%

LAB 40.81, 59.47, -70.24

 

CMYK 0 / 57 / 74 / 16

HEX #D65B38

RGB 214 91 56

HSL 13.29, 0.66%, 0.53%

LAB 54.09, 46.38, 43.48

 

CMYK 53 / 0 / 74 / 16

HEX #64D638

RGB 100 214 56

HSL 103.29, 0.66%, 0.53%

LAB 76.73, -59.22, 63.94

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 21 / 74 / 0 / 16

HEX #A938D6

RGB 169 56 214

HSL 282.91, 0.66%, 0.53%

LAB 47.13, 68, -59.69

 

Description

Color code: HEX #D65B38 | qconv.com Color code: HEX #D65B38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 91 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 91 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 74 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 74% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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