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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64877 it is the complementary color #29B788. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64877. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64877 shade: #DB4872, #EC5A85, #FD6C98, #FF7EAB and #FF90BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64877. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64877 shade: #D64877, #C53664, #B42451, #A3123E and #92002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64877 shade: #D54876, #D54850 and #D54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64877 shade: #D54876, #D5489D, #D548C3, #C148D5 and #9B48D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64877 shade matches the following richer shades: #D54876, #E73570 and #F9236A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64877 shade: #D54876, #C35A7D, #B16C83, #9F7E89 and #8C908F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64877 shade: #D548C2, #D5489C, #D54877, #D54851 and #D56448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64877 shade: #A5254F, #C72D60, #D54876, #DD698F and #E48BA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64877 shade: #D64877, #D5C248 and #48AFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64877 shade: #D64877, #77D548 and #4877D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64877 shade: #D64877, #D5C248, #48D5A6 and #485AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64877 shade: #D64877, #BDD548, #48D5A6 and #5F48D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 44 / 16

HEX #D64877

RGB 214 72 119

HSL 340.14, 0.63%, 0.56%

LAB 52.13, 59.08, 4.54

 

Complementary color

CMYK 78 / 0 / 26 / 28

HEX #29B788

RGB 41 183 136

HSL 160.14, 0.63%, 0.44%

LAB 66.61, -47.72, 13.62

 

CMYK 0 / 67 / 48 / 14

HEX #DB4872

RGB 219 72 114

HSL 342.86, 0.67%, 0.57%

LAB 52.85, 60.13, 8.67

 

CMYK 0 / 62 / 44 / 7

HEX #EC5A85

RGB 236 90 133

HSL 342.33, 0.79%, 0.64%

LAB 58.82, 59.77, 6.33

 

CMYK 0 / 57 / 40 / 1

HEX #FD6C98

RGB 253 108 152

HSL 341.79, 0.97%, 0.71%

LAB 64.86, 59.18, 4.36

 

CMYK 0 / 51 / 33 / 0

HEX #FF7EAB

RGB 255 126 171

HSL 339.07, 1%, 0.75%

LAB 68.84, 53.61, -0.6

 

CMYK 0 / 44 / 25 / 0

HEX #FF90BE

RGB 255 144 190

HSL 335.14, 1%, 0.78%

LAB 72.84, 47.18, -5.33

 

CMYK 0 / 66 / 44 / 16

HEX #D64877

RGB 214 72 119

HSL 340.14, 0.63%, 0.56%

LAB 52.13, 59.08, 4.54

 

CMYK 0 / 73 / 49 / 23

HEX #C53664

RGB 197 54 100

HSL 340.7, 0.57%, 0.49%

LAB 46.22, 59.07, 7.22

 

CMYK 0 / 80 / 55 / 29

HEX #B42451

RGB 180 36 81

HSL 341.25, 0.67%, 0.42%

LAB 40.51, 58.41, 10.59

 

CMYK 0 / 89 / 62 / 36

HEX #A3123E

RGB 163 18 62

HSL 341.79, 0.8%, 0.35%

LAB 35.14, 56.75, 14.88

 

CMYK 0 / 100 / 71 / 43

HEX #92002B

RGB 146 0 43

HSL 342.33, 1%, 0.29%

LAB 30.12, 54.04, 20.13

 

CMYK 0 / 66 / 45 / 16

HEX #D54876

RGB 213 72 118

HSL 340.43, 0.63%, 0.56%

LAB 51.94, 58.69, 4.83

 

CMYK 0 / 66 / 62 / 16

HEX #D54850

RGB 213 72 80

HSL 356.6, 0.63%, 0.56%

LAB 51.11, 55.68, 26.43

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 66 / 45 / 16

HEX #D54876

RGB 213 72 118

HSL 340.43, 0.63%, 0.56%

LAB 51.94, 58.69, 4.83

 

CMYK 0 / 66 / 26 / 16

HEX #D5489D

RGB 213 72 157

HSL 323.83, 0.63%, 0.56%

LAB 53.18, 63.03, -16.54

 

CMYK 0 / 66 / 8 / 16

HEX #D548C3

RGB 213 72 195

HSL 307.66, 0.63%, 0.56%

LAB 54.78, 68.36, -36.2

 

CMYK 9 / 66 / 0 / 16

HEX #C148D5

RGB 193 72 213

HSL 291.49, 0.63%, 0.56%

LAB 52.7, 66.69, -49.99

 

CMYK 27 / 66 / 0 / 16

HEX #9B48D5

RGB 155 72 213

HSL 275.32, 0.63%, 0.56%

LAB 47.5, 58.35, -58.61

 

CMYK 0 / 66 / 45 / 16

HEX #D54876

RGB 213 72 118

HSL 340.43, 0.63%, 0.56%

LAB 51.94, 58.69, 4.83

 

CMYK 0 / 77 / 52 / 9

HEX #E73570

RGB 231 53 112

HSL 340.11, 0.79%, 0.56%

LAB 52.63, 69.79, 9.85

 

CMYK 0 / 86 / 57 / 2

HEX #F9236A

RGB 249 35 106

HSL 340.09, 0.95%, 0.56%

LAB 54.43, 78.07, 16.49

 

CMYK 0 / 66 / 45 / 16

HEX #D54876

RGB 213 72 118

HSL 340.43, 0.63%, 0.56%

LAB 51.94, 58.69, 4.83

 

CMYK 0 / 54 / 36 / 24

HEX #C35A7D

RGB 195 90 125

HSL 340, 0.47%, 0.56%

LAB 52.28, 45.6, 0.79

 

CMYK 0 / 39 / 26 / 31

HEX #B16C83

RGB 177 108 131

HSL 340, 0.31%, 0.56%

LAB 53.72, 30.55, -0.96

 

CMYK 0 / 21 / 14 / 38

HEX #9F7E89

RGB 159 126 137

HSL 340, 0.15%, 0.56%

LAB 56.19, 14.56, -1.09

 

CMYK 3 / 0 / 1 / 44

HEX #8C908F

RGB 140 144 143

HSL 165, 0.02%, 0.56%

LAB 59.44, -1.65, 0.01

 

CMYK 0 / 66 / 9 / 16

HEX #D548C2

RGB 213 72 194

HSL 308.09, 0.63%, 0.56%

LAB 54.74, 68.21, -35.7

 

CMYK 0 / 66 / 27 / 16

HEX #D5489C

RGB 213 72 156

HSL 324.26, 0.63%, 0.56%

LAB 53.15, 62.91, -16.01

 

CMYK 0 / 66 / 44 / 16

HEX #D54877

RGB 213 72 119

HSL 340, 0.63%, 0.56%

LAB 51.96, 58.78, 4.27

 

CMYK 0 / 66 / 62 / 16

HEX #D54851

RGB 213 72 81

HSL 356.17, 0.63%, 0.56%

LAB 51.12, 55.75, 25.86

 

CMYK 0 / 53 / 66 / 16

HEX #D56448

RGB 213 100 72

HSL 11.91, 0.63%, 0.56%

LAB 55.81, 42.47, 36.82

 

CMYK 0 / 78 / 52 / 35

HEX #A5254F

RGB 165 37 79

HSL 340.31, 0.63%, 0.4%

LAB 37.64, 53.73, 7.41

 

CMYK 0 / 77 / 52 / 22

HEX #C72D60

RGB 199 45 96

HSL 340.13, 0.63%, 0.48%

LAB 45.45, 62.21, 8.65

 

CMYK 0 / 66 / 45 / 16

HEX #D54876

RGB 213 72 118

HSL 340.43, 0.63%, 0.56%

LAB 51.94, 58.69, 4.83

 

CMYK 0 / 52 / 35 / 13

HEX #DD698F

RGB 221 105 143

HSL 340.34, 0.63%, 0.64%

LAB 59.4, 49.17, 1.04

 

CMYK 0 / 39 / 26 / 11

HEX #E48BA8

RGB 228 139 168

HSL 340.45, 0.62%, 0.72%

LAB 67.86, 37.51, -0.76

 

CMYK 0 / 66 / 44 / 16

HEX #D64877

RGB 214 72 119

HSL 340.14, 0.63%, 0.56%

LAB 52.13, 59.08, 4.54

 

CMYK 0 / 9 / 66 / 16

HEX #D5C248

RGB 213 194 72

HSL 51.91, 0.63%, 0.56%

LAB 77.99, -7.23, 61.41

 

CMYK 66 / 18 / 0 / 16

HEX #48AFD5

RGB 72 175 213

HSL 196.17, 0.63%, 0.56%

LAB 67.16, -17.96, -27.98

 

CMYK 0 / 66 / 44 / 16

HEX #D64877

RGB 214 72 119

HSL 340.14, 0.63%, 0.56%

LAB 52.13, 59.08, 4.54

 

CMYK 44 / 0 / 66 / 16

HEX #77D548

RGB 119 213 72

HSL 100, 0.63%, 0.56%

LAB 77.27, -52.12, 58.8

 

CMYK 66 / 44 / 0 / 16

HEX #4877D5

RGB 72 119 213

HSL 220, 0.63%, 0.56%

LAB 51.12, 14.28, -53.16

 

CMYK 0 / 66 / 44 / 16

HEX #D64877

RGB 214 72 119

HSL 340.14, 0.63%, 0.56%

LAB 52.13, 59.08, 4.54

 

CMYK 0 / 9 / 66 / 16

HEX #D5C248

RGB 213 194 72

HSL 51.91, 0.63%, 0.56%

LAB 77.99, -7.23, 61.41

 

CMYK 66 / 0 / 22 / 16

HEX #48D5A6

RGB 72 213 166

HSL 160, 0.63%, 0.56%

LAB 77.11, -48.69, 12.34

 

CMYK 66 / 58 / 0 / 16

HEX #485AD5

RGB 72 90 213

HSL 232.34, 0.63%, 0.56%

LAB 43.5, 32.46, -65.46

 

CMYK 0 / 66 / 44 / 16

HEX #D64877

RGB 214 72 119

HSL 340.14, 0.63%, 0.56%

LAB 52.13, 59.08, 4.54

 

CMYK 11 / 0 / 66 / 16

HEX #BDD548

RGB 189 213 72

HSL 70.21, 0.63%, 0.56%

LAB 81.22, -26.64, 64.16

 

CMYK 66 / 0 / 22 / 16

HEX #48D5A6

RGB 72 213 166

HSL 160, 0.63%, 0.56%

LAB 77.11, -48.69, 12.34

 

CMYK 55 / 66 / 0 / 16

HEX #5F48D5

RGB 95 72 213

HSL 249.79, 0.63%, 0.56%

LAB 41.01, 46.85, -69.45

 

Description

Color code: HEX #D64877 | qconv.com Color code: HEX #D64877 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 72 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 72 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 44 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 44% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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